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영화대본에 해당되는 글 55건
- 2011.11.29 (영화대본) 프랜즈 시즌1-1
- 2011.11.29 (영화대본) 프랜즈 시즌1-5
- 2011.11.29 (영화대본) 프랜즈 시즌1-6
- 2011.11.29 (영화대본) 프랜즈 시즌1-7
- 2011.11.29 (영화대본) 프랜즈 시즌1-8
- 2011.11.29 (영화대본) 프랜즈 시즌1-9
- 2011.11.29 (영화대본) 프랜즈 시즌1-10
- 2011.11.29 (영화대본) 프랜즈 시즌1-11
- 2011.11.29 (영화대본) 프랜즈 시즌1-12
- 2011.11.29 (영화대본) 프랜즈 시즌1-13
- 2011.11.29 (영화대본) 프랜즈 시즌1-14
- 2011.11.29 (영화대본) 프랜즈 시즌1-15
- 2011.11.29 (영화대본) 프랜즈 시즌1-16
- 2011.11.29 (영화대본) 프랜즈 시즌1-17
- 2011.11.29 (영화대본) 프랜즈 시즌1-18
- 2011.11.29 (영화대본) 프랜즈 시즌1-19
- 2011.11.29 (영화대본) 프랜즈 시즌1-20
- 2011.11.29 (영화대본) 프랜즈 시즌1-21 2
- 2011.11.29 (영화대본) 프랜즈 시즌1-22
- 2011.11.29 (영화대본) 프랜즈 시즌1-23
- 2011.11.29 (영화대본) 프랜즈 시즌1-24 1
- 2011.11.29 (영화대본) 토이스토리 - Toy Story
- 2011.11.29 (영화대본) 토이스토리 2 - Toy Story 2
- 2011.11.29 (영화대본) 몬스터 주식회사 - Monsters, Inc.
- 2011.11.29 (영화대본) 아이스 에이지 - Ice Age 1
- 2011.11.29 (영화대본) 기동경찰 패트레이버 - PATLABOR
- 2011.11.29 (영화대본) 미녀와 야수 - Beauty and the Beast
- 2011.11.29 (영화대본) 붉은 돼지 - T H E C R I M S O N P I G
- 2011.11.29 (영화대본) 헤라클레스 - Hercules
- 2011.11.29 (영화대본) 아더왕 이야기 - The Sword In The Stone
글
(영화대본) 프랜즈 시즌1-1
The One Where Monica Gets a New Roommate
(The Pilot-The Uncut Version)
Written by: Marta Kauffman and David Crane
[Scene: Central Perk, Chandler, Joey, Phoebe, and Monica are there.]
Monica: There's nothing to tell! He's just some guy I work with!
Joey: C'mon, you're going out with the guy! There's gotta be something wrong with him!
Chandler: All right Joey, be nice. So does he have a hump? A hump and a hairpiece?
Phoebe: Wait, does he eat chalk?
(They all stare, bemused.)
Phoebe: Just, 'cause, I don't want her to go through what I went through with Carl- oh!
Monica: Okay, everybody relax. This is not even a date. It's just two people going out to dinner and- not having sex.
Chandler: Sounds like a date to me.
[Time Lapse]
Chandler: Alright, so I'm back in high school, I'm standing in the middle of the cafeteria, and I realize I am totally naked.
All: Oh, yeah. Had that dream.
Chandler: Then I look down, and I realize there's a phone... there.
Joey: Instead of...?
Chandler: That's right.
Joey: Never had that dream.
Phoebe: No.
Chandler: All of a sudden, the phone starts to ring. Now I don't know what to do, everybody starts looking at me.
Monica: And they weren't looking at you before?!
Chandler: Finally, I figure I'd better answer it, and it turns out it's my mother, which is very-very weird, because- she never calls me!
[Time Lapse, Ross has entered.]
Ross: (mortified) Hi.
Joey: This guy says hello, I wanna kill myself.
Monica: Are you okay, sweetie?
Ross: I just feel like someone reached down my throat, grabbed my small intestine, pulled it out of my mouth and tied it around my neck...
Chandler: Cookie?
Monica: (explaining to the others) Carol moved her stuff out today.
Joey: Ohh.
Monica: (to Ross) Let me get you some coffee.
Ross: Thanks.
Phoebe: Ooh! Oh! (She starts to pluck at the air just in front of Ross.)
Ross: No, no don't! Stop cleansing my aura! No, just leave my aura alone, okay?
Phoebe: Fine! Be murky!
Ross: I'll be fine, alright? Really, everyone. I hope she'll be very happy.
Monica: No you don't.
Ross: No I don't, to hell with her, she left me!
Joey: And you never knew she was a lesbian...
Ross: No!! Okay?! Why does everyone keep fixating on that? She didn't know, how should I know?
Chandler: Sometimes I wish I was a lesbian... (They all stare at him.) Did I say that out loud?
Ross: I told mom and dad last night, they seemed to take it pretty well.
Monica: Oh really, so that hysterical phone call I got from a woman at sobbing 3:00 A.M., "I'll never have grandchildren, I'll never have grandchildren." was what? A wrong number?
Ross: Sorry.
Joey: Alright Ross, look. You're feeling a lot of pain right now. You're angry. You're hurting. Can I tell you what the answer is?
(Ross gestures his consent.)
Joey: Strip joint! C'mon, you're single! Have some hormones!
Ross: I don't want to be single, okay? I just... I just- I just wanna be married again!
(Rachel enters in a wet wedding dress and starts to search the room.)
Chandler: And I just want a million dollars! (He extends his hand hopefully.)
Monica: Rachel?!
Rachel: Oh God Monica hi! Thank God! I just went to your building and you weren't there and then this guy with a big hammer said you might be here and you are, you are!
Waitress: Can I get you some coffee?
Monica: (pointing at Rachel) De-caff. (to All) Okay, everybody, this is Rachel, another Lincoln High survivor. (to Rachel) This is everybody, this is Chandler, and Phoebe, and Joey, and- you remember my brother Ross?
Rachel: Hi, sure!
Ross: Hi.
(They go to hug but Ross's umbrella opens. He sits back down defeated again. A moment of silence follows as Rachel sits and the others expect her to explain.)
Monica: So you wanna tell us now, or are we waiting for four wet bridesmaids?
Rachel: Oh God... well, it started about a half hour before the wedding. I was in the room where we were keeping all the presents, and I was looking at this gravy boat. This really gorgeous Lamauge gravy boat. When all of a sudden- (to the waitress that brought her coffee)Sweet 'n' Lo?- I realized that I was more turned on by this gravy boat than by Barry! And then I got really freaked out, and that's when it hit me: how much Barry looks like Mr. Potato Head. Y'know, I mean, I always knew looked familiar, but... Anyway, I just had to get out of there, and I started wondering 'Why am I doing this, and who am I doing this for?'. (to Monica) So anyway I just didn't know where to go, and I know that you and I have kinda drifted apart, but you're the only person I knew who lived here in the city.
Monica: Who wasn't invited to the wedding.
Rachel: Ooh, I was kinda hoping that wouldn't be an issue... [Scene: Monica's Apartment, everyone is there and watching a Spanish Soap on TV and are trying to figure out what is going on.]
Monica: Now I'm guessing that he bought her the big pipe organ, and she's really not happy about it.
Chandler: (imitating the characters) Tuna or egg salad? Decide!
Ross: (in a deep voice) I'll have whatever Christine is having.
Rachel: (on phone) Daddy, I just... I can't marry him! I'm sorry. I just don't love him. Well, it matters to me!
(The scene on TV has changed to show two women, one is holding her hair.)
Phoebe: If I let go of my hair, my head will fall off. Chandler: (re TV) Ooh, she should not be wearing those pants. Joey: I say push her down the stairs. Phoebe, Ross, Chandler, and Joey: Push her down the stairs! Push her down the stairs! Push her down the stairs!
(She is pushed down the stairs and everyone cheers.)
Rachel: C'mon Daddy, listen to me! It's like, it's like, all of my life, everyone has always told me, 'You're a shoe! You're a shoe, you're a shoe, you're a shoe!'. And today I just stopped and I said, 'What if I don't wanna be a shoe? What if I wanna be a- a purse, y'know? Or a- or a hat! No, I'm not saying I want you to buy me a hat, I'm saying I am a ha- It's a metaphor, Daddy!
Ross: You can see where he'd have trouble.
Rachel: Look Daddy, it's my life. Well maybe I'll just stay here with Monica.
Monica: Well, I guess we've established who's staying here with Monica...
Rachel: Well, maybe that's my decision. Well, maybe I don't need your money. Wait!! Wait, I said maybe!!
[Time Lapse, Rachel is breating into a paper bag.]
Monica: Just breathe, breathe.. that's it. Just try to think of nice calm things... Phoebe: (sings) Raindrops on roses and rabbits and kittens, (Rachel and Monica turn to look at her.) bluebells and sleighbells and- something with mittens... La la la la...something and noodles with string. These are a few...
Rachel: I'm all better now.
Phoebe: (grins and walks to the kitchen and says to Chandler and Joey.) I helped!
Monica: Okay, look, this is probably for the best, y'know? Independence. Taking control of your life. The whole, 'hat' thing.
Joey: (comforting her) And hey, you need anything, you can always come to Joey. Me and Chandler live across the hall. And he's away a lot.
Monica: Joey, stop hitting on her! It's her wedding day!
Joey: What, like there's a rule or something?
(The door buzzer sounds and Chandler gets it.)
Chandler: Please don't do that again, it's a horrible sound.
Paul: (over the intercom) It's, uh, it's Paul.
Monica: Oh God, is it 6:30? Buzz him in!
Joey: Who's Paul?
Ross: Paul the Wine Guy, Paul?
Monica: Maybe. Joey: Wait. Your 'not a real date' tonight is with Paul the Wine Guy?
Ross: He finally asked you out?
Monica: Yes!
Chandler: Ooh, this is a Dear Diary moment.
Monica: Rach, wait, I can cancel...
Rachel: Please, no, go, that'd be fine!
Monica: (to Ross) Are, are you okay? I mean, do you want me to stay?
Ross: (choked voice) That'd be good...
Monica: (horrified) Really?
Ross: (normal voice) No, go on! It's Paul the Wine Guy!
Phoebe: What does that mean? Does he sell it, drink it, or just complain a lot? (Chandler doesn't know.)
(There's a knock on the door and it's Paul.)
Monica: Hi, come in! Paul, this is.. (They are all lined up next to the door.)... everybody, everybody, this is Paul.
All: Hey! Paul! Hi! The Wine Guy! Hey!
Chandler: I'm sorry, I didn't catch your name. Paul, was it?
Monica: Okay, umm-umm, I'll just--I'll be right back, I just gotta go ah, go ah...
Ross: A wandering?
Monica: Change! Okay, sit down. (Shows Paul in) Two seconds.
Phoebe: Ooh, I just pulled out four eyelashes. That can't be good.
(Monica goes to change.)
Joey: Hey, Paul!
Paul: Yeah?
Joey: Here's a little tip, she really likes it when you rub her neck in the same spot over and over and over again until it starts to get a little red.
Monica: (yelling from the bedroom) Shut up, Joey!
Ross: So Rachel, what're you, uh... what're you up to tonight?
Rachel: Well, I was kinda supposed to be headed for Aruba on my honeymoon, so nothing!
Ross: Right, you're not even getting your honeymoon, God.. No, no, although, Aruba, this time of year... talk about your- (thinks) -big lizards... Anyway, if you don't feel like being alone tonight, Joey and Chandler are coming over to help me put together my new furniture.
Chandler: (deadpan) Yes, and we're very excited about it.
Rachel: Well actually thanks, but I think I'm just gonna hang out here tonight. It's been kinda a long day.
Ross: Okay, sure.
Joey: Hey Pheebs, you wanna help?
Phoebe: Oh, I wish I could, but I don't want to.
Commercial Break
[Scene: The Subway, Phoebe is singing for change.]
Phoebe: (singing) Love is sweet as summer showers, love is a wondrous work of art, but your love oh your love, your love...is like a giant pigeon...crapping on my heart. La-la-la-la-la- (some guy gives her some change and to that guy) Thank you. (sings) La-la-la-la...ohhh!
[Scene: Ross's Apartment, the guys are there assembling furniture.]
Ross: (squatting and reading the instructions) I'm supposed to attach a brackety thing to the side things, using a bunch of these little worm guys. I have no brackety thing, I see no whim guys whatsoever and- I cannot feel my legs.
(Joey and Chandler are finishing assembling the bookcase.)
Joey: I'm thinking we've got a bookcase here.
Chandler: It's a beautiful thing.
Joey: (picking up a leftover part) What's this?
Chandler: I would have to say that is an 'L'-shaped bracket.
Joey: Which goes where?
Chandler: I have no idea.
(Joey checks that Ross is not looking and dumps it in a plant.)
Joey: Done with the bookcase!
Chandler: All finished!
Ross: (clutching a beer can and sniffing) This was Carol's favorite beer. She always drank it out of the can, I should have known.
Joey: Hey-hey-hey-hey, if you're gonna start with that stuff we're outta here.
Chandler: Yes, please don't spoil all this fun.
Joey: Ross, let me ask you a question. She got the furniture, the stereo, the good TV- what did you get?
Ross: You guys.
Chandler: Oh, God.
Joey: You got screwed.
Chandler: Oh my God!
[Scene: A Restaurant, Monica and Paul are eating.]
Monica: Oh my God!
Paul: I know, I know, I'm such an idiot. I guess I should have caught on when she started going to the dentist four and five times a week. I mean, how clean can teeth get?
Monica: My brother's going through that right now, he's such a mess. How did you get through it?
Paul: Well, you might try accidentally breaking something valuable of hers, say her-
Monica: -leg?
Paul: (laughing) That's one way! Me, I- I went for the watch.
Monica: You actually broke her watch? Wow! The worst thing I ever did was, I-I shredded by boyfriend's favorite bath towel.
Paul: Ooh, steer clear of you.
Monica: That's right. [Scene: Monica's Apartment, Rachel is talking on the phone and pacing.]
Rachel: Barry, I'm sorry... I am so sorry... I know you probably think that this is all about what I said the other day about you making love with your socks on, but it isn't... it isn't, it's about me, and I ju- (She stops talking and dials the phone.) Hi, machine cut me off again... anyway...look, look, I know that some girl is going to be incredibly lucky to become Mrs. Barry Finkel, but it isn't me, it's not me. And not that I have any idea who me is right now, but you just have to give me a chance too... (The maching cuts her off again and she redials.)
[Scene: Ross's Apartment; Ross is pacing while Joey and Chandler are working on some more furniture.]
Ross: I'm divorced! I'm only 26 and I'm divorced!
Joey: Shut up!
Chandler: You must stop! (Chandler hits what he is working on with a hammer and it collapses.)
Ross: That only took me an hour.
Chandler: Look, Ross, you gotta understand, between us we haven't had a relationship that has lasted longer than a Mento. You, however have had the love of a woman for four years. Four years of closeness and sharing at the end of which she ripped your heart out, and that is why we don't do it! I don't think that was my point!
Ross: You know what the scariest part is? What if there's only one woman for everybody, y'know? I mean what if you get one woman- and that's it? Unfortunately in my case, there was only one woman- for her...
Joey: What are you talking about? 'One woman'? That's like saying there's only one flavor of ice cream for you. Lemme tell you something, Ross. There's lots of flavors out there. There's Rocky Road, and Cookie Dough, and Bing! Cherry Vanilla. You could get 'em with Jimmies, or nuts, or whipped cream! This is the best thing that ever happened to you! You got married, you were, like, what, eight? Welcome back to the world! Grab a spoon!
Ross: I honestly don't know if I'm hungry or horny.
Chandler: Stay out of my freezer! [Scene: A Restaurant, Monica and Paul are still eating.]
Paul: Ever since she walked out on me, I, uh...
Monica: What?..... What, you wanna spell it out with noodles?
Paul: No, it's, it's more of a fifth date kinda revelation.
Monica: Oh, so there is gonna be a fifth date?
Paul: Isn't there?
Monica: Yeah... yeah, I think there is. -What were you gonna say?
Paul: Well, ever-ev-... ever since she left me, um, I haven't been able to, uh, perform. (Monica takes a sip of her drink.) ...Sexually.
Monica: (spitting out her drink in shock) Oh God, oh God, I am sorry... I am so sorry...
Paul: It's okay...
Monica: I know being spit on is probably not what you need right now. Um... how long?
Paul: Two years.
Monica: Wow! I'm-I'm-I'm glad you smashed her watch!
Paul: So you still think you, um... might want that fifth date?
Monica: (pause)...Yeah. Yeah, I do.
[Scene: Monica's Apartment, Rachel is watching Joanne Loves Chaci.]
Priest on TV: We are gathered here today to join Joanne Louise Cunningham and Charles, Chachi-Chachi-Chachi, Arcola in the bound of holy matrimony.
Rachel: Oh...see... but Joanne loved Chachi! That's the difference!
[Scene: Ross's Apartment, they're all sitting around and talking.]
Ross: (scornful) Grab a spoon. Do you know how long it's been since I've grabbed a spoon? Do the words 'Billy, don't be a hero' mean anything to you?
Joey: Great story! But, I uh, I gotta go, I got a date with Andrea--Angela--Andrea... Oh man, (looks to Chandler)
Chandler: Angela's the screamer, Andrea has cats.
Joey: Right. Thanks. It's June. I'm outta here. (Exits.)
Ross: Y'know, here's the thing. Even if I could get it together enough to- to ask a woman out,... who am I gonna ask? (He gazes out of the window.)
[Cut to Rachel staring out of her window.]
Commercial Break
[Scene: Monica's Apartment, Rachel is making coffee for Joey and Chandler.]
Rachel: Isn't this amazing? I mean, I have never made coffee before in my entire life.
Chandler: That is amazing.
Joey: Congratulations.
Rachel: Y'know, I figure if I can make coffee, there isn't anything I can't do.
Chandler: If can invade Poland, there isn't anything I can't do.
Joey: Listen, while you're on a roll, if you feel like you gotta make like a Western omelet or something... (Joey and Chandler taste the coffee, grimace, and pour it into a plant pot.) Although actually I'm really not that hungry...
Monica: (entering, to herself) Oh good, Lenny and Squigy are here.
All: Morning. Good morning.
Paul: (entering from Monica's room) Morning.
Joey: Morning, Paul.
Rachel: Hello, Paul.
Chandler: Hi, Paul, is it?
(Monica and Paul walk to the door and talk in a low voice so the others can't hear. The others move Monica's table closer to the door so that they can.)
Paul: Thank you! Thank you so much!
Monica: Stop!
Paul: No, I'm telling you last night was like umm, all my birthdays, both graduations, plus the barn raising scene in Witness.
Monica: We'll talk later.
Paul: Yeah. (They kiss) Thank you. (Exits)
Joey: That wasn't a real date?! What the hell do you do on a real date?
Monica: Shut up, and put my table back.
All: Okayyy! (They do so.)
Chandler: All right, kids, I gotta get to work. If I don't input those numbers,... it doesn't make much of a difference...
Rachel: So, like, you guys all have jobs?
Monica: Yeah, we all have jobs. See, that's how we buy stuff.
Joey: Yeah, I'm an actor.
Rachel: Wow! Would I have seen you in anything?
Joey: I doubt it. Mostly regional work.
Monica: Oh wait, wait, unless you happened to catch the Reruns' production of Pinocchio, at the little theater in the park.
Joey: Look, it was a job all right?
Chandler: 'Look, Gippetto, I'm a real live boy.'
Joey: I will not take this abuse. (Walks to the door and opens it to leave.)
Chandler: You're right, I'm sorry. (Burst into song and dances out of the door.) "Once I was a wooden boy, a little wooden boy..."
Joey: You should both know, that he's a dead man. Oh, Chandler? (Starts after Chandler.) Monica: So how you doing today? Did you sleep okay? Talk to Barry? I can't stop smiling.
Rachel: I can see that. You look like you slept with a hanger in your mouth.
Monica: I know, he's just so, so... Do you remember you and Tony DeMarco?
Rachel: Oh, yeah.
Monica: Well, it's like that. With feelings.
Rachel: Oh wow. Are you in trouble.
Monica: Big time!
Rachel: Want a wedding dress? Hardly used.
Monica: I think we are getting a little ahead of selves here. Okay. Okay. I am just going to get up, go to work and not think about him all day. Or else I'm just gonna get up and go to work.
Rachel: Oh, look, wish me luck!
Monica: What for?
Rachel: I'm gonna go get one of those (Thinks) job things.
(Monica exits.)
[Scene: Iridium, Monica is working as Frannie enters.]
Frannie: Hey, Monica!
Monica: Hey Frannie, welcome back! How was Florida?
Frannie: You had sex, didn't you?
Monica: How do you do that?
Frannie: Oh, I hate you, I'm pushing my Aunt Roz through Parrot Jungle and you're having sex! So? Who?
Monica: You know Paul?
Frannie: Paul the Wine Guy? Oh yeah, I know Paul.
Monica: You mean you know Paul like I know Paul?
Frannie: Are you kidding? I take credit for Paul. Y'know before me, there was no snap in his turtle for two years.
[Scene: Central Perk, everyone but Rachel is there.]
Joey: (sitting on the arm of the couch)Of course it was a line!
Monica: Why?! Why? Why, why would anybody do something like that?
Ross: I assume we're looking for an answer more sophisticated than 'to get you into bed'.
Monica: I hate men! I hate men!
Phoebe: Oh no, don't hate, you don't want to put that out into the universe.
Monica: Is it me? Is it like I have some sort of beacon that only dogs and men with severe emotional problems can hear?
Phoebe: All right, c'mere, gimme your feet. (She starts massaging them.)
Monica: I just thought he was nice, y'know?
Joey: (bursts out laughing again) I can't believe you didn't know it was a line!
(Monica pushes him off of the sofa as Rachel enters with a shopping bag.)
Rachel: Guess what?
Ross: You got a job?
Rachel: Are you kidding? I'm trained for nothing! I was laughed out of twelve interviews today.
Chandler: And yet you're surprisingly upbeat.
Rachel: You would be too if you found John and David boots on sale, fifty percent off!
Chandler: Oh, how well you know me...
Rachel: They're my new 'I don't need a job, I don't need my parents, I've got great boots' boots!
Monica: How'd you pay for them?
Rachel: Uh, credit card.
Monica: And who pays for that?
Rachel: Um... my... father.
[Scene: Monica and Rachel's, everyone is sitting around the kitchen table. Rachel's credit cards are spread out on the table along with a pair of scissors.]
Rachel: Oh God, come on you guys, is this really necessary? I mean, I can stop charging anytime I want.
Monica: C'mon, you can't live off your parents your whole life.
Rachel: I know that. That's why I was getting married.
Phoebe: Give her a break, it's hard being on your own for the first time.
Rachel: Thank you.
Phoebe: You're welcome. I remember when I first came to this city. I was fourteen. My mom had just killed herself and my step-dad was back in prison, and I got here, and I didn't know anybody. And I ended up living with this albino guy who was, like, cleaning windshields outside port authority, and then he killed himself, and then I found aromatherapy. So believe me, I know exactly how you feel.
(Pause)
Ross: The word you're looking for is 'Anyway'...
Monica: All right, you ready?
Rachel: No. No, no, I'm not ready! How can I be ready? "Hey, Rach! You ready to jump out the airplane without your parachute?" Come on, I can't do this!
Monica: You can, I know you can!
Rachel: I don't think so.
Ross: Come on, you made coffee! You can do anything! (Chandler slowly tries to hide the now dead plant from that morning when he and Joey poured their coffee into it.)
Ross: C'mon, cut. Cut, cut, cut,...
All: Cut, cut, cut, cut, cut, cut, cut... (She cuts one of them and they cheer.)
Rachel: Y'know what? I think we can just leave it at that. It's kinda like a symbolic gesture...
Monica: Rachel! That was a library card!
All: Cut, cut, cut, cut, cut, cut, cut..
Chandler: (as Rachel is cutting up her cards) Y'know, if you listen closely, you can hear a thousand retailers scream.
(She finishes cutting them up and they all cheer.)
Monica: Welcome to the real world! It sucks. You're gonna love it!
[Time Lapse, Rachel and Ross are watching a TV channel finishes it's broadcast day by playing the national anthem.]
Monica: Well, that's it (To Ross) You gonna crash on the couch?
Ross: No. No, I gotta go home sometime.
Monica: You be okay?
Ross: Yeah.
Rachel: Hey Mon, look what I just found on the floor. (Monica smiles.) What?
Monica: That's Paul's watch. You just put it back where you found it. Oh boy. Alright. Goodnight, everybody.
Ross and Rachel: Goodnight.
(Monica stomps on Paul's watch and goes into her room.)
Ross: Mmm. (They both reach for the last cookie) Oh, no-
Rachel: Sorry-
Ross: No no no, go-
Rachel: No, you have it, really, I don't want it-
Ross: Split it?
Rachel: Okay.
Ross: Okay. (They split it.) You know you probably didn't know this, but back in high school, I had a, um, major crush on you.
Rachel: I knew.
Ross: You did! Oh.... I always figured you just thought I was Monica's geeky older brother.
Rachel: I did.
Ross: Oh. Listen, do you think- and try not to let my intense vulnerability become any kind of a factor here- but do you think it would be okay if I asked you out? Sometime? Maybe?
Rachel: Yeah, maybe...
Ross: Okay... okay, maybe I will...
Rachel: Goodnight.
Ross: Goodnight.
(Rachel goes into her room and Monica enters the living room as Ross is leaving.)
Monica: See ya.... Waitwait, what's with you?
Ross: I just grabbed a spoon. (Ross exits and Monica has no idea what that means.)
Closing Credits
[Scene: Central Perk, everyone is there.]
Joey: I can't believe what I'm hearing here.
Phoebe: (sings) I can't believe what I'm hearing here...
Monica: What? I-I said you had a-
Phoebe: (sings) What I said you had...
Monica: (to Phoebe) Would you stop?
Phoebe: Oh, was I doing it again?
All: Yes!
Monica: I said that you had a nice butt, it's just not a great butt.
Joey: Oh, you wouldn't know a great butt if it came up and bit ya.
Ross: There's an image.
Rachel: (walks up with a pot of coffee) Would anybody like more coffee?
Chandler: Did you make it, or are you just serving it?
Rachel: I'm just serving it.
All: Yeah. Yeah, I'll have a cup of coffee.
Chandler: Kids, new dream... I'm in Las Vegas. (Rachel sits down to hear Chandler's dream.)
Customer: (To Rachel) Ahh, miss? More coffee?
Rachel: Ugh. (To another customer that's leaving.) Excuse me, could you give this to that guy over there? (Hands him the coffee pot.) Go ahead. (He does so.) Thank you. (To the gang.) Sorry. Okay, Las Vegas.
Chandler: Okay, so, I'm in Las Vegas... I'm Liza Minelli-
End
글
(영화대본) 프랜즈 시즌1-5
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the East German Laundry Detergent
Written by Jeff Greenstein & Jeff Strauss
Transcribed by Mindy Mattingly Phillips
Minor additions and adjustments by Dan Silverstein.
[Scene: Central Perk, all six are there.]
Monica: Would you let it go? It's not that big a deal.
Ross: Not that big a deal? It's amazing. Ok, you just reach in there, there's one little maneuver, and bam, a bra right out the sleeve. All right, as far as I'm concerned, there is nothing a guy can do that even comes close. Am I right?
Rachel: Come on! You guys can pee standing up.
Chandler: We can? All right, I'm tryin' that.
Joey: Ok, you know what blows my mind? Women can see breasts any time they want. You just look down and there they are. How you get any work done is beyond me.
Phoebe: Oh, ok, you know what I don't get? The way guys can do so many mean things, and then not even care.
(Long pause.)
Ross: Multiple orgasms!
Opening Credits
[Scene: Central Perk, all are there.]
Chandler: So, Saturday night, the big night, date night, Saturday night, Sat-ur-day night!
Joey: No plans, huh?
Chandler: Not a one.
Ross: Not even, say, breaking up with Janice?
Chandler: Oh, right, right, shut up.
Monica: Chandler, nobody likes breaking up with someone. You just gotta do it.
Chandler: No, I know, but it's just so hard, you know? I mean, you're sitting there with her, she has no idea what's happening, and then you finally get up the courage to do it, and there's the horrible awkward moment when you've handed her the note.
Joey: Why do you have to break up with her? Be a man, just stop calling.
Phoebe: You know, if you want, I'll do it with you.
Chandler: Oh, thanks, but I think she'd feel like we're gangin' up on her.
Phoebe: No, I mean you break up with Janice and I'll break up with Tony.
Ross: Tony?
Monica: Oh, you're breaking up with Tony?
Phoebe: Yeah, I know, he's sweet, but it's just not fun anymore, you know? I don't know if it's me, or his hunger strike, or, I don't know.
Rachel: (waitressing) Does anybody want anything else?
Ross: Oh, yeah, last week you had a wonderful, nutty, chocolatey kind of a cakey pie thing. (Rachel gives him a dirty look) Nothing, just, just, I'm fine.
Phoebe: (to Rachel) What's the matter? Why so scrunchy?
Rachel: It's my father. He wants to give me a Mercedes convertible.
Ross: That guy, he burns me up.
Rachel: Yeah, well, it's a Mercedes if I move back home. Oh, it was horrible. He called me young lady.
Chandler: Ooh, I hate when my father calls me that.
Monica: Did he give you that whole "You're-not-up-to-this" thing again?
Rachel: Oh, yeah, yeah. Actually, I got the extended disco version, with three choruses of "You'll never make it on your own".
Phoebe: (rhythmically) Uh-huh, uh-huh.
(Angela, a beautiful woman in a tight dress, enters.)
Angela: Hi, Joey.
Joey: My god, Angela.
(Angela takes a seat at the counter.)
Monica: Wow, being dumped by you obviously agrees with her.
Phoebe: Are you gonna go over there?
Joey: No, yeah, no, ok, but not yet. I don't wanna seem too eager. One Mississippi, two Mississippi, three Mississippi. That seems pretty cool. (he walks over to her) Hey, Angela.
Angela: (casually) Joey.
Joey: You look good.
Angela: That's because I'm wearing a dress that accents my boobs.
Joey: You don't say.
(Cut to Ross and Rachel, talking next to one of the tables.)
Ross: So, uh, Rachel, what are you, uh, what're you doing tonight?
Rachel: Oh, big glamour night. Me and Monica at Laundorama.
Ross: Oh, you uh, you wanna hear a freaky coincidence? Guess who's doing laundry there too?
Rachel: Who?
Ross: Me. Was that not clear? Hey, why don't, um, why don't I just join you both, here?
Rachel: Don't you have a laundry room in your building?
Ross: Yes, I do have a laundry room in my building, um, but there's a.... rat problem. Apparently they're attracted to the dryer sheets, and they're goin' in fine, but they're comin' out all.... fluffy. Anyway, say, sevenish?
Rachel: Sure.
(Cut back to Joey and Angela at the counter.)
Angela: Forget it Joey. I'm with Bob now.
Joey: Bob? Who the hell's Bob?
Angela: Bob is great. He's smart, he's sophisticated, and he has a real job. You, you go on three auditions a month and you call yourself an actor, but Bob...
Joey: Come on, we were great together. And not just at the fun stuff, but like, talking too.
Angela: Yeah, well, sorry, Joe. You said let's just be friends, so guess what?
Joey: What?
Angela: We're just friends.
Joey: Fine, fine, so, why don't the four of us go out and have dinner together tonight? You know, as friends?
Angela: What four of us?
Joey: You know, you and Bob, and me and my girlfriend, uh, uh, Monica.
[Scene: Monica and Rachel's apartment, Joey is there, trying to convince Monica to pose as his girlfriend. His plan is to hook Monica up with Angela's boyfriend Bob and then take Angela back for himself.]
Joey: Monica, I'm tellin' you, this guy is perfect for you.
Monica: Forget it. Not after your cousin who could belch the alphabet.
Joey: Come on. This guy's great. His name's Bob. He's Angela's... brother. He's smart, he's sophisticated, and he has a real job. Me, I go on three auditions a month and call myself an actor, but Bob is...
Monica: (looking out window) Oh, god help us.
Joey: What?
Monica: Ugly Naked Guy's laying kitchen tile. Eww!
Joey: Eww! Look, I'm asking a favor here. If I do this for her brother, maybe Angela will come back to me.
Monica: What's going on here? You go out with tons of girls.
Joey: (proud) I know, but, I made a huge mistake. I never should have broken up with her. Will you help me? Please?
[Scene: Ross' apartment, Chandler is over.]
Ross: (on phone) Ok, bye. (hangs up) Well, Monica's not coming, it's just gonna be me and Rachel.
Chandler: Oh. Well, hold on camper, are you sure you've thought this thing through?
Ross: It's laundry. The thinking through is minimal.
Chandler: It's just you and Rachel, just the two of you? This is a date. You're going on a date.
Ross: Nuh-uh.
Chandler: Yuh-huh.
Ross: So what're you saying here? I should shave again, pick up some wine, what?
Chandler: Well, you may wanna rethink the dirty underwear. This is basically the first time she's gonna see your underwear—you want it to be dirty?
Ross: (sheepish) No.
Chandler: Oh, and uh, the fabric softener?
Ross: Ok, ok, now what is wrong with my Snuggles? What, it says I'm a sensitive, warm kinda guy, you know, like a warm, fuzzy bear. Ok, I can pick something else up on the way.
Chandler: There you go.
[Scene: A fancy restaurant, Joey and Monica are there, meeting Angela and Bob, who Monica thinks is Angela's brother.]
Monica: Thank you. So what does this Bob guy look like? Is he tall? Short?
Joey: Yep.
Monica: Which?
Joey: Which what?
Monica: You've never met Bob, have you?
Joey: No, but he's...
Monica: Oh my god, Joey, for all we know this guy could be horribly...
(Angela and Bob walk in. Bob is good-looking.)
Angela: Hey, Joey.
Monica: ...horribly attractive. I'll be shutting up now.
[Scene: Central Perk, Chandler and Phoebe are there, both ready to break up with their significant others.]
Chandler: Where are they? Where are they?
Phoebe: This is nice. We never do anything just the two of us.
Chandler: It's great. Maybe tomorrow we can rent a car and run over some puppies.
Phoebe: Eww, I don't wanna do that.
(Janice and Phoebe's boyfriend, Tony, walk in.)
Chandler: Here we go.
Phoebe: Ok, have a good break-up.
Chandler: Hey, Janice.
Janice: Oh, my god, I am so glad you called me. I had the most supremely awful day.
Chandler: Hey, that's not good. Can I get an espresso and a latte over here, please?
Janice: We got the proofs back from that photo shoot, you know, the one with the little vegetables. Anyway, they pretty much sucked, so, I blew off the rest of the day, and I went shopping...(looks through her bags)... and I got you, I'm looking, I'm looking, I'm looking, I got you...
(Chandler sees Phoebe breaking up with Tony. She talks to him for a few seconds, hugs him, and then he leaves. Chandler is amazed how easy it was for her.)
Chandler: What?
Janice: What?
Chandler: (covering) What... did you get me there?
Janice: I got you...these. (pulls out a pair of socks)
Chandler: Bullwinkle socks. That's so sweet.
Janice: Well, I knew you had the Rockys, and so I figured, you know, you can wear Bullwinkle and Bullwinkle, or you can wear Rocky and Rocky,or, you can mix and match, moose and squirrel. Whatever you want.
Chandler: That's great.
(The drinks arrive, and Chandler downs his espresso in one gulp.)
Chandler: Well, I'm gonna get another espresso. Can I get you another latte?
Janice: (holding the full cup) No, no, I'm still working on mine.
(Chandler walks over to the counter where Phoebe is, and is asking her about the break-up.)
Chandler: That's it?
Phoebe: Yeah, it was really hard.
Chandler: Oh, yeah, that hug looked pretty brutal.
Phoebe: Ok, you weren't there.
[Scene: The Launderama, Rachel is there, waiting for Ross. An old woman takes Rachel's clothes off the machine and begins loading it with her things.]
Woman: Comin' through. Move, move.
Rachel: Oh, 'scuse me. I was kinda using that machine.
Woman: Yeah, well, now you're kinda not.
Rachel: But I saved it. I put my basket on top.
Woman: Oh, I'm sorry, is that your basket? It's really pretty. Unfortunately, I don't see suds.
Rachel: What?
Woman: No suds, no save. Ok?
(Ross arrives.)
Ross: What's goin' on?
Rachel: Hi, uh, nothing. That horrible woman just took my machine.
Ross: Was your basket on top?
Rachel: Yeah, but, there were no suds.
Ross: So?
Rachel: Well, you know, no suds, no save.
Ross: No suds? Excuse me, hold on a second. (to woman) That's my friend's machine.
Woman: Hey, hey, hey, her stuff wasn't in it.
Ross: Hey, hey, hey, that's not the rule and you know it.
(The woman and Ross stare at each other. Finally she takes her stuff out of the machine and leaves.)
Ross: (to the crowd in the laundromat) All right, show's over. Nothing to see here. (to Rachel) Ok, let's do laundry.
Rachel: That was amazing. I can't even send back soup.
Ross: Well, that's because you're such a sweet, gentle, uh...Do you, uh, do you...Oh, hey, uh you must need detergent.
(Ross pulls out a huge box of laundry detergent.)
Rachel: What's that?
Ross: Uberveiss. It's new, it's German, it's extra-tough.
(Rachel starts to load her clothes.)
Ross: Rach, do you uh, are you gonna separate those?
Rachel: Oh god. Oh, am I being like a total laundry spaz? I mean, am I supposed to use like one machine for shirts and another machine for pants?
Ross: Rach, have you never done this before?
Rachel: Well, not myself, but I know other people that have. Ok, you caught me. I'm a laundry virgin.
Ross: Uh, well, don't worry, I'll use the gentle cycle. Ok, um, basically you wanna use one machine for all your whites, a whole nother machine for colors, and a third for your uh, your uh, delicates, and that would be your bras and your under-panty things.
Rachel: (holds a pair of panties in front of Ross) Ok, Well, what about these are white cotton panties. Would they go with whites or delicates?
Ross: (visibly nervous) Uh, that, that, that would be a judgment call.
[Scene: Fancy restaurant, Monica, Joey, Angela, and Bob are seated at the table.]
Monica: (to Joey) He is so cute. (to Angela and Bob) So, where did you guys grow up?
Angela: Brooklyn Heights.
Bob: Cleveland.
Monica: How, how did that happen?
Joey: Oh my god.
Monica: What?
Joey: I suddenly had the feeling that I was falling. But I'm not.
Commercial Break
[Scene: Fancy restaurant, Joey and Bob are talking.]
Joey: So, you and Angela, huh?
Bob: Yep. Pretty much.
Joey: You're a lucky man. You know what I miss the most about her? That cute nibbly noise when she eats. Like a happy little squirrel, or a weasel.
Bob: Huh, I never really noticed.
Joey: Oh, yeah, yeah, listen for it.
Bob: Monica, Monica is great.
Joey: Yeah, but it's not gonna last. She's too much for me in bed. Sexually.
[Scene: The ladies' bathroom at the restaurant, Monica and Angela are talking.]
Monica: I've gotta tell you, Bob is terrific.
Angela: Yeah, isn't he?
Monica: It is so great to meet a guy who is smart and funny, and has an emotional age beyond, like eight.
Angela: You know what else? He's unbelievable in bed.
Monica: Wow. My brother never even told me when he lost his virginity.
Angela: Huh. That's nice.
[Scene: Central Perk, Phoebe is coaching Chandler on how to break up with Janice.]
Phoebe: Ok, you can do this. It's just like pulling off a Band-aid. Just do it really fast, and then the wound is exposed.
(Chandler walks back to couch, where Janice is.)
Chandler: Janice. Hi, Janice. Ok, here we go. I don't think we should go out anymore. Janice.
Janice: All right. Well, there you go. (she gets extremely wound up, and begins to try and calm herself down) Stop it, stop it, stop it.
[Scene: The laundromat.]
Rachel: Ok, I know this is gonna sound really stupid, but I feel that if I can do this, you know, if I can actually do my own laundry, there isn't anything I can't do.
Ross: That does not sound stupid to me. You know, it's like the first time I had to make dinner for myself, after Carol left me? (the buzzer on the washer goes off) I'm sorry, that's all the time we have. Next on Ross...(opens up the washer) Uh-oh.
Rachel: What uh-oh?
Ross: (not wanting to tell her) Uh-oh, uh-oh, the laundry's done. It's, uh, it's a song. The laundry song that we sing. (singing) Uh-oh the laundry's done, uh-oh, uh-oh.
Rachel: Ross, what's the matter?
Ross: Nothing, nothing. Lee-lo, the laundry's done.
Rachel: Come on, show me.
Ross: All right, all right, it's just that you left a red sock in with all your whites, and now, everything's kinda pink.
Rachel: Oh, everything's pink.
Ross: Yeah, uh, except for the red sock, which is still red. I'm sorry, please don't be upset, it could happen to anyone.
Rachel: Except it didn't. It happened to me. Oh, god, I'm gonna look like a big marshmallow peep. What am I doing? What am I doing? My father's right. I can't live on my own! I can't even do laundry!
(The woman who had tried to steal the washing machine walks by, and laughs.)
[Scene: The fancy restaurant, Angela has her hand in Bob's shirt, and Monica is very uncomfortable.]
Monica: Something went wrong with Underdog, and they couldn't get his head to inflate. So anyway, um, his head is like flopping down Broadway, right, and I'm just thinking... how inappropriate this is. Um, I've got something in my eye, uh, Joey, could we check it in the light, please?
(Her and Joey walk away from the table.)
Monica: Oh my god.
Joey: What?
Monica: Hello! Were we at the same table? It's like... cocktails in Appalachia.
Joey: Come on, they're close.
Monica: Close? She's got her tongue in his ear.
Joey: Oh, like you've never gotten a little rambunctious with Ross.
Monica: Joey, this is sick, it's disgusting, it's, it's—not really true, is it?
Joey: Well, who's to say what's true? I mean...
Monica: Oh my god, what were you thinking?
Joey: All right, look, I'm not proud of this, ok? Well, maybe I am a little.
Monica: (hits him lightly) Oh!
Joey: Ow!
Monica: (leaving) I'm outta here.
Joey: Wait, wait, wait. You want him, I want her. He likes you.
Monica: Really?
Joey: Yeah. I'm thinking, if we put our heads together, between the two of us, we can break them up.
[Time lapse, Monica accidentally spilled her drink on Bob's shirt and is wiping it off. Joey is making eyes at Angela.]
Monica: I'm so sorry, I can't believe I did this, but I couldn't stop laughing at your Norman Mailer story.
(Angela is eating chicken wings and making the weasel-like noise Joey had told Bob about.)
Joey: Uh, waiter, one more plate of chicken wings over here.
[Scene: Central Perk, Chandler is still trying to ease things over with Janice, and there are about a dozen empty Espresso cups in front of him. He is extremely wired.]
Chandler: Here's the thing, Janice. You know, I mean, it's like we're different. I'm like the bing, bing, bing. You're like the boom, boom, (Chandler flails his hand out and hits Janice in the eye)... boom.
Janice: Ow!
Chandler: Oh, my god, I'm so sorry. Are you ok?
Janice: Ow. Um, it's just my lens. It's just my lens. I'll be right back.
(She leaves.)
Chandler: (to Phoebe) I hit her in the eye! I hit her in the eye! This is the worst break-up in the history of the world.
Phoebe: Oh my god. (Chandler downs another espresso.) How many of those have you had?
Chandler: Oh, I don't know, a million?
Phoebe: Chandler, easy, easy. Go to your happy place. La la la la la la la.
Chandler: I'm fine.
Phoebe: All right.
(Janice returns from the bathroom.)
Chandler: I'm not fine. Here she comes.
Phoebe: Wait here. Breathe.
(Phoebe goes over to speak to Janice. She talks to her for a few seconds, and then Janice immediately smiles, hugs her, waves to Chandler, and leaves.)
Chandler: How do you do that?
Phoebe: It's like a gift.
Chandler: We should always always break up together.
Phoebe: Oh, I'd like that.
[Scene: The Launderama. Rachel is sorting her now-pink clothes.]
Ross: You got the clothes clean. Now that's the important part.
Rachel: Oh, I guess. Except everything looks like jammies now.
(The same woman walks over and takes Rachel's laundry cart.)
Rachel: Whoa, I'm sorry. Excuse me. We had this cart.
Woman: Yeah, well, I had a 24-inch waist. You lose things. Now come on, get outta my way.
(Rachel looks at Ross, who motions to her to get the cart back.)
Rachel: I'm sorry, you know, maybe I wasn't being clear. Uh, this is our cart.
Woman: Hey, hey, hey there aren't any clothes in it.
Rachel: Hey, hey, hey, hey, quit making up rules!
Woman: Let go!
(They struggle for the cart. Finally, Rachel climbs inside of it.)
Rachel: All right, listen, missy. If you want this cart, you're gonna have to take me with it!
(She thinks it over, and then walks away.)
Rachel: (to Ross) Yes! Did you see that?
Ross: You were incredible! Brand new woman, ladies and gentlemen.
Rachel: I could not have done this without you.
(Rachel stands up and kisses Ross. He is stunned. A moment of silence follows.)
Ross: Ok, um, uh, more clothes in the dryer? (Ross turns and bangs his head on an open dryer door.) I'm fine, I'm fine.
Rachel: Are you sure?
Ross: No.
Closing Credits
[Scene: Central Perk, Ross, Rachel, and Phoebe are there. Ross has an icepack to his head.]
Rachel: Oh, are you sure you're ok?
Ross: Yeah.
Rachel: Does it still hurt?
Ross: Yeah.
Phoebe: (seeing Rachel's clothes) What a neat idea. All your clothes match. I'm gonna do this.
(Monica and Joey enter.)
Monica: Hi.
Phoebe: Hey, how'd it go?
Joey: Excellent.
Monica: We ripped that couple apart, and kept the pieces for ourselves.
Ross: What a beautiful story. Hey, I'm fine by the way.
Monica: (notices his head) Oh, I'm sorry.
Rachel: Where's Chandler?
Phoebe: Oh, he needed some time to grieve.
(Chandler runs by the window outside, joyous.)
Chandler: I'm free! I'm free!
Phoebe: That oughta do it.
End
글
(영화대본) 프랜즈 시즌1-6
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Butt
Written by: Adam Chase & Ira Ungerleider
Transcribed by: guineapig
[Scene: A Theater, the gang is in the audience wating for a play of Joey's to start.]
Rachel: (reading the program) Ooh! Look! Look! Look! Look, there's Joey's picture! This is so exciting!
Chandler: You can always spot someone who's never seen one of his plays before. Notice, no fear, no sense of impending doom...
Phoebe: The exclamation point in the title scares me. (Gesturing) Y'know, it's not just Freud, it's Freud!
(The lights dim.)
Ross: Oh, shhh, shh. Magic is about to happen.
(The lights go up on the stage, Joey, as Freud, is talking to a female patient.)
Joey: Vell, Eva, ve've done some excellent vork here, and I vould have to say, your pwoblem is qviiite clear. (He goes into a song and dance number.)
All you want is a dingle,
What you envy's a schwang,
A thing through which you can tinkle,
Or play with, or simply let hang...
Opening Credits
[Scene: The Theater, the play has ended and everyone is applauding. As soon as the cast leaves, the gang all groan and sit down heavily.]
Rachel: God. I feel violated.
Monica: Did anybody else feel they just wanted to peel the skin off their body, to have something else to do?
Chandler: (staring at a woman across the room) Ross, ten o'clock.
Ross: Is it? Feels like two.
Chandler: No, ten o'clock.
Ross: What?
Chandler: (sighs and gestures to explain) There's a beautiful woman at eight, nine, ten o'clock!
Ross: Oh. Hel-lo!
Chandler: She's amazing! She makes the women that I dream about look like short, fat, bald men!
Monica: Well, go over to her! She's not with anyone.
Chandler: Oh yeah, and what would my opening line be? 'Excuse me. Blarrglarrghh.'
Rachel: Oh, c'mon. She's a person, you can do it!
Chandler: Oh please, could she be more out of my league? Ross, back me up here.
Ross: He could never get a woman like that in a million years.
Chandler: Thank you, buddy.
Phoebe: Oh, oh, but y'know, you always see these really beautiful women with these really nothing guys, you could be one of those guys.
Monica: You could do that!
Chandler: Y'think?
All: Yeah!
Chandler: Oh God, I can't believe I'm even considering this... I'm very very aware of my tongue...
Ross: C'mon! C'mon!
Chandler: Here goes. (He walks over to her but just stands there.)
Aurora: ...Yes?
Chandler: Hi.... um... okay, next word... would be... Chandler! Chandler is my name, and, uh...(He clears his throat noisily)...hi.
Aurora: Yes, you said that.
Chandler: Yes, yes I did, but what I didn't say was what I was about to say, what I wanted to say was, uh... would you like to go out with me sometime, thankyou, goodnight. (He walks back to the others but she calls him back.)
Aurora: Chandler?
(Joey enters from behind a curtain. The others all talk at once.)
All: Hey! You're in a play! I didn't know you could dance! You had a beard!
Joey: Whadja think?
(Pause)
All: ...Hey! You're in a play! I didn't know you could dance! You had a beard!
Joey: C'mon, you guys, it wasn't that bad. It was better than that thing I did with the trolls, at least you got to see my head.
All: (admitting) Saw your head. Saw your head.
Chandler: (running back) She said yes!! She said yes!! (To Joey) Awful play, man. Whoah. (To All) Her name's Aurora, and she's Italian, and she pronounces my name 'Chand-lrr'. 'Chand-lrr'. I think I like it better that way. (To Joey) Oh, listen, the usher gave me this to give to you. (He fishes a card out of his pocket.)
Rachel: What is it?
Joey: The Estelle Leonard Talent Agency. Wow, an agency left me its card! Maybe they wanna sign me!
Phoebe: Based on this play? ...Based on this play!
[Scene: Central Perk, everyone else is there as Chandler enters.]
Chandler: Hey, kids.
All: Hey.
Phoebe: (reading Monica's palm) No, 'cause this line is passion, and this is... just a line.
Chandler: Well, I can't believe I've been here almost seven seconds and you haven't asked me how my date went.
Monica: Oh, right, right. How was your date, 'Chand-lrr'?
Chandler: It was unbelievable. I-I've never met anyone like her. She's had the most amazing life! She was in the Israeli army...
(A flashback of Aurora and Chandler on their date in Central Perk is denoted by italics.)
Aurora: ...Luckily none of the bullets hit the engine block. So, we made it to the border, but just barely, and I- ...I've been talking about myself all night long, I'm sorry. What about you? Tell me one of your stories.
Chandler: Alright. Once I got on the subway, right, and it was at night, and I rode it all the way to Brooklyn... just for the hell of it.
Chandler: We talked 'til like two. It was this perfect evening... more or less.
Aurora: ...All of a sudden we realised we were in Yammon.
Chandler: Oh, I'm sorry, so 'we' is?
Aurora: 'We' would be me and Rick.
Joey: Who's Rick?
Chandler: Who's Rick?
Aurora: My husband.
All: Ooooohhh.
Chandler: Oh, so you're divorced?
Aurora: No.
Chandler: Oh, I'm sorry, then you're widowed?...Hopefully?
Aurora: No, I'm still married.
Chandler: So tell me, how do- how do you think your husband would feel about you sitting here with me?...Sliding your foot so far up my pant leg you can count the change in my pocket?
Aurora: Don't worry. I imagine he'd be okay with you because really, he's okay with Ethan.
Chandler: Ethan? There's, there's an Ethan?
Aurora: Mmmm... Ethan is my... boyfriend.
All: What?!
Chandler: So explain something to me here, uh, what kind of a relationship do you imagine us having if you already have a husband and a boyfriend?
Aurora: I suppose mainly sexual.
Chandler: ...Hm.
Monica: Oh. I'm sorry it didn't work out.
Chandler: What 'not work out'? I'm seeing her again on Thursday. Didn't you listen to the story?
Monica: Didn't you listen to the story? I mean, this is twisted! How could you get involved with a woman like this?
Chandler: Well, y'know, I had some trouble with it at first too, but the way I look at it is, I get all the good stuff: all the fun, all the talking, all the sex; and none of the responsibility. I mean, this is every guy's fantasy!
Phoebe: Oh, yeah. That is not true. Ross, is this your fantasy?
Ross: No, of course not! (Thinks) ...Yeah, yeah, it is.
Monica: What? So you guys don't mind going out with someone else who's going out with someone else?
Joey: I couldn't do it.
Monica: Good for you, Joey.
Joey: When I'm with a woman, I need to know that I'm going out with more people than she is.
Ross: Well, y'know, monogamy can be a, uh, tricky concept. I mean, anthropologically speaking-
(They all pretend to fall asleep.)
Ross: Fine. Fine, alright, now you'll never know.
Monica: We're kidding. C'mon, tell us!
All: Yeah! C'mon!
Ross: Alright. There's a theory, put forth by Richard Leakey-
(They all fall asleep again.)
[Scene: Monica and Rachel's, Rachel is there as enter except Joey enter.]
Rachel: Tah-daaah!
Chandler: Are we greeting each other this way now? 'Cause I like that.
Rachel: Look! I cleaned! I did the windows, I did the floors... I even used all the attachments on the vacuum, except that little round one with the bristles, I don't know what that's for.
Ross: Oh yeah, nobody knows. And we're not supposed to ask.
Rachel: Well, whaddya think?
All: Very clean! It looks great! Terrific!
Monica: ...Oh! I-I see you moved the green ottoman.
All: Uh-oh...
Monica: How-how did that happen?
Rachel: I dunno.. I-I thought it looked better there. And I- and also, it's an extra seat around the coffee table.
Monica: Yeah, yeah, it's interesting.. but y'know what? Just for fun, let's see what it looked like in the old spot. (She moves it.) Alright, just to compare. Let's see. Well, it looks good there too. Let's just leave it there for a while.
Phoebe: (to Rachel) I can't believe you tried to move the green ottoman.
Chandler: Thank God you didn't try to fan out the magazines. I mean, she'll scratch your eyes right out.
Monica: You guys, I am not that bad!
Phoebe: Yeah, you are, Monica. Remember when I lived with you? You were like, a little, y'know, (psycho) Ree! Ree! Ree! Ree!
Monica: That is so unfair!
Ross: Oh c'mon! When we were kids, yours was the only Raggedy Ann doll that wasn't raggedy!
Monica: Okay, so I'm responsible, I'm organised. But hey, I can be a kook.
Ross: Alright, you madcap gal. Try to imagine this. The phone bill arrives, but you don't pay it right away.
Monica: Why not?
Ross: Because you're a kook! Instead you wait until they send you a notice.
Monica: I could do that.
Rachel: Okay, uh, you let me go grocery shopping, and I buy laundry detergent, but it's not the one with the easy-pour spout.
Monica: Why would someone do that?! ...One might wonder.
Chandler: Someone's left a glass on the coffee table. There's no coaster. It's a cold drink, it's a hot day. Little beads of condensation are inching their way closer and closer to the surface of the wood...
Monica: STOP IT!! ...Oh my God. It's true! Who am I?
Ross: Monica? You're Mom.
(Monica gasps.)
Phoebe: Ree! Ree! Ree! Ree! Ree!
(Joey enters and he's on the phone.)
Joey: (on phone) Uh huh.. uh huh... oh my God! Okay! Okay, I'll be there! (He hangs up and to all.) That was my agent. (He tosses and catches the phone.) My agent has just gotten me a job...in the new Al Pacino movie!
All: Oh my God! Whoah!
Monica: Well, what's the part?
Joey: Can you believe this? Al Pacino! This guy's the reason I became an actor! "I'm out of order? Pfeeeh. You're out of order! This whole courtroom's out of order!"
Phoebe: Seriously, what-what's the part?
Joey: "Just when I thought I was out, they pull me back in!"
Ross: C'mon, seriously, Joey, what's the part?
Joey: ...I'm his (mumbles)
Rachel: ..You're, you're 'mah mah mah' what?
Joey: ...I'm his butt double. 'Kay? I play Al Pacino's butt. Alright? He goes into the shower, and then- I'm his butt.
Monica: (trying not to laugh) Oh my God.
Joey: C'mon, you guys. This is a real movie, and Al Pacino's in it, and that's big!
Chandler: Oh no, it's terrific, it's... it's... y'know, you deserve this, after all your years of struggling, you've finally been able to crack your way into showbusiness.
Joey: Okay, okay, fine! Make jokes, I don't care! This is a big break for me!
Ross: You're right, you're right, it is...So you gonna invite us all to the big opening?
Commercial Break
[Scene: Monica and Rachel's, the next morning, Monica is getting the door.]
Monica: Alright, alright, alright...
(Joey enters with Monica's paper and hands it to her.)
Joey: Here. I need to borrow some moisturizer.
Monica: For what?
Joey: Whaddya think? Today's the big day!
Monica: Oh my God. Okay, go into the bathroom, use whatever you want, just don't ever tell me what you did in there.
Joey: Thank you! (He goes into the bathroom.)
(Chandler enters with the phone.)
Chandler: Where's Joey? His mom's on the phone.
Monica: He's in the bathroom. I don't think you wanna go in there!
Chandler: C'mon, we're roommates! (He goes into the bathroom, screams, and runs back out.) My eyes!! My eyes!!
Monica: I warned you...
(Rachel enters from her room.)
Rachel: Who is being loud?
Chandler: Oh, that would be Monica. Hey, listen, I wanna borrow a coupla things, Aurora spent the night, I really wanna make her breakfast.
Monica: Oh, you got the whole night, huh?
Chandler: Yeah, well, I only have twenty minutes until Ethan, so, y'know.. (He starts to raid the fridge.)
Rachel: Ooh, do I sense a little bit of resentment?
Chandler: No, no resentment, believe me, it's worth it. 'Kay? Y'know in a relationship you have these key moments that you know you'll remember for the rest of your life? Well, every- single- second is like that with Aurora.. and I've just wasted about thirty-five of them talking to you people, so, uh.. Monica, can you help me with the door? (He has armloads of stuff.)
Monica: Sure. Oh, um, Chandler? Y'know, the-the old Monica would-would remind you to scrub that Teflon pan with a plastic brush...But I'm not gonna do that.
(She opens the door and he leaves.)
[Scene: A Film Set, Joey is entering for his scene.]
Director: (on phone)...Dammit, hire the girl! (He hangs up the phone.) Okay, everybody ready?
Joey: Uh, listen, I just wanna thank you for this great opportunity.
Director: Lose the robe.
Joey: Me?
Director: That would work.
Joey: Right. Okay. Losing the robe. (He takes off the robe.) And the robe is lost.
Director: Okay, everybody, we'd like to get this in one take, please. Let's roll it.. water's working (The shower starts).. and... action.
(Joey starts to the shower with a grim, determined look on his face.)
Director: And cut. Hey, Butt Guy, what the hell are you doing?
Joey: Well, I'm- I'm showering.
Director: No, that was clenching.
Joey: Oh. Well, the way I see it, the guy's upset here, y'know? I mean, his wife's dead, his brother's missing... I think his butt would be angry here.
Director: I think his butt would like to get this shot before lunch. Once again, rolling... water working... and action....and cut. What was that?
Joey: I was going for quiet desperation. But if you have to ask...
[Scene: Chandler and Joey's, Aurora and Chandler are in bed in Chandler's room.]
Chandler: God, I love these fingers...
Aurora: Thank you.
Chandler: No, actually I meant my fingers. Look at 'em, look at how happy they are.
Aurora: (moves Chandler's arm and look at his watch.) Oh my God, I'm late. (She starts to get up.)
Chandler: Oh no nonononononnononono, don't go.. (He kisses her and pulls her back down.)
Aurora: Okay.
Chandler: Don't go.
Aurora: Okay. Oh no, I have to.
Chandler: (to himself) Too bad, she's leaving.
Aurora: (getting up and dressing) I'm sorry. He'll be waiting for me.
Chandler: Well, I thought- I thought you talked to Rick.
Aurora: It's not Rick.
Chandler: What, Ethan? He got to spend the whole day with you!
Aurora: No, it's-it's Andrew.
Chandler: I know there'll be many moments in the years to come when I'll regret asking the following question, but- And Andrew is?
Aurora: He's... new.
Chandler: Oh, so what you're saying is you're not completely fulfilled by Rick, Ethan and myself?
Aurora: No, that's not exactly what I was..
Chandler: Well, y'know, most women would kill for three guys like us.
Aurora: So what do you want?
Chandler: You.
Aurora: You have me!
Chandler: Nono, just you.
Aurora: Whaddyou mean?
Chandler: Lose the other guys.
Aurora: ...Like, ...all of them?
Chandler: C'mon, we're great together, why not?
Aurora: Why can't we just have what we have now? Why can't we just talk, and laugh, and make love, without feeling obligated to one another... and up until tonight I thought that's what you wanted too.
Chandler: ...Well, y'know, part of me wants that, but it's like I'm two guys, y'know? I mean, one guy's going 'Shut up! This is great!' But there's this other guy. Actually it's the same guy that wells up every time that Grinch's heart grows three sizes and breaks that measuring device... And he's saying, y'know, 'This is too hard! Get out! Get out!'
Aurora: So... which one of the two guys will you listen to?
Chandler: I don't know, I-I have to listen to both of them, they don't exactly let each other finish...
Aurora: Which one?
Chandler: ...The second guy.
Aurora: (gets up to leave) Well, call me if you change your mind.
(She kisses him, he holds her, and kisses her passionately.)
Chandler: Sorry, the first guy runs the lips.
(She leaves, Chandler sighs, and falls back on his bed.)
[Scene: Monica and Rachel's, Ross is trying to comfort Chandler. Joey is absent.]
Ross: Look at it this way: you dumped her. Right? I mean, this woman was unbelievably sexy, and beautiful, intelligent, unattainable... Tell me why you did this again?
(Joey enters.)
All: Hey!
Monica: Hey, waitwait, aren't you the guy that plays the butt in the new Al Pacino movie?
Joey: Nope.
Ross: No? What happened, big guy?
Chandler: (to Ross) "Big guy?"
Ross: It felt like a 'big guy' moment.
Joey: I got fired.
All: Oh!
Joey: Yeah, they said I acted too much with it. I told everybody about this! Now everybody's gonna go to the theatre, expecting to see me, and...
Rachel: Oh, Joey, you know what, no-one is gonna be able to tell.
Joey: My mom will.
Chandler: Something so sweet and...disturbing about that.
Joey: Y'know, I've done nothing but crappy plays for six years. And I finally get my shot, and I blow it!
Monica: Maybe this wasn't your shot.
Ross: Yeah, I mean... I think when it's your shot, y'know, you-you know it's your shot. Did it... feel like your shot..?
Joey: Hard to tell, I was naked.
Phoebe: No, I don't think this was your shot. I mean, I don't even think you just get one shot. I really believe big things are gonna happen for you, I do! You've gotta just keep thinking about the day that some kid is gonna run up to his friends and go 'I got the part! I got the part! I'm gonna be Joey Tribbiani's ass!'.
Joey: Yeah? That's so nice! (They hug.)
(Ross and Chandler look at each other and hug as well.)
Monica: I'm sorry, Joey. I'm gonna go to bed, guys.
All: Night.
Rachel: Uh, Mon, you-you gonna leave your shoes out here?
Monica: (determined) Uh-huh!
Rachel: Really? Just casually strewn about in that reckless haphazard manner?
Monica: Doesn't matter, I'll get 'em tomorrow. Or not. Whenever. (He goes to her room.)
Ross: She is a kook.
Closing Credits
[Scene: Monica's Bedroom, she's lying in bed wide awake.]
Monica: (hums for a while, then gives up, and in her head) If it bothers you that much, just go out and get the shoes. No. Don't do this. This is stupid! I don't have to prove anything, I'm gonna go get them...But then everyone will know. Unless I get them, and then wake up really early and put them back! ...I need help! (She buries her head in her pillow.)
End
글
(영화대본) 프랜즈 시즌1-7
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Blackout
Written by: Jeffrey Astrof and Mike Sikowitz.
Transcribed by: Ruth Curran
[Scene: Central Perk, Rachel is introducing Phoebe, who is playing her guitar for the crowd.]
Rachel: Everybody? Shh, shhh. Uhhh... Central Perk is proud to present the music of Miss Phoebe Buffay.
(applause)
Phoebe: Hi. Um, I want to start with a song thats about that moment when you suddenly realize what life is all about. OK, here we go. (plays a chord, then the lights go out) OK, thank you very much.
[Scene: The ATM vestibule of a bank, Chandler is inside. The lights go out, and he realizes he is trapped inside.]
Chandler: Oh, great. This is just...
(Chandler sees that there is a gorgeous model inside the vestibule with him. He makes a gesture of quiet exuberance.)
Opening Credits
[Scene: Monica and Rachel's, Monica is on the phone with her mother. Phoebe, Rachel, and Ross are there.]
Rachel: Wow, this is so cool, you guys. The entire city is blacked out!
Monica: Mom says it's all of Manhattan, parts of Brooklyn and Queens, and they have no idea when it's coming back on.
Rachel: Wow, you guys, this is big.
Monica: (into phone) Pants and a sweater? Why, mom? Who am I gonna meet in a blackout? Power company guys? Eligible looters? Could we talk about this later? OK. (hangs up)
Phoebe: Can I borrow the phone? I want to call my apartment and check on my grandma. (to Monica) What's my number?
(Monica and Rachel look at Phoebe strangely.)
Phoebe: Well, I never call me.
[Scene: ATM vestibule, Jill Goodacre is on the cellular phone. Chandler's thoughts are in italics.]
Chandler: Oh my God, it's that Victoria's Secret model. Something... something Goodacre.
Jill: (on phone) Hi Mom, it's Jill.
Chandler: She's right, it's Jill. Jill Goodacre. Oh my God. I am trapped in an ATM vestibule with Jill Goodacre! (pause) Is it a vestibule? Maybe it's an atrium. Oh, yeah, that is the part to focus on, you idiot!
Jill: (on phone) Yeah, I'm fine. I'm just stuck at the bank, in an ATM vestibule.
Chandler: Jill says vestibule... I'm going with vestibule.
Jill: (on phone) I'm fine. No, I'm not alone... I don't know, some guy.
Chandler: Oh! Some guy. Some guy. 'Hey Jill, I saw you with some guy last night. Yes, he was some guy.
(Chandler strides proudly across the vestibule and Jill stares at him.)
[Scene: Monica's apartment, Joey enters with a menorah, the candles lit.]
Joey: Hi everyone.
Ross: And officiating at tonight's blackout, is Rabbi Tribbiani.
Joey: Well, Chandler's old roomate was Jewish, and these are the only candles we have, so... Happy Chanukah, everyone.
Phoebe: (at window) Eww, look. Ugly Naked Guy lit a bunch of candles.
(They all look at the window, grossed out, then flinch in pain.)
Rachel: That had to hurt!
[Scene: ATM vestibule.]
Chandler: Alright, alright, alright. It's been fourteen and a half minutes and you still have not said one word. Oh God, do something. Just make contact, smile!
(Chandler smiles at her, she smiles back sweetly.)
Chandler: There you go!
(He continues to smile like an idiot, and she looks frightened.)
Chandler: You're definitely scaring here.
Jill: (awkwardly) Would you like to call somebody? (offering phone)
Chandler: Yeah, about 300 guys I went to high school with. Yeah, thanks. (takes phone)
[Scene: Monica and Rachel's, The phone rings; it's Chandler.]
Monica: Hello?
Chandler: Hey, it's me.
Monica: (to everyone) It's Chandler! (on phone) Are you OK?
Chandler: Yeah, I'm fine. (trying to cover up what he is saying) I'm trppd in an ATM vstbl wth Jll Gdcr.
Monica: What?
Chandler: I'm trppd... in an ATM vstbl... wth Jll Gdcr!
Monica: I have no idea what you just said.
Chandler: (angry) Put Joey on the phone.
Joey: What's up man?
Chandler: I'm trppd... in an ATM vstbl... wth JLL GDCR.
Joey: (to everyone) Oh my God! He's trapped in an ATM vestibule with Jill Goodacre! (on phone) Chandler, listen. (says something intentionally garbled)
Chandler: Yeah, like that thought never entered my mind.
[Scene: Monica and Rachel's, time has passed. The five are sitting around the coffee table talking.]
Rachel: Alright, somebody.
Monica: OK, I'll go. OK, senior year of college... on a pool table.
All: Whoooaa!
Ross: That's my sister.
Joey: OK... my weirdest place would have to be... the women's room on the second floor of the New York CIty public library.
Monica: Oh my God! What were you doing in a library?
Ross: Pheebs, what about you?
Phoebe: Oh... Milwaukee.
Rachel: Um... Ross?
Ross: Disneyland, 1989, 'It's a Small World After All.'
All: No way!
Ross: The ride broke down. So, Carol and I went behind a couple of those mechanical Dutch children... then they fixed the ride, and we were asked never to return to the Magic Kingdom.
Phoebe: Oh, Rachel.
Rachel: Oh come on, I already went.
Monica: You did not go!
All: Come on.
Rachel: Oh, alright. The weirdest place would have to be... (sigh)... oh, the foot of the bed.
Ross: Step back.
Joey: We have a winner!
[Time lapse, Ross and Rachel are talking, Joey is on the couch, and Monica and Phoebe are out of the room.]
Rachel: I just never had a relationship with that kind of passion, you know, where you have to have somebody right there, in the middle of a theme park.
Ross: Well, it was the only thing to do there that didn't have a line.
Rachel: There, well, see? Barry wouldn't even kiss me on a miniature golf course.
Ross: Come on.
Rachel: No, he said we were holding up the people behind us.
Ross: (sarcastically) And you didn't marry him because...?
Rachel: I mean, do you think there are people who go through life never having that kind of...
Ross: Probably. But you know, I'll tell you something. Passion is way overrated.
Rachel: Yeah right.
Ross: It is. Eventually, it kind of... burns out. But hopefully, what you're left with is trust, and security, and... well, in the case of my ex-wife, lesbianism. So, you know, for all of those people who miss out on that passion... thing, there's all that other good stuff.
Rachel: (sigh) OK.
Ross: But, um... I don't think that's going to be you.
Rachel: You don't.
Ross: Uh-uh. See, I see.... big passion in your future.
Rachel: Really?
Ross: Mmmm.
Rachel: You do?
Ross: I do.
Rachel: Oh Ross, you're so great. (she playfully rubs his head and gets up)
(Ross gets up, pleased with himself.)
Joey: It's never gonna happen.
Ross: (innocently) What?
Joey: You and Rachel.
Ross: (acts surprised) What? (pause) Why not?
Joey: Because you waited too long to make your move, and now you're in the friend zone.
Ross: No, no, no. I'm not in the zone.
Joey: Ross, you're mayor of the zone.
Ross: I'm taking my time, alright? I'm laying the groundwork. Yeah. I mean, every day I get just a little bit closer to...
Joey: Priesthood! Look Ross, I'm telling you, she has no idea what you're thinking. If you don't ask her out soon you're going to end up stuck in the zone forever.
Ross: I will, I will. See, I'm waiting for the right moment. (Joey looks at him) What? What, now?
Joey: Yeeeeaaaahhh! What's messing you up? The wine? The candles? The moonlight? You've just got to go up to her and say, 'Rachel, I think that...' (Rachel comes into the room behind them)
Ross: Shhhh!
Rachel: What are you shushing?
Ross: We're shushing... because... we're trying to hear something. Listen. (everyone is silent) Don't you hear that?
Rachel: Ahhhh!
Ross: See?
Rachel: Huh. (she agrees, but looks very confused)
[Scene: ATM vestibule.]
Jill: Would you like some gum?
Chandler: Um, is it sugarless?
Jill: (checks) Sorry, it's not.
Chandler: Oh, then no thanks. What the hell was that? Mental note: If Jill Goodacre offers you gum, you take it. If she offers you mangled animal carcass, you take it.
[Scene: Monica's apartment, Phoebe is singing.]
Phoebe: (singing) New York City has no power, and the milk is getting sour. But to me it is not scary, 'cause I stay away from dairy.... la la la, la la, la la... (she writes the lyrics down)
Ross: (to Joey) OK, here goes.
Joey: Are you going to do it?
Ross: I'm going to do it.
Joey: Do you want any help?
Ross: You come out there, you're a dead man.
Joey: Good luck, man.
Ross: Thanks. (Joey hugs him) OK.
Joey: OK. (Ross goes out on the balcony to talk to Rachel)
(Monica walks in, starts to go out on the balcony.)
Joey: Hey, where are you going?
Monica: Outside.
Joey: You can't go out there.
Monica: Why not?
Joey: Because of... the reason.
Monica: And that would be?
Joey: I, um, can't tell you.
Monica: Joey, what's going on?
Joey: OK, you've got to promise that you'll never, ever tell Ross that I told you.
Monica: About what?
Joey: He's planning your birthday party.
Monica: Oh my God! I love him!
Joey: (as Phoebe enters) You'd better act surprised.
Phoebe: About what?
Monica: My surprise party!
Phoebe: What surprise party?
Monica: Oh stop it. Joey already told me.
Phoebe: Well, he didn't tell me.
Joey: Hey, don't look at me. This is Ross's thing.
Phoebe: This is so typical. I'm always the last one to know everything.
Monica: No, you are not. We tell you stuff.
Phoebe: Yuh-huh! I was the last one to know when Chandler got bitten by the peacock at the zoo. I was the last one to know when you had a crush on Joey when he was moving in. (Monica gestures at Phoebe to shut up; Joey looks surprised but pleased) Looks like I was second to last.
[Scene: Monica and Rachel's Balcony, Ross and Rachel are talking.]
Rachel: Hmmm... this is so nice.
Ross: OK, I have a question. Well, actually, it's not so much a question as.. more of a general wondering... ment.
Rachel: OK.
Ross: OK. Here goes. For a while now, I've been wanting to, um....
Rachel: Ohhh!!!! (looking at something behind Ross)
Ross: Yes, yes, that's right...
Rachel: Oh, look at the little cat! (a small kitten is on the roof behind Ross)
Ross: What? (the cat jumps on his shoulders) Ow!
[Cut to inside. Monica, Joey and Phoebe are singing while outside, Ross and Rachel are trying to get the cat off of Ross' shoulder.]
Monica, Joey, and Phoebe: (singing) I'm on top of the world, looking down on creation and the only explanation I can find, is the wonders I've found ever since...
Commercial Break
[Scene: Monica and Rachel's, Phoebe is holding the cat, Monica is treating the scratches on Ross' back. Joey is holding the menorah over the wound.]
Monica: (to Ross) This is just Bactine. It won't hurt.
(Ross flinches in pain.)
Joey: Sorry, that was wax.
Phoebe: Oh, poor little Tooty is scared to death. We should find his owner.
Ross: Why don't we just put 'poor little Tooty' out in the hall?
Rachel: During a blackout? He'd get trampled!
Ross: (nonchalantly) Yeah?
[Scene: ATM vestibule.]
Chandler: You know, on second thought, gum would be perfection. (Jill gives him a stick of gum, and a strange look) 'Gum would be perfection'? 'Gum would be perfection.' Could have said 'gum would be nice,' or 'I'll have a stick,' but no, no, no, no. For me, gum is perfection. I loathe myself.
[Scene: The hallway of Monica's building. Phoebe and Rachel are trying to find the cat's owner.]
Phoebe: (stops at a door) Oh no, the Mendels, they hate all living things, right?
Rachel: Oh. (they knock at the next door, Mr. Heckles answers) Hi. We just found this cat and we're looking for the owner.
Mr. Heckles: Er, yeah, it's mine.
Phoebe: (trying to hold back the struggling cat) He seems to hate you. Are you sure?
Mr. Heckles: Yeah, it's my cat. Give me my cat.
Phoebe: Wait a minute. What's his name?
Mr. Heckles: Ehhhh... B-Buttons.
Rachel: Bob Buttons?
Mr. Heckles: Mmm. Bob Buttons. Here, Bob Buttons.
Phoebe: (the cat runs away from her) Oooh! You are a very bad man!
Mr. Heckles: (as Phoebe and Rachel leave) You owe me a cat.
[Scene: Rachel has gone off on her own to look for the cat's owner.]
Rachel: Here, kitty-kitty. Here kitty-kitty. Where did you go, little kitty-kitty-kitty? Here kitty-kitty-kitty-kitty...
(While looking at the floor for the cat, Rachel runs into a pair of legs. She slowly gets up and sees a gorgeous Italian hunk holding the cat. Who, by the way, you'll hate very, very soon. The man. Not the cat.)
Paolo: (something Italian)
Rachel: Wow. (she exhales in amazement, blowing the candle out)
[Scene: Monica and Rachel's, Ross, Monica, and Joey are playing Monopoly.]
Ross: (rolling) Lucky sixes....
Rachel: (entering with Paolo, arm in arm) Everybody, this is Paolo. Paolo, I want you to meet my friends. This is Monica.
Monica: (smitten) Hi!
Rachel: And Joey....
Monica: Hi!
Rachel: And Ross.
Monica: Hi!
Paolo: (something in Italian)
Rachel: (proudly) He doesn't speak much English.
Paolo: (pointing at game) Monopoly!
Rachel: Look at that!
Ross: (jealous) So, um... where did Paolo come from?
Rachel: Oh... Italy, I think.
Ross: No, I mean tonight, in the building. Suddenly. Into our lives.
Rachel: Well, the cat... the cat turned out to be Paolo's cat!
Ross: That, that is funny... (to Joey).... and Rachel keeps touching him.
(Phoebe enters.)
Phoebe: Alright. I looked all over the building and I couldn't find the kitty anywhere.
Rachel: Oh, I found him. He was Paolo's cat.
Phoebe: Ah! Well! There you go! Last to know again! And I'm guessing... since nobody told me... this is Paolo.
Rachel: Ah, Paolo, this is Phoebe.
Paolo: (something in Italian, he is apparently attracted to Phoebe)
Phoebe: (smiling) You betcha!
[Scene: ATM vestibule.]
Chandler: (chewing gum) Ah, let's see. What next? Blow a bubble. A bubble's good. It's got a... boyish charm, it's impish. Here we go.
(Chandler waits until Jill is looking, then starts to blow a bubble. But instead of blow one, he accidentally spits the gum out of his mouth and hits the wall.)
Chandler: Nice going, imp. OK, it's OK. All I need to do is reach over and put it in my mouth. (Chandler slyly grabs the gum from the wall and slides it back in his mouth.)
Chandler: Good save! We're back on track, and I'm... (grimacing) ..chewing someone else's gum. This is not my gum. Oh my God! Oh my God! And now you're choking.
(Chandler starts to choke.)
Jill: Are you alright?
(Chandler tries to save face and makes the 'OK' sign with his hands, while obviously unable to breathe.)
Jill: My God, you're choking! (she runs over and gives him the Heimlich, the gum flies from his mouth) That better?
Chandler: (gasping) Yes... thank you. That was... that was....
Jill: Perfection?
[Scene: Monica and Rachel's, Rachel and Paolo are at the window. Ross and Joey are watching disgustedly.]
Paolo: (something romantic in Italian about Rachel and the stars)
Ross: (mocking Paolo) Blah blah blah, blah blah blah... blah blaaaaaah....
(Rachel walks away from Paolo, laughing.)
Ross: Wha-What did he say that was so funny?
Rachel: I have absolutely no idea.
Ross: That's... that's classic.
Rachel: (to Monica and Phoebe) Oh my God, you guys, what am I doing? What am I doing? This is so un-me!
Monica: If you want, I'll do it.
(Ross looks at Joey.)
Phoebe: I know, I just want to bite his bottom lip. (Rachel looks at her) But I won't.
Rachel: God, the first time he smiled at me... those three seconds were more exciting than three weeks in Bermuda with Barry.
Phoebe: You know, did you ride mopeds? 'Cause I've heard... (they stare at her)... oh, I see... it's not about that right now. OK.
Rachel: Y'know, I know it's totally superficial and we have absolutely nothing in common, and we don't even speak the same language but Goooooooddddddd....
[Cut to the other side of the apartment, Ross has gone over to straighten things out with Paolo.]
Ross: Paolo. Hi.
Paolo: Ross!
(Ross notices that Paolo is standing on a step, which makes him taller. Ross gets up on the same step so he can look down at Paolo.)
Ross: Listen. Um, listen. Something you should... know... um, Rachel and I... we're kind of a thing.
Paolo: Thing?
Ross: Thing, yes. Thing.
Paolo: Ah, you... have the sex?
Ross: No, no, no. Technically the... sex is not... being had, but that's... see, that's not the point. See, um, the point is that... Rachel and I should be, er, together. You know, and if you get in the.... um...
Paolo: Bed?
Ross: No, no, that's not where I was going. Er, if you get in the... way, of us becoming a thing, then I would be, well, very sad.
Paolo: Oh!
Ross: Yeah! Se vice?
Paolo: Si.
Ross: So you do know a little English.
Paolo: Poco... a leetle.
Ross: Do you know the word crapweasel?
Paolo: No.
Ross: That's funny, because you know, you are a huge crapweasel!
(They hug.)
[Scene: ATM vestibule, Chandler and Jill are sitting below the counter with two pens dangling from their chains in front of them. Jill is showing Chandler how to swing the pen around his head.]
Jill: Chandler, we've been here for an hour doing this! Now watch, it's easy.
Chandler: OK.
Jill: Ready? (she swings the pen around her head in a circle)
(Chandler tries to do the same thing but the pen hits him in the head.)
Jill: No, you've got to whip it.
(He swings the pen hard, and it snaps back and almost hits him again.)
[Scene: Monica and Rachel's, the gang is all sitting around the table.]
Phoebe: Oh, look look look. The last candle's about to burn out. 10, 9, 8, 7... (time lapse)... negative 46, negative 47, negative 48.... (someone blows it out, the room gets completely dark)
Ross: Thank you.
Phoebe: Thanks.
Ross: Kinda... spooky without any lights.
Joey: (does a maniacal laugh) Bwah-hah-hah!
(Everyone starts to imitate him.)
Ross: OK, guys, guys? I have the definitive one. Mwwwooooo-hah-hah...
(The lights come back on, and Rachel and Paolo are making out. Ross clutches his chest.)
Ross: Oh.. oh... oh.
Joey: Hey Ross. This probably isn't the best time to bring it up, but you have to throw a party for Monica.
Closing Credits
[Scene: ATM vestibule, the power has come back on.]
Jill: Well, this has been fun.
Chandler: Yes. Yes, thanks for letting me use your phone... and for saving my life.
Jill: Well, goodbye Chandler. I had a great blackout. (she kisses him on the cheek) See ya.
(She leaves. Chandler presses his face to the glass door after her, stroking the window lovingly. He then turns to the security camera and starts talking to it.)
Chandler: Hi, um, I'm account number 7143457. And, uh, I don't know if you got any of that, but I would really like a copy of the tape.
End
글
(영화대본) 프랜즈 시즌1-8
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One Where Nana Dies Twice
Written by: Marta Kaufmann and David Crane
Transcribed by: guineapig
Special thanks to Rachel Stigge for correcting my Italian
[Scene: Chandler's Office, Chandler is on a coffee break. Shelley enters.)
Shelley: Hey gorgeous, how's it going?
Chandler: Dehydrated Japanese noodles under fluorescent lights... does it get better than this?
Shelley: Question. You're not dating anybody, are you, because I met somebody who would be perfect for you.
Chandler: Ah, y'see, perfect might be a problem. Had you said 'co-dependent', or 'self-destructive'...
Shelley: Do you want a date Saturday?
Chandler: Yes please.
Shelley: Okay. He's cute, he's funny, he's-
Chandler: He's a he?
Shelley: Well yeah! ...Oh God. I- just- I thought- Good, Shelley. I'm just gonna go flush myself down the toilet now...(backs out of the room) Okay, goodbye...
Opening Credits
[Scene: Monica and Rachel's, everyone is there.)
Chandler: ...Couldn't enjoy a cup of noodles after that. I mean, is that ridiculous? Can you believe she actually thought that?
Rachel: Um... yeah. Well, I mean, when I first met you, y'know, I thought maybe, possibly, you might be...
Chandler: You did?
Rachel: Yeah, but then you spent Phoebe's entire birthday party talking to my breasts, so then I figured maybe not.
Chandler: Huh. Did, uh... any of the rest of you guys think that when you first met me?
Monica: I did.
Phoebe: Yeah, I think so, yeah.
Joey: Not me.
Ross: Nono, me neither. Although, uh, y'know, back in college, Susan Sallidor did.
Chandler: You're kidding! Did you tell her I wasn't?
Ross: No. No, it's just 'cause, uh, I kinda wanted to go out with her too, so I told her, actually, you were seeing Bernie Spellman... who also liked her, so...
(Joey congratulates Ross, sees Chandler's look and abruptly stops.)
Chandler: Well, this is fascinating. So, uh, what is it about me?
Phoebe: I dunno, 'cause you're smart, you're funny...
Chandler: Ross is smart and funny, d'you ever think that about him?
All: Yeah! Right!
Chandler: WHAT IS IT?!
Monica: Okay, I-I d'know, you-you just- you have a quality.
All: Yes. Absolutely. A quality.
Chandler: Oh, oh, a quality, good, because I was worried you guys were gonna be vague about this.
(Phone rings; Monica gets it)
Monica: Hello? Hello? Oh! Rachel, it's Paolo calling from Rome.
Rachel: Oh my God! Calling from Rome! (Takes phone) Bon giorno, caro mio.
Ross: (to Joey) So he's calling from Rome. I could do that. Just gotta go to Rome.
Rachel: Monica, your dad just beeped in, but can you make it quick? Talking to Rome. (Showing off to Phoebe and Chandler) I'm talking to Rome.
Monica: Hey dad, what's up? (Listens) Oh God. Ross, it's Nana.
[Scene: The Hospital, Mr. and Mrs. Geller are there, along with Aunt Lillian. Ross and Monica enter and everyone says hi and kisses.)
Ross: So, uh, how's she doing?
Aunt Lillian: The doctor says it's a matter of hours.
Monica: How-how are you, Mom?
Mrs. Geller: Me? I'm fine, fine. I'm glad you're here. ...What's with your hair?
Monica: What?
Mrs. Geller: What's different?
Monica: Nothing.
Mrs. Geller: Oh, maybe that's it.
(Monica strides over to Ross, who is making coffee, and talks to him aside.)
Monica: She is unbelievable, our mother is...
Ross: Okay, relax, relax. We are gonna be here for a while, it looks like, and we still have boyfriends and your career to cover.
Monica: Oh God!
(They hug.)
[Cut to the hospital, later. Everyone is talking about Nana.]
Monica: The fuzzy little mints at the bottom of her purse.
Ross: Oh! ...Yeah, they were gross. Oh, you know what I loved? Her Sweet 'n' Los. How she was always stealing them from- from restaurants.
Mr. Geller: Not just restaurants, from our house.
(The nurse comes out of Nana's room.)
Nurse: Mrs. Geller?
(Everyone stands up. Cut to Ross and Monica in Nana's room.)
Ross: She looks so small.
Monica: I know.
Ross: Well, at least she's with Pop-Pop and Aunt Phyllis now.
Monica: G'bye, Nana. (She kisses her on the forehead.)
Ross: Bye, Nana.
(He goes to kiss her but she moves. Monica screams. Ross shouts and stares in disbelief. Monica runs out of the room.)
Monica: Ross!
(Ross runs out too.)
Mrs. Geller: What is going on?!
Ross: Y'know how-how the nurse said that-that Nana had passed? Well, she's not, quite..
Mrs. Geller: What?
Ross: She's not- past, she's present, she's back.
Aunt Lillian: (reentering) What's going on?
Mr. Geller: She may have died.
Aunt Lillian: She may have died?
Mr. Geller: We're looking into it.
(Monica returns with the nurse and they go into Nana's room.)
Ross: I, uh, I'll go see. (He goes in)
Nurse: This almost never happens!
(Nana passes for the second time and the nurse pulls the blanket over her. Ross and Monica go to tell the family)
Ross: Now she's passed.
[Scene: Central Perk, Chandler, Phoebe, Joey, and Rachel are there.]
Chandler: I just have to know, okay. Is it my hair?
Rachel: (exasperated) Yes, Chandler, that's exactly what it is. It's your hair.
Phoebe: Yeah, you have homosexual hair.
(Monica and Ross enter.)
Rachel: So, um, did she...
Ross: Twice.
Joey: Twice?
Phoebe: Oh, that sucks!
Joey: You guys okay?
Ross: I dunno, it's weird. I mean, I know she's gone, but I just don't feel, uh...
Phoebe: Maybe that's 'cause she's not really gone.
Ross: Nono, she's gone.
Monica: We checked. A lot.
Phoebe: Hm, I mean maybe no-one ever really goes. Ever since my mom died, every now and then, I get the feeling that she's like right here, y'know? (She circles her hand around her right shoulder. Chandler, sitting on her right, draws back nervously) Oh! And Debbie, my best friend from junior high- got struck by lightning on a miniature golf course- I always get this really strong Debbie vibe whenever I use one of those little yellow pencils, y'know? ...I miss her.
Rachel: Aw. Hey, Pheebs, want this? (Gives her a pencil)
Phoebe: Thanks!
Rachel: Sure. I just sharpened her this morning.
Joey: Now, see, I don't believe any of that. I think once you're dead, you're dead! You're gone! You're worm food! (realises his tactlessness) ...So Chandler looks gay, huh?
Phoebe: Y'know, I dunno who this is, but it's not Debbie. (Hands back the pencil)
[Scene: Nana's house, Ross, Mrs. Geller and Aunt Lillian are going through clothes.]
Ross: I thought it was gonna be a closed casket.
Mrs. Geller: Well, that doesn't mean she can't look nice!
(They open a cupboard which, amongst other things, contains a chest of drawers)
Mrs. Geller: Sweetie, you think you can get in there?
Ross: (sarcastic) I don't see why not.
(He tries pushing against the chest of drawers. Then he opens one of the drawers and climbs into the closet using that; he falls behind the chest of drawers with a shout.)
Ross: Here's my retainer!
[Scene: Monica and Rachel's, Monica is talking to her father.]
Mr. Geller: I was just thinking. When my time comes-
Monica: Dad!
Mr. Geller: Listen to me! When my time comes, I wanna be buried at sea.
Monica: You what?
Mr. Geller: I wanna be buried at sea, it looks like fun.
Monica: Define fun.
Mr. Geller: C'mon, you'll make a day of it! You'll rent a boat, pack a lunch...
Monica: ...And then we throw your body in the water... Gee, that does sound fun.
Mr. Geller: Everyone thinks they know me. Everyone says 'Jack Geller, so predictable'. Maybe after I'm gone, they'll say 'Buried at sea! Huh!'.
Monica: That's probably what they'll say.
Mr. Geller: I'd like that.
[Scene: Chandler's Office, Shelley is drinking coffee; Chandler enters.]
Chandler: Hey, gorgeous.
Shelley: (sheepish) Hey. Look, I'm sorry about yesterday, I, um-
Chandler: No, nono, don't- don't worry about it. Believe me, apparently other people have made the same mistake.
Shelley: Oh! Okay! Phew!
Chandler: So, uh... what do you think it is about me?
Shelley: I dunno, uh... you just have a-a...
Chandler: ...Quality, right, great.
Shelley: Y'know, it's a shame, because you and Lowell would've made a great couple.
Chandler: Lowell? Financial Services' Lowell, that's who you saw me with?
Shelley: What? He's cute!
Chandler: Well, yeah... 's'no Brian in Payroll.
Shelley: Is Brian...?
Chandler: No! Uh, I d'know! The point is, if you were gonna set me up with someone, I'd like to think you'd set me up with someone like him.
Shelley: Well, I think Brian's a little out of your league.
Chandler: Excuse me? You don't think I could get a Brian? Because I could get a Brian. Believe you me. ...I'm really not.
[Scene: Nana's Bedroom, Ross is holding a dress out from inside the closet.]
Ross: (holding a dress out from inside the closet) This one?
Aunt Lillian: No.
Ross: I have shown you everything we have. Unless you want your mother to spend eternity in a lemon yellow pant-suit, go with the burgundy.
Aunt Lillian: You know, whatever we pick, she would've told us it's the wrong one.
Mrs. Geller: You're right. We'll go with the burgundy.
Ross: Oh! A fine choice. I'm coming out. (Starts to climb over the furniture)
Aunt Lillian: Wait! We need shoes!
(Ross falls back inside)
Ross: Okay. Um, how about these? (Holds out a pair)
Mrs. Geller: That's really a day shoe.
Ross: And where she's going everyone else'll be dressier?
Aunt Lillian: Could we see something in a slimmer heel?
Ross: (forages around) Okay, I have nothing in an evening shoe in the burgundy. I can show you something in a silver that may work.
Aunt Lillian: No, it really should be burgundy.
Mrs. Geller: Mm. Unless we go with a different dress?
Ross: No! Nonono, wait a sec. I may have something in the back.
(He finds a shoebox (out of shot), pulls it down and opens it. It is full of Sweet 'n' Lo's.)
Ross: Oh my God..
Mrs. Geller: Is everything all right, dear?
Ross: Yeah, just... just Nana stuff.
(He reaches up higher and knocks down another shoebox lid. Sweet 'n' Lo's rain down on him)
Commercial Break
[Scene: Monica and Rachel's, Monica and Rachel are preparing to leave for the funeral.]
Ross: (entering) How we doing, you guys ready?
Monica: Mom already called this morning to remind me not to wear my hair up. Did you know my ears are not my best feature?
Ross: Some days it's all I can think about.
Phoebe: (entering) Hi, sorry I'm late, I couldn't find my bearings.
Rachel: Oh, you-you mean your earrings?
Phoebe: What'd I say?
Rachel: (sticking her foot out) Hm-m.
Monica: Are these the shoes?
Rachel: Yes. Paolo sent them from Italy.
Ross: What, we-uh- we don't have shoes here, or...?
Joey: (entering with Chandler) Morning. We ready to go?
Chandler: Well, don't we look nice all dressed up?...It's stuff like that, isn't it?
(They all leave.)
[Scene: The cemetary, after the funeral.]
Monica: It was a really beautiful service.
Mrs. Geller: It really was. Oh, c'mere, sweetheart. (Hugs her) Y'know, I think it might be time for you to start using night cream.
(Joey listens to his overcoat for a second and sighs, then notices Chandler watching)
Joey: What?
Chandler: Nothing, just your overcoat sounds remarkably like Brent Mussberger.
Joey: Check it out, Giants-Cowboys. (He has a pocket TV)
Chandler: You're watching a football game at a funeral?
Joey: No, it's the pre-game. I'm gonna watch it at the reception.
Chandler: You are a frightening, frightening man.
(Rachel steps in a patch of mud)
Rachel: Oh no! My new Paolo shoes!
Ross: Oh, I hope they're not ruined.
Phoebe: God, what a great day. ...What? Weather-wise!
Ross: I know, uh, the air, the-the trees... even though Nana's gone there's, there's something almost, uh- I dunno, almost life-aff- (Not looking where he is going he falls into an open grave)
All: God! Ross!
Ross: I'm fine. Just-just... having my worst fear realised...
[Scene: The Wake, at the Gellers' house. Ross is lying on his back, with Phoebe squatting over him, checking to see if he's injured.]
Phoebe: Okay, don't worry, I'm just checking to see if the muscle's in spasm...huh.
Ross: What, what is it?
Phoebe: You missed a belt loop.
Ross: Oh! No-n-
Phoebe: Okay, it's in spasm.
Mrs. Geller: Here, sweetie, here. I took these when I had my golfing accident. (Hands Ross a bottle of pills. Then turns to Monica and pats her hair over her ears)
(Cut to Chandler and a woman, Andrea, reaching for the same slice of meat)
Chandler: Oh, no-
Andrea: Sorry- Hi, I'm Dorothy's daughter.
Chandler: Hi, I'm Chandler, and I have no idea who Dorothy is.
(They shake hands. Cut to Ross emerging from a hallway, grinning inanely. He is obviously very stoned)
Phoebe: Hey, look who's up! How do you feel?
Ross: I feel great. I feel- great, I fleel great.
Monica: Wow, those pills really worked, huh?
Ross: Not the first two, but the second two- woooo! ...I love you guys. You guys are the greatest. I love my sister (Kisses Monica), I love Pheebs... (Hugs her)
Phoebe: Ooh! That's so nice...
Ross: ...Chandler!
Chandler: Hey.
Ross: (hugs him) And listen, man, if you wanna be gay, be gay. Doesn't matter to me.
Andrea: (turns to a friend) You were right. (They walk off and leave Chandler.)
Ross: Rachel. Rachel Rachel. (Sits down beside her) I love you the most.
Rachel: (humouring him) Oh, well you know who I love the most?
Ross: No.
Rachel: You!
Ross: Oh.. you don't get it! (Passes out and slumps across her)
(Cut to Joey watching TV in the corner. He makes an extravagant gesture of disappointment.)
Mr. Geller: Whaddya got there?
Joey: (hides the TV, but he still has an earphone) Just a, uh... hearing disability.
Mr. Geller: What's the score?
Joey: Seventeen-fourteen Giants... three minutes to go in the third.
Mr. Geller: Beautiful! (Turns to watch with him)
(Time lapse. A large crowd of men are now watching the game)
Rachel: (still trapped under Ross) Pheebs, could you maybe hand me a cracker?
Mrs. Geller: (to Monica) Your grandmother would have hated this.
Monica: Well, sure, what with it being her funeral and all.
Mrs. Geller: No, I'd be hearing about 'Why didn't I get the honey-glazed ham?', I didn't spend enough on flowers, and if I spent more she'd be saying 'Why are you wasting your money? I don't need flowers, I'm dead'.
Monica: That sounds like Nana.
Mrs. Geller: Do you know what it's like to grow up with someone who is critical of every single thing you say?
Monica: ...I can imagine.
Mrs. Geller: I'm telling you, it's a wonder your mother turned out to be the positive, life-affirming person that she is.
Monica: That is a wonder. So tell me something, Mom. If you had to do it all over again, I mean, if she was here right now, would you tell her?
Mrs. Geller: Tell her what?
Monica: How she drove you crazy, picking on every little detail, like your hair... for example.
Mrs. Geller: I'm not sure I know what you're getting at.
Monica: Do you think things would have been better if you'd just told her the truth?
Mrs. Geller: ...No. I think some things are better left unsaid. I think it's nicer when people just get along.
Monica: Huh.
Mrs. Geller: More wine, dear?
Monica: Oh, I think so.
Mrs. Geller: (reaches out to fiddle with Monica's hair again, and realises) Those earrings look really lovely on you.
Monica: Thank you. They're yours.
Mrs. Geller: Actually they were Nana's.
(There is a cry of disappointment from the crowd of men.)
Mr. Geller: Now I'm depressed! ...(To everyone) Even more than I was.
[Scene: Central Perk, the gang are looking at old photos.]
Rachel: Hey, who's this little naked guy?
Ross: That little naked guy would be me.
Rachel: Aww, look at the little thing.
Ross: Yes, yes, fine, that is my penis. Can we be grown-ups now?
Chandler: Who are those people?
Ross: Got me.
Monica: Oh, that's Nana, right there in the middle. (Reads the back) 'Me and the gang at Java Joe's'.
Rachel: Wow, Monica, you look just like your grandmother. How old was she there?
Monica: Let's see, 1939... yeah, 24, 25?
Ross: Looks like a fun gang. (They all look at each other and smile)
Joey: Ooh, look-look-look-look-look! I got Monica naked!
Ross: (looking) Nono, that would be me again. I'm, uh, just trying something.
Closing Credits
[Scene: Chandler's Office, Chandler is on a coffee break as Lowell enters.]
Chandler: Hey, Lowell.
Lowell: Hey, Chandler.
Chandler: So how's it going there in Financial Services?
Lowell: It's like Mardi Gras without the paper mache heads. How 'bout you?
Chandler: Good, good. Listen, heh, I dunno what Shelley told you about me, but, uh... I'm not.
Lowell: I know. That's what I told her.
Chandler: Really.
Lowell: Yeah.
Chandler: So- you can tell?
Lowell: Pretty much, most of the time. We have a kind of... radar.
Chandler: So you don't think I have a, a quality?
Lowell: Speaking for my people, I'd have to say no. By the way, your friend Brian from Payroll, he is.
Chandler: He is?
Lowell: Yup, and waaay out of your league. (Exits)
Chandler: Out of my league. I could get a Brian. (Brian enters behind him) If I wanted to get a Brian, I could get a Brian. (Sees him) Hey, Brian.
End
글
(영화대본) 프랜즈 시즌1-9
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One Where Underdog Gets Away
Written by: Jeff Greenstein & Jeff Strauss
Transcribed by: Mindy Mattingly Phillips
Minor modifications and adjustments by Dan Silverstein
[Scene: Central Perk, Rachel is confronting her boss, Terry.]
Rachel: Terry, I, I, I know that I haven't worked here very long, but I was wondering, do you think it would be possible if I got a $100 advance in my salary?
Terry: An advance?
Rachel: It's so that I can spend Thanksgiving with my family. See, every year we go skiing in Vail, and normally my father pays for my ticket, but I sort of started the whole independence thing, you know, which is actually why I took this job.
Terry: Rachel, Rachel, sweetheart. You're a terrible, terrible waitress. Really, really awful.
Rachel: Ok, I, I hear what you're sayin'. I'm with you. Um, but I, but I'm trying really hard. And I think I'm doing better. I really do. Does anybody need coffee? (everyone in the place raises their hand) Oh, look at that.
Opening Credits
[Scene: Central Perk, Rachel is approaching a customer.]
Rachel: Excuse me, sir. Hi, you come in here all time. I was just wondering, do you think there's a possibility that you could give me an advance on my tips?
Guy: Huh?
Rachel: Ok, ok, that's fine. Fine. Hey, I'm sorry about that spill before. (picks up the tip he leaves) Only $98.50 to go.
(Monica enters.)
Monica: Hey. Ross, did you know Mom and Dad are going to Puerto Rico for Thanksgiving?
Ross: No, they're not.
Monica: Yes, they are. The Blymens invited them.
Ross: You're wrong.
Monica: I am not wrong.
Ross: You're wrong.
Monica: No, I just talked to them.
Ross: (getting up, upset) I'm calling Mom.
(Joey enters. His face looks abnormally colorful.)
Joey: Hey, hey.
Chandler: Hey.
Phoebe: Hey.
Chandler: And this from the cry-for-help department. Are you wearing makeup?
Joey: Yes, I am. As of today, I am officially Joey Tribbiani, actor slash model.
Chandler: That's so funny, 'cause I was thinking you look more like Joey Tribbiani, man slash woman.
Phoebe: What were you modeling for?
Joey: You know those posters for the city free clinic?
Monica: Oh, wow, so you're gonna be one of those "healthy, healthy, healthy guys"?
Phoebe: You know, the asthma guy was really cute.
Chandler: Do you know which one you're gonna be?
Joey: No, but I hear lyme disease is open, so... (crosses fingers)
Chandler: Good luck, man. I hope you get it.
Joey: Thanks.
(Ross comes back to the couch.)
Ross: (to Monica) Well, you were right. How can they do this to us, huh? It's Thanksgiving.
Monica: Ok, I'll tell you what. How about I cook dinner at my place? I'll make it just like Mom's.
Ross: Will you make the mashed potatoes with the lumps?
Monica: You know, they're not actually supposed to have... (Ross looks at her sheepishly) I'll work on the lumps. Joey, you're going home, right?
Joey: Yeah.
Monica: And I assume, Chandler, you are still boycotting all the pilgrim holidays.
Chandler: Yes, every single one of them.
Monica: Phoebe, you're gonna be with your grandma?
Phoebe: Yes, and her boyfriend. But we're celebrating Thanksgiving in December 'cause he is lunar.
Monica: So you're free Thursday, then.
Phoebe: Yeah. Oh, can I come?
Monica: Yeah. Rach, are you thinking you're gonna make it to Vail?
Rachel: Absolutely. Shoop, shoop, shoop. Only a hundred and two dollars to go.
Chandler: I thought it was $98.50.
Rachel: Yeah, well it was. I, I broke a cup.
Ross: Well, I'm off to Carol's.
Phoebe: Ooh, ooh! Why don't we invite her?
Ross: (mimicking) Ooh, ooh. Because she's my ex-wife, and will probably want to bring her, ooh, ooh, lesbian life partner.
[Scene: Carol and Susan's apartment, Susan is there. Ross enters.]
Ross: Hi, is uh, is Carol here?
Susan: No, she's at a faculty meeting.
Ross: Oh, I uh, just came by to pick up my skull. Well, not mine, but...Susan: Come in.
Ross: Thanks. Yeah, Carol borrowed it for a class, and I have to get it back to the museum.
Susan: What's it look like?
Ross: Kinda like a big face without skin.
Susan: Yes, I'm familiar with the concept. We can just look for it.
Ross: Ok. (browsing the apartment) Wow, you guys sure have a lot of books about bein' a lesbian.
Susan: Well, you know, you have to take a course. Otherwise, they don't let you do it.
Ross: (picking up a book) Hey, hey, Yertle the Turtle. A classic.
Susan: Actually, I'm reading it to the baby.
Ross: The uh, the baby that hasn't been born yet? Wouldn't that mean you're... crazy?
Susan: What, you don't think they can hear sounds in there?
Ross: You're not serious, I mean, you really... you really talk to it?
Susan: Yeah, all the time. I want the baby to know my voice.
Ross: Do you uh, do you talk about me?
Susan: Yeah, yeah, all the time.
Ross: Really?
Susan: But um, we just refer to you as Bobo the Sperm Guy.
[Scene: Monica and Rachel's, everyone is there but Rachel.]
Ross: Look, if she's talking to it, I just think that I should get some belly time too. Not that I believe any of this.
Phoebe: Oh, I believe it. I think the baby can totally hear everything. I can show you. Look, this will seem a little weird, but you put your head inside this turkey, and then we'll all talk, and you'll hear everything we say.
Chandler: I'd just like to say that I'm totally behind this experiment. In fact, I'd very much like to butter your head.
(Rachel enters.)
Monica: Hey, Rach, did you make your money?
Rachel: No, not even close. Forget Vail, forget seeing my family, forget shoop, shoop, shoop.
Monica: Rach, here's your mail.
Rachel: Thanks, you can just put it on the table.
Monica: (insistently) No, here's your mail.
Rachel: Thanks, you can just put it on the table.
Monica: (gives her an envelope) Would you just open it?
(Rachel opens it. Inside is the money she needed.)
Rachel: Oh my god, oh, you guys are great.
Monica: We all chipped in.
Joey: (to Monica) We did?
Monica: (to Joey) You owe me 20 bucks.
Rachel: Thank you. Thank you so much!
Monica: (hands Chandler a bag) Chandler, here you go, got your traditional Thanksgiving feast, you got your tomato soup, your grilled cheese fixin's, and your family size bag of Funyuns.
Rachel: Wait, wait, Chandler, this is what you're havin' for Thanksgiving dinner? What, what, what is it with you and this holiday?
Chandler: All right, I'm nine years old.
Ross: Oh, I hate this story.
Chandler: We just finished this magnificent Thanksgiving dinner. I have--and I remember this part vividly--a mouthful of pumpkin pie, and this is the moment my parents choose to tell me they're getting divorced.
Rachel: Oh my god.
Chandler: Yes. It's very difficult to appreciate a Thanksgiving dinner once you've seen it in reverse.
[Scene: The subway, Joey spots a gorgeous woman waiting. He goes up to her.]
Joey: Uh, hi. We uh, we used to work together.
Girl: We did?
Joey: Yeah, at Macy's. You were the Obsession girl, right? I was the Aramis guy. (pretends to spray cologne) Aramis? Aramis?
Girl: Yeah, right.
Joey: I gotta tell you. You're the best in the business.
Girl: Get out.
Joey: I'm serious. You're amazing. You know when to spritz, when to lay back.
Girl: Really? You don't know what that means to me.
Joey: Ooh, you smell great tonight. What're you wearing?
Girl: (provocatively) Nothing.
Joey: Listen, uh, you wanna go get a drink or something?
Girl: Yeah. (she gets up, notices something behind Joey) Oh.
Joey: What's wrong?
Girl: I just remembered, I have to do something.
Joey: Oh. What?
Girl: Um, leave.
Joey: Wait, wait, wait!
(Joey turns around and sees his face on a poster in the subway. The poster says: What Mario isn't telling you...V.D., you never know who might have it. A variety of scenes are shown with the poster displayed all over New York City.)
[Scene: Central Perk, Joey enters, amongst snickers from the gang.]
Joey: So I guess you all saw it.
Rachel: Saw what?
Phoebe: No, we were just laughing. You know, how laughter can be infectious.
[Scene: Monica and Rachel's, Joey enters, upset.]
Joey: Set another place for Thanksgiving. My entire family thinks I have VD.
Chandler: Tonight, on a very special Blossom.
Commercial Break
[Scene: Monica and Rachel's, Monica is cooking Thanksgiving dinner. Chandler is standing in the doorway, not wanting to participate in the festivities.]
Monica: Mmm, looking good. Ok, cider's mulling, turkey's turking, yams are yamming. (notices Ross is depressed) What?
Ross: I don't know. It's just not the same without Mom in the kitchen.
Monica: All right, that's it. You know what? Just get out of my way and stop moping.
Ross: That's closer.
(Rachel enters, excited.)
Rachel: I got the tickets! I got the tickets! Five hours from now, shoop, shoop, shoop.
Chandler: Oh, you must stop shooping.
Rachel: Ok, I'm gonna get my stuff.
Joey: Chandler, will you just come in already?
Chandler: No, I prefer to keep a safe distance from all this merriment.
(Phoebe takes a slice of pumpkin pie and waves it in front of Chandler's face.)
Phoebe: Look out, incoming pumpkin pie!
Chandler: Ok, we all laughed when you did it with the stuffing, but that's not funny anymore.
(Chandler leaves.)
Joey: Hey, Monica, I got a question. I don't see any tater tots.
Monica: That's not a question.
Joey: But my mom always makes them. It's like a tradition. You get a little piece of turkey on your fork, a little cranberry sauce, and a tot! It's bad enough I can't be with my family because of my disease.
Monica: All right, fine. Tonight's potatoes will be both mashed with lumps, and in the form of tots.
Ross: Ok, I'm off to talk to my unborn child.
(Ross grabs for some food, Monica slaps his hand away.)
Monica: Ah!
Ross: Ok, Mom never hit.
(Ross exits.)
Phoebe: (stirring pot) Ok, all done.
Monica: What, Phoebe, did you whip the potatoes? Ross needs lumps!
Phoebe: Oh, I'm sorry, oh, I just, I thought we could have them whipped and then add some peas and onions.
Monica: Why would we do that?
Phoebe: Well, 'cause then they'd be like my mom used to make them, you know, before she died.
Monica: Ok, three kinds of potatoes coming up.
Rachel: Ok, good-bye you guys. Thanks for everything. (she starts to leave, and hits everyone with her skis) Oh, sorry! Oh, sorry!
(Chandler enters, running.)
Chandler: The most unbelievable thing has happened. Underdog has just gotten away.
Joey: The balloon?
Chandler: No, no, the actual cartoon character. Of course the balloon. It's all over the news. Right before he reached Macy's, he broke free and was spotted flying over Washington Square Park. I'm goin' to the roof, who's with me?
Rachel: I can't, I gotta go.
Chandler: Come on. An 80-foot inflatable dog let loose over the city. How often does that happen?
Phoebe: Almost never.
Monica: Got the keys? or Got the keys!
Rachel: Ok.
(Everyone leaves the apartment.)
[Scene: Carol and Susan's, Ross is preparing to talk to her belly.]
Carol: Anytime you're ready.
Ross: Ok, ok, here we go. (he crouches down near her stomach) Ok, where am I talking to, here? I mean, uh, well, there is one way that seems to offer a certain acoustical advantage, but...
Carol: Just aim for the bump.
Ross: Ok, ok, ok, ok, here goes. You know, I, you know, can't do this. Uh, this is too weird. I feel stupid.
Carol: So don't do it, it's fine. You don't have to do it just because Susan does it.
Ross: (quickly talking) Hello, baby. Hello, hello.
[Scene: Monica and Rachel's, the group is coming back from the roof.]
Rachel: I loved the moment when you first saw the giant dog shadow all over the park.
Phoebe: Yeah, but did they have to shoot him down? I mean, that was just mean.
Monica: Ok, right about now the turkey should be crispy on the outside, juicy on the inside. Why are we standing here?
Rachel: We're waiting for you to open the door. You got the keys.
Monica: No I don't.
Rachel: Yes, you do. When we left, you said, "got the keys."
Monica: No I didn't. I asked, "got the ke-eys?"
Rachel: No, no, no, you said, "got the keys".
Chandler: Do either of you have the keys?
Monica: (panicked) The oven is on.
Rachel: Oh, I gotta get my ticket!
Joey: Wait, wait, we have a copy of your key.
Monica: Well then get it, get it!
Joey: That tone will not make me go any faster.
Monica: (angry) Joey!
Joey: That one will.
(Joey leaves to get the copy of the key.)
[Scene: Carol and Susan's, Carol is reading, Ross is talking to her stomach.]
Ross: And everyone's telling me, you gotta pick a major, you gotta pick a major. So, on a dare, I picked paleontology. And you have no idea what I'm saying, because, let's face it, you're a fetus. You're just happy you don't have gills anymore.
Carol: Look, you don't have to talk to it. You can sing to it if you want.
Ross: Oh, please. I am not singing to your stomach, ok?
(Susan enters.)
Susan: Hi, how's it goin?
Ross: Shh! (singing) Here we come, walkin' down the street, get the funniest looks from, everyone we meet. Hey, hey! (to Carol) Hey, uh, did you just feel that?
Carol: I did.
Ross: Does it always, uh--?
Carol: No, no that was the first.
Susan: Keep singing! Keep singing!
Ross: (singing) Hey, hey, you're my baby, and I can't wait to meet you. When you come out I'll buy you a bagel, and then we'll go to the zoo.
Susan: I felt it!
Ross: (singin) Hey, hey, I'm your daddy. I'm the one without any breasts.
[Scene: The Hallway, Joey has a tray full of keys, and is trying each one in the lock.]
Joey: Nope, not that one.
Monica: Can you go any faster with that?
Joey: Hey, I got one keyhole and about a zillion keys. You do the math.
Monica: Why do you guys have so many keys in there anyway?
Chandler: (sarcastic) For an emergency just like this.
Rachel: (grabs Chandler by the shirt) All right, listen, smirky. If it wasn't for you and your stupid balloon, I would be on a plane watching a woman do this (makes a gesture like a stewardess pointing out exits) right now. But I'm not.
Monica: I swear you said you had the keys.
Rachel: No, I didn't. I wouldn't say I had the keys unless I had the keys, and I obviously didn't have the keys.
Phoebe: Ooh, ok, that's it. Enough with the keys. No one say keys.
(Short pause.)
Monica: Why would I have the keys?
Rachel: Aside from the fact that you said you had them?
Monica: But I didn't.
Rachel: Well, you should have.
Monica: Why?
Rachel: Because!
Monica: Why?
Rachel: Because!
Monica: Why? Because everything is my responsibility? Isn't it enough that I'm making Thanksgiving dinner for everyone? You know, everyone wants a different kind of potatoes, so I'm making different kinds of potatoes. Does anybody care what kind of potatoes I want? Nooooo, no, no! (starting to cry) Just as long as Phoebe gets her peas and onions, and Mario gets his tots, and it's my first Thanksgiving, and it's all burned, and, and I... I...
Chandler: Ok, Monica, only dogs can hear you now, so, look, the door's open. Here we go.
(They walk in. Smoke fills the apartment.)
Monica: Well, the turkey's burnt. (checking pots) Potatoes are ruined, potatoes are ruined, potatoes are ruined.
(Ross enters, singing.)
Ross: Here we come, walkin' down the—this doesn't smell like Mom's.
Monica: No, it doesn't, does it? But you wanted lumps, Ross? (picks up the pan of badly burnt potatoes) Well, here you go, buddy, ya got one.
Rachel: Oh, god, this is great! The plane is gone, so it looks like I'm stuck here with you guys.
Joey: Hey, we all had better plans. This was nobody's first choice.
Monica: Oh, really? So why was I busting my ass to make this delicious Thanksgiving dinner?
Joey: You call that delicious?
(all shouting)
Monica: Stop it, stop it, stop it!
Chandler: Now this feels like Thanksgiving.
[Time lapse. Everyone is upset with each other. Phoebe is at the window.]
Phoebe: Ooh.
Rachel: What?
Phoebe: Ugly Naked Guy's taking his turkey out of the oven. Oh my god. He's not alone. Ugly Naked Guy's having Thanksgiving dinner with Ugly Naked Gal.
(They all run to the window.)
Joey: I've gotta see this. All right Ugly Naked Guy!
Monica: Ooh, Ugly Naked Dancing!
Phoebe: It's nice that he has someone.
[Time lapse. The gang is around the table, eating grilled cheese sandwiches.]
Chandler: Shall I carve?
Rachel: By all means.
Chandler: Ok, who wants light cheese, and who wants dark cheese?
Ross: I don't even wanna know about the dark cheese.
Monica: (holding sandwich) Does anybody wanna split this with me?
Joey: Oh, I will.
Phoebe: Ooh, you guys have to make a wish.
Monica: Make a wish?
Phoebe: Come on, you know, Thanksgiving. Ooh, you got the bigger half. What'd you wish for?
Joey: The bigger half.
Chandler: I'd like to propose a toast. Little toast here, ding ding. I know this isn't the kind of Thanksgiving that all of you all planned, but for me, this has been really great, you know, I think because it didn't involve divorce or projectile vomiting. Anyway, I was just thinking, I mean, if you'd gone to Vail, and if you guys'd been with your family, if you didn't have syphilis and stuff, we wouldn't be all together, you know? So I guess what I'm trying to say is that I'm very thankful that all of your Thanksgivings sucked.
All: That's so sweet.
Ross: And hey, here's to a lousy Christmas.
Rachel: And a crappy New Year.
Chandler: Here, here!
Closing Credits
[Scene: The Subway, Joey sees his poster and he peels off the caption on his poster, revealing more posters underneath. The captions read, as follows:
Bladder Control Problem
Stop Wife Beating
Hemorrhoids?
Winner of 3 Tony Awards...
He's finally happy with that and walks away.]
End
글
(영화대본) 프랜즈 시즌1-10
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Monkey
Written by: Adam Chase and Ira Ungerleider
Transcribed by: guineapig
[Scene: Monica and Rachel's, Ross is entering.]
Ross: Guys? There's a somebody I'd like you to meet.
(A monkey jumps on to his shoulder.)
All: Oooh!
Monica: W-wait. What is that?
Ross: 'That' would be Marcel. You wanna say hi?
Monica: No, no, I don't.
Rachel: Oh, he is precious! Where did you get him?
Ross: My friend Bethel rescued him from some lab.
Phoebe: That is so cruel! Why? Why would a parent name their child Bethel?
Chandler: Hey, that monkey's got a Ross on its ass!
Monica: Ross, is he gonna live with you, like, in your apartment?
Ross: Yeah. I mean, it's been kinda quiet since Carol left, so...
Monica: Why don't you just get a roommate?
Ross: Nah, I dunno... I think you reach a certain age, having a roommate is kinda pathe- (Realises) ....sorry, that's, that's 'pathet', which is Sanskrit for 'really cool way to live'.
Opening Credits
[Scene: Central Perk, Phoebe is getting ready to sing. Joey is not there.]
Phoebe: So you guys, I'm doing all new material tonight. I have twelve new songs about my mother's suicide, and one about a snowman.
Chandler: Might wanna open with the snowman.
(Enter Joey)
All: Hey, Joey. Hey, buddy.
Monica: So, how'd it go?
Joey: Ahhhhhh, I didn't get the job.
Ross: How could you not get it? You were Santa last year.
Joey: I dunno. Some fat guy's sleeping with the store manager. He's not even jolly, it's all political.
Monica: So what are you gonna be?
Joey: Ah, I'm gonna be one of his helpers. It's just such a slap in the face, y'know?
Rachel: Hey, do you guys know what you're doing for New Year's? (They all protest and hit her with cushions) Gee, what?! What is wrong with New Year's?
Chandler: Nothing for you, you have Paolo. You don't have to face the horrible pressures of this holiday: desperate scramble to find anything with lips just so you can have someone to kiss when the ball drops!! Man, I'm talking loud!
Rachel: Well, for your information, Paolo is gonna be in Rome this New Year, so I'll be just as pathetic as the rest of you.
Phoebe: Yeah, you wish!
Chandler: It's just that I'm sick of being a victim of this Dick Clark holiday. I say this year, no dates, we make a pact. Just the six of us- dinner.
All: Yeah, okay. Alright.
Chandler: Y'know, I was hoping for a little more enthusiasm.
All: Woooo! Yeah!
Rachel: Phoebe, you're on.
Phoebe: Oh, oh, good.
Rachel: (Into microphone) Okay, hi. Ladies and gentlemen, back by popular demand, Miss Phoebe Buffay. Wooh!
Phoebe: (Takes mike) Thanks, hi. Um, I wanna start with a song that means a lot to me this time of year. (Shakes bell as an introduction) (Sung:)
I made a man with eyes of coal
And a smile so bewitchin',
How was I supposed to know
That my mom was dead in the kitchen?
(shakes bell) La lalala la la la la lalala la la...
(Cut to later. Everyone is totally depressed by now.)
Phoebe: (Sung)
...My mother's ashes
Even her eyelashes
Are resting in a little yellow jar,
And sometimes when it's breezy...
(Over the sound of Phoebe singing we hear two scientists, Max and David, having a noisy discussion)
Phoebe: (Sung)
...I feel a little sneezy
And now I- (abruptly stops)
Excuse me, excuse me! Yeah, noisy boys! (They stop talking and look up) Is it something that you would like to share with the entire group?
Max: No. No, that's- that's okay.
Phoebe: Well, c'mon, if it's important enough to discuss while I'm playing, then I assume it's important enough for everyone else to hear!
Chandler: (Quietly, to the others) That guy's going home with a note!
David: Noth- I was- I was just saying to my-
Phoebe: Could you speak up please?
David: (Stands up and speaks more loudly) Sorry, I wa- I was just saying to my friend that I thought you were the most beautiful woman that I'd ever seen in my- in my life. And then he said that- you said you thought
Max: Daryl Hannah.
David: Daryl Hannah was the most beautiful woman that he'd ever seen in his life and I said yeah, I liked her in Splash, a lot, but not so much in- in Wall Street, I thought she had kind of a
Max: Hard quality.
David: -hard quality. And uh, while Daryl Hannah is beautiful in a conventional way, you are luminous with a kind of a delicate grace. Then, uh, that-that-that's when you started yelling. (Sits down)
Phoebe: Okay, we're gonna take a short break. (Goes over to their table)
Joey: Hey, that guy's going home with more than a note!
[Scene: Monica and Rachel's, everyone except Joey is decorating for Christmas.]
Ross: Come here, Marcel. Sit here. (Marcel wanders off)
Rachel: Pheebs, I can't believe he hasn't kissed you yet. I mean God, by my sixth date with Paolo, I mean he had already named both my breasts! ...Ooh. Did I just share too much?
Ross: Just a smidge.
Phoebe: David's like, y'know, Scientist Guy. He's very methodical.
Monica: I think it's romantic.
Phoebe: Me too! Oh! Did you ever see An Officer and a Gentleman?
Rachel: Yeah!
Phoebe: Well, he's kinda like the guy I went to see that with. Except, except he-he's smarter, and gentler, and sweeter... I just- I just wanna be with him all the time. Day and night, and night and day... and special occasions...
Chandler: Wait a minute, wait a minute, I see where this is going, you're gonna ask him to New Year's, aren't you. You're gonna break the pact. She's gonna break the pact.
Phoebe: No, no, no, no, no, no. Yeah, could I just?
Chandler: Yeah, 'cause I already asked Janice.
Monica: What?!
Ross: C'mon, this was a pact! This was your pact!
Chandler: I snapped, okay? I couldn't handle the pressure and I snapped.
Monica: Yeah, but Janice? That-that was like the worst breakup in history!
Chandler: I'm not saying it was a good idea, I'm saying I snapped!
[Joey enters, his shoes have bells on, which jingle as he walks. He is wearing a long coat.]
Joey: Hi. Hi, sorry I'm late.
(He removes the coat to reveal an elf costume)
Chandler: Too many jokes... must mock Joey!
Joey: Nice shoes, huh? (He wiggles his foot and the bells tinkle)
Chandler: Aah, y'killing me!
(Marcel knocks over some kitchen tools)
Monica: Ross! He's playing with my spatulas again!
Ross: Okay, look, he's not gonna hurt them, right?
Monica: Do you always have to bring him here?
Ross: I didn't wanna leave him alone. Alright? We- we had our first fight this morning. I think it has to do with my working late. I said some things that I didn't mean, and he- he threw some faeces...
Chandler: Y'know, if you're gonna work late, I could look in on him for you.
Ross: Oh, that'd be great! Okay, but if you do, make sure it seems like you're there to see him, okay, and you're not like doing it as a favour to me.
Chandler: Okay, but if he asks, I'm not going to lie.
[Scene: Max and David's lab, David is explaining something to Phoebe with the aid of a whiteboard.]
David: ...But, you can't actually test this theory, because today's particle accelerators are nowhere near powerful enough to simulate these conditions.
Phoebe: Okay, alright, I have a question, then.
David: Yuh.
Phoebe: Um, were you planning on kissing me ever?
David: Uh, that's definitely a, uh, valid question. And, uh, the answer would be (Writes YES on the board) yes. Yes I was. But, see, I wanted it to be this phenomenal kiss that happened at this phenomenal moment, because, well, 'cause it's you.
Phoebe: Sure.
David: Right. But, see, the longer I waited, the more phenomenal the kiss had to be, and now we've reached a place where it's just gotta be one of those things where I just like... sweep everything off the table and throw you down on it. And, uh, I'm not really a, uh, sweeping sorta fella.
Phoebe: Oh, David, I, I think you are a sweeping sorta fella. I mean, you're a sweeper! ...trapped inside a physicist's body.
David: Rrrreally.
Phoebe: Oh, yeah, oh, I'm sure of it. You should just do it, just sweep and throw me.
David: ...Now? Now?
Phoebe: Oh yeah, right now.
David: Okay, okay, okay. (Gets ready to sweep, and then picks up a laptop computer) Y'know what, this was just really expensive. (Puts it down elsewhere. Then picks up a microscope) And I'll take- this was a gift. (Moves it)
Phoebe: Okay, now you're just kinda tidying.
David: Okay, what the hell, what the hell. (Sweeps the remaining papers off the desk and grabs Phoebe) You want me to actually throw you or you-you wanna just hop?
Phoebe: I can hop. (She hops onto the table)
(They kiss, finally)
[Scene: Central Perk, everyone is there.]
Ross: So tell me something. What does the phrase 'no date pact' mean to you?
Monica: I'm sorry, okay. It's just that Chandler has somebody, and Phoebe has somebody- I thought I'd ask Fun Bobby.
Chandler: Fun Bobby? Your ex-boyfriend Fun Bobby?
Monica: Yeah.
Joey: You know more than one Fun Bobby?
Chandler: I happen to know a Fun Bob.
Rachel: (Brings Joey a mug of coffee) Okay, here we go...
Joey: Ooh ooh ooh ooh, there's no room for milk!
Rachel: (Glances at Joey and then sips his coffee) There. Now there is.
Ross: Okay, so on our no-date evening, three of you now have dates.
Joey: Uh, four.
Ross: Four.
Rachel: Five.
Ross: Five. (Buries his head in his hands)
Rachel: Sorry. Paolo's catching an earlier flight.
Joey: Yeah, and I met this really hot single mom at the store. What's an elf to do?
Ross: Okay, so I'm gonna be the only one standing there alone when the ball drops?
Rachel: Oh, c'mon. We'll have, we'll have a big party, and no-one'll know who's with who.
Ross: Hey, y'know, this is so not what I needed right now.
Monica: What's the matter?
Ross: Oh, it's-it's Marcel. He keeps shutting me out, y'know? He's walking around all the time dragging his hands...
Chandler: That's so weird, I had such a blast with him the other night.
Ross: Really.
Chandler: Yeah, we played, we watched TV.. that juggling thing is amazing.
Ross: What, uh... what juggling thing?
Chandler: With the balled-up socks? I figured you taught him that.
Ross: No.
Chandler: Y'know, it wasn't that big a deal. He just balled up socks... and a melon...
(Max runs in)
Max: Phoebe. Hi.
Phoebe: Oh, hi Max! Hey, do you know everybody?
Max: No. Have you seen David?
Phoebe: No, no, he hasn't been around.
Max: Well, if you see him, tell him to pack his bags. We are going to Minsk.
Phoebe: Minsk?
Max: Minsk. It's in Russia.
Phoebe: I know where Minsk is.
Max: We got the grant. Three years, all expenses paid.
Phoebe: So when, when do you leave?
Max: January first.
Commercial Break
[Scene: Max and David's lab, they are working. Phoebe knocks on the door]
Phoebe: Hello?
David: Hey!
Phoebe: Hi.
David: Hi! (Kisses her) What-what're you doing here?
Phoebe: Um, well, Max told me about Minsk, so (Puts on a fake cheery voice) congratulations! This is so exciting!
Max: It'd be even more exciting if we were going.
Phoebe: Oh, you're not going? (Fake disappointed voice) Oh, why?
Max: Tell her, David. 'I don't wanna go to Minsk and work with Lifson and Yamaguchi and Flench, on nonononononono. I wanna stay here and make out with my girlfriend!!' (Storms out)
David: Thank you, Max. Thank you.
Phoebe: So-so you're really not going?
David: I don't know. I don't know what I'm gonna do. I just- you decide.
Phoebe: Oh don't do that.
David: Please.
Phoebe: Oh no no.
David: No, but I'm asking-
Phoebe: Oh, but I can't do that-
David: No, but I can't-
Phoebe: It's your thing, and-
David: -make the decision-
Phoebe: Okay, um, stay.
David: Stay.
Phoebe: Stay.
(He thinks for a moment and sweeps the stuff off the table)
Phoebe: Getting so good at that! (She hops on)
David: It was Max's stuff. (They kiss)
[Scene: Monica and Rachel's, the party has started.]
Janice: I love this artichoke thing! Oh, don't tell me what's in it, the diet starts tomorrow! (Laughs her Janice laugh)
Chandler: You remember Janice.
Monica: Vividly.
(Someone knocks on the door; Monica gets it)
Monica: Hi.
Sandy: Hi, I'm Sandy.
Joey: Sandy! Hi! C'mon in! (She enters, followed by a young boy and a younger girl)...You brought your kids.
Sandy: Yeah. That's okay, right?
(Joey and Monica look at each other and shrug. Ross enters with Marcel on his shoulder)
Ross: Par-tay!
Monica: That thing is not coming in here.
Ross: 'That thing'? This is how you greet guests at a party? Let me ask you something, if I showed up here with my new girlfriend, she wouldn't be welcome in your home?
Monica: I'm guessing your new girlfriend wouldn't urinate on my coffee table.
Ross: Okay. He was more embarrassed about that than anyone. Okay? And for him to have the courage to walk back in here like nothing happened...
Monica: Alright. Just keep him away from me.
Ross: Thank you. (She walks off) C'mon, Marcel, whaddya say you and I do a little mingling? (Marcel runs off) Alright, I'll, uh... catch up with you later.
(The door opens. Rachel is standing there. Her coat is muddy and torn, her hair is dishevelled and her face is bruised. Everyone turns to look)
Monica: Oh my gosh! Rachel, honey.. are you okay? Where-where's Paolo?
Rachel: Rome. Jerk missed his flight.
Phoebe: And then... your face is bloated?
Rachel: No. Okay. I was at the airport, getting into a cab, when this woman- this blonde planet with a pocketbook- starts yelling at me. Something about how it was her cab first. And then the next thing I know she just starts- starts pulling me out by my hair! So I'm blowing my attack whistle thingy and three more cabs show up, and as I'm going to get into a cab she tackles me. And I hit my head on the kerb and cut my lip on my whistle...oh...everybody having fun at the party? (To Monica) Are people eating my dip?
[Time lapse. Monica and Rachel, fixed up somewhat, emerge from a bedroom]
Sandy: Y'know, when I saw you at the store last week, it was probably the first time I ever mentally undressed an elf.
Joey: Wow, that's, uh, dirty.
Sandy: Yeah.
(They almost kiss and then Joey realises her kids are staring at them)
Joey: Hey, kids...
Ross: (Watching Marcel play with Phoebe. To Chandler) Look at him. I'm not saying he has to spend the whole evening with me, but at least check in.
Janice: (Startles them) There you are! Haaah, you got away from me!
Chandler: (Imitating) But you found me!
Janice: Here, Ross, take our picture. (Hands him a camera and he starts snapping) Smile! You're on Janice Camera!
Chandler: Kill me. Kill me now.
(Someone else knocks on the door. Monica looks through the spyhole)
Monica: Hey everybody! It's Fun Bobby!
(Everyone cheers. Monica opens the door. Bobby is obviously very depressed)
Fun Bobby: Hey, sorry I'm late. But my, uh, grandfather, he- died about two hours ago. But I-I-I couldn't get a flight out 'til tomorrow, so here I am!
Joey: (Approaching) Hey Fun Bobby! Whoah! Who died?
(Monica gestures wildly behind Fun Bobby's back)
[Time lapse. Bobby is talking about his grandfather. Everyone else is virtually in tears]
Fun Bobby: It's gonna be an open casket, y'know, so at least I'll- I get to see him again.
Janice: (Ross is still taking their photo) Oh, I'm gonna blow this one up, and I'm gonna write 'Reunited' in glitter.
Chandler: Alright, Janice, that's it! Janice... Janice... Hey, Janice, when I invited you to this party I didn't necessarily think that it meant that we-
Janice: Oh, no. Oh, no.
Chandler: I'm sorry you misunderstood...
Janice: Oh my God. You listen to me, Chandler, you listen to me. One of these times is just gonna be your last chance with me. (She runs off)
(Ross is still taking photos)
Chandler: Oh, will you give me the thing. (Snatches the camera)
(David is feeding Phoebe popcorn. Max walks up)
Phoebe: Hi, Max!
Max: Yoko. (To David) I've decided to go to Minsk without you.
David: Wow.
Max: It won't be the same- but it'll still be Minsk. Happy New Year.(Walks off)
Phoebe: Are you alright?
David: Yeah, I'm fine, I'm fine.
(Phoebe leads David into a bedroom)
Phoebe: You're going to Minsk.
David: No, I'm... not going to Minsk.
Phoebe: Oh, you are so going to Minsk. You belong in Minsk. You can't stay here just 'cause of me.
David: Yes I can. Because if I go it means I have to break up with you, and I can't break up with you.
Phoebe: Oh yes, yes, yes you can. Just say, um, 'Phoebe, my work is my life and that's what I have to do right now'. And I say 'your work?! Your work?! How can you say that?!'. And then you say, um, 'it's tearing me apart, but I have no choice. Can't you understand that?'. And I say (Hits him) 'no! No! I can't understand that!'.
David: Uh, ow.
Phoebe: Ooh, sorry. Um, and, and then you put your arms around me. And then you put your arms around me. (He does so) And, um, and then you tell me that you love me and you'll never forget me.
David: I'll never forget you.
Phoebe: And then you say that it's almost midnight and you have to go because you don't wanna start the new year with me if you can't finish it. (They kiss) I'm gonna miss you. You scientist guy.
Dick Clark: (on TV) Hi, this is Dick Clark, live in Times Square. We're in a virtual snowstorm of confetti here in Times Square...
(Joey puts a blanket over Sandy's kids)
Joey: There y'go, kids.
Chandler: (To a woman who he has clearly just met) And then the peacock bit me. (Laughs) Please kiss me at midnight. (She leaves)
Joey: You seen Sandy?
Chandler: Ooh. Uh, I don't know how to tell you this, but she's in Monica's bedroom, getting it on with Max, that scientist geek. Ooh, look at that, I did know how to tell you.
Rachel: Vrrbddy, the bll is drrbing.
All: (in the kitchen) What?
Rachel: The bll is drrbing!
Dick Clark: (on TV) In twenty seconds it'll be midnight...
Chandler: And the moment of joy is upon us.
Joey: Looks like that no date pact thing worked out.
Phoebe: Everybody looks so happy. I hate that.
Monica: Not everybody's happy. Hey Bobby!
(Bobby waves and then bursts into tears. Midnight comes and everyone at the party except for the gang cheers and kisses)
Chandler: Y'know, I uh.. just thought I'd throw this out here. I'm no math whiz, but I do believe there are three girls and three guys right here. (Makes kiss noise)
Phoebe: I dunno. I don't feel like kissing anyone tonight.
Rachel: I can't kiss anyone.
Monica: So I'm kissing everyone?
Joey: Nonono, you can't kiss Ross, that's your brother.
Ross: Perfect. Perfect. So now everybody's getting kissed but me.
Chandler: Alright, somebody kiss me. Somebody kiss me, it's midnight! Somebody kiss me!
Joey: Alrightalrightalright. (Kisses him. Ross takes a photo) There.
Closing Credits
[Scene: Monica and Rachel's, time lapse.]
Ross: (Watching Marcel and talking to Rachel) I wanted this to work so much. I mean I'm still in there, changing his diapers, pickin' his fleas... but he's just phoning it in. Just so hard to accept the fact that something you love so much doesn't love you back.
Rachel: ...I think that bitch cracked my tooth.
End
글
(영화대본) 프랜즈 시즌1-11
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With Mrs. Bing
Written by: Alexa Junge
Transcribed by: guineapig
[Scene: A Street: Monica and Phoebe are walking to a newsstand.]
Phoebe: Do you think they have yesterday's daily news?
Monica: Why?
Phoebe: Just wanna check my horoscope, see if it was right.
Monica: Oh my God. (Grabs Phoebe and turns her away) Phoebe. Don't look now, but behind us is a guy who has the potential to break our hearts and plunge us into a pit of depression.
Phoebe: Where? (Turns to face him) Ooh, come to Momma.
Monica: He's coming. Be cool, be cool, be cool.
(The guy walks past them)
Guy: Nice hat.
Monica and Phoebe: (in unison) Thanks.
(The guy walks on)
Phoebe: We should do something. Whistle.
Monica: We are not going to whistle.
Phoebe: Come on, do it.
Monica: No!
Phoebe: Do it!
Monica: No!
Phoebe: Do it do it do it!
Monica: (Shouts to the guy) Woo-woo!
(The guy turns round, startled. Monica points to Phoebe. The guy gets hit by a truck)
Phoebe: I can't believe you did that!
Opening Credits
[Scene: Hospital, the guy is in a coma and Mon and Pheebs are visiting.]
Monica: Why did I 'woo-hoo'? I mean, what was I hoping would happen? That-that he'd turn round and say 'I love that sound, I must have you now'?
Phoebe: I just wish there was something we could do. (Bends down and talks to him) Hello. Hello, Coma Guy. GET UP, YOU GIRL SCOUT! UP! UP! UP!
Monica: Phoebe, what are you doing?
Phoebe: Maybe nobody's tried this.
Monica: I wish we at least knew his name... Look at that face. I mean, even sleeping, he looks smart. I bet he's a lawyer.
Phoebe: Yeah, but did you see the dents in his knuckles? That means he's artistic.
Monica: Okay, he's a lawyer, who teaches sculpting on the side. And- he can dance!
Phoebe: Oh! And, he's the kinda guy who, when you're talking, he's listening, y'know, and not saying 'Yeah, I understand' but really wondering what you look like naked.
Monica: I wish all guys could be like him.
Phoebe: I know.
[Scene: Monica and Rachel's, Monica and Phoebe are telling everyone about their coma guy.]
Chandler: Are there no conscious men in the city for you two?
Monica: He doesn't have anyone.
Phoebe: Yeah, we-we feel kinda responsible.
Joey: I can't believe you said woowoo. I don't even say woowoo.
Rachel: Oh, she's coming up! She's coming up! (Turns on the TV)
Jay Leno: (on TV) Folks, when we come back we'll be talking about her new book, 'Euphoria Unbound': the always interesting Nora Tyler Bing. You might wanna put the kids to bed for this one.
(Everyone has settled down to watch, except Chandler)
Chandler: Y'know, we don't have to watch this. Weekend At Bernie's is on Showtime, HBO, and Cinemax.
Rachel: No way, forget it.
Joey: C'mon, she's your mom!
Chandler: Exactly. Weekend At Bernie's! Dead guy getting hit in the groin twenty, thirty times! No?
Rachel: Chandler, I gotta tell you, I love your mom's books! I love her books! I cannot get on a plane without one! I mean, this is so cool!
Chandler: Yeah, well, you wouldn't think it was cool if you're eleven years old and all your friends are passing around page 79 of 'Mistress Bitch.'
Ross: C'mon, Chandler, I love your mom. I think she's a blast.
Chandler: You can say that because she's not your mom.
Ross: Oh, please...
(Rachel opens the door to Paolo)
Paolo: Bona sera.
Rachel: Oh, hi sweetie. (They kiss)
Ross: When did Rigatoni get back from Rome?
Monica: Last night.
Ross: Ah, so then his plane didn't explode in a big ball of fire?... Just a dream I had- but, phew.
Phoebe: Hey hey hey! She's on!
Paolo: Ah! Nora Bing!
Jay Leno: (on TV) ...Now what is this about you-you being arrested i-in London? What is that all about?
Phoebe: Your mom was arrested?
Chandler: Shhh, busy beaming with pride.
Mrs. Bing: (on TV) ...This is kind of embarrassing, but occasionally after I've been intimate with a man...
Chandler: Now why would she say that's embarrassing?
All: Shhh.
Mrs. Bing: (on TV) ...I just get this craving for Kung Pow Chicken.
Chandler: THAT'S TOO MUCH INFORMATION!!
Jay Leno: (on TV) Alright, so now you're doing this whole book tour thing, how is that going?
Mrs. Bing: (on TV) Oh, fine. I'm leaving for New York tomorrow, which I hate- but I get to see my son, who I love...
All: Awww!
Chandler: This is the way that I find out. Most moms use the phone.
Jay Leno: (on TV) Y'know, don't take this wrong, I-I just don't see you a-as a mom, somehow.. I don't mean that, I don't mean that bad...
Mrs. Bing: (on TV) Oh no, I am a fabulous mom! I bought my son his first condoms.
(The gang turn to look at Chandler)
Chandler: ...And then he burst into flames.
[Scene: The Hospital, it's a montage of Monica and Phoebe's visit to the hospital with My Guy playing in the background. It starts with Monica reading a newspaper to him.]
Monica: Let's see. Congress is debating a new deficit reduction bill... the mayor wants to raise subway fares again... the high today was forty-five... and- oh, teams played sports.
[Next is a shot of them dragging an enormous plant into the room, then Monica knitting a sweater, then Phoebe singing, then Phoebe shaving him and chatting to Monica]
Phoebe: What about Glen? He could be a Glen.
Monica: Nah... not-not special enough.
Phoebe: Ooh! How about Agamemnon?
Monica: Waaay too special.
[Scene: A Mexican Restaurant, Monica, Phoebe, Joey, Chandler and his mom are there.]
Mrs. Bing: I am famished. What do I want... (Looks at Chandler's menu)
Chandler: Please God don't let it be Kung Pow Chicken.
Mrs. Bing: Oh, you watched the show! What'd you think?
Chandler: Well, I think you need to come out of your shell just a little.
Ross: (Entering) What is this dive? Only you could've picked this place.
Mrs. Bing: Oooh, c'mon, shut up, it's fun. Gimme a hug. (They both sit down) Well, I think we're ready for some tequila.
Chandler: I know I am.
Mrs. Bing: Who's doing shots?
Monica: Yeah.
Phoebe: I'm in.
Mrs. Bing: There y'go. Ross?
Ross: Uh, I'm not really a shot drinking kinda guy.
(Enter Rachel and Paolo. They are both somewhat flustered)
Rachel: Hi! Sorry- sorry we're late, we, uh, kinda just, y'know, lost track of time.
Ross: ...But a man can change. (Downs a shot)
[Time lapse. Ross is now clearly drunk. He is holding up a shot glass to his eye like a jeweller's eye.]
Ross: Anyone want me to appraise anything?
(Rachel feeds something to Paolo. He eats it and licks her hand)
Rachel: Mrs. Bing, I have to tell you, I've read everything you've ever written. No, I mean it! I mean, when I read Euphoria at Midnight, all I wanted to do was become a writer.
Mrs. Bing: Oh, please, honey, listen, if I can do it, anybody can. You just start with half a dozen European cities, throw in thirty euphemisms for male genitalia, and bam! You have got yourself a book.
Chandler: Myyy mother, ladies and gentlemen.
[Cut to Mrs. Bing on the telephone.]
Mrs. Bing: Yeah, any messages for room 226?
(Ross emerges from a toilet marked 'Chicas')
Mrs. Bing: You okay there, slugger?
Ross: Yeah, I'm fine, I'm fine. (A woman emerges from the toilet behind him and he tries to pretend he was in the other one)
Mrs. Bing: What is with you tonight?
Ross: Nothing. Nothing nothing nothing.
Mrs. Bing: (To phone) Okay, thank you. (To Ross) It's the Italian Hand-Licker, isn't it.
Ross: No. It's the one he's licking.
Mrs. Bing: She's supposed to be with you.
Ross: You're good.
Mrs. Bing: Oh, Ross, listen to me. I have sold a hundred million copies of my books, and y'know why?
Ross: The girl on the cover with her nipples showing?
Mrs. Bing: No. Because I know how to write men that women fall in love with. Believe me, I cannot sell a Paolo. People will not turn three hundred twenty-five pages for a Paolo. C'mon, the guy's a secondary character, a, y'know, complication you eventually kill off.
Ross: When?
Mrs. Bing: He's not a hero. ...You know who our hero is.
Ross: The guy on the cover with his nipples showing?
Mrs. Bing: No, it's you!
Ross: Please.
Mrs. Bing: No, really, c'mon. You're smart, you're sexy...
Ross: Right.
Mrs. Bing: You are gonna be fine, believe me.
(She kisses him on the cheek)
Ross: Uh-oh...
(...Then full on the mouth)
(Enter Joey)
Joey: Uhhhh.... I'll just pee in the street.
Commercial Break
[Scene: Chandler and Joey's, the next morning. Joey is getting the door in his dressing gown—it's Ross.]
Ross: Hey, is Chandler here?
Joey: Yeah.
(Ross drags Joey into the hall and slams the door)
Ross: Okay, uh, about last night, um, Chandler.. you didn't tell... (Joey shakes his head) Okay, 'cause I'm thinking- we don't need to tell Chandler, I mean, it was just a kiss, right? One kiss? No big deal? Right?
Joey: Right. No big deal.
Ross: Okay.
Joey: In Bizarro World!! You broke the code!
Ross: What code?
Joey: You don't kiss your friend's mom! Sisters are okay, maybe a hot-lookin' aunt... but not a mom, never a mom!
(Chandler opens the door and startles them. He picks up the paper)
Chandler: What are you guys doing out here?
Ross: Uh.. uh.. Well, Joey and I had discussed getting in an early morning racquetball game. But, um, apparently, somebody overslept.
Joey: Yeah, well, you don't have your racket.
Ross: No, no I don't, because it's being restrung, somebody was supposed to bring me one.
Joey: Yeah, well you didn't call and leave your grip size.
Chandler: Okay, you guys spend waaaay too much time together. (Goes back inside and shuts the door)
Ross: Okay, I'm scum, I'm scum.
Joey: Ross, how could you let this happen?
Ross: I don't know, God, I... well, it's not like she's a regular mom, y'know? She's, she's sexy, she's...
Joey: You don't think my mom's sexy?
Ross: Well... not in the same way...
Joey: I'll have you know that Gloria Tribbiani was a handsome woman in her day, alright? You think it's easy giving birth to seven children?
Ross: Okay, I think we're getting into a weird area here...
(Monica and Rachel's door opens and Rachel and Paolo emerge)
Rachel: Hey.
Ross: Hey.
Rachel: What're you guys doing out here?
Ross: Well, not playing raquetball!
Joey: He forgot to leave his grip size!
Ross: He didn't get the goggles!
Rachel: Well,sounds like you two have issues.
(She and Paolo walk a little way down the hall)
Rachel: Goodbye, baby.
Paolo: Ciao, bela.
(They kiss. Ross is watching them)
Ross: Do they wait for me to do this?
(Joey and Ross go into Monica and Rachel's apartment)
Joey: So are you gonna tell him?
Ross: Why would I tell him?
Joey: How about 'cause if you don't, his mother might.
Ross: Oh...
Monica: (Entering) What are you guys doing here?
Joey: Uhhhh.... he's not even wearing a jockstrap!
Monica: ...What did I ask?
[Scene: Hospital. Phoebe is there stroking Coma Guy's hair, when Monica enters with a bunch of balloons.]
Monica: Hi.
Phoebe: Hi.
Monica: What are you doing here?
Phoebe: Nothing, I just thought I'd stop by.. y'know, after the uh... that I.. y'know, so what are you doing here?
Monica: I'm not really here. Just thought I'd drop these off...on the way.. my way... Do you come here a lot? Without me?
Phoebe: No. (Monica brushes Coma Guy's hair in the other direction) No! No! ...So, um, do you think he's doing any better than he was this morning?
Monica: How would I know? I-I wasn't here.
Phoebe: Really? Not even to, um, change his PAJAMAS?! (Whips back the sheet to reveal him wearing new pajamas.)
[Scene: Chandler and Joey's, Ross is talking to Chandler. Joey is making a snack at the bar.]
Chandler: Oh my God.
Ross: You're my friend. I-I had to tell you.
Chandler: I can't believe it. Paolo kissed my mom?
Ross: Yeah, um, I don't know if you noticed, but he had a lot to drink, and you know how he gets when he's drun..uh... (He has caught sight of Joey scowling at him) I can't do this, I did it, it was me, I'm sorry, I kissed your mom.
Chandler: What?
Ross: I was really upset about Rachel and Paolo, and I think I had too much tequila, and Nora- um, Mrs. Mom- your Bing- was just being nice, y'know, and- But nothing happened, nothing- Ask Joey, Joey, uh, came in-
Chandler: (To Joey) You knew about this?
Joey: Uh... y'know, knowledge is a tricky thing.
Chandler: I spent the entire day with you, why didn't you tell me?!
Joey: Hey, hey, hey, you're lucky I caught them when I did, or else who knows what woulda happened.
Ross: Thanks, man, big help.
Chandler: (To Ross) I can't believe this! What the hell were you thinking?
Ross: I wasn't- I mean, I-
Chandler: Y'know, of all my friends, no-one knows the crap I go through with my mom more than you.
Ross: I know-
Chandler: I can't believe you did this. (Walks toward the door)
Ross: Chandler-
Joey: Me neither, y'know what-
Chandler: I'm still mad at you for not telling me.
Joey: What are you mad at me for?!
Ross: Chandler-
Chandler: You gotta let me slam the door! (Leaves; slams the door)
Joey: (Shouting after him) Chandler, I didn't kiss her, he did! (To Ross) See what happens when you break the code?
Ross: Joey-
Joey: Ah! (Points to door) Huh? (Leaves and slams the door)
[Scene: Central Perk, everyone is there except for Chandler. Rachel is writing something and Monica walks up.]
Monica: Hey.
Rachel: Hey.
Monica: (Reading) 'A Woman Undone, by Rachel Karen Green'.
Rachel: Yeah. Thought I'd give it a shot. I'm still on the first chapter. Now, do you think his 'love stick can be liberated from its denim prison'?
Monica: (Reads) Yeah, I'd say so. And there's no 'j' in 'engorged'.
Phoebe: (Walks up with her guitar) Hey Rach.
Rachel: Hey.
Phoebe: Hello.
Monica: Hello.
Phoebe: Going to the hospital tonight?
Monica: No, you?
Phoebe: No, you?
Monica: You just asked me.
Phoebe: Okay, maybe it was a trick question. (Plays a few chords) Um, Rachel can we do this now?
Rachel: Okay. (Writes a little more) I am so hot!
Joey: (To Ross, on the couch) Now, here's a picture of my mother and father on their wedding day. Now you tell me she's not a knockout.
Ross: I cannot believe we're having this conversation.
Joey: C'mon! Just try to picture her not pregnant, that's all.
Rachel: (Into microphone) Central Perk is proud to present Miss Phoebe Buffay.
Phoebe: Thanks. Hi, um, 'kay. I'd like to start with a song that's about a man that I recently met, who's, um, come to be very important to me. (Monica gives her a look) 'Kay. (Sung:)
You don't have to be awake to be my man,
As long as you have brainwaves I'll be there to hold your hand.
Though we just met the other day,
There's something I have got to say...
(She sees Monica sneaking out) Okay, thank you very much, I'm gonna take a short break! (Runs out, knocking over the mike stand)
Rachel: (Into mike) Okay, that was Phoebe Buffay, everybody. Woo!
(Enter Chandler)
Chandler: What was that?
Ross: Oh, uh, Phoebe just started a...
Chandler: Yeah, I believe I was talking to Joey, alright there, Mother-Kisser? (Goes to the counter)
Joey: (Laughing) Mother-Kisser... (Sees Ross's look) I'll shut up.
Ross: Chandler, can I just say something? I-I know you're still mad at me, I just wanna say that there were two people there that night. Okay? Two sets of lips.
Chandler: Yes, well, I expect this from her. Okay? She's always been a Freudian nightmare.
Ross: Okay, well, if she always behaves like this, why don't you say something?
Chandler: Because it's complicated, it's complex- Hey, you kissed my mom!
(People turn to look)
Ross: (To the rest of Central Perk) We're rehearsing a Greek play.
Chandler: That's very funny. We done now?
Ross: No! Okay, you mean, you're not gonna talk to her, you're not gonna tell her how you feel?
Chandler: That would be no. Look, just because you played tonsil tennis with my mom doesn't mean you know her. Alright? Trust me, you can't talk to her.
Ross: Okay, 'you' can't, or (Points to Chandler) you can't? (Chandler grabs his finger) Okay, that's my finger. (Chandler twists it and Ross goes down on one knee) That's, that's my knee. (To Central Perk) Still doing the play. Aaah!
[Scene: The Coma Guy's Room, Monica bursts in, closely followed by Phoebe. There is no sign of Coma Guy. His bed is empty.]
Phoebe: Alright, whadyou do with him?
(There is the sound of a flushing toilet and Coma Guy emerges from the bathroom)
Monica: Oh! You're awake!
Phoebe: Look at you! How, how do you feel?
Coma Guy: Uh, a little woozy, but basically okay.
Monica: You look good!
Coma Guy: I feel good! ...Who are you?
Monica: Oh, sorry.
Phoebe: I'm Phoebe Buffay.
Monica: I'm Monica Geller. I've been taking care of you.
Phoebe: Well, we both have.
Coma Guy: So, the Etch-a-Sketch is from you guys?
Phoebe: Well, actually it's just from me.
Monica: I got you the foot massager.
Phoebe: You know who shaved you? That was me.
Monica: I read to you.
Phoebe: I sang. (To Monica) Hah!
Coma Guy: Well,... thanks.
Monica: Oh, my pleasure.
Phoebe: You're welcome.
Coma Guy: So. I guess I'll see you around.
Phoebe: What, that's it?
Monica: "See you around?"
Coma Guy: Well, what do you want me to say?
Monica: Oh, I don't know. Maybe, um, "That was nice?" Admit something to me? "I'll call you?"
Coma Guy: Alright, I'll call you.
Phoebe: I don't think you mean that.
Monica: This is so typical. Y'know, we give, and we give, and we give. And then- we just get nothing back! And then one day, y'know, it's just, you wake up, and "See you around!" Let's go, Phoebe.
Phoebe: Y'know what? We thought you were different. But I guess it was just the coma.
[Scene: Chandler and Joey's Chandler is talking with his mom.]
Mrs. Bing: Car's waiting downstairs, I just wanted to drop off these copies of my book for your friends. Anything you want from Lisbon?
Chandler: No, just knowing you're gonna be there is enough.
Mrs. Bing: Alright, well, be good, I love you. (Kisses him and goes to leave)
Chandler: You kissed my best Ross! ...Or something to that effect.
Mrs. Bing: (Reentering) O-kay. Look, it, it was stupid.
Chandler: Really stupid.
Mrs. Bing: Really stupid. And I don't even know how it happened. I'm sorry, honey, I promise it will never happen again. Are we okay now?
Chandler: Yeah. No. No...
[Cut to the hallway, Joey is listening to Chandler and his mom's conversation through the door as Ross walks up.]
Ross: Ah, the forbidden love of a man and his door.
Joey: Shh. He did it. He told her off, and not just about the kiss, about everything.
Ross: You're kidding.
Joey: No, no. He said "When are you gonna grow up and start being a mom?"
Ross: Wow!
Joey: Then she came back with "The question is, when are you gonna grow up and realise I have a bomb?"
Ross: 'Kay, wait a minute, are you sure she didn't say "When are you gonna grow up and realise I am your mom?"
Joey: That makes more sense.
Ross: So, what's going on now?
Joey: I dunno, I've been standing here spelling it out for you! (Goes back to the door) I don't hear anything. Oh, wait, wait, wait. (Looks through the spyhole)
Ross: Whaddya see?
Joey: Hard to tell, they're so tiny and upside-down. Wait, wait. They're walking away... they're walking away... No, no they're not, they're coming right at us! Run! Run!
(Joey runs off down the hall. Ross tries Monica and Rachel's apartment, but it is locked so he has to stand in the hall and pretend he wasn't listening. Chandler and his mom come out)
Mrs. Bing: You okay, kiddo?
Chandler: Yeah, okay.
Mrs. Bing: Alright. (Kisses him)
Chandler: Nice save.
(She walks down the hall)
Ross: (Very politely) Mrs. Bing.
Mrs. Bing: Mr. Geller.
(She leaves)
(Ross knocks on Monica and Rachel's door)
Chandler: Hey.
Ross: You mean that?
Chandler: Yeah, why not. (They shake hands) So I told her.
Ross: Yeah? How'd it go?
Chandler: Awful. Awful. Couldn'ta gone worse.
Ross: Well, howdya feel?
Chandler: Pretty good! I told her.
Ross: Well, see? So, maybe it wasn't such a bad idea, y'know, me kissing your mom, uh? Huh? (Wags his finger at Chandler, then puts it down) But.. we don't have to go down that road.
Closing Credits
[Scene: Monica and Rachel's, Rachel is handing out copies of her book to the gang.]
Rachel: Okay. Now this is just the first chapter, and I want your absolute honest opinion. Oh, oh, and on page two, he's not 'reaching for her heaving beasts'.
Monica: What's a 'niffle'?
Joey: You usually find them on the 'heaving beasts'.
Rachel: Alright, alright, so I'm not a great typist...
Ross: Wait, did you get to the part about his 'huge throbbing pens'? Tell ya, you don't wanna be around when he starts writing with those!
Rachel: Alright, that's it! Give it back! That's it!
All: Nooo!
End
글
(영화대본) 프랜즈 시즌1-12
이 중에서 몇 개만 확실히 외우면 성공입니다. 욕심을 버려야 합니다. 다 얻으려면 다 잃습니다. 자신에게 와닿는 표현들 몇 개만을 집중적으로 물고 늘어지시기 바랍니다. 선택과 집중! 자신에게 와닿는 표현이란? 자신과 궁합이 맞는 표현입니다. 결국 모든 영어를 다 할 수도 없고, 그럴 필요도 없는 겁니다. 자신과 잘 맞는 것만 선택해서 집중적으로 외우시기 바랍니다.
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Dozen Lasagnes
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Written by Jeffrey Astrof, Mike Sikowitz, Adam Chase & Ira Ungerleider
Transcribed by Jim and Tracy Lambers
Minor additions and adjustments by Dan Silverstein
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[Scene: Central Perk, everyone is there. Ross working on crossword puzzle, starts humming theme from The Odd Couple. Chandler joins in, followed by Monica and Phoebe, then the whole gang. Ross starts humming theme from I Dream Of Jeannie.]
Chandler: No-no-no-no, we're done.
Opening Credits
[Scene: Monica and Rachel's, Monica is on the phone in the kitchen.]
Monica: Aunt Syl, stop yelling! All I'm saying is that if you had told me vegetarian lasagna, I would have made vegetarian lasagna. (pauses, listens to person on phone) Well, the meat's only every third layer, maybe you could scrape.
(Camera moves to Chandler, Phoebe, Ross, and Joey sitting in living room)
Joey: Ross, did you really read all these baby books?
Ross: Yup! You could plunk me down in the middle of any woman's uterus, no compass, and I can find my way out of there like that! (snaps fingers)
Phoebe: Ooh, this is cool...it says in some parts of the world, people actually eat the placenta. (Joey grimaces)
Chandler: And, we're done with the yogurt. (Sets yogurt down on table)
Phoebe: (softly) Sorry. (Camera pans back to Monica, still on phone)
Monica: Aunt Syl, I did this as a favor, I am not a caterer. What do you want me to do with a dozen lasagnas? (listens to Aunt Syl on phone, looks shocked) Nice talk, Aunt Syl. (in New York accent) You kiss Uncle Freddie with that mouth?
(Camera pans back to group in living room)
Joey: Hey Ross, listen, you know that right now, your baby's only this big? (measures about 2 inches with his thumb and index finger) This is your baby. (in baby-like voice) Hi Daddy!
Ross: (waves) Hello!
Joey: (in baby-like voice) How come you don't live with Mommy? (pause; shows Ross less than amused) How come Mommy lives with that other lady? (pause; Ross still looks less than amused; Joey smiling) What's a lesbian? (playfully hits Ross)
(Rachel enters with Paolo, speaking Italian. Ross looks annoyed)
Rachel: Honey, you can say it, Poconos, Poconos, it's like Poc-o-nos (touching Paolo's nose with forefinger with each syllable)
Paolo: Ah, poke (Paolo touches Rachel's nose) a (touches nose again) nose, mmm (they rub noses, then kisses her)
Joey, Chandler, and Ross: (sitting in living room, imitating Paolo) Mma, Mma, Mmaah
(Camera pans to Rachel, Monica, and Phoebe in the kitchen)
Monica: So, did I hear Poconos?
Rachel: Yes, my sister's giving us her place for the weekend.
Phoebe: Woo-hoo, first weekend away together!
Monica: Yeah, that's a big step.
Rachel: I know...
(Camera pans to Ross, looking dejected)
Chandler: (to Ross) Ah, it's just a weekend, big deal!
Ross: Wasn't this supposed to be just a fling, huh? Shouldn't it be...(makes flinging motions with hands) flung by now?
(Camera pans back to Rachel)
Rachel: I mean, we are way past the fling thing, I mean, I am feeling things that I've only read about in Danielle Steele books, you know? I mean, when I'm with him, I'm totally, totally...
(Camera pans to Ross, holding his stomach)
Ross: ...nauseous, I'm physically nauseous. What am I supposed to do, huh? Call immigration? (pauses, looks suddenly inspired) I could call immigration!
[Scene: The Hallway, Chandler and Joey leaving girls' apartment, carrying lasagna.]
Joey: I love babies, with their little baby shoes, and their little baby toes, and their little baby hands...
Chandler: Ok, you're going to have to stop that, forever!
(Joey opens door, throws keys on kitchen table, table falls over)
Joey: Need a new table.
Chandler: You think?
[Scene: Carol and Susan's, there's a knock on the door and Carol answers it to Ross.]
Carol: Hey hey, come on in!
(Ross enters, carrying lasagna)
Ross: Hey, hello! mmwa! (kisses Carol) I brought all the books, and Monica sends her love, along with this lasagna.
Carol: Oh great! Is it vegetarian, 'cause Susan doesn't eat meat.
Ross: (pauses) I'm pretty sure that it is...
Carol: So, I got the results of the amnio today.
Ross: (making flinging gestures with hands) Oh, tell me, tell me, is everything, uhh....?
Carol: Totally and completely healthy!
Ross: Oh, that's great, that is great! (Hugs and kisses Carol. Then picks up a picture frame)
Ross: Hey, when did you and Susan meet Huey Lewis?
Carol: Uh, that's our friend Tanya.
Ross: (surprised, chuckling nervously) Of course it's your friend Tanya. (looks up frightenedly)
Carol: Don't you want to know about the sex?
Ross: (chuckles nervously) The sex? (chuckles) Um, I'm having enough trouble with the image of you and Susan together, when you throw in Tanya (miming washing hair, that's the best I could think of), yaw...
Carol: The sex of the baby, Ross.
Ross: Oh, you know the sex of the baby? Oh, oh-oh-oh!
Carol: Do you want to know?
Ross: No, no, no, no, no, I don't want to know, absolutely not. I think, you know, I think you should know until you look down there, and say, oop, there it is! (pauses) Or isn't...
(Susan enters)
Susan: Oh, hello Ross!
Ross: Susan...
Susan: So, so, did you hear?
Ross: Yes, we did, everything's A-OK!
Susan: Oh, that's so... (Susan hugs Carol, they giggle, Ross steps away) It really is...do we know...?
Carol: Yes, we certainly do, it's going to be...
Ross: (flailing arms in protest) Oh, hey hey hey, ho ho ho, hello, guy who doesn't want to know, standing right here!
Susan: Oh, well, is it what we thought it would be?
Carol: Mm-hmmm (Susan and Carol hug, giggling. Ross stands back, reaches out and lightly taps Susan's shoulder)
Ross: Ok, what, what...ok, what did we think it was going to be?
Carol and Susan: It's a...
Ross: (interrupts) No, no, no I don't want to know, don't want to know. Ok, you know, I should probably, I should probably just go.
Carol: Well, thanks for the books.
Ross: No problem, ok, mmmwa (kisses Carol) oh, mmmwa (kisses Carol's stomach, then punches Susan's shoulder) Susan... (Ross leaves.)
Susan: All right, who should we call first, your folks, or Deb and Rona? (intercom buzzer rings)
Carol: Hello?
Ross: (on intercom) Uh, never mind, I don't want to know. (Carol and Susan laugh)
[Scene: Chandler and Joey's, Joey and Chandler use their knees as a table to support the lasagna.]
Chandler: Ok, so it's just because it was my table, I have to buy a new one?
Joey: That's the rule.
Chandler: What rule? There's no rule, if anything, you owe me a table!
Joey: How'd you get to that?
Chandler: Well, I believe the piece of furniture was fine until your little breakfast adventure with Angela Delvecchio
Joey: You knew about that?
Chandler: Well, let's just say the impressions you made in the butter left little to the imagination.
Joey: Ok, ok, How about if we split it?
Chandler: What do you mean, like, buy it together?
Joey: Yeah
Chandler: You think we're ready for something like that?
Joey: Why not?
Chandler: Well, it's a pretty big commitment, I mean, what if one of us wants to move out?
Joey: Why, are you moving out?
Chandler: I'm not moving out.
Joey: You'd tell me if you were moving out right
Chandler: Yeah, yeah, it's just that with my last roommate Kip...
Joey: Aw, I know all about Kip!
Chandler: It's just that we bought a hibachi together, and then he ran off and got married, and things got pretty ugly.
Joey: Well, let me ask you something, was Kip a better roommate than me?
Chandler: Aw, don't do that
[Scene: Phoebe's Massage Parlor, Phoebe's assistant is telling her about the changes to her schedule.]
Phoebe's Assistant: We've got a couple changes in your schedule. Your 4:00 herbal massage has been pushed back to 4:30 and Miss Somerfield canceled her 5:30 shiatsu.
Phoebe: Ok, thanks. (assistant leaves, then walks back in)
Phoebe's Assistant: Oh, here comes your 3:00. I don't mean to sound unprofessional, but, yum (walks out, Paolo enters)
Paolo: Buon Giorno, Bella Phoebe!
Phoebe: Oh, Paolo, hi, what are you doing here?
Paolo: Uh, Racquela tell me you massage, eh?
Phoebe: Well, Racquela's right, yeah!
(Paolo speaks Italian)
Phoebe: Oh, okay, I don't know what you just said, so let's get started.
Paolo: Uh, I am, uh, being naked?
Phoebe: Um, that's really your decision, I mean, some people prefer, you know, to take off...oh whoops! You're being naked!
[Scene: Central Perk, everyone but Phoebe is there.]
Rachel: (to Ross) I can't believe you don't want to know. I mean, I couldn't not know, I mean, if, if the doctor knows, and Carol knows, and Susan knows....
Monica: And Monica knows...
Ross: Wha, heh, how could you know, I don't even know!
Monica: Carol called me to thank me for the lasagna, I asked, she told me.
Joey: So what's it gonna be? (Monica whispers in Joey's ear. Ross gets up and waves arms frantically in protest)
Ross: Wait—oh—hey—huh, oh great now he knows, and I don't know!
Monica: I'm sorry, I'm just excited about being an aunt!
Joey: Or an uncle...
(Phoebe enters)
Joey and Chandler: Hey Phoebe!
Ross: Hi Pheebs!
Rachel: Pheebs!
Phoebe: Fine!
Monica: Phoebe, what's the matter?
Phoebe: Nothing, I'm sorry, I'm just, I'm out of sorts.
Customer: Hey, can we get some cappuccino over here?
Rachel: Oh, right, that's me!
Joey: Hey, Chandler, that table place closes at 7, come on.
Chandler: Fine. (Joey and Chandler walk towards the door)
Monica: Phoebe, what is it?
Phoebe: All right, you know Paolo?
Ross: I'm familiar with his work, yes...
Phoebe: Well, he made a move on me.
(Joey and Chandler come back)
Joey: Whoa, store will be open tomorrow!
Chandler: More coffee over here, please!
Commercial Break
[Scene: Central Perk, continued from earlier.]
Monica: Well, what happened?
Phoebe: Well, he came in for a massage, and everything was fine until. (A flashback starts Paolo, lying on massage table, moving his hands up Phoebe's legs.)
[Cut back to Central Perk.]
Joey and Chandler: Ooooohh!
Ross: My God.
Monica: Are you sure?
(The flashback resumes with Paolo grabbing her butt.)
[Cut back to Central Perk.]
Phoebe: Oh yeah, I'm sure. (Flashback resumes with Phoebe doing a voiceover.) And all of a sudden his hands weren't the problem anymore. (Flashback continues: Paolo rolls over, Phoebe looks down, then quickly looks up, bites lip, shakes her head)
Monica: Was it...?
Phoebe: Oh, boy scouts could have camped under there.
Guys: Oooooo....
(Rachel runs over)
Rachel: "Ooo," what?
Phoebe: Uma Thurman.
Monica: Oh!
Ross: The actress!
(all talking indistinctly, high-fiving)
Ross: Thanks Rach.
(Rachel walks away)
Chandler: So what are you gonna do?
Ross: You have to tell her! You have to tell her! It's your moral obligation, as a friend, as a woman, I think it's a feminist issue! Guys? Guys? (waiting for guys to chime in)
Chandler: Oh, yeah, you have to tell her.
Joey: Feminist issue. That's where I went!
Phoebe: She is gonna hate me.
Ross:(sympathetic yet...) Yeah, well...
[Scene: The Table Store, Joey and Chandler and looking for their new table.]
Joey: Will you pick one, just pick one! Here, how about that one? (points to a table)
Chandler: That's patio furniture!
Joey: So what, like people are gonna come in and think, "Uh-oh, I'm outside again?" Of course!
Chandler: (gesturing towards another table) What about the birds?
Joey: I don't know, birds just don't say, "Hello, sit here, eat something."
Chandler: You pick one.
Joey: All right, how about the ladybugs?
Chandler: Oh, so, forget about the birds, but big red insects suggest fine dining!
Joey: Fine, you want to get the birds, get the birds!
Chandler: Not like that, I won't! (pauses) Kip would have liked the birds! (Joey turns and gives Chandler a dirty look)
[Scene: Monica and Rachel's, Rachel folding and packing clothes in suitcases as Phoebe enters.]
Phoebe: Hey!
Rachel: Hi Pheebs!
Phoebe: Are you moving out?
Rachel: No, these aren't all my suitcases. (picks up small blue suitcase and shows to Phoebe) This one's Paolo's.
Phoebe: Um, um, Rachel can we talk for a sec?
Rachel: Well, sure...just a sec, though, 'cause Paolo's on his way over.
Phoebe: Oh! (sits down) Ok, um, ok, um,
Rachel: Oh, Pheebs, Pheebs...
Phoebe: Ok, um, (clears throat) we haven't known each other for that long a time, and, um, there are three things that you should know about me. One, my friends are the most important thing in my life, two, I never lie, and three, I make the best oatmeal raisin cookies in the world. (Phoebe opens a tin and offers Rachel a cookie)
Rachel: (taking cookie) Ok, thanks Pheebs (takes bite of cookie, overwhelmed) Oh my God, why have I never tasted these before?!
Phoebe: Oh, I don't make them a lot because I don't think it's fair to the other cookies
Rachel: All right, well, you're right, these are the best oatmeal cookies I've ever had.
Phoebe: Which proves that I never lie.
Rachel: I guess you don't.
Phoebe: Paolo made a pass at me.
(Rachel looks stunned)
[Scene: Chandler and Joey's, Ross, Chandler, Joey, and Monica admiring their new table.]
Chandler: So, what do you think?
Ross: I think It's the most beautiful table I've ever seen.
Chandler: I know!
(The camera pans back to reveal Joey and Chandler's new foosball table.)
Monica: So how does this work, you going to balance the plates on these little guys' heads?
Joey: Who cares, we'll eat at the sink! Come on, let's play!
Monica: Heads up Ross! (Monica scores on Chandler and Joey) Score! (points at Chandler) You suck!
(Chandler looks at Joey in amazement)
[Scene: Monica and Rachel's, Rachel is recovering from the shock.]
Phoebe: Are you okay?
Rachel: I need some milk.
Phoebe: Ok, I've got milk (takes thermos from her bag and starts to pour a cup) Here you go... (Rachel drinks straight from thermos) Oh!(Rachel finishes thermos) Better?
Rachel: No...oh, I feel so stupid! Oh, I think about the other day with you guys and I was all "Oh, Paolo, he's so great, he makes me feel so..." Oh, God, I'm so embarrassed!
Phoebe: I'm so embarrassed, I'm the one he hit on!
(Phoebe's and Rachel's lines overlap)
Rachel: Pheebs, if I had never met him this never would have happened!
Rachel and Phoebe: I'm so sorry! No I'm sorry! No I'm sorry! No I'm sorry!
Phoebe: No, wait, oh, what are we sorry about?
Rachel: I don't know...right, he's the pig!
Phoebe: Such a pig!
Rachel: Oh, God, he's such a pig,
Phoebe: Oh he's like a...
Rachel: He's like a big disgusting...
Phoebe: ...like a...
Rachel: ...pig...pig man!
Phoebe: Yes, good! Ok...
Rachel: (voice wavers) Oh, but he was my pig man...how did I not see this?
Phoebe: (raises hand) Oh! I know! (Rachel startled) It's because... he's gorgeous, and he's charming, and when he looks at you...
Rachel: Ok, Ok, Pheebs...
Phoebe: The end.
Rachel: Oh, God...
Phoebe: Should I not have told you?
Rachel: No, no, trust, me, it's, it's, it's much better that I know. Uh, I just liked it better before it was better...
(Phoebe scoots her chair over to Rachel and hugs her)
[Scene: Chandler and Joey's, Phoebe is telling everyone how it went across the hall as the foosball game continues.]
Phoebe: I think she took it pretty well. You know Paolo's over there right now, so...
Monica: We should get over there and see if she's okay. (switching places with Ross) Just one...second! Score! (Monica scores, high-fives with Ross) Game! Come on. (Monica and Phoebe leave)
Ross: (wiping his brow) Ah...ooh! Well, looks like, uh, we kicked your butts.
Joey: No-no, she kicked our butts. You could be on the Olympic standing-there team.
Ross: Come on, two on one.
Chandler: What are you still doing here? She just broke up with the guy, it's time for you to swoop in!
Ross: What, now?
Joey: Yes, now is when you swoop! You gotta make sure that when Paolo walks out of there, the first guy Rachel sees is you, She's gotta know that you're everything he's not! You're like, like the anti-Paolo!
Chandler: My Catholic friend is right. She's distraught. You're there for her. You pick up the pieces, and then you usher in the age of Ross! (Ross and Chandler look off into the distance. Joey, wondering what they are looking at, looks in the same direction)
[Scene: Monica and Rachel's Balcony, Rachel is throwing Paolo's clothes over the side.]
Paolo: No, that's cold, that's cold, that's...
[Cut to inside the apartment.]
Ross: (entering) How's it going?
Monica: Don't stare. Now she just finished throwing his clothes off the balcony, now there's just a lot of gesturing and arm-waving, (shows Rachel gesturing with hands in front of her chest), Ok, that is either, "How could you?" or, "Enormous breasts!" Here he comes!
Phoebe: Ooh!
(Paolo enters. Ross, Phoebe, and Monica scatter)
Paolo: Uh, I am, uh, to say good-bye.
Phoebe: Oh, ok bye-bye.
Monica: Paolo, I really hate you for what you did to Rachel, (hands him a lasagna) but I still have five of these, so heat it at 375 until the cheese bubbles.
Paolo: Grazie.
Ross: Paolo, I-I just want to tell you and I think I speak for everyone when I say... (shuts door in his face and walks away)
Phoebe: Oh, just look at her... (girls move toward Rachel on the balcony)
Ross: Oh you guys, I-I really think just one of us should go out there so she's not overwhelmed...
Monica: Oh, you're right.
Ross: (pulls Monica back) ...and I really think it should be me.
[Cut to the balcony, Ross has just climbed through the window.]
Ross: Hey.
Rachel: Hey.
Ross: You all right?
Rachel: Ooh, I've been better...
Ross: Come here. (he hugs Rachel) Listen, you deserve so much better than him...you know, I mean, you, you, you should be with a guy who knows what he has when he has you.
Rachel: Oh, Ross...
Ross: What?
Rachel: I am so sick of guys. I don't want to look at another guy, I don't want to think about another guy, I don't even want to be near another guy. (Ross crosses arms)
Ross: Huh.
Rachel: Oh Ross, you're so great!
Ross: Ohhhh (Hugs her and sighs)
[Cut to inside the apartment, Rachel and Ross are entering.]
Monica: Ooh...hey honey, are you all right?
Rachel: Oh...
Phoebe: You ok?
Rachel: ...medium...hmm...any cookies left?
Phoebe: Yep!
Ross: See, Rach, uh, see, I don't think that swearing off guys altogether is the answer. I really don't. I think that what you need is to develop a more sophisticated screening process.
Rachel: No. I just need to be by myself for a while, you know? I just got to figure out what I want
Ross: Uh, no, no, see, because not...not all guys are going to be a Paolo.
Rachel: No, I know, I know, and I'm sure your little boy is not going to grow up to be one.
Ross: (astonished) What?
Rachel: What?
Ross: I-I'm, I'm having a boy?
Rachel: Uh...no. No, no, in fact, you're not having a boy.
Ross: Wha-I'm having, I'm having a boy! (babbling) Huh, am I having a boy?
Girls: Yes, you're having a boy! (Monica runs over and hugs Ross)
Ross: I'm having a boy! Oh, I'm having a boy!
(Joey and Chandler run in)
Chandler: Wha-
Joey: Wha-
Joey and Chandler: What is it?
Ross: I'm having a boy! I-I'm having a boy!
Joey: Hey!
Chandler: Hey!
Joey and Chandler: We already knew that! (they hug)
Ross: I'm having a son. Um...
(Ross looks scared)
Closing Credits
[Scene: Chandler and Joey's, Monica is busy killing Chandle and Joey at foosball.]
Monica: Yes! And that would be a shut-down!
Joey and Chandler: Shut-out!! (They both start heading for their rooms.)
Monica: Where are you guys going? Come on, one more game!
Joey: Uh, it's 2:30 in the morning!
Chandler: Yeah, get out!
Monica: You guys are always hanging out in my apartment! Come on, I'll only use my left hand, huh? Come on, wussies! (Joey and Chandler pick her up) All right, ok, I gotta go. I'm going, (they throw her out) and I'm gone.
Chandler: (to Joey) One more game?
Joey: Oh yeah!
End
글
(영화대본) 프랜즈 시즌1-13
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Boobies
Written by: Alexa Junge
Transcribed by: guineapig
[Scene: Monica and Rachel's, Chandler walks in and starts raiding the fridge. Then Rachel comes out of the shower with a towel wrapped round her waist, drying herself with another towel. Chandler and Rachel startle each other and she drops the towel for a second and snatches the rug off the couch.]
Rachel: That is IT! You just barge in here, you don't knock
Chandler: I'm sorry!
Rachel: You have no respect for anybody's privacy!
Chandler: Rachel, wait, wait.
Rachel: No, you wait! This is ridiculous!
Chandler: Can I just say one thing?
Rachel: What? What?!
Chandler: That's a relatively open weave and I can still see your... nipular areas.
Rachel: Oh!!
(She storms off)
Opening Credits
[Scene: Central Perk, Phoebe is there with her boyfriend Roger, talking to Rachel and Monica.]
Phoebe: Oh, honey, honey, tell them the story about your patient who thinks things are, like, other things. Y'know? Like, the phone rings and she takes a shower.
Roger: That's pretty much it.
Phoebe: Oops!
Roger: But you tell it really well, sweetie.
Phoebe: Thanks. Okay, now go away so we can talk about you.
Roger: Okay. I'll miss you.
Phoebe: Isn't he great?
Rachel: He's so cute! And he seems to like you so much.
Phoebe: I know, I know. So sweet... and so complicated. And for a shrink, he's not too shrinky, y'know?
Monica: So, you think you'll do it on his couch?
Phoebe: Oh, I don't know, I don't know. I think that's a little weird, y'know? Vinyl.
Rachel: Okaaay. (To the guys, on the couch) Any of you guys want anything else?
Chandler: Oh, yes, could I have one of those. (Points)
Rachel: No, I'm sorry, we're all out of those. Anybody else?
Chandler: Okay.
Roger: Did I, uh, did I miss something?
Chandler: No, she's still upset because I saw her boobies.
Ross: You what? Wh what were you doing seeing her boobies?
Chandler: It was an accident. Not like I was across the street with a telescope and a box of donuts.
Rachel: Okay, okay, could we change the subject, please?
Phoebe: Yeah, 'cause hello, these are not her boobies, these are her breasts.
Rachel: Okay, Pheebs, I was hoping for more of a change.
Chandler: Y'know, I don't know why you're so embarrassed, they were very nice boobies.
Rachel: Nice? They were nice. I mean, that's it? I mean, mittens are nice.
Chandler: Okaaay, (Gestures) rock, hard place, me.
Roger: You're so funny! He's really funny! I wouldn't wanna be there when when the laughter stops.
Chandler: Whoah whoah, back up there, Sparky. What'd you mean by that?
Roger: Oh, just seems as though that maybe you have intimacy issues. Y'know, that you use your humour as a way of keeping people at a distance.
Chandler: Huh.
Roger: I mean hey! I just met you, I don't know you from Adam. ...Only child, right? Parents divorced before you hit puberty.
Chandler: Uhhuh, how did you know that?
Roger: It's textbook.
(Joey enters with his dad)
Joey: Hey you guys. Hey, you all know my dad, right?
All: Hey! Hey, Mr. Trib!
Monica: Hey, how long are you in the city?
Mr. Tribbiani: Just for a coupla days. I got a job midtown. I figure I'm better off staying with the kid than hauling my ass back and forth on the ferry. (Sees Roger) I don't know this one.
Phoebe: Oh, this is my friend Roger.
Roger: Hi.
Mr. Tribbiani: Hey, hey. Good to meet you, Roger.
Roger: You too, sir.
Mr. Tribbiani: (To Phoebe) What happened to the, uh, puppet guy?
Joey: Dad, dad. (Shakes his head)
Mr. Tribbiani: Oh, 'scuse me. So Ross, uh, how's the wife? (Ross whines and lays his head on Chandler's shoulder) Off there too, uh? Uh, Chandler, quick, say something funny!
(Chandler stays stonefaced)
[Scene: Chandler and Joey's, Mr. Tribbiani is on the phone.]
Mr. Tribbiani: Gotta go. I miss you too, I love you, but it's getting real late now
Joey: (Snatches the phone) Hey Ma. Listen, I made the appointment with Dr. Bazida, and... Excuse me? (To his dad) Did you know this isn't Ma?
(His dad nods. Cut to later. Joey is chopping mushrooms)
Mr. Tribbiani: Her name's Ronni. She's a pet mortician.
Joey: Sure. So how long you been... (Goes back to chopping)
Mr. Tribbiani: Remember when you were a little kid, I used to take you to the navy yard and show you the big ships?
Joey: Since then?!
Mr. Tribbiani: No, it's only been six years. I just wanted to put a nice memory in your head so you'd know that I wasn't always such a terrible guy. ...Joe. Y'ever been in love?
Joey: ...I d'know.
Mr. Tribbiani: Then y'haven't. You're burning your tomatoes.
Joey: You're one to talk. (Puts the mushrooms in a saucepan)
Mr. Tribbiani: Joe, your dad's in love big time. And the worst part of it is, it's with two different women.
Joey: Oh man. Please tell me one of 'em is Ma.
Mr. Tribbiani: Of course, course one of 'em's Ma. What's the matter with you.
[Scene: Monica and Rachel's, Joey is lamenting to everyone about hid dad's affair.]
Joey: It's like if you woke up one day and found out your dad was leading this double life. He's like actually some spy, working for the C.I.A. (Considers) That'd be cool.... This blows!
Rachel: I know, I mean, why can't parents just stay parents? (She walks over near Chandler and his gaze stays very obviously on her chest) Why do they have to become people? Why do they have... (Notices Chandler) Why can't you stop staring at my breasts?
Chandler: (Without looking up) What? (Looks up) What?
Rachel: Did you not get a good enough look the other day?
Ross: Alright, alright. We're all adults here, there's only one way to resolve this. Since you saw her boobies, I think, uh, you're gonna have to show her your peepee.
Chandler: Y'know, I don't see that happening?
Rachel: C'mon, he's right. Tit for tat.
Chandler: Well I'm not showing you my 'tat.'
(Door buzzer goes)
Monica: Hello?
Phoebe: (Intercom) It's Phoebe.
Roger: (Intercom) And Rog.
Monica: C'mon up.
Chandler: (Sarcastic) Oh, good. Rog is here.
Joey: What's the matter with Rog?
Ross: Yeah.
Chandler: Oh, it's nothing, it's a little thing... I hate that guy.
Ross: What, so he was a little analytical. That's what he does, y'know? C'mon, he's not that bad.
(Cut to Chandler, Ross and Roger sitting at the table. Ross is upset)
Ross: Y'see, that's where you're wrong. Why would I marry her if I thought on any level thatthat she was a lesbian?
Roger: I dunno. Maybe you wanted your marriage to fail.
Ross: Why? Why would I why? Why? Why? Why?
Roger: I don't know. Maybe maybe low self-esteem, maybe maybe to compensate for overshadowing a sibling, maybe you...
Monica: Wait-wait, go back to that sibling thing.
Roger: Well, I don't know. I mean, it's conceivable that you wanted to sabotage your marriage so that the sibling would feel less of a failure in the eyes of the parents.
Ross: That that's ridiculous! I don't feel guilty for her failures!
Monica: Oh! So you think I'm a failure!
Phoebe: Isn't he good?
Ross: Nonono, thatthat's not what I was saying...
Monica: Y'know, all these years, I thought you were on my side. But maybe what you were doing was sucking up to Mom and Dad so they'd keep liking you better!
Ross: Hey, I married a lesbian to make you look good!
(Cut to later. Rachel is in tears)
Rachel: You're right! I mean you're right! It wasn't just the Weebles, but it was the Weeble Play Palace, and and the Weebles' Cruise Ship. Oh, which had this little lifeboat for the Weebles to wobble in.
Roger: That's tough. Tough stuff. C'mon, Pheebs, we're gonna catch that movie, we gotta get going.
Phoebe: Oh, okay. Feel better, Rachel, 'kay?
Roger: Geez, we're gonna be late, sweetie...
Phoebe: Oh, okay. Listen, thanks for everything, Mon.
Monica: You're welcome.
Roger: Listen guys, it was great seeing you again. Mon, um, easy on those cookies, okay? Remember, they're just food, they're not love.
(He shuts the door and Ross and Monica fling cookies at it)
Monica: Hate that guy! (Throws another cookie)
[Scene: The Hallway, Chandler and Joey are just leaving Monica and Rachel's.]
Joey: Night, you guys.
(They notice that a woman is sitting by their door)
Chandler: Oh look, it's the woman we ordered.
Joey: Hey. Can, uh, can we help you?
Ronni: Oh, no thanks, I'm just waiting for, uh, Joey Tribbiani.
Joey: I'm Joey Tribbiani.
Ronni: Oh no, not you, big Joey. Oh my God, you're so much cuter than your pictures! (Joey stares at her) I-I'm, I'm Ronni....Cheese Nip?
Chandler: Uh, Joey's having an embolism, but I'd go for a Nip, y'know?
Commercial Break
[Scene: Chandler and Joey's, Ronni is talking to Chandler. Joey's dad is not around.]
Ronni: Now, y'see, most people, when their pets pass on, they want 'em sorta laid out like they're sleeping. But occasionally you get your person who wants them in a pose. Like, chasing their tail, (Demonstrates) or, uh, jumping to catch a frisbee.
Chandler: Joey, if I go first, I wanna be looking for my keys.
Ronni: That's a good one!
(Joey's dad enters.)
Mr. Tribbiani: Hey, Joe.
Joey: Dad, Ronni's here.
Mr. Tribbiani: Huh?
Ronni: Hi.
Mr. Tribbiani: Hey! Hello, babe! Wh what're what're you doing here?
Ronni: Oh, uh, well, you left your good hair at my apartment, I figured you'd need it tomorrow for your meeting. (Hands him the hair)
Mr. Tribbiani: Thank you. Uh...
Chandler: So, who's up for a big game of Kerplunk?
Ronni: Look, I uh, I shouldn'ta come. I-I'd better get going, I don't wanna miss the last train.
Mr. Tribbiani: I don't want you taking that thing.
Ronni: Oh, where'm I gonna stay, here?
Joey: Who-ah-ho.
Mr. Tribbiani: We'll go to a hotel.
Ronni: (Shrugs) We'll go to a hotel.
Joey: No you won't.
Ronni: No we won't.
Joey: If you go to a hotel you'll be...doing stuff. I want you right here where I can keep an eye on you.
Mr. Tribbiani: You're gonna keep an eye on us?
Joey: That's right, mister, and I don't care how old you are, as long as you're under my roof you're gonna live by my rules. And that means no sleeping with your girlfriend.
Ronni: Wow. He's strict.
Joey: Now dad, you'll be in my room, Ronni uh, you can stay in Chandler's room.
Ronni: Thanks. You're, uh, you're a good kid.
Chandler: C'mon, I'll show you to my room. ...That sounds so weird when it's not followed by "No thanks, it's late."
Joey: Okay. Now this is just for tonight. Starting tomorrow, you gotta make a change. This has gone on long enough.
Mr. Tribbiani: What kinda change?
Joey: Well, either you break it off with Ronni
Mr. Tribbiani: I can't do that!
Joey: Then you gotta come clean with Ma! This is not right!
Mr. Tribbiani: Yeah, but this is
Joey: I don't wanna hear it! Now go to my room!
[Scene: Chandler and Joey's, night. Chandler and Joey are sharing the sofabed in the living room. Joey is restless.]
Chandler: Hey, Kicky. What're you doing?
Joey: Just trying to get comfortable. I can't sleep in my underwear.
Chandler: Well, you're gonna.
Joey: I've been thinking. Y'know, about how I'm always seeing girls on top of girls...
Chandler: Are they end to end, or tall like pancakes?
Joey: Y'know what I mean, about how I'm always going out with all these women. And I always figured, when the right one comes along, I'd be able to be a stand-up guy and go the distance, y'know? Now I'm looking at my dad, thinking...
Chandler: Hey, you're not him. You're you. When they were all over you to go into your father's pipe-fitting business, did you cave?
Joey: No.
Chandler: No. You decided to go into the out-of-work actor business. Now that wasn't easy, but you did it! And I'd like to believe that when the right woman comes along, you will have the courage and the guts to say "No thanks, I'm married."
Joey: You really think so?
Chandler: Yeah. I really do.
Joey: Thanks, Chandler. (Snuggles up to him)
Chandler: Get off!
[Scene: Monica and Rachel's, morning. Someone knocks on the door and Monica gets it.]
Ronni: Hi.
Monica: Hi...May I help you?
Ronni: Yeah, uh, Joey said I could use your shower, since, uh, Chandler's in ours?
Monica: Okay...who are you?
Ronni: Oh, I'm Ronni. Ronni Rappelano? The mistress?
Monica: Oh, c'mon in.
Ronni: Thanks.
Rachel: Hi, I'm Rachel.
Ronni: Hi.
Rachel: Bathroom's up there.
Ronni: Great.
Rachel: Hey, listen, Ronni, how long would you say Chandler's been in the shower?
Ronni: Oh, like, uh, five minutes?
Rachel: Perfect. Fasten your seatbelts, it's peepee time. (She goes into Joey and Chandler's apartment, where Mr. Tribbiani is reading the paper) Hey, Mr. Trib.
Mr. Tribbiani: Hey. Morning, dear.
(Rachel goes up to the door of their bathroom)
Rachel: Chandler Bing? It's time to see your thing.
(She opens the door and whips back the curtain. It's Joey. They both scream)
Joey: (Runs out in a towel) What's the matter with you?!
Rachel: I thought it was Chandler!
Chandler: (Comes out of his room) What? What?
Rachel: You were supposed to be in there so I could see your thing!
Chandler: Sorry, my my thing was in there with me.
[Scene: Central Perk, everyone is there as Phoebe enters.]
All: Hey, Pheebs.
Phoebe: Hey.
Monica: How's it going?
Phoebe: Good. Oh oh! Roger's having a dinner thing and he wanted me to invite you guys.
(Chandler laughs)
Phoebe: So what's going on?
Monica: Nothing, um, it's just, um... It's Roger.
Ross: I dunno, there's just something about...
Chandler: Basically we just feel that he's...
Rachel: We hate that guy.
All: Yeah. Hate him.
Ross: We're sorry, Pheebs, we're sorry.
Phoebe: Uh-huh. Okay. Okay, don't you think, maybe, though, it's just that he's so perceptive that it freaks you out?
All: ...No, we hate him.
Rachel: We're sorry.
[Scene: Chandler and Joey's apartment, Joey is trying to turn the sofabed back into a sofa. Someone knocks on the door and it rears up at him.]
Joey: Ma! What're you doing here?
Mrs. Tribbiani: I came to give you this (Gives him a bag of groceries) and this. (Whacks him round the ear)
Joey: Oww! Big ring!
Mrs. Tribbiani: Why did you have to fill your father's head with all that garbage about making things right? Things were fine the way they were! There's chicken in there, put it away. For God's sake, Joey, really. (She gives the sofabed a tiny push and it folds away)
Joey: Hold on, you-you knew?
Mrs. Tribbiani: Of course I knew! What did you think? Your father is no James Bond. You should've heard some of his cover stories. "I'm sleeping over at my accountant's," I mean, what is that? Please!
Joey: So then how could you I mean, how could you?!
Mrs. Tribbiani: Do you remember how your father used to be? Always yelling, always yelling nothing made him happy, nothing made him happy, not that wood shop, not those stupid little ships in the bottle, nothing. Now he's happy! I mean, it's nice, he has a hobby.
Joey: Ma, I don't mean to be disrespectful, but... what the hell are you talking about?! I mean, what about you?
Mrs. Tribbiani: Me? I'm fine. Look, honey, in an ideal world, there'd be no her, and your father would look like Sting. And I'll tell you something else. Ever since that poodle-stuffer came along, he's been so ashamed of himself that he's been more attentive, he's been more loving... I mean, it's like every day's our anniversary.
Joey: I'm...happy...for you?
Mrs. Tribbiani: Well don't be, because now everything's screwed up. I just want it the way it was.
Joey: Ma, I'm sorry. I just did what I thought you'd want.
Mrs. Tribbiani: I know you did, cookie. Oh, I know you did. So tell me. Did you see her?
Joey: Yeah. You're ten times prettier than she is.
Mrs. Tribbiani: That's sweet. Could I take her?
Joey: With this ring? (Her engagement ring.) No contest.
[Scene: Central Perk. Phoebe is there with Roger.]
Roger: What's wrong, sweetie?
Phoebe: Nothing, nothing.
Roger: Aaaah, what's wrong, c'mon. (Pats his leg. She lies down and rests her head in his lap)
Phoebe: It's, I mean, it's nothing, I'm fine. It's my friends. They-they have a liking problem with you. In that, um, they don't.
Roger: Oh. They don't.
Phoebe: But they don't see all the wonderfulness that I see. They don't see all the good stuff and all the sweet stuff. They just think you're a little...
Roger: What?
Phoebe: Intense and creepy.
Roger: Oh.
Phoebe: But I don't. Me, Phoebe.
Roger: Well, I'm not I'm not at all surprised they feel that way.
Phoebe: You're not? See, that's why you're so great!
Roger: Actually it's, it's quite, y'know, typical behaviour when you have this kind of dysfunctional group dynamic. Y'know, this kind of co-dependant, emotionally stunted, sitting in your stupid coffee house with your stupid big cups which, I'm sorry, might as well have nipples on them, and you're like all 'Oh, define me! Define me! Love me, I need love!'.
[Scene: Monica and Rachel's, Joey is letting everyone in on the new developments.]
Monica: So you talked to your dad, huh.
Joey: Yeah. He's gonna keep cheating on my ma like she wanted, she's gonna keep pretending she doesn't know even though she does, and my little sister Tina can't see her husband any more because he got a restraining order...which has nothing to do with anything except that I found out today.
Rachel: Wow.
Chandler: Things sure have changed here on Waltons mountain.
Ross: So Joey, you okay?
Joey: Yeah, I guess. It's just parents, after a certain point, you gotta let go. Even if you know better, you've gotta let them make their own mistakes.
Rachel: Just think, in a couple of years we get to turn into them.
Chandler: If I turn into my parents, I'll either be an alcoholic blond chasing after twenty-year-old boys, or... I'll end up like my mom.
Phoebe: (entering) Hey.
All: Hey, Pheebs.
Monica: How's it going?
Phoebe: Oh, okay, except I broke up with Roger.
All: Awww.
Phoebe: Yeah, right.
All: Aaawwwwww!!
Rachel: What happened?
Phoebe: I don't know, I mean, he's a good person, and he can be really sweet, and in some ways I think he is so right for me, it's just... I hate that guy!
Closing Credits
[Scene: Monica and Rachel's. Phoebe is reading the paper and Joey enters.]
Phoebe: Hey, Joey. What's going on?
Joey: Clear the tracks for the boobie payback express. Next stop: Rachel Green. (He goes into the bathroom. We hear a scream and he comes out, closely followed by Monica in a towel)
Monica: Joey!! What the hell were you doing?!
Joey: Sorry. Wrong boobies.
(He leaves. Cut to Monica entering Chandler and Joey's apartment. She sneaks up to the shower door)
Monica: Hello, Joey.
(She whips back the curtain to reveal Joey's dad)
Mr. Tribbiani: Oh! ...Hello, dear. (She whips the curtain shut in horror)
End
글
(영화대본) 프랜즈 시즌1-14
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Candy Hearts
Written by: Bill Lawrence
Transcribed by: Mindy Mattingly Phillips
[Scene: Central Perk, Ross is eyeing a beautiful woman at the counter, and Joey and Chandler are egging him on to go talk to her. No pun intended. I mean it.]
Joey: I'm tellin' you Ross, she wants you.
Ross: She barely knows me. We just live in the same building.
Chandler: Any contact?
Ross: She lent me an egg once.
Joey: You're in!
Ross: Aw, right.
Woman: Hi, Ross.
Ross: Hey. (stutters something incoherent)
Chandler: Come on, Ross, you gotta get back in the game here, ok? The Rachel thing's not happening, your ex-wife is a lesbian—I don't think we need a third...
Joey: Excuse me, could we get an egg over here, still in the shell? Thanks.
Ross: An egg?
Joey: Yeah, you're gonna go up to her and say, "Here's your egg back, I'm returning your egg."
Chandler: I think it's winning.
Ross: I think it's insane.
Chandler: She'll love it. Go with the egg, my friend.
(Ross walks over to the woman, egg in hand.)
Joey: Think it'll work?
Chandler: No, it's suicide. The man's got an egg.
Opening Credits
[Scene: Central Perk, Monica, Rachel, Phoebe, Joey, Chandler are there. Ross is still talking to the beautiful woman.]
Monica: You can not do this.
Rachel: Do what, do what?
Monica: Roger wants to take her out tomorrow night.
Rachel: No! Phoebes! Don't you remember why you dumped the guy?
Phoebe: 'Cause he was creepy, and mean, and a little frightening... alright, still, it's nice to have a date on Valentine's Day!
Monica: But Phoebe, you can go out with a creepy guy any night of the year. I know I do.
Rachel: Well, what are you guys doing tomorrow night?
Joey: Actually, tomorrow night kinda depends on how tonight goes.
Chandler: Oh, uh, listen, about tonight...
Joey: No, no, no, don't you dare bail on me. The only reason she's goin' out with me is because I said I could bring a friend for her friend.
Chandler: Yes, I know, but her friend sounds like such a...
Joey: Pathetic mess? I know, but—come on, man, she's needy, she's vulnerable. I'm thinkin', cha-ching! (Rachel throws a roll at Joey. He picks it up and eats it.) Thanks. Look, you have not been out with a woman since Janice. You're doin' this.
Ross: Hi. She said yes.
Chandler: Yes! Way to go, man! (Chandler and Ross hug. Something crunches in Ross' shirt pocket.) Still got the egg, huh?
[Scene: A Restaurant, Joey and Chandler are there, waiting for their dates to show up.]
Joey: (Looking at himself in the reflection on a knife) How do I look?
Chandler: Oh, uh, I... don't... care. (Joey's date shows up) Ok, now, remember, no trading. You get the pretty one, I get the mess.
Lorraine: Hi, Joey. Well well, look what you brought. Very nice.
Chandler: ...And what did you bring?
Lorraine: She's checking the coats. Joey, I'm gonna go wash the cab smell off my hands. Will you get me a white Zinfandel, and a glass of red for Janice.
Chandler: Janice?
(Lorraine leaves. Joey shakes his head as though to say, 'It can't be the same Janice.' Janice enters.)
Janice: Oh.... my.... God.
Chandler: (angrily) Hey, it's Janice.
[Scene: The bathroom at the restaurant, Chandler and Joey are talking.]
Chandler: Ok, I'm makin' a break for it, I'm goin' out the window.
Joey: No, no, no, don't! I've been waitin' for like, forever to go out with Lorraine. Just calm down.
Chandler: Calm down? Calm down? You set me up with the woman that I've dumped twice in the last five months!
Joey: (at the urinal) Can you stop yellin'? You're makin' me nervous, and I can't go when I'm nervous.
Chandler: I'm sorry, I'm sorry, you're right. (gets up right behind Joey and yells in his ear) Come on, do it, do it, go, come on!!!
[Scene: Monica and Rachel's, the girls are all there, discussing their bad luck with men.]
Rachel: Ok, ok, Roger was creepy, but he was nothing compared to Pete Carney.
Monica: Which one was Pete Carney?
Rachel: Pete the Weeper? Remember that guy who used to cry every time we had sex. (imitating) "Was it good for you?"
Monica: Yeah, well, I'll take a little crying any day over Howard-the-"I-win"-guy. (imitating) "I win! I win!" I went out with the guy for two months—I didn't get to win once.
Rachel: How did we end up with these jerks? We're good people!
Monica: I don't know. Maybe we're some kinda magnets.
Phoebe: I know I am. That's why I can't wear a digital watch.
Monica: There's more beer, right?
Phoebe: Oh! You know my friend Abby who shaves her head? She said that if you want to break the bad boyfriend cycle, you can do like a cleansing ritual.
Rachel: Pheebes, this woman is voluntarily bald.
Phoebe: Yeah. So, we can do it tomorrow night, you guys. It's Valentine's Day. It's perfect.
Monica: Ok, well, what kind of ritual?
Phoebe: Ok. We can, um, we can burn the stuff they gave us.
Rachel: Or?
Phoebe: Or...or we can chant and dance around naked, you know, with sticks.
Monica: Burning's good.
Rachel: Burning's good. Yeah, I got stuff to burn.
[Scene: The Restaurant, Joey, Lorraine, Chandler, and Janice are at the table. Joey and Lorraine are seated very close, Chandler and Janice have backed their chairs away from one another.]
Lorraine: You know, ever since I was little, I've been able to pick up quarters with my toes.
Joey: Good for you. (jumps suddenly) Uh, quarters or rolls of quarters?
Janice: By the way, Chandler. I cut you out of all my pictures. So if you want, I have a bag with just your heads.
Chandler: That's OK.
Janice: Oh, are you sure? Really? Because you know, you could make little puppets out of them, and you could use them in your theater of cruelty.
(Lorraine whispers into Joey's ear.)
Joey: (to Lorraine) We can't do that.
Chandler: (disgusted) What? What can't you do?
Joey: Uh, can I talk to you for a second, over there?
(Chandler and Joey leave the table.)
Joey: Uh, we might be leaving now.
Chandler: Tell me it's "you and me" we.
Joey: She said she wants to slather my body with stuff and then lick it off. I'm not even sure what slathering is, but I definitely want to be a part of it.
Chandler: Ok, you can not do this to me.
Joey: You're right, I'm sorry. You're right.
Lorraine: (to waiter) Uh, can we have three chocolate mousses to go please?
Joey: I'm outta here. Here's my credit card. Dinner's on me. I'm sorry, Chandler.
Chandler: I hope she throws up on you.
(Joey leaves with Lorraine. Chandler sits back down with Janice.)
Chandler: So...
Janice: Just us.
Chandler: Oh, what a crappy night!
Janice: Although, I have enjoyed the fact that, uh your shirt's been stickin' outta your zipper ever since you came back from the bathroom.
Chandler: Excuse me. (gets up, jumps up and down while he zips his zipper up... other patrons look at him) How ya doin'?
Janice: So, do we have the best friends or what?
Chandler: Joey's not a friend. He's...a stupid man who left us his credit card. Another drink? Some dessert? A big screen TV?
Janice: I will go for that drink.
Chandler: You got it. Good woman! (the waiter turns around, it's a man) Could we get a bottle of your most overpriced champagne?
Janice: Each.
Chandler: That's right, each. Oh, and a uh Rob Roy. (to Janice) I've always wanted to know...
[Scene: Chandler's bedroom, Chandler wakes up, and finds someone else's hand on his chest. He rolls over and is shocked to see Janice there.]
Janice: Happy Valentine's Day!
Commercial Break
[Scene: The Hallway, Chandler is trying to get Janice out of his apartment.]
Janice: Oh, I miss you already. Can you believe this happened?
Chandler: No... no! And yet it did. Good-bye, Janice.
Janice: Kiss me!
(Janice kisses him. Monica comes out for the newspaper.}
Monica: Oh, Chandler, sorry.
(Janice turns around, Monica sees who it is.)
Monica: Ohhh, Chandler, sorry! Hey, Janice.
Janice: Hi, Monica.
Chandler: Ok, well, this was very special.
Monica: Rach, come see who's out here!
(Rachel comes out.)
Rachel: Oh my god. Janice, hi!
Chandler: Janice is gonna go away now.
Monica: I'll be right back.
(Joey enters from the stairs.)
Rachel: Oh, Joey, look who it is.
Joey: (in disbelief) Whoa.
Chandler: Oh, good, Joey's home now.
Janice: This is so fun. This is like a reunion in the hall.
(Monica comes out with her cordless phone.)
Monica: Oh, hi, Ross. Yeah. There's someone I want you to say hi to. (to Chandler) He just happened to call.
Janice: Hi, Ross. Yes, it's me. How did you know? (she laughs obnoxiously)
[Scene: A Chinese Restaurant, Ross is there with his date.]
Ross: I'm just sayin' if dogs do experience jet lag, then, because of the whole um, seven dog years to one human year thing, then, when a dog flies from New York to Los Angeles, he doesn't just lose three hours, he loses like a week and a half.
(Ross starts to laugh, and then makes a face like 'Why did I just say that?' Ross' ex-wife, Carol, and her lesbian lover, Susan, enter the restaurant. Ross stares at them.)
Kristin: That's funny. Who are they?
Ross: The blond woman is my ex-wife, and the woman touching her is her... close, personal friend.
Kristin: You mean they're lovers.
Ross: If you wanna put a label on it.
Kristin: Wow, uh, anything else I should know?
Ross: Nope, nope, that's it.
(Carol takes off her jacket, her pregnant belly is exposed.)
Ross: Oh, and she's pregnant with my baby. I always forget that part. (to Carol and Susan) Helloo!
[Scene: Monica and Rachel's, the girls are holding their boyfriend bonfire.]
Phoebe: Ok, so now we need, um sage branches and the sacramental wine.
Monica: All I have is, is oregano and a Fresca.
Phoebe: Um, that's ok! (throws it in fire) Ok. All right. Now we need the semen of a righteous man.
Rachel: Ok, Pheebs, you know what, if we had that, we wouldn't be doing the ritual in the first place.
Monica: Can we just start throwing things in?
Phoebe: Ok, yeah, ok. (she throws the directions in) Oh, OK.
Rachel: (tossing things in the fire) Ok, Barry's letters. Adam Ritter's boxer shorts.
Phoebe: Ok, and I have the, uh receipt for my dinner with Nokululu Oon Ah Ah.
Monica: Look, here's a picture of Scotty Jared naked.
Rachel: (looking at picture) Hey he's wearing a sweater.
Monica: No.
Rachel and Phoebe: Eww!
Rachel: And here we have the last of Paulo's grappa.
Monica: Hey, Rachel, isn't that stuff almost pure...
(Rachel throws the alcohol in the fire. A burst of flames shoots up from it.)
[Scene: Central Perk, Chandler and Joey are there. Chandler is preparing to dump Janice again.]
Chandler: How can I dump this woman on Valentine's day?
Joey: I don't know. You dumped her on New Year's.
Chandler: Oh, man. In my next life, I'm coming back as a toilet brush.
(Janice enters.)
Janice: Hello, funny Valentine.
Chandler: Hi, Just Janice.
Janice: Hello, Joey, our little matchmaker. I could just kiss you all over, and I'm gonna!
(Janice kisses Joey all over. Chandler smiles.)
Joey: (to Chandler) If you don't do it, I will.
[Scene: The Chinese Restaurant.]
Ross: So, um, what do you do for a living?
Kristin: Well, um, for the past few years I've been working..(Ross is watching Carol and Susan, not listening to Kristin. Susan gets up, and has to go. Carol is left stranded)...which is funny because, that wasn't even my major.
Carol: Oh no. I thought you said they could shoot the spot without you.
Susan: I thought they could...I'll try to get back as soon as I can. I'm sorry. (Ross realizes Kristin was expecting him to laugh, so he starts to laugh hysterically.)
Ross: Now that is funny. Hey, do you think...would it be too weird if I invited Carol over to join us? 'Cause she's, she's alone now, and pregnant, and, and sad.
Kristin: (reluctantly) I guess.
Ross: Are you sure? Great. Carol? Wanna come over and join us?
Carol: Oh, no no no. I'm fine. I'm fine.
Ross: Come on. These people'll scooch down. You guys'll scooch, won't you? Let's try scooching! Come on. Come on. Uh, Kristen Riggs, this is Carol Willick. Carol, Kristin. Uh, Carol teaches sixth grade. And, Kristin, Kristin...(struggling)...does something that, funnily enough, wasn't even her major!
[Scene: Monica and Rachel's, firemen are there to handle the bonfire that got out of control.]
Fireman No. 1: What do we got there?
Fireman No. 2: A piece of something: boxer shorts, greeting cards, and what looks like a half-charred picture—Wow, that guy's hairier than the Chief!
Monica: You know, it's a really funny story how this happened.
Fireman No. 3: It's all right. It's all right. You don't have to explain. This isn't the first boyfriend bonfire that we've seen get out of control.
Fireman No. 1: You're our third call tonight.
Rachel: Really?
Fireman No. 2: Oh, sure, Valentine's is our busiest night of the year.
[Scene: Central Perk.]
Janice: I brought you something.
Chandler: Is it loaded? Oh, little candy hearts. (reading the candy) Chan and Jan Forever.
Janice: I had them made special.
Chandler: Ok, Janice. Janice. Hey, Janice. Look, there's no way for me to tell you this. At least there's no new way for me to tell you this. I just don't things are gonna work out.
Janice: That's fine.
Chandler: (surprised) It is?
Janice: Mmm-hmm. Because I know that this isn't the end.
Chandler: Oh no, you see, actually it is.
Janice: No, it isn't, because you won't let that happen. Don't you know it yet? You love me, Chandler Bing.
Chandler: Oh, no I don't.
Janice: Well then ask yourself this. Why do you think we keep ending up together? New Year's? Who invited who? Valentine's? Who asked who into whose bed?
Chandler: I did, but...
Janice: You seek me out. Something deep in your soul calls out to me like a foghorn. Janice, Janice. You want me. You need me. You can't live without me. And you know it. You just don't know you know it. See ya.
(She kisses him passionately,then leaves.)
Chandler: Call me!
[Scene: The Chinese Restaurant, Ross and Carol are talking. Kristin is not there.]
Carol: It's not true. I never called your mother a wolverine.
Ross: You did so. I swear, I swear—(noticing Kristin's absence) How long has she been in the bathroom?
Carol: Uh, I don't think she's in the bathroom. Her coat is gone.
Ross: Well maybe it's cold in there. Or maybe I screwed up the first date I had in 9 years.
Carol: That could be it.
Ross: Oh, god. (He puts his head down on the grill) You know, this is still pretty hot. (He picks his head up, and a mushroom sticks to his head. Carol picks it off and eats it.)
Carol: Mushroom. Smile. They won't all be like this. Some women might even stay through dinner. Sorry, that's not funny
Ross: No, it's just...you know the whole "getting on with your life" thing. Well, do I have to? I mean, I'm sitting here with this cute woman, and, and, and she's perfectly nice, and, but that there's, that's it. And um, and then I'm here talkin' to you, and, and it's easy, and it's fun, and, and I don't, I don't have to...You know, here's a wacky thought. Um, what's say you and I give it another shot? No no no, I know what you're gonna say, you're a lesbian. But what do you say we just put that aside for now you know? Let's just stick a pin in it, ok? Because, we're great together, you know. You can't deny it. Besides, you're carrying my baby. I mean, how perfect is that? But see, you know, you keep sayin' that, but there's somethin' right here. I love you.
(They kiss.)
Carol: Oh, I love you too. But...
Ross: No but, no but.
Carol: You know that thing you put over here with the pin in it? It's time to take the pin out. You'll find someone, I know you will. The right woman is just waiting for you.
Ross: That's easy for you to say, you found one already.
Carol: All you need is a woman who likes men and you'll be set.
(A beautiful woman walks by Ross, he stares at her.)
Carol: Not her.
Closing Credits
[Scene: Monica and Rachel's, The girls are talking with the firemen.]
Fireman No. 3: We get off around midnight, why don't we pick you up then?
Rachel: So, um, will you bring the truck?
Fireman No. 3: I'll even let you ring the bell.
Rachel: Oh, my god.
Phoebe: See, there you go, the cleansing works!
Monica: They're nice guys.
Rachel: Oh, they're firemen guys.
[Scene: Out in the hall, the firemen are talking.]
Fireman No. 1: You guys tell them you were married?
Fireman No. 2: No way!
Fireman No. 3: Are you kidding? My girlfriend doesn't know, I'm not gonna tell them!
End
글
(영화대본) 프랜즈 시즌1-15
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Stoned Guy
Written by: Jeff Greenstein & Jeff Strauss
Transcribed by: Ruth Curran
Converted to HTML: by Dan Silverstein
[Scene: Central Perk, Rachel is serving Joey, Ross, and Monica their drinks.]
Rachel: (to Joey) Coffee. (Hands it to him.)
Joey: Thank you.
Rachel: (to Ross) Cappuccino. (Hands it to him.)
Ross: Grazie.
Rachel: And a nice hot cider for Monica. (Hands it to her.)
Monica: Aww, thank you. (Notices something.) Uh Rach?
Rachel: Yeah?
Monica: Why does my cinamon stick have an eraser?
Rachel: Oh! That's why. (Rachel checks behind her ear, and finds a cinamon stick.) I'm sorry!
(She takes the pencil out of Monica's coffee and Monica puts her cup down in disgust.)
Opening Credits
[Scene: Chandler's job, Chandler is typing data into his computer, he keeps typing even while taking a drink of coffee with one hand. One of his co-workers walks by.]
Woman: Chandler.
Chandler: Mrs. Tedlock. You're looking lovely today. And may I say, that is a very flattering sleeve length on you.
Mrs. Tedlock: Yes. Well, Mr. Kostelick wants you to stop by his office at the end of the day.
Chandler: Oh, listen. If this is about those prank memos, I had nothing to do with them. Really. Nothing at all. Really. (Chandler tries to hide a rubber chicken from the woman.) Nothing.
[Scene: Central Perk, everyone is there but Chandler. Phoebe runs in, excitedly.]
Phoebe: Hey you guys! Chandler's coming and he says he has, like, this incredible news, so when he gets here, we could all act like, you know...
(Chandler comes in.)
Chandler: Hey!
All: Hey!
Phoebe: Never mind. But it was going to be really good.
Ross: What's going on?
All: What is it?
Chandler: So, it's a typical day at work. I'm inputting my numbers, and big Al calls me into his office and tells me he wants to make me processing supervisor.
All: That's great!
Chandler: So.... I quit.
All: Why?
Chandler: Why? This was supposed to be a temp job!
Monica: Yeah, Chandler... you've been there for five years.
Chandler: If I took this promotion, it'd be like admitting that this is what I actually do.
Phoebe: So was it a lot more money?
Chandler: It doesn't matter. I just don't want to be one of those guys that's in his office until twelve o'clock at night worrying about the WENUS.
(Everyone looks at him, confused.)
Rachel: ... the WENUS?
Chandler: Weekly Estimated Net Usage Systems. A processing term.
Rachel: (sarcastic) Oh. That WENUS.
Joey: So what're you going to do?
Chandler: I don't know. That's the thing. I don't know what I want to do. I just know I'm not going to figure it out working there.
Phoebe: Oooh! I have something you can do! I have this new massage client... Steve? (pause) Anyway, he's opening up a restaurant and he's looking for a head chef.
Monica: (taps Phoebe on her shoulder) Um... hi there.
Phoebe: Hi! (turns back to Chandler, then to Monica) Oh, yeah, no, I know. You're a chef. I know, and I thought of you first, but um, Chandler's the one who needs a job right now, so....
Chandler: Yeah... I just don't have that much cheffing experience. Unless it's an all-toast restaurant.
Phoebe: (to Monica's tapping) Yeah, yeah!
Monica: Well, what kind of food is he looking for?
Phoebe: Well, he wants to do some ecclectic, so he's looking for someone who can, you know, create the entire menu.
Monica: (excited) Oh my God!
Phoebe: Yeah, I know! (turns to Chandler) So, what do you think?
Chandler: Thanks, Phoebe. But I just don't really see myself in a big white hat.
Phoebe: OK. (pause) Oh Monica! Guess what!
[Scene: Monica and Rachel's, Chandler walks in, wearing a suit.]
Chandler: Can you see my nipples through this shirt?
Rachel: No. But don't worry, I'm sure they're still there.
Phoebe: Where are you going, Mr. Suity-Man?
Chandler: Well, I have an appointment to see Dr. Robert Pillman, career counselor a-gogo. (pause) I added the "a-gogo."
Rachel: Career counselor?
Chandler: Hey, you guys all know what you want to do.
Rachel: I don't!
Chandler: Hey, you guys in the living room all know what you want to do. You know, you have goals. You have dreams. I don't have a dream.
Ross: Ah, the lesser-known "I don't have a dream" speech.
(Monica enters, excited.)
Monica: Oh, I love my life, I love my life!
Phoebe: Ooh! Brian's Song!
Rachel: The meeting with the guy went great?
Monica: So great! He showed me where the restaurant's going to be. It's this, it's this cute little place on 10th Street. Not too big, not too small. Just right.
Chandler: Was it formerly owned by a blonde woman and some bears?
Monica: So anyway, I'm cooking dinner for him Monday night. You know, kind of like an audition. And Phoebe, he really wants you to be here, which will be great for me because then you can 'ooh' and 'ahh' and make yummy noises.
Rachel: What are you going to make?
Phoebe: (as though Rachel wasn't paying attention) Yummy noises.
Rachel: (pause) And Monica, what are you going to make?
Monica: I don't know. I don't know. It's just going to be so great!
Phoebe: Ooh! I know what you could make! (runs over to join Monica and Rachel in the kitchen) I know! Oh, you should definitely make that thing... you know, with the stuff? (Monica doesn't know.) You know, that thing... with the stuff...? OK, I don't know. (sits down)
Ross: Hey guys, does anybody know a good date place in the neighborhood?
Joey: How about Tony's? If you can finish a 32-ounce steak, it's free.
Ross: OK, ahem, hey, does anybody know a good place if you're not dating a puma?
Chandler: Who are you going out with?
Phoebe: Oh, is this the bug lady?
Rachel: (trying to sound like a bug) Bzzzz.... I love you, Ross.
Ross: Her name is Celia. She's not a bug lady. She's curator of insects at the museum.
Rachel: So what are you guys going to do?
Ross: Oh, I just thought we could go out to dinner, and then maybe bring her back to my place and I'd introduce her to my monkey.
Chandler: And he's not speaking metaphorically.
Joey: (aside to Ross) So.... back to your place...you thinking, maybe... (gestures with hands, back and forth) huh-huh?
Ross: Well, I don't know.... (gestures) huh-huh.... but I'm hoping (gestures) huh-huh.
Joey: I'm telling you, that monkey is a chick magnet! She's going to take one look at his furry, cute little face and it'll seal the deal.
[Scene: Ross's apartment, Marcel is hanging from Celia's hair, and she is screaming, trying to get him off.]
Ross: Celia, don't worry! Don't scream! He's not going to hurt you! Soothing tones, Celia. Soothing tones! Marcel...
Celia: I can't stand this! He's got his claws in my...
Ross: Alright... (lifts Marcel away)
[Scene: Monica and Rachel's, everyone is there but Ross and Chandler. Monica is making food, and having everyone try it.]
Monica: (to Joey) OK, try this salmon mousse.
Joey: (tasting) Mmmm. Good.
Monica: Is it better than the other salmon mousse?
Joey: It's creamier.
Monica: Yeah, well, is that better?
Joey: I don't know. We're talking about whipped fish, Monica. I'm just happy I'm keeping it down, y'know?
(Chandler kicks the door closed, angrily. His clothes are askew, he looks beat.)
Rachel: My God! What happened to you?
Chandler: Eight and a half hours of aptitude tests, intelligence tests, personality tests... and what do I learn? (he taps the results and reads them) "You are ideally suited for a career in data processing for a large multinational corporation."
Phoebe: That's so great! 'Cause you already know how to do that!
Chandler: Can you believe it? I mean, don't I seem like somebody who should be doing something really cool? You know, I just always pictured myself doing something...something.
Rachel: (comes up and rubs him on the chest) Oh Chandler, I know, I know... oh, hey! You can see your nipples through this shirt!
Monica: (brings a plate of tiny appetizers over) Here you go, maybe this'll cheer you up.
Chandler: Ooh, you know, I had a grape about five hours ago, so I'd better split this with you.
Monica: It's supposed to be that small. It's a pre-appetizer. The French call it an amouz-bouche.
Chandler: (tastes it) Well.... it is amouz-ing...
(Phone rings. Monica answers it.)
Monica: (on phone) Hello? (Listens) Oh, hi Wendy! (Listens) Yeah, eight o'clock. (Listens) What did we say? Ten dollars an hour?... (Listens) OK, great. (Listens) All right, I'll see you then. Bye. (hangs up)
Phoebe: Ten dollars an hour for what?
Monica: Oh, I asked one of the waitresses at work if she'd help me out.
Rachel: (hurt) Waitressing?
Joey: Uh-oh.
Monica: Well... of course I thought of you! But... but...
Rachel: But, but?
Monica: But, you see, it's just... this night has to go just perfect, you know? And, well, Wendy's more of a... professional waitress.
Rachel: Oh! I see. And I've sort of been maintaining my amateur status so that I can waitress in the Olympics.
Chandler: You know, I don't mean to brag, but I waited tables at Innsbruck in '76. (dead silence) Amouz-bouche? (holds out tray)
[Scene: Ross' apartment, Girl, You'll Be A Woman Soon (the original, not that cruddy Urge Overkill version) is playing. Ross and Celia are kissing passionately.]
Celia: Talk to me.
Ross: OK.... um, a weird thing happened to me on the train this morning...
Celia: No no no. Talk... dirty.
Ross: (embarrassed) Wha... what, here?
Celia: Yes...
Ross: Ah....
Celia: Say something..... hot.
Ross: (panicked) Er.... um.....
Celia: What?
Ross: Um... uh.... vulva.
Commercial Break
[Scene: Chandler and Joey's, Joey and Ross are there, discussing what happened last night.]
Joey: (in disbelief) Vulva?
Ross: Alright, I panicked, alright? She took me by surprise. You know, but it wasn't a total loss. I mean, we ended up cuddling.
Joey: (sarcastic) Whoaa!! You cuddled? How many times??
Ross: Shut up! It was nice. I just... I don't think I'm the dirty-talking kind of guy, you know?
Joey: What's the big deal? You just say what you want to do to her. Or what you want her to do to you. Or what you think other people might be doing to each other. I'll tell you what. Just try something on me.
Ross: (deadpan) Please be kidding.
Joey: Why not? Come on! Just, just close your eyes and tell me what you'd like to be doing right now.
Ross: OK. (closes eyes) I'm in my apartment...
Joey: ....yeah... what else?
Ross: That's it. I'm in my apartment, you're not there, we're not having this conversation. (gets up, walks across room)
Joey: (walks to catch up to him) Alright, look, I'll start, OK?
Ross: Joey, please.
Joey: Come on. Come on. Alright, ready, look! (in a low voice) Oh... Ross.... you get me so hot. I want your lips on me now.
Ross: (impressed) Wow.
Joey: Alright, now you say something.
Ross: I... ahem... I really don't think so.
Joey: Come on! You like this woman, right?
Ross: Yeah.
Joey: You want to see her again, right?
Ross: Sure.
Joey: Well if you can't talk dirty to me, how're you going to talk dirty to her? Now tell me you want to caress my butt!
Ross: OK, turn around. (Joey looks taken aback) I just don't want you staring at me when I'm doing this.
Joey: (turning around) Alright, alright. I'm around. Go ahead.
Ross: Ahem... I want.... OK, I want to... feel your... hot, soft skin with my lips.
Joey: There you go! Keep going. Keep going!
Ross: I, er...
(At this point, Chandler walks into the living room from his bedroom. Ross and Joey both have their backs to him, so they don't notice. Chandler sees the situation and remains quiet, watching.)
Ross: I want to take my tongue... and...
(Chandler is completely astounded.)
Ross: ....and....
Joey: Say it... say it!
Ross: ...run it all over your body until you're... trembling with... with...
(Chandler leans back against the wall and Ross and Joey hear him. Ross and Joey both notice at the same time. They slowly stop, and then very slowly turn around to see Chandler staring at them.)
Chandler: (smiling)....with??
Ross: (rushing to explain) Funny story!
Joey: You're not going to believe this!
Chandler: It's OK. It's OK. I was always rooting for you two kids to get together.
Joey: Hey Chandler, while you were sleeping that guy from your old job called again.
Chandler: Again?
Joey: And again, and again, and again... (phone rings, he answers) Hello? (hands phone to Chandler) And again.
Chandler: (on phone) Hey Mr. Kostelic! How's life on the fifteenth floor? (Listens) Yeah, I miss you too. (Listens) Yeah, it's a lot less satisfying to steal pens from your own home, you know? (Listens) Well, that's very generous (Listens) er, but look, this isn't about the money. I need something that's more than a job. I need something I can really care about.... (Listens) And that's on top of the yearly bonus structure you mentioned earlier? (Listens) Look, Al, Al... I'm not playing hardball here, OK? This is not a negotiation, this is a rejection! (Listens) No! No! No, stop saying numbers! I'm telling you, you've got the wrong guy! You've got the wrong guy! (Listens) I'll see you on Monday! (slams the phone down)
[Scene: Chandler's new window office, he is showing Phoebe around.]
Chandler: Well?
Phoebe: (excited) Wow! It's huge! It's so much bigger than the cubicle. Oh, this is a cube.
Chandler: Look at this! (he opens the curtain to a view of New York City)
Phoebe: Oh! You have a window!
Chandler: Yes indeedy! (they look outside) With a beautiful view of...
Phoebe: Oh look! That guy's peeing!
Chandler: (walks away from window) OK, that's enough of the view. Check this out, look at this. Sit down, sit down.
Phoebe: (sitting) OK.
Chandler: This is great! (he presses a button on his intercom) Helen, could you come in here for a moment?
(An unamused woman walks into the office.)
Chandler: Thank you Helen, that'll be all.
(She leaves, obviously perturbed.)
Chandler: Last time I do that, I promise.
[Scene: Monica and Rachel's, Monica is on the phone. Rachel walks in and overhears the conversation.]
Monica: (shouting on phone) Wendy, we had a deal! (Listens) Yeah, you promised! Wendy! Wendy! Wendy! (hangs up)
Rachel: Who was that?
Monica: Wendy bailed. I have no waitress.
Rachel: Oh... that's too bad. Bye bye. (she walks away towards the door)
Monica: Ten dollars an hour.
Rachel: No.
Monica: Twelve dollars an hour.
Rachel: Mon. I wish I could, but I've made plans to walk around.
Monica: You know, Rachel, when you ran out of your wedding, I was there for you. I put a roof over your head, and if that means nothing to you... (Rachel isn't buying it, desperate) twenty dollars an hour.
Rachel: Done.
[Scene: Monica and Rachel's, later. Rachel is waitressing, Monica is cooking. Phoebe walks in with Steve (Crystal Duck winner Jon Lovitz).]
Rachel: Well hello! Welcome to Monica's. May I take your coat?
Monica: Hi Steve!
Steve: Hello, Monica. (to Rachel) Hello, greeter girl.
Monica: (to Steve) This is Rachel.
Steve: (unconcerned) Yeah, OK.
Phoebe: (overemphasizing) Mmmmmm! Everything smells so delicious! You know, I can't remember a time I smelt such a delicious combination of (Monica signals her to stop) of, OK, smells.
Steve: It's a lovely apartment.
Monica: Oh, thank you. Would you like a tour?
Steve: I was just being polite, but, alright.
(They leave on the tour and Rachel goes to follow them but Phoebe stops her and drags her into the kitchen.)
Rachel: What's up?
Phoebe: (whispers) In the cab, on the way over, Steve blazed up a doobie.
Rachel: What?
Phoebe: Smoked a joint? You know, lit a bone? Weed? Hemp? Ganja?
Rachel: OK, OK. I'm with you, Cheech. OK.
Steve: (from the living room) Is it dry in here? (licks his lips)
Rachel: Let me, let me get you some wine!
Monica: Yeah, I think we're ready for our first course. (Steve sits, Monica brings over a tray) OK, um, these are rot-shrimp ravioli, and celantro pondou sauce... (Steve starts to eat them one by one, quickly)... with just a touch of mints... and... (he finishes)... ginger.
Steve: Well, smack my ass and call me Judy! These are fantastic!
Monica: I'm so glad you liked them!
Steve: Like 'em? I could eat a hundred of them!
Monica: Oh, well... um, that's all there are of these. But in about eight and a half minutes, we'll be serving some delicious onion tartlets.
Steve: Tartlets. Tartlets. Tartlets. The word has lost all meaning. (he gets up and goes into the kitchen)
Rachel: Excuse me? Can I help you with anything?
Steve: You know, I don't know what I'm looking for.
(Rachel tries to get Monica's attention to tell her Steve is stoned. She pretends to drag on a joint, and Monica thinks she's giving her the 'OK' signal. Then Rachel does it again, inhaling deeply this time. Monica waves it off as though she doesn't believe it.)
Steve: (from kitchen) Ah, cool! Taco shells! (Rachel motions, "You see!") You know, these are... they're like a little corn envelope.
Monica: (joining him and taking the taco shells) You know that? You don't want to spoil your appetite.
Steve: (looking in cabinets) Hey! Sugar-O's! (grabs the cereal box)
Monica: You know, if you just wait another... six and a half minutes...
Steve: Macaroni and cheese! We gotta make this!
Monica: No, we don't. (reaches for box)
Steve: Oh, OK. (he drops the box on the floor) Oh, sorry. (When she bends down to pick it up he grabs a package of Gummi-bears from the cabinet.)
Monica: Why don't you just have a seat here? (he sits at the table, then tries to secretly eat the Gummi-bears. Monica spots him.) OK... give me the Gummi-bears.
Steve: (childishly) No.
Monica: Give them to me.
Steve: Alright, we'll share.
Monica: No, give me the...
Steve: Well then you can't have any. (she grabs for the package, and it breaks open. Gummi-bears fly everywhere, some into the punch bowl on the table.) Bear overboard! I think he's drowning. (he throws some Sugar-O's into the punch bowl) Hey fellows! Grab on a Sugar-O... save yourself! (Mimicking the bears) "Help! I'm drowning! Help!"
Monica: (furious) That's it! Dinner is over!
Steve: What?
Monica: What?
Steve: Why?
Monica: Why? It's just that I've waited seven years for an opportunity like this, and you can't even wait four and a half minutes for a stupid onion tartlet?
(The oven goes off.)
Steve: (excited) Hey!
[Scene: Central Perk, all are there except Chandler.]
Joey: What a tool!
Rachel: You don't want to work for a guy like that.
Ross: Yeah!
Monica: I know... it's just... I thought this was, you know... it.
Ross: Look, you'll get there. You're an amazing chef.
Phoebe: Yeah! You know all those yummy noises? I wasn't faking.
(Ross gets up and goes over to the counter and Joey follows him.)
Joey: (to Ross) So, er... how did it go with Celia?
Ross: Oh, I was unbelievable.
Joey: All right, Ross!
Ross: I was the James Michener of dirty talk. It was the most elaborate filth you have ever heard. I mean, there were characters, plot lines, themes, a motif... at one point there were villagers.
Joey: Whoa! And the... (gestures with hands) huh-huh?
Ross: Well, ahem... you know, by the time we'd finished with all the dirty talk, it was kinda late... and we were both kind of exhausted, so uh...
Joey: You cuddled.
Ross: Yeah, which was nice.
Phoebe: You guys wanna try and catch a late movie or something?
Rachel: Maybe, but shouldn't we wait for Chandler?
Joey: Yeah, where the hell is he?
[Scene: Chandler's office, he's on the phone, agitated.]
Chandler: (on phone) Yes, Fran. I know what time it is, but I'm looking at the WENUS and I'm not happy!... (Listens) Oh, really, really, really? Well, let me tell you something... you will care about it, because I care about it! You got it? Good! (slams phone down, then leans back and realizes what just happened) Whooooaaaa....
Closing Credits
[Scene: Phoebe's massage parlour, she has Steve on the table, and is giving him an extra-painful massage.]
Phoebe: How's this? (presses down hard)
Steve: Eeeee!
Phoebe: Sorry. How about over here? (presses down hard again)
Steve: Aaaaah!
Phoebe: See, that just means it's working. Does this hurt? (presses down elsewhere)
Steve: No.
Phoebe: What about this? (she starts using her elbows on his back, he yells in pain)
Steve: Aaaaahhh!!
Phoebe: There you go! (She continues to work him over with her elbows and he continues to yell in pain.)
End
글
(영화대본) 프랜즈 시즌1-16
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With Two Parts, part 1
Written by: Marta Kauffman and David Crane.
Transcribed by: Tennant Stuart and Mindy Mattingly.
[Scene: Rift’s Restaurant, as seen in Mad About You, Joey and Chandler are there.]
Chandler
: This is unbelievable. It’s been like a half an hour. If this was a cartoon, you’d be looking like a ham right about now.
(Ursula Buffay, Phoebe’s identical twin sister, is waiting on tables in her inimitable manner.)
Joey
: There’s the waitress. Excuse me, Miss. Hello, Miss?
(Ursula spins around looking puzzled, quite unable to tell where the sound is coming from.)
Chandler
: It’s Phoebe! Hi!
(Ursula notices Joey waving his hand, and comes over.)
Ursula
: Hi. Okay, will that be all?
Chandler
: Wait, wait! Wh-what are you doing here?
Ursula
: Yeah, um, I was over there, then you said, "Excuse me, hello Miss," so now I’m here.
Joey
: No, no... how come you are working here?
Ursula
: Right, yeah, ’cause its close to where I live, and the aprons are really cute.
Chandler
: Can we start over?
Ursula
: Yeah. Okay great. I’m gonna be over here. (She wanders away.)
Chandler & Joey
: No, no, no!
Opening Credits
[Scene: A wintry February day in New York City, snowplows are clearing the streets. Inside Central Perk, all three girls are paying court to Ross.]
Ross
: I don’t know whether he’s testing me, or just acting out, but my monkey is out of control. But, he keeps erasing the messages on my machine, "supposedly" by accident.
Rachel
: No, yeah, I’ve done that.
Ross
: And then, like three days in a row he got to the newspaper before I did, and peed all over the crossword.
Rachel
: I’ve never done that.
(Outside in the street, Joey and Chandler arrive, to peer through the window at Phoebe, by bending down to look underneath the shop’s sign—a large steaming cup of coffee.)
Chandler
: All right, now look at her and tell me she doesn’t look exactly like her sister.
Joey
: I’m sayin’ I see a difference.
Chandler
: They’re twins!
Joey
: I don’t care. Phoebe’s Phoebe. Ursula’s... hot!
(Joey and Chandler come indoors.)
Chandler
: You know that thing, when you and I talk to each other about things?
Joey
: Yeah.
Chandler
: Let’s not do that any more.
(They hang up their coats and scarves, then approach their friends on the main sofa.)
All
: Hey guys! Hey!
Joey
: Hey Pheebs, guess who we saw today.
Phoebe
: Ooh, ooh, fun! Okay... um, Liam Neeson.
Joey
: Nope.
Phoebe
: Morly Safer.
Joey
: Nope.
Phoebe
: The woman who cuts my hair!
Monica
: Okay, look, this could be a really long game.
Chandler
: Your sister Ursula.
Phoebe
: (Her face dropping) Oh, really.
Chandler
: Yeah, yeah, she works over at that place, uh...
Phoebe
: Rift’s. Yeah, I know.
Chandler
: Oh, you do? Because she said you guys haven’t talked in like years.
Phoebe
: Hmmm? Yeah. So, um, is she fat?
Joey
: Not from where I was standin’.
Phoebe
: (Turning to Chandler) where were you standing?
Rachel
: Um, Pheebs, so, you guys just don’t get along?
Phoebe
: It’s mostly just dumb sister stuff, you know, I mean, like, everyone always thought of her as the pretty one, you know... Oh, oh, she was the first one to start walking, even though I did it... later that same day. But, to my parents, by then it was like "yeah, right, well what else is new?"
Ross
: Oh, Pheebs, I’m sorry, I’ve got to go. I’ve got Lamaze class.
Chandler
: Oh, and I’ve got Earth Science, but I'll catch you in Gym.
Rachel
: So, is this just gonna be you and Carol?
Ross
: No, Susan’s gonna be there too. We’ve got dads, we’ve got lesbians, the whole parenting team.
Rachel
: Well, isn’t, isn’t that gonna be weird?
Ross
: No, no. (Distractedly putting on a jacket to go out) I mean, it mighta been at first, but by now I, I think I’m pretty comfortable with the whole situation.
Monica
: Ross, that’s my jacket.
Ross
: I know.
(Rachel grins as Ross removes the girlie jacket, grabs his own, and rushes out.)
[Scene: The Lamaze class, several couples and one trio sit on the floor, introducing themselves to the teacher, who’s got as far as a woman sitting next to Ross, Carol, and Susan.]
Woman
: Hi, we’re the Rostins. Err, I’m J.C., and he’s Michael, and we’re having a boy, and a girl.
Teacher
: Good for you. Alrighty, next?
Ross
: Hi, um, I’m err, (has to clear his throat) I’m Ross Geller, and err ah... (pats Carol’s bulge) ..that’s, that’s my boy in there, and uh, (points) this is Carol Willick, and this... is Susan Bunch. Susan is um Carol’s, just, com... (embarrassment finally overwhelms the poor fellow, who becomes incoherent until) ..who’s next?
Teacher
: I’m sorry, I didn’t get... Susan is?
Ross
: Susan is Carol’s, Carol’s, Carol’s, friend...
Carol
: Life partner.
Ross
: Like buddies.
Susan
: Like lovers.
Ross
: You know how close women can get.
(The teacher smiles, but her eyebrows go up. Susan and Carol pat each other affectionately.)
Carol
: Susan and I live together.
Ross
: Although I was married to her.
Susan
: Carol, not me.
Ross
: Err, right.
Carol
: It’s a little complicated.
Ross
: A little.
Susan
: But we’re fine.
Ross
: Absolutely. (Turns back to the woman next to him.) So, twins... hah! That’s like two births. (He struggles again.) Ouch.
[Scene : Chandler's Office, Chandler is working.]
(Helen’s buzzer is heard on the intercom, so Chandler presses his button, too.)
Chandler
: And (he imitates the buzzer) to you too, Helen.
Helen
: (Over the intercom) Nina Bookbinder is here to see you.
Chandler
: Oh, okay. Send her in.
(He hurriedly checks his hair in his computer screen, before taking a sporting trophy from a drawer to place ostentatiously on his desk. An attractive young woman opens the door.)
Nina
: Hi.
Chandler
: Hi, Nina. Come on in.
Nina
: You wanted to see me?
Chandler
: Uh, Yes. Yes. I’ve just been going over your data here, and little thing, you’ve been post-dating your Friday numbers.
Nina
: Which is bad, because?
Chandler
: Well, it throws my WENUS out of whack.
Nina
: Your... excuse me?
Chandler
: WENUS. (Coughs) Weekly Estimated Net...
Nina
: Oh, Net Usage Statistics, right. Gotcha, gotcha. Won’t happen again. I wouldn’t want to do anything to hurt your... "wenus."
(Nina beams flirtatiously at Chandler, who catches her drift, but for once he’s lost for something to say – so she nods her head to tell him that he’s thinking correctly...)
[Scene: Monica and Rachel's, Ross, Chandler, and the girls are dividing some Chinese takeout, while the sitcom Family Matters is playing on the TV.]
Chandler
: It’s not just that she’s cute, okay. It’s just that... she’s really really cute.
Ross
: It doesn’t matter. You don’t dip your pen in the company ink.
(Marcel scampers about, interfering with the neatness.)
Monica
: Ross, your little creature’s got the remote again.
Ross
: Marcel, Marcel, give Rossie the remote. Marcel. Marcel, you give Rossie the remote right now... Marce... you give Rossie the remote...
(Marcel points the remote at Monica’s television, pressing a particular combination of keys. The logo SAP appears on the screen, and suddenly the dialogue is dubbed into Spanish.)
Monica
: Great.
Ross
: Relax, I’ll fix it.
Rachel
: (Looking at the television) Cool... "Urkel" in Spanish is "Urkel."
Ross
: (looking at the remote) How did he do this?
Chandler
: (Looking out at the balcony) So tell me something, is leaving the Christmas lights up part of your plan to keep us merry all year long?
(Rachel slowly spins around, finally noticing that the lights have outstayed their welcome.)
Monica
: Ah no, you see, someone was supposed to take them down around New Year’s... but obviously someone forgot.
Rachel
: Well, someone was supposed to write "Rach, take down the lights" and put it on the re... frigerate... (finally noticing Monica’s note stuck to the refrigerator) How long has that been there?
(Joey enters, looking extremely pleased with himself.)
Chandler
: Hey, where you been?
Joey
: I went back to Riff’s. I think Ursula likes me. All I ordered was coffee, she brought me a tuna melt and four plates of curly fries.
Chandler
: Score.
Joey
: She is so hot!
Chandler
: Yeah, listen. Okay, before you do anything Joey-like, you might wanna run it by err... (he indicates Phoebe, who is helping Ross understand the remote control.)
Joey
: Pheebs?
Phoebe
: (Jumping up) Yeah?
Joey
: You think it would be okay if I asked out your sister?
Phoebe
: Why? Why would you wanna... do that? Why?
Joey
: So that if we went out on a date, she’d be there.
Phoebe
: Well, I mean, I’m not my sister’s, you know, whatever, and um... I mean, it’s true, we were one egg, once, but err, you know, we’ve grown apart, so, um... I don’t know, why not? Okay.
Joey
: Cool, thanks.
(He happily gestures at Chandler that there was nothing to worry about, then exits. Rachel and Monica are concerned for poor Phoebe, who slides back down next to Ross.)
Ross
: You okay?
Phoebe
: Yeah I’m fine.
Ross
: You wanna watch Laverne y Shirley?
(The sitcom begins with its familiar refrain, yet with a Latin lilt. Rachel and Monica do a little dance with their chopsticks, and Phoebe has to grin as Ross joins in the rhythm.)
[Scene: Lamaze class. Susan is there. Each couple has a doll, for they have just finished learning how to change a diaper. As Ross rushes in, stepping on the Rostins’ pretend baby, squashing its head flat. It bleats, in protest. He performs emergency surgery, then hands the doll back to J.C.]
Ross
: Sorry.
Ross
: Hi. Sorry I’m late. Where’s, where’s Carol?
Susan
: Stuck at school. Some parent-teacher thing. You can go. I’ll get the information.
Ross
: No... No... No. I think I should stay, I think we should both know what’s going on.
Susan
: Oh, good. This’ll be fun.
Teacher
: Alrighty. We’re gonna start with some basic third stage breathing exercises, so Mummies, why don’t you get on your back? And... coaches, you should be supporting Mummy’s head.
(Ross and Susan each gesture for the other to lie down.)
Ross and Susan
: What? What? What?
Susan
: I am supposed to be the mommy?
Ross
: Okay, I’m gonna play my sperm card one more time.
Susan
: Look, I don’t see why I should have to miss out on the coaching training just because I’m a woman.
Ross
: I see. So what do you propose to do?
Susan
: I will flip you for it.
Ross
: Flip me for it? No, no, no... heads, heads, heads!
Susan
: (Triumphantly) On your back... Mom.
(Ross gets down like all the other mothers, cradled in Susan’s lap like all the other fathers.)
Teacher
: Alright, Mommies, take a nice deep cleansing breath.
(Forgetting herself, Susan does the "Mommy" action with Ross.)
Teacher
: Good. Now imagine your vagina is opening like a flower.
(Ross comes out of character to glare into the distance.)
[Scene: Chandler's Office. Chandler is playing with a toy as his boss Mr. Douglas knocks and opens the door.]
Chandler
: Mr. D, how’s it going, sir?
Mr. Douglas
: Ohh, it’s been better. The Annual Net Usage Statistics are in.
Chandler
: And?
Mr. Douglas
: It’s pretty ugly. We haven’t seen an ANUS this bad since the seventies.
Chandler
: So what does this mean?
Mr. Douglas
: Well, we’re gonna be layin’ off people in every department.
Chandler
: Hey, listen, I know I came in late last week, but I slept funny, and my hair was very very –
Mr. Douglas
: Not you. Relax. Ever have to fire anyone?
[Scene: Chandler's Office, later that day, Nina is in his office.]
Chandler
: Nina? Nina. (He goes around his desk to where she is sitting.) Nina. (In pain) Nina.
(She sympathetically reaches out to fondle the inner thigh of his left leg.)
Nina
: Are you okay?
Chandler
: (Looking down at her hand) Yes, yes I am. Err, listen, the reason that I called you in here today was, err... please don’t hate me.
Nina
: (Taking her hand away) What?
Chandler
: (Suddenly bright) Would you like to have dinner sometime?
(Nina gasps in surprise and relief.)
[Scene: Central Perk, Rachel is at the counter, serving coffee to Phoebe.]
Rachel
: So Pheebs, what do you want for your birthday?
Phoebe
: Well, what I really want is for my mom to be alive and enjoy it with me.
Rachel
: Okay... Let me put it this way. Anything from Crabtree and Evelyn?
Phoebe
: Ooh! Bath salts would be nice.
Rachel
: Ooh, okay... good.
(Jamie Buchman and Fran Devanow enter the coffee house. They look about them as Jamie removes her coat and scarf.)
Jamie
: What is this place?
Fran
: Look, you’re cold, I have to pee, and... (indicating the sign) ..there’s a cup of coffee on the window. How bad could it be?
(Jamie notices Phoebe sitting at the counter.)
Jamie
: I think we have an answer.
Fran
: What’s she doing here?
Jamie
: This could be God’s way of telling us to eat at home.
Fran
: Think she got fired at Riff’s?
Jamie
: No, no, no. We were there last night. She kept... (shuddering at the memory) ..bringing swordfish. (Indicating the ladies’ bathroom) are you gonna go to the, um?
Fran
: I’m gonna wait till after we order. It’s her, right.
Jamie
: It looks like her.
(Phoebe walks by, ignoring the two strangers.)
Jamie
: Um, excuse me.
Phoebe
: Yeah?
Jamie
: Hi, it’s us.
Phoebe
: (Smiling blankly) Right, and it’s me.
Jamie
: So, so you’re here too?
Phoebe
: Much as you are.
Jamie
: (Without moving her lips) Your turn.
Fran
: Err... we know what we want.
Phoebe
: (Philosophically) Oh, that’s good.
Jamie
: All we want is two Caffe Lattes.
Fran
: And some biscotti cookies.
Phoebe
: Good choice.
(Phoebe turns away so that the two weird women won’t see the face she pulls, and sits down.)
Jamie
: Definitely her.
Fran
: Yeah.
Commercial break
[Scene: Monica and Rachel’s, Phoebe is watching a Spanish version of The Waltons. At a nearby table sit Monica knitting, Rachel winding a ball of wool, and Chandler supplying them both from a skein which is spread between his hands.]
(Phoebe uses the remote to stop the Spanish by turning off the television.)
Monica
: I can’t believe you. You still haven’t told that girl she doesn’t have a job yet?
Chandler
: Well, you still haven’t taken down the Christmas lights.
Monica
: Congratulations, I think you’ve found the world’s thinnest argument.
Chandler
: I’m just trying to find the right moment, you know?
Rachel
: Oh, well, that shouldn’t be so hard, now that you’re dating. (Imitating men at their worst) "Sweetheart, you’re fired, but how ’bout a quickie before I go to work?"
(Joey lets himself in, carrying a large paper shopping bag.)
Joey
: Hey.
Rachel and Chandler
: Hey.
(There is a loud knocking at the door through which Joey has just entered.)
Chandler
: You know, once you’re inside, you don’t have to knock any more.
Monica
: I’ll get it.
(She rises, dragging Chandler along by the wool. Rachel has to leap over a chair to follow them. Monica opens the door to find Mr. Heckles standing there.)
Monica
: Oh. Hi, Mr.Heckles.
Mr.Heckles
: You’re doing it again.
Monica
: We’re not doing anything. We’re just sitting around talking, quietly.
Mr.Heckles
: I can hear you through the ceiling. My cats can’t sleep.
Rachel
: You don’t even have cats.
Mr.Heckles
: I could have cats.
Monica
: (Closing the door) Goodbye Mr.Heckles.
Rachel
: We’ll try to keep it down.
(The wool-bound trio returns to the table. Rachel has to rush ahead to avoid becoming tangled. Joey brings the shopping bag over to Phoebe, and takes out a nice cardigan.)
Joey
: Phoebe, could you do me a favour? Could you try this on? I just wanna make sure it fits.
Phoebe
: Ooh, my first birthday present... (delightedly examining the cardigan in her lap) ..oh, this is really...
Joey
: Oh, no no no. It’s for Ursula. I just figured, you know, size-wise.
Phoebe
: Ohhh... Sure, yeah... (disgustedly dropping the cardigan back into the bag) ..okay, it fits.
(The others have been taking all this in.)
Rachel
: Are you seein’ her again tonight?
Joey
: Yep. Ice Capades.
Chandler
: Wow, this is serious. I’ve never known you to pay money for any kind of capade.
Joey
: I don’t know. I like her, you know. She’s different. There’s uh, somethin’ about her.
Phoebe
: That you like, (snappily confronting Joey over the heads of the knitting circle) we get it. You like her. Great!
(The circle freezes in apprehension.)
Joey
: Hey, Phoebe, I asked you, and you said it was okay.
Phoebe
: Alright, well, maybe now it’s not okay.
Joey
: Okay... Well maybe now I’m not okay with it not being okay.
Phoebe
: Okay.
(An embarrassed silence... finally broken by)
Chandler
: Knit, good woman, knit, knit!
(Monica frantically bursts into action as Rachel resumes winding, tangling Chandler’s wool.)
[Scene: Chandler's Office, Chandler & Nina are locked in a passionate embrace. Someone knocks, so they hurriedly separate to stare out of the window. Chandler’s boss opens the door.]
Chandler
: And that’s the Chrysler Building right there.
Mr. Douglas
: Nina.
Nina
: Mr.Douglas... (flirting defensively) ..cool tie.
(She escapes, fortunately so distracting Mr. Douglas, that he misses Chandler’s expression of alarm & guilt.)
Mr. Douglas
: (Shutting the door, then pointing vaguely at Nina’s shapely departure) She’s still here.
Chandler
: Yes, yes she is. Didn’t I memo you on this? See, after I let her go, err, I got a call from her psychiatrist, Dr. Flanen-nen, Dr. Flanen, Dr. Flan.
(Thinking quickly, Chandler desperately tries to remember anything to do with schizophrenia....)
Chandler
: And err, he informed me that uh, she took the news rather badly, in fact, he uh, mentioned the word frenzy.
Mr. Douglas
: You’re kidding? She seems so...
Chandler
: Oh, no, no. Nina... (miming fairies twinkling around his head) ..she is whooo wewee-woo whoo whoo! In fact, if you asked her right now, she would have no recollection of being fired at all, none at all.
Mr. Douglas
: That’s unbelievable.
Chandler
: And yet, believable. So I decided not to fire her again until I can be assured that she will be no threat to herself, or others.
Mr. Douglas
: I see. I guess you never really know what’s goin’ on inside a person’s head.
Chandler
: Well, I guess that’s why they call it psychology, sir.
(Mr. Douglas screws up his eyes, trying to credit what Bing has just said, but turning to follow Nina down the corridor, he realises Bing must be telling the truth, since he would not have any personal interest in the girl, would he?)
[Scene: Lamaze class, Ross is again on the floor, cradled in Susan’s lap, but now Carol is cradled in his lap, and she has a pretend baby, on her lap. The teacher is showing her class a video, which is about to end.]
Soothing male voice
: ..a sound Mom and Dad never forget. For this after all, is the miracle of birth.
Teacher
: Lights please? And that’s having a baby. Next week is our final class.
(People start getting up. Ross grabs Carol’s doll to hold it upside down like a football, slapping it with his other hand.)
Ross
: Susan, go deep.
(Susan just glares back, as Ross’s inappropriate joke falls flat. Meanwhile, a bubble is about to burst...)
Carol
: This is impossible. It’s just impossible.
Susan
: What is, honey?
Carol
: What that woman... did. I am not doin’ that. It’s just gonna have to stay in, that’s all, everything will be the same, it’ll just stay in.
Ross
: Carol, honey, shhh, shhh, everything’s gonna be alright.
Carol
: (Turning on Ross) OH, WHAT DO YOU KNOW? NO-ONE’S GOING UP TO YOU AND SAYING, "HI, IS THAT YOUR NOSTRIL? MIND IF WE PUSH THIS POT ROAST THROUGH IT?"
Susan
: Carol, Carol, sweetie. Cleansing breath.
(Both women gulp in air. Ross looks at his "football," then manipulates the head & limbs back into place, until it resembles what it represents.)
Susan
: I know it’s frightening, but, big picture. The birth part is just one day, and when it’s over, we’re all gonna be parents for the rest of our lives.
(Ross is staring blankly into space.)
Susan
: I mean, that’s what this is all about, right? Ross? Ross?
[Scene 13: Central Perk, the gang is gathered around Monica comforting her brother, who in a slight state of shock is cuddling a cushion for security.]
Ross
: I’m gonna be a father.
Rachel
: This is just occurring to you?
Ross
: I always knew I was havin’ a baby, I just never realised the baby was having me.
Rachel
: (She comforts him too) Oh, you’re gonna be great!
Ross
: Aw, how can you say that? I can’t even get Marcel to stop eating the bath mat. How am I gonna raise a kid?
Chandler
: You know, Ross, some scientists are now saying that, that monkeys and babies are actually different.
(Joey tires of this, so he gets up to leave.)
Phoebe
: Where’re you going?
Joey
: Out.
Phoebe
: With?
Joey
: (Spreading his arms wide) Yes.
Phoebe
: Alright, could I just ask you one question?
(Joey nods his head.)
Phoebe
: Have you two, you know... like... you know... you know... yet?
Joey
: Well, not that it’s any of your business, but, no, we haven’t, okay?
(Joey walks toward the door, then hesitates and turns back.)
Joey
: You meant sex, right?
(Phoebe buttons her lip, while the rest of the gang pretend they’re not there.)
[Scene: Chandler's Office, Chandler is working as Nina knocks, then opens the door.]
Nina
: Do you have a sec?
Chandler
: Ah, sure, Nina. What’s up?
Nina
: I don’t know. For the past couple days, people have been avoiding me and giving me these really strange looks.
Chandler
: Oh, well, ah... maybe that’s because they’re ah... jealous, of us.
Nina
: Maybe. But that doesn’t explain why they keep taking my scissors.
Chandler
: Ah, well, maybe that’s, ah, because you’re getting a big raise.
Nina
: I am?
Chandler
: Sure, why not?
Nina
: Oh my god! (Rushing over to give him a big hug) You’re amazing!
Chandler
: Oh, you don’t know. (Presses a button.) Helen, could you make sure we put through the paperwork on Miss Bookbinder’s raise?
Helen
: (Over the intercom) So you still want me to send her psychological profile to Personnel?
Nina
: What?
Chandler
: Helen drinks. (Insincerely) Will you marry me?
(Nina puts her hands on her hips, then gives Chandler a quizzical look.)
[Scene: Monica and Rachel’s, Ross, Rachel, Chandler, and Phoebe are sharing a bowl of popcorn, while Monica carefully reads the instruction manual for her television set.]
Chandler
: Well, I ended up telling her everything.
Rachel
: Oh, how’d she take it?
Chandler
: Pretty well. Except for the stapler thing. (He holds up a bandaged hand.) Little tip: if you’re ever in a similar situation, never ever leave your hand... (he mimes Nina taking her revenge) ..on the desk.
Monica
: Okay, I think I get how to do this.
(Monica points the remote at her TV, and punches out a key combination from the book, but the dreaded SAP logo remains and Spanish still comes forth.)
Phoebe
: Alright, so, can we turn this off? Can we just make it... make them go away? Because I can’t, I can’t watch.
Monica
: (Remotely turning off the television) okay, Pheebs, they’re gone.
Phoebe
: Okay.
Monica
: Are you alright?
Phoebe
: Yeah. It’s just, you know, it’s this whole stupid Ursula thing, it’s...
Rachel
: Okay, Pheebs, can I ask? So, he’s going out with her. I mean, is it really so terrible?
Phoebe
: Um, yeah. Look, I mean, I’m not saying she’s like evil or anything. She just, you know, she’s always breaking my stuff. When I was eight, and I wouldn’t let her have my Judy Jetson thermos, so she threw it under the bus. And then, oh, and then there was Randy Brown, who was like... Have you ever had a boyfriend who was like your best friend?
Monica and Rachel
: (Wistfully, shaking their heads) No.
Phoebe
: Well, but that’s what he was for me. And she you know, kind of stole him away, and then... broke his heart... and then he wouldn’t even talk to me any more. Because he said he didn’t wanna be around... anything that looked like either one of us.
Rachel
: Oh... Oh, Pheebs.
Phoebe
: I mean, I know Joey is not my boyfriend, or my thermos, or anything, but...
Chandler
: You’re not gonna lose him.
Monica
: Hon, you gotta talk to Joey.
Phoebe
: Yeah. Okay.
Ross
: No, come on, he doesn’t know this stuff. If he knew how you felt.
Phoebe
: But he’s falling in love with her.
Rachel
: Oh please, they’ve been going out a week. They haven’t even slept together yet, I mean, that’s not serious.
Phoebe
: Okay... Okay.
(Monica and Ross indicate that they mean right now.)
Phoebe
: Oh, okay, oh.
(Phoebe gets up and walks across the hallway, but the door to Chandler and Joey’s apartment is shut. She knocks, and anxiously waits for Joey to come, but instead her identical twin sister emerges wearing one of Joey’s shirts.)
Ursula
: (Surprised) Oh.
(Phoebe reels back in shock, while Ursula defiantly leans against the doorpost as though she owns the place.)
Ursula
: Yeah, um, may we help you?
Closing Credits
[Scene: Monica and Rachel's Balcony, Rachel is taking down the Christmas lights. Monica sees her, so she leans out of the small side window.]
Monica
: Rachel, what are you doing? It’s freezing out here. Would you come back inside?
Rachel
: No no no no no. You wanted me to take them down, so... (she climbs onto the railing to reach the top of a pole) ..I’m takin’ ’em down. Okay? Whoa! (Screams.)
(Rachel slips, loses her balance, and falls over the edge..)
Monica
: Oh-my-god Rachel! (Rushing out to look over the edge) Rachel!
(In the apartment below, Mr.Heckles is trying to relax and read his newspaper, but Rachel is helplessly dangling upside-down with her ankle wrapped up in the Christmas lights.)
Rachel
: (To Monica) I’m okay! I’m okay! (She knocks on Mr. Heckles's window.) Mr. Heckles, Mr. Heckles could you help me please?
Mr.Heckles
: See, this is just the kind of thing I was talking about.
End
English translations...
Snow-ploughs are clearing the streets.
Ross has got antenatal class.
The girls divide some Chinese takeaway.
Ursula brought a toasted tuna sandwich
and four plates of crinkle cut chips.
You wanna watch Laverne and Shirley?
Each couple learns how to change a nappy.
The ladies’ toilet.
We want two creamy espressos
and some biscuits biscuits.
글
(영화대본) 프랜즈 시즌1-17
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With Two Parts, Part 2
Written by: Marta Kauffman and David Crane.
Transcribed by: Tennant Stuart and Mindy Mattingly.
Opening Credits
[Scene: An Emergency Room, Rachel and Monica enter. Rachel is limping and leaning on Monica for support.]
Rachel: Ow ow ow. Ow ow ow ow. Ow ow ow. Ow. Ow. Ow. Ow.
(They reach the desk. The bored nurse thinks she's heard it all before.)
Monica: Hi. Uh, my friend here was taking down our Christmas lights, and and she fell off the balcony and may have broken her foot or or ankle or something.
Nurse: My god. You still have your Christmas lights up?
(Rachel glares at the nurse, who gives Monica a form attached to a clipboard.)
Nurse: Fill this out and bring it back to me.
(Monica helps Rachel over to a vacant seat.)
Rachel: Ow ow ow. Ow ow ow. Ow ow ow.
(Monica starts on the form, while Rachel catches her breath and massages her ankle.)
Monica: Okay, ooh, alright. Name, address... Okay, in case of emergency, call?
Rachel: You.
Monica: Really?
Rachel: Yeah.
Monica: Oh, that is so sweet. (Touched, she puts an arm around her friend and kisses her.) Oh gosh, love you. Insurance?
Rachel: Oh, yeah, check it. Definitely, I want some of that.
Monica: (No longer touched) you don't have insurance?
Rachel: Why, how much is this gonna cost?
Monica: I have no idea, but X-rays alone could be a couple hundred dollars.
Rachel: Wel-wel-well what are we gonna do?
Monica: Well there's not much we can do.
Rachel: (Like a big baby) Um... unless, unless I use yours.
Monica: Hah, no no no no no no no no no no.
Rachel: (Tapping the clipboard) well, now, wait a second, who did I just put as my "In case of emergency" person?
Monica: (Looking around to check that no-one's listening, then lowering her voice anyway) That's insurance fraud.
Rachel: Well, alright, then, forget it. (Getting up to go) Might as well just go home. Ow ow ow ow!
Monica: (Jumping up to make Rachel sit down) Okay, okay. I hate this.
Rachel: Thank you. Thank you. I love you.
Monica: (to the nurse) Hi, (tiny laugh) um, I'm gonna need a new set of (tiny laugh) these forms (tiny laugh).
Nurse: Why?
Monica: (Tiny laugh) I am really an idiot. (Tiny laugh) you see, I was filling out my friend's form, and instead of putting her information, (tiny laugh) I put mine.
Nurse: You are an idiot. (She hands over a blank form).
Monica: (Tiny laugh) yep, that's me, (tiny laugh) I am that stupid (tiny laugh).
[Scene: Central Perk, Chandler, has split up his newspaper so Joey can look at the funnies, while Ross's inappropriate joke at Lamaze class has come back to haunt him.]
Ross: I had a dream last night where I was playing football with my kid.
Chandler and Joey: That's nice.
Ross: No, no, with him. (He mimes holding the baby like a football.) I'm on this field, and they, they hike me the baby... and I, I know I've gotta do something 'cause the Tampa Bay defence is comin' right at me.
Joey: Tampa Bay's got a terrible team.
Ross: Right, but, it is just me and the baby, so I'm thinkin' they can take us. And so I uh, hah-hah, I just heave it down field.
Chandler: What are you crazy? That's a baby!
Joey: He should take the sack?
Ross: Anyway, suddenly I'm down field, and I realise that I'm the one who's supposed to catch him, right? Only I know there is no way I'm gonna get there in time, so I am running, and running, and that, that is when I woke up. See I, I am so not ready to be a father.
Chandler: Hey, you're gonna be fine. You're one of the most caring, most responsible men in North America. You're gonna make a great dad.
Joey: Yeah, Ross. You and the baby just need better blocking.
(Feeling a little better, Ross fetches more coffee.)
Joey: Oh, have either one of you guys ever been to the Rainbow Room? Is it real expensive?
Chandler: Well, only if you order stuff.
Joey: I'm takin' Ursula tonight. It's her birthday.
Ross: Wo-wo-whoa. What about Phoebe's birthday?
Joey: When's that?
Ross: Tonight.
Joey: Oh, man. What're the odds of that happening?
(Joey begins to contemplate his ill fortune.)
Ross: You take your time.
(Joey looks at his friends, thinks a bit more, then realises.)
Chandler: There it is! So what're you gonna do?
Joey: What can I do? Look, I don't want to do anything to screw it up with Ursula.
Chandler: And your friend Phoebe?
Joey: Well, if she's my friend, hopefully she'll understand. I mean, wouldn't you guys?
Chandler: Man, if you tried something like that on my birthday, you'd be starin' at the business end of a hissy fit.
(Joey gestures to show that he wouldn't dare...)
[Scene: The Hospital, Monica and Rachel are waiting for the doctors to arrive. They enter and are played by Noah Wyle and George Clooney.]
Dr. Mitchell: ..you add a pinch of saffron, it makes all the difference.
(They approach the young ladies. Dr. Mitchell consults Ms.Geller's admissions form.)
Dr. Mitchell: Okay, errrr, Monica?
Monica: Yes? (jumping as Rachel punches her arm) ..yes, she is.
Rachel (as Monica): Hi, this is my friend Rachel.
Monica (as Rachel): Hi.
Dr. Mitchell: (Smiling) Hi, err Rachel. I'm Dr.Mitchell.
Dr. Rosen: (Smiling even more and attempting to take over) And I'm his friend, Dr.Rosen.
(Monica and Rachel smile back prettily.)
Rachel: Aren't you a little cute to be a doctor?
Dr. Rosen: Excuse me?
Rachel: I meant er, (struggling to concentrate) young, young, I meant young, young to be a doctor. Oh good, Rach.
Monica (as Rachel): Thank you.
Rachel (as Monica): Right.
[Scene: Monica and Rachel's, everyone but Joey is waiting for Phoebe to arrive for her surprise birthday party. Rachel and Monica is telling Chandler about Rachel's incident.]
Rachel: ..so, he said it was just a sprain, and that was it.
Monica: Uh, you left out the stupid part.
Rachel: Not stupid. The very cute, cute, cute doctors asked us out for tomorrow night, and I said "yes."
Monica: I think it's totally insane, I mean, they work for the hospital. It's like returning to the scene of the crime. You know, I say we blow off the dates.
Rachel: What? Monica, they are cute, they are doctors, (spelling it out in the air for her slow friend) cute doctors, doctors who are cute!
Chandler: Alright, what have we learned so far?
(There is a knock at the door. Someone turns the music off, then the whole party runs and hides, except for Monica and Rachel who answer their door. Ross stands in the doorway, holding a box, but everyone is too keyed up to notice that it's him.)
The Whole Party: (Jumping up) SURPRISE!!!
(Ross is so startled that he throws his arms up to defend himself. The box takes off, then lands with a squishy thud, its contents oozing out onto the floor. Ross is not pleased.)
Ross: What the hell are you doing? You scared the crap outta me.
Rachel: Was that the cake?
Ross: Yeah, yeah. I got a lemon schmush.
Monica: Come on, she'll be here any minute.
(The whole party gathers round as Ross puts the box on the coffee table.)
Rachel: I hope it's okay.
(As Ross opens the lid, everybody looks at the mess inside.)
Monica: Oh...
Chandler: (Reading) "Happy Birthday Peehe."
Monica: Well maybe we can make a, a, a 'B' out of one of those roses.
(Phoebe quietly wanders in, to join the tableau.)
Ross: (Still annoyed) Yeah, we'll just use our special cake tools.
Phoebe: Hey, what's going on?
Ross: Oh, we just...
Phoebe's Friends: (Finally noticing the guest of honour) Surprise!
Phoebe: (Delighted) oh, oh, oh! This is so great! Oh my god! This was not at all scary. Hi everybody. Hi Betty! Betty, Hi! (Thrilled) You found Betty! Oh my god! (Hugging people) This is great. Everybody I love is in the same room, (still happy) Where's Joey?
(The party falls flat. Chandler tries to think of a witticism, but even he can't help...)
Chandler: Did you see Betty?
(Betty waggles her fingers to say "Hi", but Phoebe feels her birthday has been ruined by her twin.)
[Scene: A Restaurant, Ross is having lunch with his father who is examining his next forkful.]
Mr. Geller: I tell you one thing, I wouldn't mind having a piece of this sun-dried tomato business. Five years ago, if somebody had said to me, here's a tomato that looks like a prune, I'd say "get out of my office!"
Ross: Dad, before I was born, did you freak out at all?
Mr. Geller: I'm not freaking out, I'm just saying, if somebody had come to me with the idea andndash;
Ross: Dad, dad, dad, I'm talkin' about the whole uh, baby thing. Did you uh, ever get this sort of... panicky, "Oh my god I'm gonna be a father" kind of a thing?
Mr. Geller: No. Your mother really did the work. I was busy with the business. I wasn't around that much. Is that what this is about?
Ross: No, no, Dad, I was just wondering.
Mr. Geller: 'Cause there's time to make up for that. We can do stuff together. You always wanted to go to that Colonial Williamsburg. How 'bout we do that?
Ross: Thanks, Dad, really, I ju... you know, I just, I just needed to know, um... when did you start to feel like a father?
Mr. Geller: Oh, well, I, I guess it musta been the day after you were born. We were in the hospital room, your mother was asleep, and they brought you in and gave you to me. You were this ugly little red thing, and all of a sudden you grabbed my finger with your whole fist. And you squeezed it, so tight. And that's when I knew.
(Ross is so moved by his father's charming story, that he stops eating.)
Mr. Geller: So you don't wanna go to Williamsburg?
Ross: No, we can go to Williamsburg.
Mr. Geller: Eat your fish.
[Scene: Monica and Rachel's, Monica is just getting off of the intercom and turns off the TV which is still in the SAP mode.]
Monica: Rachel, the cute doctors are here.
Rachel: (entering from her room) Okay, coming!
(Monica opens the door for Dr. Mitchell and Dr. Geoffrey.)
Monica: Hi, come on in.
Dr. Mitchell: Hey.
Monica: Hi, Geoffrey.
Rachel: Hi.
Dr. Rosen: Ah here, we brought wine.
Dr. Mitchell: Look at this, it's from the cellars of Ernest and Tova Borgnine, so how could we resist?
Rachel: Oh, that's great. Look at that.
Dr. Rosen: So, Monica, how's the ankle?
Monica: It's uh...
(Rachel discreetly coughs to warn her.)
Monica (as Rachel): ..well, why don't you tell them? After all it, is your ankle.
Rachel (as Monica): You know what, it's feeling a lot better, thank you, um... Well, listen, why don't you two sit down and, and we'll get you some glasses... okay... (They don't know what to do with their coats and Monica points to the living room) STAT!
(Rachel joins Monica who is in the kitchen area, opening the wine bottle. Rachel checks that the doctors aren't listening, then lowers her voice anyway.)
Rachel: Okay, listen, I'm thinking, why don't we just tell them who we really are? I mean, it'll be fine, I really think it'll be fine.
Monica: It will not be fine. We'll get in trouble.
Rachel: Oh, Monica! Would you stop being such a wuss?
Monica: A wuss? Excuse me for living in the real world, okay?
(Back at the couch, Dr. Mitchell and Dr. Rosen have concerns of their own.)
Dr. Mitchell: So?
Dr. Rosen: So... they sss-still seem normal.
Dr. Mitchell: That's because they are.
Dr. Rosen: (Nervously) okay, but you have to admit that every time we go out... Women we meet at the hospital... It turns into...
Dr. Mitchell: Willya relax? Look around. No pagan altars, no piles of bones in the corners, they're fine. (Baring his teeth to clean them with his finger) Go like this. (Dr. Rosen obeys.)
(Meanwhile, back at the sink.)
Monica: I said we are not going to do it, okay? Sometimes you can be such a, a big baby.
Rachel: (Resenting the truth) I am not a baby! You know what? I swear to god, just because you get so uptight every time we...
Monica: Sure, every time, you're such a princess...
Rachel: You know what?
Monica: What?
Rachel: You know what?
Monica: What!?
Rachel: You know what?
Monica: (getting angry) What!!?
Rachel: Every day, you are becoming more and more like your mother.
(Rachel brightly limps back across the apartment with glasses of wine for the cute doctors, leaving an open-mouthed Monica in her wake.)
Rachel: Hello! Here we go!
Dr. Rosen: This is a great place. How long have you lived here?
Rachel: (as Monica) Thanks! I've been here about six years, and Rachel moved in a few months ago.
Monica: (as Rachel) Yeah... (joining the others) ..see, I was supposed to get married, but, um, I left the guy at the altar.
(Rachel tries to hide her alarm, but she squirms in her chair.)
Dr. Mitchell: Really?
Monica: (as Rachel) Yeah... Yeah, I know it's pretty selfish, but haha, hey, that's me. (Indicating a dish on the table) Why don't you try the hummus?
Dr. Rosen: So, Monica, what do you do?
Rachel: (as Monica) Aahh, I'm a... chef at a restaurant uptown.
Dr. Rosen: Good for you.
Rachel: (as Monica) Yeah it is, mostly because I get to boss people around, which I just love to do.
Dr. Rosen: This hummus is great.
Dr. Mitchell: God bless the chickpea.
Monica: (as Rachel) (Suddenly laughing) Oh, god, I am so spoiled... That's it!
(The doctors don't know what to make of all this.)
Rachel: (as Monica) And by the way, have I mentioned that back in high school, I was a cow?
Monica: (as Rachel) I used to wet my bed.
Rachel: (as Monica) I use my breasts to get other people's attention.
Monica: (as Rachel) (Revealing her anger to point at her best friend) We both do that!
(Rachel lets her anger show too. Hideously embarrassed, the doctors drain their glasses in the vicious pause which follows. The telephone rings, but the girls just glower at each other, silently daring the other to move first. Finally both guys jump up, and Michael wins.)
Dr. Mitchell: (on the phone) Monica and Rachel's apartment. Err yeh, aayah, yeh, just one second... (handing it to Monica) ..ah, Rachel, it's your dad.
Monica: (as Rachel) Hi, Dad. No, no, it's me. (Getting up to move further away from Rachel) li-listen, Dad, I can't talk right now, um, but there's something, um... there's something that I've been meaning to tell you...
(Monica glares triumphantly across the room, scaring Rachel who also stands up.)
Rachel: Would you excuse me for a second?
Monica: (as Rachel) Remember back in freshman year? (Talking fast before Rachel can catch her) Well, Billy Dreskin and I had sex on your bed.
(Completely undone by Monica's verbal destruction, Rachel almost loses her balance as she staggers backwards, eyes agog, gasping for breath, and literally not knowing which way to turn. Finally, she escapes into the bathroom while a resigned Dr. Mitchell looks philosophically at Dr. Rosen who seems about remind him of the good old days at the pagan altar.)
Commercial Break
[Scene: Monica and Rachel's, the next morning, Ross, Phoebe, Chandler and Monica sit round the coffee table, playing Scrabble. Rachel, still in her dressing gown, is pleading on the phone, her free hand shaking with agitation.]
Rachel: (on phone) Daddy... Daddy... Daddy, why whyyy would I sleep with Billy Dreskin? His father tried to put you out of business! (Rachel turns to Monica, clasping the receiver to her bosom so Dr.Green can't hear, while mouthing "You are...") ...dead!
(Monica smiles a sweet apology of regret, until she's distracted by Marcel as he clambers all over her nice furniture.)
Monica: Ross, he's got the remote again.
Ross: Good. Maybe he can switch it back.
(Marcel changes channel to Bugs Bunny, who is speaking in Spanish.)
Ross: Maybe not.
(Meanwhile, Rachel has taken another call, from a nurse she'd hoped never to hear from again.)
Rachel: Hello? (Listens) Um, yeah, uh, (snapping her fingers at Ross who takes the remote from Marcel, then turns off the TV) Okay ah, hold on a second, lemme lemme just check and see if see if she's here.
(All animosity forgotten, Rachel holds the receiver out as she limps quickly over to her friend, who stands up in concern.)
Rachel: It's the woman from the hospital admissions office. She says there's a problem with the form. Oh, god, oh god...
Rachel and Monica: Oh god, waddawe do, waddawe do, waddawe do?
Monica: I don't know! Why don't you just explain? What do they want? Find out what they want!
Rachel: Okay (desperately hands the receiver over) no, you do it.
Monica: (taking the phone) Hello, this is Monica... Yeah??? Oh... (Smiles at Rachel to reassure her) Okay, yes, we'll be right, we'll be right down.(Listens) Thank you. (Hangs up)
Rachel: What?
Monica: We forgot to sign one of the admissions forms.
Rachel: Ohhh... (slumping in relief) Okay, you were right. You were right! This was just not worth it.
Monica: Thank you.
Rachel: Okay, let me just change.
Monica: Yes.
(Rachel goes to her room.)
Joey: (entering quietly) Hey.
Ross and Chandler: Hey!
Monica: Hi.
Phoebe: Trouble?
Joey: Your sister stood me up the other night.
Phoebe: Oh, no. Don't you hate it when people aren't there for you?
Ross: Well did you try calling her?
Joey: I've been trying for two days. When I called the restaurant, they said she was too busy to talk. I can't believe she's blowin' me off.
(Phoebe wants to be angry with Joey, but as she watches him shaking his head in pain and disbelief, she knows that it isn't his fault.)
[Scene: Riff's, Phoebe is entering. Ursula returns with two plates of chicken, but she only has time to set one on the table, when...]
Phoebe: Hey.
(Ursula turns in surprise.)
Ursula: Oh!
Phoebe: Um you, you got a minute?
Ursula: Um, yeah, I'm just... (waving dismissively at the concept) ..working.
(Ursula points out a vacant table, so the twins walk over, side by side, to sit down. Departing customers walk right past the pair. Sitting at the back, a hungry gentleman looks most annoyed as Ursula sets his meal down in front of her. The girls sit.)
Phoebe: So.
Ursula: Uh-huh.
(Ursula is genuinely pleased that her sister has visited her, after so many years. Phoebe hesitates over how best to begin.)
Phoebe: Um, oh, I got you a birthday present.
(Ursula picks up a fork and begins eating the meat, while Phoebe removes a present from her bag.)
Ursula: Oh, wow! You remembered! (Opening it) Oh! It's a Judy Jetson thermos!
(She laughs at the childhood memory. Phoebe smiles at being able to make her point.)
Phoebe: Right, like the kind you...
Ursula: Right... Oh, I got something for you, too.
(Ursula gets up to fetch a box from her bag by the counter.)
Phoebe: How'd you know I was coming?
Ursula: Um, yeah, um, twin thing.
(Ursula puts the box directly into Phoebe's hand. Phoebe brightens.)
Phoebe: I can't believe you did this.
(Phoebe opens the box, to find something familiar inside.)
Phoebe: I can't believe you... (holding up Joey's cardigan) ..did this.
(Phoebe's smile hardens as she packs the cardigan away.)
Phoebe: So... What's the deal with umm, you and Joey?
Ursula: Oh, right. He is so great. But that's over.
(Ursula resumes eating her lunch..)
Phoebe: Does he know?
Ursula: Who?
Phoebe: Joey. You know, um, he's really nutsy about you.
Ursula: He is? Why?
Phoebe: You got me.
Ursula: Right.
(A waiter comes over for the stolen chicken. Ursula turns to him.)
Ursula: Excuse me. Doesn't this come with a side salad?
(The man gives up, shaking his head.)
Phoebe: So, um, are you gonna call him?
Ursula: What? (Indicating the departing waiter) Do you think he likes me?
Phoebe: No, Joey.
Ursula: Oh. No, no, he is so smart. He'll figure it out. (Offering to share her food) Do you want some chicken?
Phoebe: No. No food with a face.
Ursula: You have not changed!
(Ursula's eyes dance as she laughs and smiles, simply glad to be back with her sister.)
Phoebe: Yeah, you too.
(Trying not to wrinkle her nose, Phoebe smiles back realising it's down to her to make up for her negligent sister. Meanwhile, Ursula still hasn't received her side salad, but when she attempts to attract the waiter's attention, he ignores her.)
[Scene: The Emergency Room. The officious admissions nurse is again on duty. Rachel and Monica enter, looking worried. As they approach the desk, Rachel adopts a winning smile, while Monica struggles to smile at all.]
Rachel: (as Monica) Hi, remember us?
Nurse: (Grimacing) Mmm hmmm.
Monica: (as Rachel) Um, okay. You just called a little while ago about needing a signature on the admissions form. Well, it turns out we need a whole new one (little laugh) because uh, you see, I-I, I put the wrong name again. (Little laugh) 'cause um...
Nurse: You're that stupid.
Monica: (as Rachel) I am. I'm that stupid. (Little laugh.)
Rachel: (as Monica) Yeah, and and, I'm just gonna pay for this with a check.
Nurse: Well, you know your insurance will cover that.
Rachel: (as Monica) Yeah, I know... (mirroring her friend) ..I'm I'm just not that bright either.
(The girls escape with a new form.)
[Scene: Monica and Rachel's, Chandler is neglecting the game of Scrabble, for he's busily drawing on his own childhood in an attempt to help Ross. Marcel chitters about.]
Chandler: Okay, worst case scenario. Say you never feel like a father.
Ross: Uh-huh.
Chandler: Say your son never feels connected to you, as one. Say all of his relationships are affected by this.
Ross: Do you have a point?
Chandler: You know, you think I would.
(Instead of scampering, Marcel stretches his neck as much as possible, and makes an unvoiced noise from his throat.)
Chandler: What's up with the simian?
Ross: It's just a fur ball.
Chandler: Okay... (returning to the board) ..whose turn is it?
Ross: Yours, I just got 43 points for 'KIDNEY'.
Chandler: No, no, you got zero points for 'IDNEY'.
Ross: I had a 'K'. Where's where's my 'K'?
(The unvoiced hissing continues. In alarm, Ross and Chandler look at the monkey, who is now in some distress.)
[Scene: The Emergency Room, Monica sits with Rachel, who is filling out an honest form at last. Ross and Chandler hurtle in. Little Marcel, wrapped in a fluffy towel, is cradled in Ross's arms. They dash up to the admissions desk. Ross is frantic.]
Ross: You've got to help me my monkey swallowed a 'K'!
(Hearing her brother's voice, Monica gets up to stand behind Chandler, followed by Rachel.)
Nurse: (angrily) You go get that animal outta here.
Ross: No, no you don't understand the animal hospital is way across town he's choking I don't know what else to do.
Monica: What's goin' on?
(Ross and Chandler turn at the voice...)
Chandler: Marcel swallowed a Scrabble tile.
Rachel: Oh.
(..then turn back to the desk when the surprise hits them, and Ross and Chandler whip around once more. Monica and Rachel recoil slightly.)
Nurse: Excuse me... This hospital is for people!
Ross: Lady, he is people. He has a name, okay? He watches Jeopardy! He he touches himself when nobody's watching. Please, please have a heart!
(Ross's vigorous protest is attracting attention.)
Dr. Mitchell: I'll take a look at him.
(Rachel, Monica, Ross and Chandler whip around for a second time, in formation.)
Rachel and Monica: Oh, thank you.
Monica: Michael.
Dr. Mitchell: Rachel.
Rachel: What?
Monica: (as Rachel) Monica.
Rachel: (as Monica) Oh.
Monica: (as Rachel) Hi.
Rachel: (as Monica) Hi.
(Monica smiles to cover her embarrassment, but Rachel sadly looks away...)
[Scene: Central Perk, Joey is playing "She Loves Me, She Loves Me Not" with the petals of a flower, alternately looking hopeful and annoyed. Phoebe enters, but not as herself, for she has changed the style of her hair and make-up to match that of her twin sister. She hangs up her coat, revealing her new cardigan. Nervously, she smooths out the identifying garment, approaching Joey who sits next to the main sofa.]
Phoebe: (as Ursula) Hey.
Joey: Urse...
(Phoebe nods as he stands up in delight.)
Joey: ..ah, what're you doing here? I've been trying to call you.
Phoebe: (as Ursula) Listen, um...
Joey: No, no, no, don't say "listen." I know that "listen." I've said that "listen."
Phoebe: (as Ursula) I'm sorry.
Joey: I don't get it. What happened? What about everything you said under the bridge?
(Phoebe is almost thrown by this.)
Phoebe: (as Ursula): Yeah, um... (nervously clears her throat) You know you, you should just forget about what I said under the bridge, I was talkin' crazy that night, I was so drunk!
Joey: You don't drink.
Phoebe: (as Ursula) That's right, I don't... But I was, I was drunk on you!
Joey: Oh, Urse... (He tries to take her in his arms, but she fends him off.)
Phoebe: (as Ursula) Okay, yeah, so it's not gonna work.
Joey: Why? Is it because I'm friends with Phoebe?
Phoebe: (as Ursula) If it was, would you stop hanging out with her?
Joey: (Thinking carefully) no. No, I, I couldn't do that.
Phoebe: (as Ursula) Um, then yes, it's 'cause of Phoebe! So, you know, it's either her or me.
Joey: Then, uh, then I'm sorry.
(He sinks to the sofa, saddened by Ursula's ultimatum, while Phoebe follows, touched by Joey's good heart.)
Phoebe: (as Ursula) You know... (unconsciously putting a hand on his knee) You're gonna be really, really hard to get over.
Joey: I know...
(He looks up at her face and Phoebe, slipping out of character, smiles back at him. Joey's voice becomes soft and warm.)
Joey: I don't know whether it's just 'cause we're breakin' up or... what, but you have never looked so beautiful.
Phoebe: Really?
(Phoebe smiles, when Joey takes her face in his hands and kisses her. Joey gets up to leave but stops suddenly. Phoebe silently shouts "Oh, whoa!!" to herself, and leans back in the sofa to recover, a hand to her tingling lips. A thoughtful Joey is also feeling his lips, so he hesitates for a moment, then returns for a better view, he thinks again, cocking his head from side to side to regard her profile from various angles, then...)
Joey: Pheebs?
Phoebe: (Automatically) Yeah. Oooh... (she's sprung.)
[Scene: The Hospital, Marcel lies on the operating table while recovering from the anaesthetic, tucked up under a sheet like an infant in a huge bed. Ross sits beside him, as a smiling Chandler, Monica and Rachel look on.]
Ross: He looks so tiny.
(The door bursts open, and Joey and Phoebe rush in.)
Joey: We just got the message.
Phoebe: Is he alright?
Ross: Yeah. The doctor got the 'K' out. He also found an 'M' and an 'O'.
Chandler: We think he was trying to spell out 'MONKEY.'
(Ross does not approve of Chandler's daft theory.)
Ross: Well, the doctor says he's gonna be fine, he's just sleeping now.
Chandler: (Tapping Ross on his shoulder) So, you feel like a dad yet?
Ross: No, why?
Chandler: Hey, come on, you came through, you did what you had to do. That is very dad.
(Ross does approve of this, but he's still not sure. The tiny figure stirs.)
Monica: Oh, look, he's waking up!
Ross: (Quietly) hey, fella! How you doing?
(All of a sudden, Marcel grabs Ross's finger with his whole fist, and he squeezes it, so tight, that Ross finally knows what it is to be a father. He looks up at his friends, who smile encouragingly, Rachel tenderly resting her chin upon Monica's shoulder. Ross realises that Chandler was right and he's gonna make a great dad!)
Closing Credits
[Scene: Monica and Rachel's, everyone except Joey is there. Rachel is looking out of the window and Ross is handing out some Chinese takeout. There's a small SAP in the corner of the screen.]
Ross: Aqui est�. (Here it is!)
Monica: 풞 qui�n pidio el pollo General Tso? (Who ordered General Sal's chicken?)
Chandler: 좵udo aver sido General Tso! (It could've been General Sal!)
(Rachel points out of the window.)
Rachel: 좲ira, mira, el viejo desnudo est� haciendo el hula hoop! (Look, look, Ugly Naked Guy is doing the hula!)
(The others rush to the window for a look.)
All:좪www! (Ewww!)
(Joey enters, happy again.)
All: 좭ola, Joey! (Hi, Joey!)
Joey: 좭ola, amigos! (Hey, everybody!)
(Marcel grabs the remote.)
Monica: Mira, Ross, Marcel se llevo el control remoto. (Look, Ross, Marcel's got the remote.)
Ross: 좱o que sucedio es que no le gusta la tele! (The thing is, he doesn`t like the program!)
(Everybody laughs.)
End
English translations...
Chandler's hand sports a plaster.
Joey looks at the comic strips.
Rachel pays with a cheque.
글
(영화대본) 프랜즈 시즌1-18
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With All The Poker
Written by: Jeffrey Astrof and Mike Sikowitz. .
Transcribed by: Dan Silverstein.
Special thanks to Nancy Brown, who pointed out that 'crudites' is not French. :)
(The whole gang is helping Rachel mail out resumes while whistling the theme from The Bridge on the River Kwai.)
Ross: Uh, Rach, we're running low on resumes over here.
Monica: Do you really want a job with Popular Mechanics?
Chandler: Well, if you're gonna work for mechanics, those are the ones to work for.
Rachel: Hey, look, you guys, I'm going for anything here, OK? I cannot be a waitress anymore, I mean it. I'm sick of the lousy tips, I'm sick of being called 'Excuse me...'
Ross: Rach, did you proofread these?
Rachel: Uh... yeah, why?
Ross: Uh, nothing, I'm sure they'll be impressed with your excellent compuper skills.
Rachel: (upset) Oh my Goood! Oh, do you think it's on all of them?
Joey: Oh no, I'm sure the Xerox machine caught a few.
Opening Credits
[Scene: Central Perk, Ross and Chandler are sitting at a table. Rachel is working. Monica and Phoebe enter.]
Monica: Hey, guys.
Chandler and Ross: Hey.
Rachel: Hey... hi, ladies... uh, can I get you anything? (to Monica, quietly): Did you bring the mail?
Monica: Lots of responses.
Rachel: (to Monica): Really? (out loud): Sure, we have scones left! (to Monica): OK, read them to me.
Phoebe: (reading): Dear Ms. Green, thank you for your inquiry, however... oh... (crumples up letter)
Rachel: (out loud): We have apple cinnamon...
Monica: (reading): OK... Dear Ms. Green... yeah... yeah... yeah... No. (crumpes up letter)
Phoebe: Wow!
Rachel: What?
Phoebe: (reading): Your Visa bill is huge!
Rachel: (grabs the bill) Give me that!
(Camera cuts to Chandler and Ross at table.)
Chandler: You know, I can't believe you. Linda is so great! Why won't you go out with her again?
Ross: I don't know.
Chandler: Is this still about her whole 'The Flintstones could've really happened' thing?
Ross: No, it's not just that. It's just—I want someone who... who does something for me, y'know? Who gets my heart pounding, who... who makes me, uh... (begins to stare lovingly at Rachel)
Chandler: ...little playthings with yarn?
Ross: What?
Chandler: Could you want her more?
Ross: Who?
Chandler: (sarcastically) Dee, the sarcastic sister from Whats Happening.
Ross: Look, I am totally, totally over her, OK, I just... (Rachel comes over, Ross lays head on table): Hiiii!
Rachel: Hi! How are you?
Ross: We're fine, we're fine.
Rachel: OK. (walks away)
(Ross keeps staring at her, head on table. Chandler smacks him with a newspaper. Joey enters, Ross and Chandler laugh at him.)
Joey: Shut up!
Chandler: We're not—we're not saying anything.
Phoebe: What?
Ross: Uhhhh... Joey cried last night.
Joey: Thank you.
Chandler: (to the girls) We were playing poker, alright...
Joey: There was chocolate on the three. It looked like an eight, alright?
Ross: Oh, guys, you should've seen him. 'Read 'em and weep.'
Chandler: And then he did.
Rachel: Well, now, how come you guys have never played poker with us?
Phoebe: Yeah, what is that? Like, some kind of guy thing? Like, some kind of sexist guy thing? Like it's poker, so only guys can play?
Ross: No, women are welcome to play.
Phoebe: Oh, OK, so then what is it? Some kind of... you know, like, like... some kind of, y'know, like... alright, what is it?
Chandler: There just don't happen to be any women in our games.
Joey: Yeah, we just don't happen to know any women that know how to play poker.
Girls: Oh, yeah, right.
Monica: Oh, please, that is such a lame excuse!
Rachel: Really.
Monica: I mean, that's a typical guy response.
Ross: Excuse me, do any of you know how to play?
Girls: No.
Rachel: But you could teach us.
Guys: No.
[Scene: Monica and Rachel's, the guys are teaching the girls how to play poker.]
Chandler: (teaching) OK, so now we draw cards.
Monica: So I wouldn't need any, right? Cause I have a straight.
Rachel: Oh, good for you!
Phoebe: Congratulations!
(Microwave timer goes off. Monica gets up.)
Chandler: OK Phoebs, how many do you want?
Phoebe: OK, I just need two... the, um, ten of spades and the six of clubs.
Ross: No. No, uh, Phoebs? You can't—you can't do...
Rachel: Oh wait, I have the ten of spades! Here! (gives it to Phoebe)
Ross:
No, no. Uh... no, see, uh, you-you can't do that.
Rachel: Oh, no-no-no-no-no-no, that's OK, I don't need them. I'm going for fours.
Ross: Oh, you're... (gives up)
(Monica comes back to the table with plates of food.)
Monica: Alright, here we go. We've got salmon roulettes and assorted crudites.
Phoebe and Rachel: OOooooo!
Joey: Whoa, whoa, whoa, Monica, what're you doin'? This is a poker game. You can't serve food with more than one syllable. It's gotta be like chips, or dip, or pretz...(look of realization)
Chandler: (changing subject) OK, so at this point, the dealer...
Monica: Alright, you know, we got it, we got it. Let's play for real. High stakes... big bucks...
Ross: Alright, now, you sure? Phoebe just threw away two jacks because they didn't look happy...
Phoebe: But... I'm ready, so, just deal.
Chandler: OK, alright, last minute lesson, last minute lesson. (holds up two cards) Joey... three... eight. Eight... three. (Joey is unamused) Alright babe, deal the cards.
(Time lapse.)
Monica: (throws down her cards) Dammit, dammit, dammit!
Phoebe: (to Joey): Oh I see, so then, you were lying.
Joey: About what?
Phoebe: About how good your cards were.
Joey: Heh... I was bluffing.
Phoebe: A-ha! And... what is bluffing? Is it not another word for... lying?
Rachel: OK, sorry to break up this party, but I've got resumes to fax before work tomorrow... (gets up to leave)
Guys: Whoa, whoa, whoa!
Chandler: Rach, Rach, we gotta settle.
Rachel: Settle what?
Chandler: The... Jamestown colony of Virginia. You see, King George is giving us the land, so...
Ross: The game, Rachel, the game. You owe us money for the game.
Rachel: Oh. Right.
Joey: You know what, you guys? It's their first time, why don't we just forget about the money, alright?
Monica: Hell no, we'll pay!
Phoebe: OK, Monica? I had another answer all ready.
Monica: And you know what? We want a rematch.
Ross: Well that's fine with me. Could use the money.
Rachel: (to Ross): So basically, you get your ya-yas by taking money from all of your friends.
Ross: (pause)...Yeah.
Chandler: Yes, and I get my ya-yas from Ikea. You have to put them together yourself, but they cost a little less.
Ross: Look, Rachel, this is poker. I play to win, alright? In order for me to win, other people have to lose. So if you're gonna play poker with me, don't expect me to be a 'nice guy,' OK? Cause once those cards are dealt... (claps hands three times)
Joey: (pause)...Yeah?
Ross: I'm not a nice guy.
[Scene: Ross' apartment. Chandler and Joey are there. Ross enters with a pizza.]
Ross: Alright boys, let's eat.
Chandler: Oh, did you get that from the 'I Love Rachel' pizzeria?
Ross: You still on that?
Chandler: Oh, come on. What was with that whole Black Bart speech? (mimicking): "When I play poker, I'm not a nice guy!"
Ross: You are way off, pal.
Joey: No, I don't think so, see Ross, because I think you love her.
Ross: Um.... no. See, I might've had feelings for her at one time—not any more. I just—I...
(Marcel makes a screeching noise in background.)
Ross: Marcel! Where are you going with that disc?
(Marcel puts a CD in the player.)
Ross: You are not putting that on again! Marcel, OK—if you press that button, you are in very, very big trouble.
(The Lion Sleeps Tonight starts to play. Marcel starts to dance.)
[Scene: Monica and Rachel's, Rachel, Monica, and Phoebe are there.]
Rachel: (opening mail) Can you believe what a jerk Ross was being?
Monica: Yeah, I know. He can get really competitive.
Phoebe: Ha. Ha, ha.
Monica: What?
Phoebe: Oh, hello, kettle? This is Monica. You're black.
Monica: Please! I am not as bad as Ross.
Rachel: Oh, I beg to differ. The Pictionary incident?
Monica: That was not an incident! I-I was gesturing, a-and the plate slipped out of my hand.
Rachel: Oooooh. (reads letter) (surprised): Oh! I got an interview! I got an interview!
Monica: You're kidding! Where? Where?
Rachel: (in disbelief): Sak's... Fifth... Avenue.
Monica: Oh, Rachel!
Phoebe: Oh, it's like the mother ship is calling you home.
Monica: Well, what's the job?
Rachel: Assistant buyer. Oh! I would be shopping... for a living!
(Knock on door.)
Monica: OK, look. That is Aunt Iris. This woman has been playing poker since she was five. You gotta listen to every word she says. (opens door) Hi!
Aunt Iris: Is Tony Randall dead?
Rachel: No.
Monica: I don't think so.
Rachel: Why?
Aunt Iris: Well, he may be now, because I think I hit him with my car.
Monica: What?
Rachel: Oh my God!
Monica: Really?
Aunt Iris: No! That's bluffing. Lesson number one. (walks into kitchen) Let me tell you something... everything you hear at a poker game is pure crap. (to Phoebe): Nice earrings.
Phoebe: Thank y... (thinks about it)
Aunt Iris: Girls, sit down.
Monica: Uh, Aunt Iris? This is Phoebe, and that's Rachel...
Aunt Iris: Yeah, yeah, yeah, yeah, yeah, listen, I am parked at a meter. Let's do it.
[Scene: Ross's apartment, everyone but Rachel is seated around his table. The Lion Sleep Tonight plays in the background.]
Phoebe: Ross, could we please, please, please listen to anything else?
Ross: Alright.
(Ross shuts off the CD player. Marcel runs into the bedroom and slams the door.)
Ross: I'm gonna pay for that tonight.
(Knock on door. Ross opens it. Rachel enters.)
Rachel: Hi!
Ross: Hey.
Rachel: Guys! Guess what, guess what, guess what, guess what!
Chandler: Um, ok... the... the fifth dentist caved and now they're all recommending Trident?
Rachel: Noooo... the interview! She loved me! She absolutely loved me. We talked for like two and a half hours, we have the same taste in clothes, and—oh, I went to camp with her cousin... And, oh, the job is perfect. I can do this. I can do this well!
All: That's great! That's wonderful!
Rachel: Oh God, oh, and then she told the funniest story...
Monica: OK, great. You'll tell us and we'll laugh. Let's play poker.
Joey: Alright now listen, you guys, we talked about it, and if you don't want to play, we completely understand.
Chandler: Oh yes, yes, we could play some other game... like, uh, I don't know... Pictionary?
(The guys all duck under the table.)
Monica: Ha, ha, very funny, very funny. But I think we'd like to give poker another try. Shall we, ladies?
Phoebe and Rachel: Yes, we should. I think we should.
Ross: Uh, Rach, do you want me to shuffle those?
Rachel: No, no, thats OK. Y'know, I think I'm gonna give it a go.
Ross: Alright.
Rachel: Alright... (shuffles cards expertly, all the guys stare in amazement)
Commercial Break
[Scene: Ross's Apartment, continued from earlier.]
Ross: So, Phoebs owes $7.50, Monica, you owe $10, and Rachel, you owe fifteen big ones.
Joey: But hey, thanks for teachin' us Cross-Eyed Mary. You guys, we gotta play that at our regular game.
Phoebe: Alright, here's my $7.50. (Hands them the money) But I think you should know that this money is cursed.
Joey: What?
Phoebe: Oh, I cursed it. So now bad things will happen to he who spends it.
Chandler: That's alright, I'll take it. Bad things happen to me anyway. This way I can break 'em up with a movie.
Ross: Well, that just leaves the big Green poker machine, who owes fifteen...
Rachel: Mmm-hmmm. Oh, so typical. Ooo, I'm a man. Ooo, I have a penis. Ooo, I have to win money to exert my power over women. (hands over her money)
Monica: You know what? This is not over. We will play you again, and we will win, and you will lose, and you will beg, and we will laugh, and we will take every last dime you have, and you will hate yourselves forever.
Rachel: Hmm. Kinda stepped on my point there, Mon.
[Scene: Monica and Rachel's, everyone is there ready for another poker game.]
Ross: So, you gals wanna hand over your money now? That way, we don't have to go through the formality of actually playing.
Rachel: Ooooh, that's fine. We'll see who has the last laugh there, monkey boy.
Monica: OK, we done with the chit-chat? Are we ready to play some serious poker?
Phoebe: (holding a card and waving it in front of her face) Hey you guys, look, the one-eyed jack follows me wherever I go. (they look at her) Right, OK, serious poker.
(Ross gets up from the table.)
Monica: Excuse me, where are you going?
Ross: Uh... to the bathroom.
Monica: Do you want to go to the bathroom, or do you wanna play poker?
Ross: I want to go to the bathroom. (exits)
Joey: Alright, well, I'm gonna order a pizza. (gets up)
Rachel: Oh no-no-no-no-no, I'm still waiting to hear from that job and the store closes at nine, so you can eat then.
Joey: That's fine. I'll just have a Tic-Tac to hold me over.
Monica: Alright, Cincinnati, no blinds, everybody ante. (deals cards)
Phoebe: (looks at her cards) Yes! (everyone looks at her) .... or no.
(Ross comes back from bathroom.)
Ross: Alright. (to Rachel): Your money's mine, Green.
Rachel: Your fly is open, Geller. (he checks it, and zips up)
(Time lapse.)
Phoebe: You guys, you know what I just realized? 'Joker' is 'poker' with a 'J.' Coincidence?
Chandler: Hey, that's... that's 'joincidence' with a 'C'!
Joey: Uh... Phoebe? Phoebe?
Phoebe: Yeah. Um... I'm out. (throws in cards)
Rachel: I'm in.
Monica: Me too.
Joey: Me too. Alright, whattaya got.
Ross: Well, you better hop outta the shower, cause... I gotta flush. (lays down cards)
Rachel: Well, well, well, hop back in bucko, cause I got four sixes! (lays down cards) I won! I actually won! Oh my God! Y'know what? (collects chips) I think I'm gonna make a little Ross pile. (holds up a chip) I think that one was Ross's, and I think—oh—that one was Ross's. Yes! (Starts singing): Well, I have got your money, and you'll never see it...
(Ross stands up.)
Rachel: And your fly's still open...
(Ross looks down.)
Rachel: Ha, I made you look....
(Time lapse.)
Rachel: I couldn't be inner. Monica?
Phoebe: Monica, in or out?
Monica: (slams down cards) I hate this game!
(Joey slides a plate away from Monica towards Chandler, who hides it under the table.)
Phoebe: OK Joey, your bet.
Joey: Ahhh, I fold like a cheap hooker who got hit in the stomach by a fat guy with sores on his face. (the girls look at him, confused) Oh, I'm out.
Phoebe: Ross?
Ross: Oh, I am very in.
Phoebe: Chandler?
Chandler: Couldn't be more out. (throws in cards)
Phoebe: Me too. Rachel.
Rachel: Uh, I will see you... and I'll raise you. (throws chips in pot) What do you say... want to waste another buck?
Ross: No, not this time. (he folds) So... what'd you have?
Rachel: I'm not telling. (collects chips)
Ross: Come on, show them to me. (reaches for her cards, Rachel covers them up)
Rachel: No..!
Ross: Show them to me!
Rachel: Get your hands out of there! No!
Ross: Let me see! Show them!
Chandler: Y'know, I've had dates like this.
Rachel: (deals new hand) Boy, you really can't stand to lose, can you? Your whole face is getting red... little veins popping out on your temple...
Phoebe: Plus that shirt doesn't really match those pants.
(Ross is visibly upset.)
Ross: First of all, I'm not losing...
Rachel: Oh, you are losing. Definitely losing. (phone rings)
Ross: Let's not talk about losing. Just deal the...
Rachel: (answering phone) Hel-lo, Rachel Green.
Ross: (mimicking Rachel) Mee mee, mee-mee mee.
Rachel: (on phone) Excuse me. (covers up phone; to Ross) It's about the job.
(Rachel walks into kitchen to talk on the phone.)
Rachel: Barbara! Hi, how are you? (Listens) Uh-huh. (Listens) No, I understand. Yeah. Oh, oh, come on, no, I'm fine. Don't be silly. Yeah... oh, but you know, if-if anything else opens up, plea—Hello? Hello? (hangs up phone, very depressed)
(Rachel goes back and sits down. The rest don't know what to say.)
Monica: Sorry, Rach.
Phoebe: Y'know, there's gonna be lots of other stuff.
Rachel: Yeah...(sigh)....OK. Where were we? Oh, OK... five card draw, uh... jacks or better... nothing wild, everybody ante.
Joey: Look, Rachel, we don't have to do this.
Rachel: Yes, we do. (pause)
Monica: Alright, check.
Joey: Check.
Ross: I'm in for fifty cents. (throws it in)
Chandler: Call.
Phoebe: I'm in.
Rachel: I see your fifty cents... and I raise you... five dollars. (throws it in)
Ross: I thought, uh... it was a fifty cent limit.
Rachel: Well, I just lost a job, and I'd like to raise the bet five bucks. Does anybody have a problem with that?
(Everyone says no and folds, except for Ross, who thinks about it.)
Rachel: (to Ross): Loser?
(Chandler, Monica, Joey, and Phoebe back their chairs away from the table.)
Ross: No, I fold. (lays cards down, and gets up)
Rachel: What do you mean, you fold? Hey, come on! What is this? I thought that 'once the cards were dealt, I'm not a nice guy.' I mean, what, were you just full of it?
(Ross thinks it over, finally sits down and picks up his cards.)
Ross: I'm in. (throws in chips)
Rachel: How many you want?
Ross: One. (Rachel gives him the card.)
Rachel: Dealer takes two. (she deals herself two cards) What do you bet?
Ross: I bet two dollars. (throws it in)
Rachel: OK... see your two... and I raise you twenty. (throws it in)
Ross: I see your twenty, raise you twenty-five. (throws it in)
(The other four look amazed at the large pot.)
Rachel: See your twenty-five...and...uh, Monica, get my purse.
(Monica gets up, looks in Rachel's purse.)
Monica: Rachel, there's nothing in it.
Rachel: OK, then get me your purse.
(Monica gets Rachel her purse.)
Monica: OK, here you go. Good luck.
Rachel: (to Monica): Thank you. (to Ross): I saw your twenty-five, and I raise you... seven.
Phoebe: ...teen! (throws in a ten-dollar bill)
(Ross looks in his wallet, pulls out two dollars.)
Ross: (to Joey): Joey, I'm a little shy.
Joey: That's OK, Ross, you can ask me. What?
(Ross looks at Joey, dumbfounded at his stupidity.)
Chandler: (to Ross): What do you need, what do you need?
Ross: Fifteen.
Chandler: Alright, here's ten. (gives it to him)
Joey: Here, I got five, I got five. (Ross takes the money)
Ross: Thank you.
Chandler: Good luck.
Ross: (to Rachel): OK, I am calling your seventeen. What do you got?
(Long pause as they both look at each other.)
Rachel: (lays down cards) Full house.
(Ross stares at her. Thinks about it. Puts cards on table, face down.)
Ross: You got me.
(Monica and Phoebe get up and start celebrating in the kitchen, pouring wine and singing. Rachel, shocked, goes to join them.)
Joey: (to Ross): Ahhh, that's alright. Y'know, that's a tough hand to beat.
Chandler: (to Ross): I thought we had them!
Ross: Oh, well, when you don't have the cards, you don't have the cards, you know. (looks at Rachel) But, uh... look how happy she is. (smiles)
(Chandler and Joey look at her, and then look back at him. They dive for Ross's hand to see what he had, and he tries to stop them from looking.)
Closing Credits
[Scene: Monica and Rachel's, all six are playing Pictionary at Monica's apartment. Monica is drawing a picture, and the three guys are guessing. She draws what looks like an airplane.]
Chandler: Airplane! Airport! Airport '75! Airport '77! Airport '79!
(Timer goes off.)
Rachel: Oh, time's up.
Monica: (pointing at the drawing, upset) Bye... bye... BIRDIE.
Joey: Oh!
Phoebe: That's a bird?
(Monica glares at Phoebe.)
Phoebe: That's a bird!
(Monica sits, Rachel gets up.)
Rachel: OK, OK, it's my turn. (reads the answer)
Chandler: Go.
(Rachel starts drawing what looks like a bean.)
Ross: Uh.... bean! Bean!
(Rachel begins tapping the picture of the bean frantically.)
Joey: (triumphantly) The Unbearable Likeness of Being!
Rachel: Yes!
Monica: That, you get? That, you get?
(Monica picks up a glass to take a drink, everyone ducks as though she was about to throw it.)
End
글
(영화대본) 프랜즈 시즌1-19
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One Where the Monkey Gets Away
Written by: Jeffrey Astrof and Mike Sikowitz
Transcribed by: guineapig
{Transcriber's Note: The credits list two characters, Tia and Samantha, who I assume are the sweaty women Joey and Chandler meet. However, I don't know which is which, so I've simply called them Woman #1 and Woman #2.}
[Scene: Central Perk, Rachel is talking to a customer.]
Rachel: Okay, okay, I checked. We have: Earl Grey, English Breakfast, Cinnamon Stick, Camomile, Mint Medley, Blackberry, and.. oh, wait, there's one more, um.. Lemon Soother. You're not the guy that asked for the tea, are you? (Guy shakes his head) Okay.
Opening Credits
[Scene: Central Perk, Monica enters with some mail.]
Monica: Mail call, Rachel Green, bunk seven.
Rachel: Thank you. (Examines it) Oh, cool! Free sample of coffee!
Monica: Oh good! 'Cause where else would we get any?
Rachel: Oh. Right. ...Oh great.
Monica: What is it?
Rachel: Country club newsletter. My mother sends me the engagement notices for 'inspiration.' Oh my God! Oh my God, it's Barry and Mindy!
Monica: Barry who you almost...?
Rachel: Barry who I almost.
Monica: And Mindy, your maid of...?
Rachel: Mindy, my maid of. Oh!
Monica: (Takes it) That's Mindy? Wow, she is pretty. (Sees Rachel's look) Lucky. To have had a friend like you.
[Scene: Monica and Rachel's, Rachel and Ross are eating Chinese.]
Ross: Marcel. Bring me the rice, c'mon. Bring me the rice, c'mon. Good boy. Good boy. C'mere, gimme the rice. (Marcel brings the rice) Thank you, good boy. Well, I see he's finally mastered the difference between 'bring me the' and 'pee in the'. (Rachel ignores him) 'Bring me the' and- Rach?
Rachel: What?
Ross: Hi.
Rachel: Oh, I'm sorry. Oh, this is so stupid! I mean, I gave Barry up, right? I should be happy for them! I am, I'm happy for them.
Ross: Really.
Rachel: No. Oh, oh, I guess it would be different if I were- with somebody.
Ross: Whoah, uh, what happened to, uh, 'Forget relationships! I'm done with men!' The whole, uh, penis embargo?
Rachel: Oh, I don't know. I guess it's not about no guys, it's about the right guy, y'know? I mean, with Barry, it was safe and it was easy, but there was no heat. With Paolo, that's all there was, was heat! And it was just this raw, animal, sexual...
Ross: Wait-wait. I, I got it. I was there.
Rachel: Well, I mean, do you think you can ever have both? Y'know? Someone who's like, who's like your best friend, but then also can make your toes curl?
Ross: Yes. Yes. Yes! Yes, I really do! In fact, it's funny, very often, someone who you wouldn't think could-could curl your toes, might just be the one who...
(Enter the other four)
Monica: Hi.
Ross: ...Gets interrupted. Hi!
Rachel: Hi, how was the movie?
Monica: Wonderful!
Phoebe: So good!
Joey: Suck-fest.
Chandler: Toootal chick-flick.
Phoebe: I-I'm sorry it wasn't one of those movies with, like, y'know, guns and bombs and, like, buses going really fast...
Joey: Hey, I don't need violence to enjoy a movie. Just so long as there's a little nudity.
Monica: There was nudity!
Joey: I meant female nudity. Alright? I don't need to see Lou Grant frolicking.
Monica and Phoebe: Hugh! Hugh Grant!
Ross: Alright, I've gotta go. C'mon, Marcel! C'mon! We're gonna go take a bath. Yes we are, aren't we? Yes, we are.
Chandler: They're still just friends, right?
Rachel: (To Marcel) And I will see you tomorrow!
Ross: That's right, you're gonna spend tomorrow at Aunt Rachel's, aren't you.
Monica: Oh, hang on, hang on. Does Aunt Monica get a say in this?
Ross: 'Pwease, Aunt Monica, pwease?' Oh, unclench. You're not even gonna be there.
[Scene: Joe-G's Pizza, the guys are there.]
Chandler: I can't believe we are even having this discussion.
Joey: I agree. I'm, like, in disbelief.
Chandler: I mean, don't you think if things were gonna happen with Rachel, they would've happened already?
Ross: I'm telling you, she said she's looking for a relationship with someone exactly like me.
Joey: She really said that?
Ross: Well, I added the 'exactly like me' part... But she said she's looking for someone, and someone is gonna be there tonight.
Joey: 'Tonight' tonight?
Ross: Well, I think it's perfect. Y'know, it's just gonna be the two of us, she spent all day taking care of my monkey...
Chandler: I can't remember the last time I got a girl to take care of my monkey.
Ross: Anyway, I figured after work I'd go pick up a bottle of wine, go over there and, uh, try to woo her.
Chandler: Hey, y'know what you should do? You should take her back to the 1890's, when that phrase was last used.
[Scene: Monica and Rachel's, Rachel is taking care of Marcel and they are watching a soap opera.]
Rachel: Now, now the one in the feather boa, that's Dr. Francis. Now, she used to be a man. Okay, now look, see, there's Raven. We hate her. We're glad she's dying. Okay- (Marcel pushes down a cushion to reveal a shoe) Wh- wh- Marcel, are you playing with Monica's shoes? You know you're not supposed to pl- whoah. Marcel, did you poo in the shoe? (Takes the shoe into the kitchen) Marcel, bad monkey! Oh! Oh! (She notices the newsletter and taps the contents of the shoes onto it, then folds it shut) Sorry, Barry. Little engagement gift. I'm sure you didn't register for that. (She leaves the apartment holding the newsletter at arm's length. However, she leaves the door open. Marcel runs out in the opposite direction. There is a shot from the TV and Rachel runs back in) Who died? Who died? Roll him over! Oh, c'mon, roll him over! Oh...! Well, we know it wasn't Dexter, right Marcel? Because- (Looks down and notices he is missing) Marcel? Marc- (Notices the open door)
[Time lapse. Now everyone but Ross and Phoebe is back at Monica and Rachel's.]
Joey: How could you lose him?
Rachel: I don't know. We were watching TV, and then he pooped in Monica's shoe-
Monica: Wait. He pooped in my shoe? Which one?
Rachel: I don't know. The left one.
Monica: Which ones?
Rachel: Oh. Oh, those little clunky Amish things you think go with everything.
Phoebe: (Entering) Hey.
All: Hi.
Phoebe: Whoah, ooh, why is the air in here so negative?
Chandler: Rachel lost Marcel.
Phoebe: Oh no, how?
Monica: He- he pooped in my shoe.
Phoebe: Which one?
Monica: Those cute little black ones I wear all the time.
Phoebe: No, which one? The right or left? 'Cause the left one is lucky...
Rachel: C'mon, you guys, what're we gonna do, what're we gonna do?
Joey: Alright alright. You're a monkey. You're loose in the city. Where do you go?
Chandler: Okay, it's his first time out, so he's probably gonna wanna do some of the touristy things. I'll go to Cats, you go to the Russian Tea Room.
Rachel: Oh, my, God, c'mon, you guys! He's gonna be home any minute! He's gonna kill me!
Monica: Okay, we'll start with the building. You guys take the first and second floor, Phoebe and I'll take third and fourth.
Rachel: Well, what'm I gonna do? What'm I gonna do?
Monica: Okay, you stay here, and just wait by the phone. Spray Lysol in my shoe, and wait for Ross to kill you.
(They all leave)
Rachel: Anybody wanna trade? Oh...
[Cut to a hallway in the building, Monica and Phoebe are knocking on a door. Mr. Heckles emerges.]
Mr. Heckles: Whaddyou want?
Monica: Mr. Heckles, our friend lost a monkey. Have you seen it?
Mr. Heckles: I left a Belgian waffle out here, did you take it?
Monica: No!
Phoebe: Why would you leave your Belgian waffle in the hall?
Mr. Heckles: I wasn't ready for it.
Monica: A monkey. Have you seen a monkey?
Mr. Heckles: Saw Regis Philbin once...
Phoebe: Okay, thank you, Mr. Heckles. (They move off)
Mr. Heckles: You owe me a waffle.
[Cut to Monica and Rachel's.]
Rachel: (On the phone) Okay, he's a, he's a black capuchian monkey with a white face... (Enter Ross) ...with, with Russian dressing and, and pickles on the side. Okay. Thanks.
Ross: Hey. How did, uh, how'd it go today?
Rachel: Great! It went great. Really great. Hey, is that wine?
Ross: Yeah. You, uh, you want some?
Rachel: Oh, I would love some. But y'know what? Y'know what? Let's not drink it here. I'm feeling kinda crazy. You wanna go to Newark?
Ross: Uh, okay, yeah, we could do that, but before we head off to the murder capital of the North-East, I was, uh, kinda wanting to run something by you. Y'know how we were, uh, y'know, talking before about, uh, relationships and stuff? (Uncorks the wine) Well-
Rachel: Oh God, Ross, I cannot do this.
Ross: Okay, quick and painful. (Starts to cork the wine)
Rachel: Oh God... Okay. Alright. Alright. Okay. Ross, please don't hate me.
Ross: Oh, what? What-what?
Rachel: Y'know Marcel?
Ross: ...Yeah?
Rachel: Well, I kind of... I kind of lost him.
[Cut to outside the window, with Ross reacting with disbelief. The shot pans back until we see Marcel sitting on the window ledge.]
Commercial Break
[Scene: Monica and Rachel's, continued from earlier.]
Ross: (Angry) I- I- I ca- I can't believe this. I mean, all I asked you to do was keep him in the apartment.
Rachel: I know, I know, I'm sorry-
Ross: No, y'know what, I guess it's partially my fault. Y'know, I shouldn't've, uh, asked you to start off with a monkey. I should've started you off with like a pen or a pencil.
Rachel: (Tearfully) Ross, I'm doing everything that I can, I've got everybody looking for him, and I- (Door buzzer goes and she runs to get it) Oh! Who is it?
Intercom: Animal Control.
Rachel: See? I've even called Animal Control!
Ross: You called Animal Control?
Rachel: Uh-huh... why... do you not like them?
Ross: Marcel is an illegal exotic animal. I'm not allowed to have him in the city. If they find him, they'll take him away from me.
Rachel: O-okay, now see, you never ever ever told us that...
Ross: That's right, I.. 'cause I didn't expect you were gonna invite them to the apartment!
(A knock on the door. Rachel swiftly opens it)
Rachel: Hi, thanks for coming.
Luisa: (Animal Control) Somebody called about a monkey?
Rachel: Oh, y'know what? That was a complete misunderstanding! (Ross puts his arms around her and they act all sweetness and light)
Ross: Yeah, we thought we had a monkey, but we-we didn't.
Rachel: Turned out it was a hat.
Ross: Cat!
Rachel: Cat! What'm I saying? Cat!
(Luisa nods, but then Monica and Phoebe run in)
Monica: Hi. We checked the third and fourth floor, no-one's seen Marcel.
Luisa: Marcel?
Ross: My uncle Marcel.
Phoebe: Oh, is that who the monkey's named after?
Luisa: Oookay. Are you aware that possession of an illegal exotic is, uh, punishable by up to two years in prison and confiscation of the animal?
Phoebe: Oh my God. You'd put that poor little creature in jail?
Monica: Pheebs, you remember how we talked about saying things quietly to yourself first?
Phoebe: Yes, but there isn't always time!
Monica: Look. I'm sure there's some friendly way to reconcile this! Um, have a seat. First of all, we haven't been introduced, I'm Monica Geller.
Luisa: Oh my God, you are! And you're Rachel Green!
Rachel: Yeah!
Luisa: Luisa Gianetti! Lincoln High? I sat behind you guys in home room!
Rachel: Luisa? Oh my God! Monica! It's Luisa!
Monica: The Luisa from home room!
Rachel: Yes!!
Luisa: You have no idea who I am, do you.
Monica: No, none at all.
Rachel: None.
Luisa: Well, maybe that's because you spent four years ignoring me. I mean, would it have been so hard to say 'Morning, Luisa'? Or 'Nice overalls'?
Monica: Oh, I'm- I'm so sorry!
Luisa: Ah, it's not so much you, you were fat, you had your own problems. (To Rachel) But you? What a bitch!
Rachel: What?!
Monica: Be that as it may, d'you think you could just help us out here on that monkey thing? Y'know, just for old times' sake? Go Bobcats?
Luisa: I could... but I won't. If I find that monkey, he's mine. (Leaves)
Phoebe: Dun-dun-duuuur! Sorry.
[Cut to another part of the building. We see Marcel jump in through a window and run down some stairs, then Chandler and Joey come down from the upper floor without noticing.]
Chandler: Marcel?
Joey: Marcel?
Chandler: Marcel?
Joey: Marcel?
(They come to a door and silently agree to try it. A very sweaty woman emerges)
Woman No. 1: Hi, can I help you?
(Chandler and Joey are dumbstruck for a moment)
Chandler: Um, we're kind of having an emergency and we-we were looking for something...
Joey: A monkey.
Chandler: Yes have you seen any?
Woman No. 1: No. No, haven't seen a monkey. Do you know anything about fixing radiators?
Joey: Um, sure! Did you, uh, did you try turning the knob back the other way?
Woman No. 1: Of course.
Joey: Oh. Then, no.
(Another sweaty woman comes to the door and speaks to her friend)
Woman No. 2: Did I put too much rum in here?
(Joey and Chandler shoot each other glances)
Woman No. 1: Just a sec. (To Chandler and Joey) Hope you find your monkey. (She starts to shut the door)
Chandler: Oh, nononowaitwaitwaitnono! Uh... we may not know anything about radiators per se, but we do have a certain amount of expertise in the heating and cooling... mileu.
Joey: Uh, aren't we kind of in the middle of something here?
Chandler: Yes, but these women are very hot, and they need our help! And they're very hot.
Joey: We can't, alright? (To the women) We're sorry. You have no idea how sorry, but... We promised we'd find this monkey. If you see him, he's about yea high and answers to the name Marcel, so if we could get some pictures of you, you'd really be helping us out.
(The women quickly shut the door)
Chandler: Okay, from now on, you don't get to talk to other people.
Joey: Marcel?
Chandler: Marcel?!
[Cut to Monica and Phoebe searching the basement.]
Phoebe: Marcel?
Monica: Marcel?
Phoebe: Marcel?
Both: Marcel?
Phoebe: Oh-my-God!
Monica: Whaaat!
Phoebe: Something just brushed up against my right leg!
Monica: What is it?
Phoebe: Oh, it's okay, it was just my left leg.
(Marcel makes a monkeyish noise. He is sitting in the corner)
Monica: Look, Phoebe!
Phoebe: Yeah! Oh, c'mere, Marcel! Oh, Marcel, c'mere!
(Luisa appears on the stairs)
Luisa: Step aside, ladies! (She loads a gun)
Monica: What're you gonna do?
Luisa: Just a small tranquiliser.
(In slow motion we see Phoebe look at Marcel, then at Luisa. She jumps toward Marcel just as Luisa fires the gun.)
Monica: Run, Marcel, run! Run, Marcel! (Marcel runs off and Luisa runs after him. Monica goes to check up on Phoebe) Are you okay?
Phoebe: Yeah, think so. Oh! (She notices the tranquiliser dart has hit her in the butt and removes it) Huh. (Sways back) Whoah.
Monica: Oh gosh.
[Cut to Marcel walking along a hallway. He notices a banana on the floor and picks it up. The hand of an unseen person grabs him and carries him away. Then cut to Ross and Rachel on the street outside.]
Ross: Marcel?
Rachel: Marcel?
Ross: Marc- oh, this is ridiculous! We've been all over the neighbourhood. He's gone, he's-he's just gone.
Rachel: Ross, you don't know that.
Ross: Oh come on. It's cold, it's dark, he doesn't know the Village. (Kicks a sign in frustration) And now I have a broken foot. I have no monkey, and a broken foot! Thank you very much.
Rachel: Ross, I said I'm sorry like a million times. What do you want me to do? You want me to break my foot too? Okay, I'm gonna break my foot, right here. (Kicks the sign) Ow!! Oh! Oh my God, oh my God! There, are you happy now?!
Ross: Yeah, yeah. Y'know, now that you kicked the sign, hey! I don't miss Marcel any more!
Rachel: Y'know, it is not like I did this on purpose.
Ross: Oh, no no no. Nono, this is just vintage Rachel. I mean, things just sort of happen around you. I mean, you're off in Rachel-land, doing your Rachel-thing, totally oblivious to people's monkeys, or to people's feelings...
Rachel: Ross.
Ross: I don't even wanna hear it, you're just...
Rachel: Ross.
Ross: Oh, forget it, okay?
Rachel: Ross!
Ross: What? What?
(A man carrying a box of bananas walks past them. They stare for a minute and then hobble after him)
Both: Hey! Hey, Bananaman!
(Scene 4: Everyone in the hall outside Mr. Heckles' door. Ross is carrying the box of bananas. He bangs on the door)
Phoebe: Oh, this is so intense. One side of my butt is totally asleep, and the other side has no idea.
(Mr. Heckles opens the door)
Ross: Hi, did you order some bananas?
Mr. Heckles: What about it?
Ross: Gimme back my monkey.
Mr. Heckles: I don't have a monkey.
Rachel: Then what's with all the bananas?
Mr. Heckles: Potassium.
(There is a monkey-like noise from within and Ross pushes past Mr. Heckles and enters his apartment)
Ross: Marcel? Marcel? Okay, where is he? Where is he? Marcel? Marcel?
(Marcel jumps into view wearing a pink dress. Everybody gasps)
Ross: Marcel! What've you done to him?
Mr. Heckles: That's my monkey. That's Patti, Patti the monkey.
Ross: Are you insane? C'mere, Marcel, c'mon. (Marcel starts to go to him)
Mr. Heckles: C'mere, Patti. (Marcel turns round)
Ross: C'mere, Marcel. (Turns to Ross)
Mr. Heckles: C'mere, Patti. (Turns to Mr. Heckles)
Luisa: (Out of shot) Here, monkey. Here, monkey! Here, monkey! (Marcel runs to the door and into Luisa's cage, which she slams shut) Gotcha.
Ross: Okay, gimme my monkey back.
Mr. Heckles: That's my monkey.
Luisa: You're both gonna have to take this up with the judge.
Mr. Heckles: That's not my monkey. Just the dress is mine, you can send that back whenever.
Ross: Alright, I want my monkey.
Luisa: No!
Rachel: Oh, c'mon, Luisa!
Luisa: Sorry, prom queen.
Ross: (To Rachel) You had to be a bitch in high school, you couldn't've been fat.
Rachel: Alright. In high school I was the prom queen and I was the homecoming queen and the class president and you... were also there! But if you take this monkey, I will lose one of the most important people in my life. You can hate me if you want, but please do not punish him. C'mon, Luisa, you have a chance to be the bigger person here! Take it!
Luisa: Nope.
Rachel: Alright. Well then how about I call your supervisor, and I tell her that you shot my friend in the ass with a dart?
[Scene: Monica and Rachel's. Rachel and Ross are there. Ross is trying to get the dress off Marcel.]
Ross: It'll be nice to get this off finally, won't it? Yes it will. (Marcel resists) Or we can leave it on for now, that's fine.
Rachel: Y'know, with the right pair of pumps, that would be a great little outfit.
Ross: Listen, I'm- I'm sorry I was so hard on you before, it's just I...
Rachel: Oh, Ross, c'mon. It's my fault, I almost lost your...
Ross: Yeah, but you were the one who got him back, y'know? You, you were great. ...Hey, we uh, we still have that, uh, that bottle of wine. You in the mood for, uh, something grape?
Rachel: That'd be good.
Ross: Alright. (He goes to get the glasses. Then he hesitates and turns off the main light. Rachel looks round and he acts surprised) The, uh, the neighbours must be vacuuming. (He sits down and starts to pour the wine) Well, so long as we're here and, uh, not on the subject, I was thinking about, uh, how mad we got at each other before, and, um, I was thinking maybe it was partially because of how we, um...
(Barry bursts in)
Barry: Rachel.
Rachel: Barry?!
Barry: I can't. I can't do it, I can't marry Mindy. I think I'm still in love with you.
Ross and Rachel: Oh!
Ross: We have got to start locking that door!
Closing Credits
[Scene: Central Perk, Monica, Joey, Phoebe, and Chandler are looking through Monica's high school yearbook]
Monica: This is me in The Sound of Music. See the von Trapp kids?
Phoebe: Nope.
Monica: That's because I'm in front of them.
Chandler: Eh. I thought that was an alp.
Monica: Well, high school was not my favourite time.
Joey: I dunno, I loved high school. Y'know? It was just four years of parties and dating and sex.
Chandler: Yeah, well I went to boarding school with four hundred boys. Any sex I had would've involved a major lifestyle choice.
Monica: Gosh, doesn't it seem like a million years ago?
Phoebe: Oh. Oooh! Ooh! Ooh! (She stands up and starts to dance around) Ooh! My butt cheek is waking up! Oooh! Ooh!
End
글
(영화대본) 프랜즈 시즌1-20
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Evil Orthodontist
Written by: Doty Abrams
Transcribed by: guineapig
[Scene: Monica and Rachel's, everyone is there.]
Chandler: I can't believe you would actually say that. I would much rather be Mr.Peanut than Mr.Salty.
Joey: No way! Mr.Salty is a sailor, all right, he's got to be, like, thetoughest snack there is.
Ross: I don't know, you don't wanna mess with corn nuts. They're craaazy.
Monica: (looking out of the window) Oh my God. You guys! You gotta come see this! There's some creep out there with a telescope!
Ross: I can't believe it! He's looking right at us!
Rachel: Oh, that is so sick.
Chandler: I feel violated. And not in a good way.
Phoebe: How can people do that?... (All but Phoebe walk away from the window in disgust.) Oh, you guys, look! Ugly Naked Guy got gravity boots!
Opening Credits
[Scene: Central Perk, everyone but Rachel is there.]
Chandler: I am telling you, years from now, schoolchildren will study it as one of the greatest first dates of all time. It was unbelievable! We could totally be ourselves, we didn't have to play any games...
Monica: So have you called her yet?
Chandler: Let her know I like her? What are you, insane? (The girls make disgusted noises.) It's the next day! How needy do I want to seem? (To the guys) I'm right, right?
Joey and Ross: Oh, yeah. Yeah. Let her dangle.
Monica: I can't believe my parents are actually pressuring me to find one of you people.
Phoebe: Oh, God, just do it! (Grabbing the phone.) Call her! Stop being so testosteroney!
Chandler: Which, by the way, is the real San Francisco treat. (Calls her, then hurriedly hangs up.) I got her machine.
Joey: Her answer machine?
Chandler: No, interestingly enough her leaf blower picked up.
Phoebe: So, uh, why didn't you say anything?
Chandler: Oh, no-no-no-no. Last time I left a spontaneous message I ended up using the phrase "Yes indeedy-o."
Monica: Look look! It's Rachel and Barry. No, don't everybody look at once!
Ross: Okay, okay, what's going on?
Phoebe: Okay, they're just talking...
Ross: Yeah, well, does he look upset? Does he look like he was just told to shove anything?
Phoebe: No, no actually, he's smiling.. and... Oh my God, don't do that!!
Ross: What? What? What?!
Phoebe: That man across the street just kicked that pigeon! (Rachel enters.) Oh!
Chandler: (bluffing) And basically, that's how a bill becomes a law.
All: Oh!... Right!
Chandler: Hey Rach!
Monica: How'd it go?
Rachel: Y'know, it was, uh.. it was actually really great. He took me to lunch at the Russian Tea Room, and I had that chicken, where y'know you poke it and all the butter squirts out...
Phoebe: Not a good day for birds...
Rachel: Then we took a walk down to Bendall's, and I told him not to, but he got me a little bottle of Chanel...
Ross: That's nice... now, was that before or after you told him to stop calling, stop sending you flowers and to generally leave you alone, hmm?
Rachel: Right,.. well,.. we never actually got to that... Oh, it was just so nice to see him again, y'know? It was comfortable, it was familiar... it was just nice!
Ross: That's, that's nice twice!
Monica: Rachel, what's going on? I mean isn't this the same Barry who you left at the altar?
Joey: Duh, where've you been?
Rachel: Yeah, but it was different with him today! And he wasn't, like, Orthodontist Guy, y'know? I mean, we had fun! Is there anything wrong with that?
(Ross 'prompts' Chandler by hitting him on the arm.)
Chandler: Yes!
Rachel: Why?
Chandler: I have my reasons.
Monica: Okay, how about the fact that he's engaged to another woman, who just happens to be your ex-best friend?
Rachel: All right. All right, all right, all right, all right, I know it's stupid! I will go see him this afternoon, and I will just put an end to it!
[Scene: Barry's Office, the post-coital Barry and Rachel are recovering on the chair.]
Rachel: Wow... Wow!
Barry: Yeah.
Rachel: I'm not crazy, right? I mean, it was never like that.
Barry: Nooo, it wasn't.
Rachel: Ooh, and it's so nice having this little sink here...
[Scene: Monica and Rachel's, everyone is there except Rachel.]
Chandler: (on phone, reading from a script) Oh, Danielle! I wasn't expecting the machine... Give me a call when you get a chance. (Rattles some dishes) Bye-bye. (Hangs up.) Oh God!
Monica: That's what you've been working on for the past two hours?!
Chandler: Hey, I've been honing!
Ross: What was with the dishes?
Chandler: Oh, uh.. I want her to think I might be in a restaurant.. y'know? I might have some kind of life, like I haven't been sitting around here honing for the past few hours.
Monica: (looking out the window) Look look! He's doing it again, the guy with the telescope!
Phoebe: Oh my God! (Walks to the window) Go away! (Gesturing.) Stop looking in here!
Monica: Great, now he's waving back.
Joey: Man, we gotta do something about that guy. This morning, I caught him looking into our apartment. It creeps me out! I feel like I can't do stuff!
Monica: What kinda stuff?
Joey: Will you grow up? I'm not talking about sexy stuff, but, like, when I'm cooking naked.
Phoebe: You cook naked?
Joey: Yeah, toast, oatmeal... nothing that spatters.
(A pause as they look at Chandler.)
Chandler: What are you looking at me for? I didn't know that.
[Scene: Barry's Office, Rachel and Barry are getting married.]
Barry: What's the matter?
Rachel: Oh, it's just... Oh, Barry, this was not good.
Barry: No, it was. It was very very good.
Rachel: Well, what about Mindy?
Barry: Oh, way, way better than Mindy.
Rachel: No, not that, I mean, what about you and Mindy?
Barry: Well, if you want, I'll just—I'll just break it off with her.
Rachel: No. No-no-no-no, no. I mean, don't do that. Not, I mean not for me.
Bernice: (over intercom) Dr. Farber, Bobby Rush is here for his adjustment.
Barry: (into intercom) Thanks, Bernice. (To Rachel) Let's go away this weekend.
Rachel: Oh, Barry..! Come on, this is all way too..
Barry: We can, we can go to Aruba! When I went there on what would have been our honeymoon, it was, uh... it was really nice. You would've liked it.
(Pause as Rachel realises...)
Rachel: I had a bra.
(Barry finds it draped on a cupboard and gives it to Rachel, they kiss as Bobby enters.)
Bobby: Hey, Dr. Farber.
(Rachel and Barry quickly split and pretend Barry is examining Rachel's mouth.)
Barry: All right Miss Green, everything looks fine... Yep, I think we're starting to see some real progress here.
(Bobby looks on, deadpan.)
Rachel: What?!
Bobby: I'm twelve, I'm not stupid.
(Rachel glares at him.)
[Scene: Monica and Rachel's, Chandler enters clutching his phone.]
Chandler: Can I use your phone?
Monica: Yeah.. uh, but for future reference, that thing in your hand can also be used as a phone.
(Chandler dials his own phone and it rings.)
Chandler: Yes, it's working! Why isn't she calling me back?
Joey: Maybe she never got your message.
Phoebe: Y'know, if you want, you can call her machine, and if she has a lot of beeps, that means she probably didn't get her messages yet.
Chandler: Y'don't think that makes me seem a little...
Ross: ...desperate, needy, pathetic?
Chandler: Ah, you obviously saw my personal ad.
(He calls and quickly hangs up.)
Phoebe: How many beeps?
Chandler: She answered.
Monica: Y'see, this is where you'd use that 'hello' word we talked about.
Chandler: I'm not gonna talk to her, she obviously got my message and is choosing not to call me. Now I'm needy and snubbed. God, I miss just being needy.
(Rachel enters.)
All: Hey! Hi!
Phoebe: How'd he take it?
Rachel: Pretty well, actually... (Wandering into the kitchen.)
Monica: (wandering in after her) Uh, Rach... how come you have dental floss in your hair?
Rachel: Oh, do I?
Monica: Uh huh.
Rachel: (in a low voice) We ended up having sex in his chair.
Monica: You had sex in his chair?!... I said that a little too loudly, didn't I?
Ross: You-you had what?
Phoebe: Sex in his chair.
Ross: What, uh... what were you thinking?
Rachel: I don't know! I mean, we still care about each other. There's a history there. 'S'like you and Carol.
Ross: No! No no, it is nothing like me and Carol!
Rachel: Please. If she said to you, "Ross, I want you on this couch, right here, right now," what would you say?
(Ross flounders.)
Chandler: If it helps, I could slide over.
Ross: It's, it's, it's, uh, a totally diferent situation! It's, it's apples and oranges, it's, it's orthodontists and lesbi- I gotta go.
Phoebe: Where are you going?
Ross: (leaving) I just have to go, all right? Do I need a reason? Huh? I mean I have things to do with my life, I have a jam packed schedule, and I am late- for keeping up with it. Okay?
(Ross exits, a phone rings, and Chandler dives for his phone.)
Chandler: Hello? Hello?
(Rachel picks up their phone and the ringing stops. As she talks on the phone, an elaborate visual gag is spun out which is too difficult to describe in words.)
Rachel: (on phone) Hello?(Listens) Mindy! Hi! Hey, how are you? (Listens) Yes, yes, I've heard, congratulations, that is so great. (Listens) Really? (Listens) Oh. (Listens) Okay. Okay, well I'm working tomorrow, but if you want you can, you can, you can come by and... (Listens) Okay... (Listens) Great... (Listens) Great... (Listens) All right, so I'll, so I'll see you tomorrow! (Listens) Okay.. (Listens) Okay... (Listens) Bye. (Hangs up and sits down heavily.) Oh God. Oh God. Oh God.
Chandler: So how's Mindy?
Rachel: Oh, she wants to see me tomorrow...Oh, she sounded really weird, I gotta call Barry... (Does so, on phone) Hi, it's me, I just.. Mindy!! Mindy! Hi! No, I figured that's where you'd be!
Commercial Break
[Scene: Monica and Rachel's, the next morning. Chandler is sitting and staring at his phone. Monica enters and creeps up next to Chandler.]
Monica: Brrrrrrr!
(Chandler clutches at his phone before realising.)
Chandler: Hell is filled with people like you.
Joey: (entering) He's back! The peeper's back!
(Rachel enters from her room.)
Joey: (ducking) Get down!
Rachel: Get down?
Chandler: ...And boogie!
Rachel: Thanks, but I gotta go to work and get my eyes scratched out by Mindy.
Monica: Relax. Y'know, she may not even know.
Rachel: Please. I haven't heard from her in seven months, and now she calls me? I mean, what else is it about? Oh! She was my best friend, you guys! We went to camp together... she taught me how to kiss..
Joey: (intrigued) Yeah?
Rachel: And now, y'know, I'm like... I'm like the other woman! I feel so..
Joey: ..Naughty!
Rachel: Right, I'll see you guys later...
Joey: Oh, hold up, I'll walk out with you. Now, Rach, when she taught you to kiss, you were at camp, and.. were you wearing any kinda little uniform, or- (Rachel exits and slams the door in his face.) That's fine, yeah...
(Joey exits.)
Chandler: Okay, I'm gonna go to the bathroom. Will you watch my phone?
Monica: Why don't you just take it with you?
Chandler: Hey, we haven't been on a second date, she needs to hear me pee?
Monica: Why don't you just call her?
Chandler: I can't call her, I left a message! I have some pride.
Monica: Do you?
Chandler: No! (Calls) Danielle, hi! It's, uh, it's Chandler! (Listens) I'm fine. Uh, listen, I don't know if you tried to call me, because, uh, idiot that I am, I accidentally shut off my phone. (Listens) Oh, uh, okay, that's fine, that's great. (Listens) Okay. (Puts down the phone.) (to Monica) She's on the other line, she's gonna call me back. (He starts doing a little jig.) She's on the other line, she's gonna call me back, she's on the other line, gonna call me back...
Monica: Don't you have to pee?
Chandler: 'S'why I'm dancing...
[Scene: Central Perk, Rachel is serving coffee as Mindy enters.]
Rachel: Mindy.
Mindy: Hey, you.
Rachel: Hey, you.... So, what's up?
Mindy: Um.. we should really be sitting for this.
Rachel: Sure we should... So.
Mindy: Now, I know things've been weird lately, but you're like my oldest friend in the world... Except for maybe Laurie Schaffer, who I don't talk to anywhere, 'cause she's all bitter now that she lost the weight and it turns out she doesn't have a pretty face. ....Okay, I'm just gonna ask you this once, and I want a straight answer.
Rachel: Okay.
Mindy: Will you be my maid of honour?
Rachel: Of course!
Mindy: Oh that's so great!
Rachel: Was that all you wanted to ask me?
Mindy: That's all!
Rachel: Ohhhh!! (Mindy starts to sob.) ...What? What?
Mindy: That's not all.
Rachel: Oh sure it is!
Mindy: Oh no, it isn't! No! I think Barry is seeing someone in the city.
Rachel: Um, what- what would make you think that?
Mindy: Well, ever since we announced the engagement, he's been acting really weird, and then last night, he came home smelling like Chanel.
Rachel: (draws back) Really. Mindy, if it'll make you feel any better, when I was engaged to him he went through a whole weird thing too.
Mindy: Oh God! You see, that's what I was afraid of!
Rachel: What? What's what you were afraid of?
Mindy: Okay, okay... when Barry was engaged to you, he and I...kind of... had a little thing on the side.
Rachel: What?
Mindy: I know. I know, and when he proposed to me, everyone said "Don't do it, he's just gonna do to you what he did to Rachel," and now I feel so stupid.
Rachel: Uh... Oh, Mindy, you are so stupid. Oh, we are both so stupid.
Mindy: What do you mean?
Rachel: (offers her arm to Mindy and she sniffs) Smell familiar?
Mindy: Oh no.
Rachel: Oh, I am so sorry.
Mindy: No me, I am so sorry...
(They hug and Joey enters.)
Joey: (watches them for a while) Oh my.
[Scene: Monica and Rachel's, Phoebe and Ross are doing a crossword, Monica is cooking, and Chandler is still staring at his phone.]
Ross: Four letters: "Circle or hoop".
Chandler: Ring dammit, ring!
Ross: Thanks.
Joey: (entering) Hey, you know our phone's not working?
Chandler: What?!
Joey: I tried to call you from the coffee shop, and there was no answer.
Chandler: (investigating) I turned it off. Mother of God, I turned it off!
Monica: Just like you told her you did! (Chandler glares at her.) ... Just pointing out the irony.
Joey: Hey, so listen, I went across the street and talked to the doorman- I got the peeper's name! Can I use the phone?
Chandler: Nngghhh!!!!!!!
Joey: (to Monica) Can I use your phone? (On phone) Yeah, the number for a Sidney Marks, please.
Ross: "Heating device."
Phoebe: Radiator.
Ross: Five letters.
Phoebe: Rdtor.
Joey: (on phone) Yeah, is Sidney there? (Listens) Oh, this is? (To the gang) Sidney's a woman.
Monica: So she's a woman! So what?
Joey: Yeah. Yeah, so what? (On phone) Look, I live across the street, (walking to the window) and I know all about you and your little telescope, and I don't appreciate it, okay? (Listens) Yeah, I can see you right now! (Listens) Hello! (Listens) If I wanna walk around my apartment in my underwear, I shouldn't have to feel like—(Listens)—Thank you, but... that's not really the point... (Listens) The point is that... (Listens) Mostly free weights, but occasionally..
Monica: Joey!!
Joey: (on phone) Yeah, my neighbor... (Listens) Yeah, the brunette... (to Monica) She says you looked very pretty the other day in the green dress.
Monica: The green dress? Really?
Joey: Yeah, she said you looked like Ingrid Bergman that day.
Monica: (waves dismissively to Sidney) Nooo!
[Scene: Barry's Office, Barry is preparing his tools alone as Rachel enters.]
Rachel: Hey. Got a second?
Barry: Sure, sure. Come on... (Mindy enters) ...in...
Mindy: Hello, sweetheart.
Barry: Uh... uh... what're'you... what're'you guys doing here?
Rachel: Uh, we are here to break up with you.
Barry: Both of you?
Mindy: Basically, we think you're a horrible human being, and bad things should happen to you.
Barry: I'm sorry... I'm sorry, God, I am so sorry, I'm an idiot, I was weak, I couldn't help myself! Whatever I did, I only did because I love you so much!
Rachel: Uh- which one of us are you talking to there, Barr?
Barry: ....Mindy. Mindy, of course Mindy, it was always Mindy.
Rachel: Even when we were having sex in that chair?
Barry: (to Mindy) I swear, whatever I was doing, I was always thinking of you.
Rachel: Please! During that second time you couldn't have picked her out of a lineup!
Mindy: (to Rachel) You did it twice?
Rachel: Well, the first time didn't really count... I mean, y'know, 's'Barry.
Mindy: Okay...
Barry: (to Mindy) Sweetheart, just gimme- gimme another chance, okay, we'll start all over again. We'll go back to Aruba.
Bernice: (over intercom) Dr. Farber, we've got a bit of an emergency here...Jason Costalano is choking on his retainer.
Barry: Oh God... (Into intercom) I'll be right there, Bernice. (to Mindy) Look, please, please don't go anywhere, okay? I'll be, I'll be right back.
(Barry exits)
Rachel: Okay. Okay, we'll be here! Hating you! Did you see how he was sweating when he walked out of there? Listen honey, if I'm hogging the ball too much you just jump right in there and take a couple punches because I'm telling you, this feels great.
Mindy: Yeah... I'm pretty sure I'm still gonna marry him.
Rachel: What are you talking about?! Mindy, the guy is the devil! He's Satan in a smock!
Mindy: Look, I know he's not perfect, but the truth is, at the end of the day, I still really wanna be Mrs. Dr. Barry Farber, D.D.S.
Rachel: Oh God.
Mindy: I hope you can find some way to be happy for me. And I hope you'll still be my maid of honor...?
Rachel: And I hope Barry doesn't kill you and eat you in Aruba.
[Scene: Monica and Rachel's, Monica and Rachel are there.]
Monica: You okay?
Rachel: Yeah.
Monica: Really?
Rachel: Yeah! Y'know, ever since I ran out on Barry at the wedding, I have wondered whether I made the right choice. And now I know.
Monica: Aww... (They hug)
(Joey enters and looks on approvingly.)
Joey: Big day.
Closing Credits
[Scene: Central Perk, everyone is there.]
Joey: All right, I'll give you this, Mr. Peanut is a better dresser. I mean he's got the monocle, he's got the top hat...
Phoebe: You know he's gay?
Ross: I just wanna clarify this: are you outing Mr. Peanut?
Danielle: (entering) Chandler?
Chandler: Danielle! Hi! Uh- everybody, this is Danielle, Danielle, everybody.
All: Hi. Hi.
Chandler: What are you doing here?
Danielle: Well, I've been calling you, but it turns out I had your number wrong. And when I finally got the right one from Information, there was no answer. So I thought I'd just come down here, and make sure you were okay.
Chandler: ...I'm, I'm okay.
Danielle: Listen uh, maybe we could get together later?
Chandler: That sounds good. I'll call you- or you call me, whatever...
Danielle: You got it.
Chandler: Okay.
Danielle: G'bye, everybody.
All: Bye.
Phoebe: Whoo-hoo!
Monica: Yeah, there you go!
Ross: Second date!
Chandler: ...I dunno.
Rachel: You don't know?!
Chandler: Well, she seems very nice and everything, but that whole thing about her coming all the way down here, just to see if I was okay? I mean,... how needy is that?
(They all groan and hit him..)
End
글
(영화대본) 프랜즈 시즌1-21
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With The Fake Monica
Written by: Adam Chase and Ira Ungerleider
Transcribed by guineapig
[Scene: Monica and Rachel's, everyone is looking at papers.]
Joey: How could someone get a hold of your credit card number?
Monica: I have no idea. But look how much they spent!
Rachel: Monica, would you calm down? The credit card people said that you only have to pay for the stuff that you bought.
Monica: I know. It's just such reckless spending.
Ross: I think when someone steals your credit card, they've kind of already thrown caution to the wind.
Chandler: Wow, what a geek. They spent $69.95 on a Wonder Mop.
Monica: That's me.
Phoebe: Oh! The yuk! Ross, he's doing it again! (Points to a lamp which is shaking behind the sofa)
Ross: Marcel, stop humping the lamp! Stop humping! Now Marcel, come back- (Marcel runs toward Rachel's room) come here, Marcel-
Rachel: Oh no, not in my room! I'll get him.
Monica: Ross, you've got to do something about the humping.
Ross: What? It's, it's just a phase.
Chandler: Well, that's what we said about Joey...
Ross: Would you all relax? It's not that big a deal.
Rachel: (Out of shot) Stop it! Marcel! Bad monkey!
Ross: What?
Rachel: Let's just say my Curious George doll is no longer curious.
Opening Credits
[Scene: Monica and Rachel's, late at night Monica is still examining her bill as Rachel emerges from her room.]
Rachel: Oh, Monica. You are not still going over that thing.
Monica: This woman's living my life.
Rachel: What?
Monica: She's living my life, and she's doing it better than me! Look at this, look. She buys tickets for plays that I wanna see. She, she buys clothes from stores that I'm intimidated by the sales people. She spent three hundred dollars on art supplies.
Rachel: You're not an artist.
Monica: Yeah, well I might be if I had the supplies! I mean, I could do all this stuff. Only I don't.
Rachel: Oh, Monica, c'mon, you do cool things.
Monica: Oh really? Okay, let's compare, shall we.
Rachel: (Yawning) Oh, it's so late for 'Shall we'...
Monica: Do I go horseback riding in the park? Do I take classes at the New School?
Rachel: (Yawning) Nooo...
Monica: This is so unfair! She's got everything I want, and she doesn't have my mother.
[Scene: Central Perk, Joey and Chandler are discussing stage names.]
Chandler: How about Joey... Pepponi?
Joey: No, still too ethnic. My agent thinks I should have a name that's more neutral.
Chandler: Joey... Switzerland?
(The waitress brings their coffee.)
Joey: Plus, y'know, I think it should be Joe. Y'know, Joey makes me sound like I'm, I dunno, this big. (Waitress looks at him funny) Which I'm not.
Chandler: Joe...Joe...Joe...Stalin?
Joey: Stalin...Stalin...do I know that name? It sounds familiar.
Chandler: Well, it does not ring a bell with me...
Joey: (Writes it down) Joe Stalin. Y'know, that's pretty good.
Chandler: Might wanna try Joseph.
(Joey visibly thinks 'Of course!' and writes it down.)
Joey: Joseph Stalin. I think you'd remember that!
Chandler: Oh yes! Bye Bye Birdie, starring Joseph Stalin. Joseph Stalin is the Fiddler on the Roof.
[Scene: Monica and Rachel's, Monica is there as Phoebe and Rachel enter.]
Rachel: Hey.
Phoebe: Hey.
Monica: Hi. (On the phone) Hi, uh, yes, this is Monica Geller. Um, I believe I'm taking some classes with you and I was wondering what they were.
Phoebe: What are you doing?
Monica: (Hushes her) Alright, great. Thanks a lot. (Hangs up) I'm going to tap class.
Rachel: What, what, so that you can dance with the woman that stole your credit card?
Monica: This woman's got my life, I should get to see who she is.
Rachel: Go to the post office! I'm sure her picture's up! ...Okay, Monica, y'know what, honey, you're kinda losing it here! I mean, this is really becoming like a weird obsession thing.
Phoebe: This is madness. It's madness, I tell you, for the love of God, Monica, don't do it!! ...Thank you.
[Scene: A Tap Class, the girls are standing at the door.]
Monica: What d'you think?
Phoebe: Lotsa things.
(They go in and sit down.)
Rachel: Which one do you think she is?
(The teacher comes up to them.)
Teacher: May I help you?
Monica: Oh, no thanks, we're just here to observe.
Teacher: You don't observe a dance class. You dance
a dance class. Spare shoes are over there.
Rachel: What does she mean?
Phoebe: I think she means (Imitates) 'You dance a dance class'. Oh, c'mon, c'mon. (They put on some spare shoes)
Monica: Okay, d'y'see anybody you think could be me?
Teacher: (To the class) People! Last time there were some empty yoghurt containers lying around after class. Let's not have that happen again!
Rachel: She could be you.
(Music starts)
Teacher: Let's get started. Five, six, a-five six seven eight...
(Everyone starts to dance in unison. Monica flounders)
Monica: Okay, I'm not getting this!
Phoebe: (Dancing in a swirly, Phoebe kind of way) I'm totally getting it!
Monica: Did you ever feel like sometimes you are just so unbelievably uncoordinated?
(Rachel taps into view; she is in perfect sync with the rest of the class)
Rachel: What? You just click when they click.
Teacher: Alright people, now everyone grab a partner.
(The girls are unsure how to pair off. Phoebe settles it)
Phoebe: Okay. And, my, dead, mother, says, you, are, it. I'm with Rachel.
Monica: Great. It's gym class all over again.
Phoebe and Rachel: Aww.
Teacher: Well that's all right, you can come up to the front and dance with me.
Monica: Why don't I just take off my clothes and have a nightmare.
(She starts to walk very slowly toward the front of the room. The teacher grabs her hand and pulls her. Suddenly a woman bursts in)
Woman: It's okay, it's okay, I'm here, I'm here. Sorry I'm late, okay, here I am. Who's the new tense girl?
Teacher: She's your partner.
Woman: Hi. I'm Monica.
Monica: Oh. Monica! ...Hi. I'm Mo- ...nana.
Woman: (Fake Monica) Monana?
Monica: Yeah. It's Dutch.
Fake Monica: You're kidding! I-I spent three years in Amsterdam. (Asks her something in Dutch)
Monica: Um, Pennsylvania Dutch.
Teacher: And we're dancing. A-five, six, seven, eight...
[Scene: Central Perk, Ross is entering.]
Ross: (Mortified) Hi.
Chandler and Joey: Hey.
Joey: Where've you been?
Ross: At the vet.
Chandler: She's not gonna make you wear one of those big plastic cones, is she?
Ross: She says Marcel's humping thing's not a phase. Apparently he's reached sexual maturity.
Joey: (To Chandler) Hey! He beat ya.
Ross: She says as time goes on, he's gonna start getting agressive and violent.
Chandler: So what does this mean?
Ross: I'm gonna have to give him up.
Commercial Break
[Scene: Central Perk, scene continued from earlier. They guys are sitting there like the Three Monkeys.]
Joey: I can't believe it, Ross. This sucks!
Chandler: I don't get it, I mean, you just got him. How can he be an adult already?
Ross: I know. I know. I mean, one day, he's this little thing, and before you know it, he's this little thing I can't get off my leg.
Joey: Isn't there any way you can keep him?
Ross: No, no. The vet says unless he's in a place where he has regular access to some... monkey lovin,' he's just gonna get vicious. I've just gotta get him into a zoo.
Joey: How do you get a monkey into a zoo?
Chandler: I know that one! ...No, that's Popes into a Volkswagen.
Ross: Well, we're applying to a lot of them. Naturally our first choice would be one of the bigger state zoos, y'know, like, uh, San Diego... right? But that might just be a pipe dream, because, y'know, he's out of state. Uh, my vet, uh, knows someone at Miami, so that's a possibility.
Chandler: Yeah, but that's like two blocks away from the beach. I mean, it's a total party zoo.
(Phoebe, Monica, and Rachel enters.)
Phoebe: Hey. We found her, we found the girl.
Chandler: What?
Joey: Did you call the cops?
Rachel: Nope. We took her to lunch.
Chandler: Ah. Your own brand of vigilante justice.
Ross: What?! Are you insane? This woman stole from you. She stole. She's a stealer.
Monica: Y'know what? After you're with this woman for like ten minutes, you forget all that. I mean, she is this astounding person, with this, with this amazing spirit.
Ross: Yeah, which she probably stole from some cheerleader.
Chandler: ...Take off their hats!
Phoebe: Popes in a Volkswagen! ...I love that joke.
[Scene: Monica and Rachel's, Monica, Rachel and Fake Monica are there.]
Rachel: No way. No way did you do this.
Fake Monica: Monana was very brave.
Monica: It was so wild. We told them we were the Gunnersens in room six fifteen. Only to find out the Boston Celtics had taken over the entire sixth floor!
Fake Monica: So once they caught on to the fact that we're, y'know, short and have breasts...
Monica: ...They threw us out! I was thrown out of a hotel! Me!
Rachel: Go Monana! Well, you ladies are not the only ones living the dream. I get to go pour coffee for people I don't know. Don't wait up. (Exits)
Fake Monica: Oh, by the way, tomorrow we're auditioning for a Broadway show.
Monica: 'Scuse me?
Fake Monica: There's an open call for Cats. I'm thinking we go down there, sing Memories and make complete fools of ourselves. Whaddya say?
Monica: Nononononono. Think who you're dealing with here. I mean, I'm not like you. I-I can't even stand in front of a tap class.
Fake Monica: Well, that's just probably 'cause of your Amish background.
Monica: What?
Fake Monica: Well, you're Pennsylvania Dutch, right?
Monica: Right. Till I bought a blow dryer, then I was shunned.
Fake Monica: I-I used to be just like you. And then one day I saw a movie that changed my life. Did you ever see Dead Poets' Society?
Monica: Uh-huh.
Fake Monica: I thought that movie was so incredibly... boring. I mean, that thing at the end where the kid kills himself because he can't be in the play? What was that?! It's like, kid, wait a year, leave home, do some community theatre. I walked out of there and I thought, 'Now, that's two hours of my life that I'm never getting back.' And that thought scared me more than all the other crap I was afraid to do.
Monica: Wow. Then I would definitely not recommend Mrs. Doubtfire.
[Scene: Monica and Rachel's, tiem lapse. Everyone but Joey and Monica are there.]
Ross: (Reading letters) Oh God. (To Marcel) We didn't get into Scranton. (To the others) That was like our safety zoo. They take like dogs and cows. See? I don't know who this is harder on, me or him.
Phoebe: I'd say that chair's taking the brunt.
Ross: Marcel! Marcel! Marcel, no! Good boy. See, how can nobody want him?
Rachel: Oh, somebody will.
Joey: (entering) You know there already is a Joseph Stalin?
Chandler: You're kidding.
Joey: Apparently he was this Russian dictator who slaughtered all these people. You'd think you would've known that!
Chandler: Y'know, you'd think I would've.
Joey: Phoebe. Whaddyou think a good stage name for me would be?
Phoebe: ...Flame Boy.
[Scene: Central Perk, Ross is talking to Dr. Baldhara, a zookeeper.]
Ross: Where exactly is your zoo?
Dr. Baldhara: Well, it's technically not a zoo per se, it's more of an interactive wildlife experience. Let me ask you some questions about, is it, uh, Marcel?
Ross: Yes.
Dr. Baldhara: Does he, uh, fight with other animals?
Ross: No-no, he's, he's very docile.
Dr. Baldhara: Even if he were... cornered?
Ross: Well I, I don't know. Why?
Dr. Baldhara: Uh, how is he at handling small objects?
Ross: He can hold a banana, if that's whatcha mean...
Dr. Baldhara: How about a hammer, or a small blade?
Ross: Why- why- why would he need a blade?
Dr. Baldhara: Well, if he's up against a jungle cat or an animal with horns, you've got to give the little guy something. Otherwise it's just cruel.
(Chandler and Joey burst in, with Marcel)
Chandler and Joey: He- he- he got in, he- he got in to San Diego.
Joey: We, we come back from our walk and the- the phone was ringing...
Chandler: ...He's in.
Ross: He's in! Oh, did you hear that, Marcel? San Diego. San Diego!
Dr. Baldhara: You're making a big mistake here. I mean, San Diego's all well and good, but if you give him to me, I'll start him off against a blind rabbit and give you twenty percent of the gains.
[Scene: Monica and Rachel's, Rachel is dusting. She comes to the table, lifts all the magazines and wipes under them, then just puts them down again. Monica bursts in, obviously drunk.]
Monica: Yo- hooo!
Rachel: Where the hell've you been?
Monica: Monica and I just crashed an embassy party.
Rachel: Are you drunk?!
Monica: Noooo! (Comes closer and whispers) I'm lying. I am so drunk.
Rachel: Oh God, oh. Great, Monica, y'know what, you could've called, I have been up here, I've been worried...
(Monica is drinking from the tap)
Rachel: Monica? Monica!
Monica: Water rules!
Rachel: Yes, yes, it does. Okay, look, the restaurant called, they wanna know if you're gonna be showing up for work?
Monica: Nope. Going to the Big Apple Circus today.
Rachel: Okay Monica, what are you doing? You're gonna lose your job! This is not you!
Monica: No, it is me! Y'know, I'm not just the person who needs to fluff the pillows and pay the bills as soon as they come in! Y'know, when I'm with her, I am so much more than that. I'm- I'm Monana!
(The phone rings and Rachel answers)
Rachel: Hello? Yes, she is, hold on a second, please. Monana, it's for you, the credit card people.
Monica: Helloooo? Yeah. Oh my God. Thanks.
Rachel: What?
Monica: They've arrested Monica.
[Scene: New York City Department of Correction, Monica is visiting Fake Monica.]
Monica: Hi.
Fake Monica: Hey.
Monica: How are you?
Fake Monica: I'm not too bad. Fortunately, blue's my colour. How-how did you know I was here?
Monica: Because... I'm Monica Geller. It was my credit card you were using.
Fake Monica: That I was not expecting.
Monica: I want you to know, it wasn't me who turned you in.
Fake Monica: Oh. Thanks.
Monica: No, thank you! You have given me so much! I mean, if it wasn't for you, I would never have gotten to sing Memories on the stage at the Wintergarden Theater!
Fake Monica: Well, actually, you only got to sing 'Memo-'.
Monica: I just can't believe you're in here. I mean, what am I gonna do without you? Who's gonna crash the embassy parties with me? Who's gonna take me to the Big Apple Circus?
Fake Monica: Monica, I started my day by peeing in front of twenty-five other women, and you're worried about who's gonna take you to the Big Apple Circus?
Monica: Well, not... worried, just... wondering.
Fake Monica: There's nothing to wonder about, Monica. You're gonna go back to being exactly who you were, because that's who you are.
Monica: Not necessarily...
Fake Monica: Yes necessarily! I mean, I dunno what it is, maybe it's the Amish thing.
Monica: Um, I'm not actually Amish.
Fake Monica: Really? Then why are you like that?
[Scene: Tap Class, Monica is standing by the door.]
Teacher: You by the door. In or out?
Monica: In. (She joins in the dancing. She still flounders)
Teacher: You in the back, you're getting it all wrong!
Monica: Yeah, but at least I'm doing it!
[Scene: The Airport, everyone but Monica is there to see off Marcel.]
PA: This is the final boarding call for flight 67 to San Diego, boarding at gate 42A.
Phoebe: Okay. Good-bye, little monkey guy. Alright, I wrote you this poem. Okay, but don't eat it 'till you get on the plane.
Ross: Aww. Thank you, Aunt Phoebe.
Phoebe: Oh!
Chandler: Okay, bye, champ. Now, I know there's gonna be a lot of babes in San Diego, but remember, there's also a lot to learn.
Joey: I dunno what to say, Ross. Uh, it's a monkey.
Ross: Just, just say what you feel.
Joey: Marcel, I'm hungry.
Ross: That was good.
Rachel: (Brings Marcel a teddy bear) Marcel, this is for you. It's, uh, just, y'know, something to, um, do on the plane.
Ross: Uh, if you guys don't mind, I'd like to take a moment, just me and him.
All: Oh, sure. Sure, absolutely. (They just stand there, then realise what he means and go to the other end of the room)
Ross: Marcel, c'mere, c'mere. (He sits down and Marcel jumps down and sits beside him) Well buddy, this is it. There's just a coupla things I want to say. I'm really gonna miss you, and I'm never gonna forget about you. You've been more than just a pet to me, you've been more like a be- (Marcel climbs down and starts humping his leg) Okay, Marcel, please, could you leave my leg alone? Could you just stop humping me for two seconds?! Marcel, would- okay, just take him away. Just take him.
(Marcel is put in a cage and taken away.)
Closing Credits
[Scene: A Theater, there is a casting session going on for a play.]
Actor: (Very melodramatically, and very badly) Oh, that I were a glove upon that hand, that I might... touch thy cheek...
Casting Director No. 1: That's fine, thank you.
Casting Director No. 2: Next. (Joey walks onstage)
Joey: Hi, uh, I'll be reading for the role of Mercutio.
Casting Director No. 2: Name?
Joey: Holden McGroin.
End
글
(영화대본) 프랜즈 시즌1-22
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Ick Factor
Written by: Alexa Junge
Transcribed by: Mikael Hedberg
(Scene: Central Perk. Everyone is there.)
Monica: Tell him.
Rachel: No.
Phoebe: Tell him, tell him.
Monica: Just...please tell him.
Rachel: Shut up!
Chandler: Tell me what?
Monica: Look at you, you won't even look at him.
Chandler: (sarcastically) Oh, come on tell me. I could use another reason why women won't look at me.
Rachel: All right, all right, all right. Last night, I had a dream that, uh, you and I, were...
Phoebe: Doing it on this table. (points at the table)
Chandler: Wow!
Joey: Exellent dream score.
Ross: Why, why, why would you dream that?
Chandler: More importantly, was I any good?
Rachel: Well, you were pretty damn good.
Chandler: Interesting, cause in my dreams, I'm allways surprisingly inadequate. (Monica pats him on his lap)
Rachel: Well, last night you seemed to know your way around the table.
Ross: I love it, when we share.
(Ross goes over to the counter. Chandler follows him.)
Chandler: You're okay there?
Ross: I can't belive you two had sex in her dream.
Chandler: I'm sorry, it was a one-time-thing. I was very drunk and i was somebody else's subconscious.
Opening Credits
[Scene: Central Perk, continued from earlier, Chandler is sitting on the table.]
Chandler: Hello Rachel.
Rachel: Get off.
Phoebe: (points at Joey's pen) Uh, uh, gimme. Can you see me operating a drill press?
Joey: I don't know. What are you wearing?
(Chandler, Monica and Phoebe looks at him)
Ross: Pheebs, why would you want to operate a drill press?
Phoebe: Just for some short-term-work. You know, until I get back some of my massage clients.
Chandler: Pirates again?
Phoebe: No, nothing like that. I was just...such a dummie. I taught this "massage-yourself-at-home-workshop." And they are.
Joey: Hey, hey, Chan. She could work for you.
Chandler: (sarcasticly) Thanks Joey, that's a good idea.
Phoebe: What... I could, I could do it. What is it?
Chandler: Well, my secretary is gonna be out for a couple of weeks. She is having one of her boobs redused. (Ross looks at her.) It's a whole big boob story.
Phoebe: I could be a secretary.
Chandler: Well, you know Phoebs. I don't know if it's your kinda thing, because it involves a lot of being normal. For a large portion of the day.
Phoebe: I could do that.
(Ross's beeper goes off)
Rachel: What are you playing with?
Ross: Oh, it's my new beeper.
Joey: What the hell does a paleontologist need a beeper for?
Monica: Is it like for dinosaur emergencies. 'Help, come quick, they're still extinct.'
Ross: No, it's for when Carol goes into labor. She can get me wherever I am. I mean, all she has to do is to dial 55-JIMBO.
Chandler: A cool phone number, and a possible name for the kid.
Monica: All right, I'll see you guys later. (raises)
Rachel: Off to see young Ethan?
Monica: Thank you.
Joey: How young is young Ethan? Young?
Monica: He's... our age.
Chandler: When we were?
Monica: Okay, he's a senior in college.
Ross: College?
Chandler: Whoa! And this manchild has no problem with how old you are?
Monica: No, of course not. It's not even an issue. Cause I told him I was 22.
All: What?
Monica: Oh, I can't pass for 22?
Phoebe: Well, maybe 25-26.
Monica: I am 26.
Phoebe: There you go.
[Scene: Chandler's office, he and Phoebe are there when the phone starts ringing.]
Chandler: Can you hear that?
Phoebe: (plays with a thumbtack remover) Yeah?
Chandler: See that'll stop when you pick up the phone.
Phoebe: Oh. Uh, I'm on. (picks up the phone)
Phoebe: (with a deep voice) Mr. Bing's office. (Listens) No I'm sorry, he's in a meeting right now.
Chandler: I'm not in a meeting. I'm right... Whoops.
Phoebe: Will he know what this is in reference to? (Listens) And he has your number? (Listens) All right, I'll see that he gets the message. Bye bye.
Chandler: What?
Phoebe: Ross says hi.
Chandler: Ah!
Phoebe: This is so fun. All right, what do we do now?
Chandler: Well, now, I actually have to get to work.
Phoebe: Most likely. (raises and goes toward the door) Okay, I'm gonna be out there.
Chandler: Okay.
Phoebe: All right. Bye bye.
Chandler: Bye bye.
(The intercom buzzes)
Chandler: (answering it) Yes?
Phoebe: Whatcha doin'?
Chandler: Ooh. (leans against the desk)
[Scene: Monica and Rachel's, Monica and Rachel are there. Monica is just finishing cleaning the windows.]
Monica: Windows are clean, candels are lit. Uh, belt's to tight, gotta change the belt. Did I turn the fish? (goes over to the kitchen to check on the dinner) No, cause I made lasagne. (to Rachel) Am I out of control?
Rachel: Just a touch. Mon, I don't understand. I mean, you've been dating this guy since like, what... his midterms? I mean, why all the sudden are you so... Oh.
Monica: What?
Rachel: Could tonight be the Night?
Monica: I don't know. Look he's a great guy and I love being with him but... you know. Things happen, and they happen. You don't plan these things.
Rachel: So, did you shave your legs?
Monica: Yeah.
Rachel: A-ha!
[Scene: Central Perk. Joey and Ross are there.]
Joey: Would you let it go Ross. It was just a dream. It doesn't mean...
(Ross's beeper goes off)
Ross: Oh, oh. Oh, oh. Oh this is it. Oh my god it's baby time. Baby time.
Joey: All right, relax, relax. Just relax, just relax. Be cool, be cool.
(Ross dials a number on his cellular phone)
Ross: (on phone) Yeah, hi, I was just beeped. (pause) No, Andr� is not here. (to Joey) Third time today. (on phone) Yes, I'm sure... No, sir. I don't perform those kind of services.
Joey: Services? (Ross looks at him) Oh, services.
Ross: (on phone) Yeah, you want 55-JUMBO. Yeah, that's right. That's right, JUMBO with a U, sir. (pause) No, belive me, you don't want me. Judging by his number, I'd be a huge disappointment. (pause) All rightie, bye bye.
(Phoebe and Chandler enter)
Joey: Hey, hey. How was the first day?
Phoebe: Oh, exellent. Everyone was so, so nice.
Chandler: See, it pays to know the man who wears my shoes. (Joey and Ross wonder what he means) Me.
Phoebe: No, I didn't tell anybody that I knew you.
Chandler: Why not?
Phoebe: Oh, because, you know... they don't like you.
Chandler: What?!
Phoebe: I thought you knew that.
Chandler: Noho. Who doesn't they like me?
Phoebe: Everyone. Except for uh... no everyone.
Chandler: What are you talking about?
Phoebe: Don't feel bad. You know they used to like you a lot. But then you got promoted, and, you know, now you're like "Mr. Boss Man". You know, Mr. Bing. Mr. Bing, "Boss Man Bing".
(Joey and Ross laughs)
Chandler: I can't belive it.
Phoebe: Yeah, yeah. They even do you.
Chandler: They do me?
Phoebe: You know like... uh okay... uh... 'Could that report be any later?'
(Joey and Ross laughs)
Chandler: I don't sound like that.
Ross: Oh, oh Chandler...
Joey: Oh... Yeah, you do.
Ross: 'The hills were alive with the sound of music.'
(Phoebe, Joey and Ross laughs)
Joey: (reaches for hi scones) My scones.
Phoebe, Joey, and Ross: 'My scones.'
(Phoebe, Joey and Ross laughs again)
Chandler: Okay, I don't sound like that. That is so not true.
(Joey and Chandler laughs)
Chandler: That is so not... That is so not... That... Oh, shut up!
(Phoebe, Joey and Ross laugh)
[Scene: Monica and Rachel's, Monica and Young Ethan are sitting in the couch.]
Monica: Did not.
Young Ethan: I am telling you, up until I was, like nine, I thought that gunpoint was an actual place where crimes happen.
Monica: How was that possible?
Young Ethan: Well, think about it. It's always on the news. 'A man is being held up, at gunpoint.' 'Tourists are being terrorised, at gunpoint.' And I just kept thinking: why does people continue to go there? (He checks his watch.) Oh, ah. I should go.
Monica: Okay.
(They kiss)
Young Ethan: Okay.
Monica: Unless...
Young Ethan: What?
Monica: Uh, ah. Unless you wanna stay over? I mean, I'm going to, so...
Young Ethan: Yeah, I'd really like that.
(They kiss)
Young Ethan: Uuh, before we get into any staying-over-stuff, there is something you should know.
Monica: Okay, is this like 'I have an early class tomorrow' or 'I'm secretly married to a goat?'
Young Ethan: Well it's somewhere in between. You see, in a strictly technical sense, of course, I'm not uh..., well I, I mean I haven't ever uh...
Monica: Ethan?
Young Ethan: Yeah?
Monica: Are you a virgin?
Young Ethan: Well, if that's what you kids are calling it these days then, yes I am. I uh, I've kinda been waiting for the right person.
Monica: Really?
Young Ethan: Yeah. You do know I was talking about you, right?
(They kiss)
[Time lapse. They are now in Monica's bedroom, on the bed.]
Young Ethan: Wow!
Monica: You keep saying that.
Young Ethan: You know, you read about it, you see it in the movies. Even when you practice it at home, man oh man, it is nothing like that.
(They kiss)
Monica: Listen, uh, you told me something that was really difficult for you. And I, I-I figured if you could be honest, then I can to.
Young Ethan: Oh god, don't tell me, I did it wrong.
Monica: No-no. Nothing wrong about that.
Young Ethan: Oh.
Monica: Um, okay, here it goes. I'm not 22. I'm, I'm 25... and thirteen months.
Young Ethan: Huh!
Monica: But I figured, you know, that shouldn't change anything. I mean, what the hell does it matter how old we are.
(They kiss)
Young Ethan: Uh, listen um, as long as we're telling stuff, uh, I have another one for you. I'm a little younger than I said.
Monica: You're not a senior?
Young Ethan: Oh, I'm a senior... in High School.
Monica: Ok...ay.
Commercial Break
[Scene: Monica's Bedroom, continued from earlier.]
Monica: What we did was wrong. Oh god, I just had sex with somebody that wasn't alive during the Bicentennial.
Young Ethan: I just had sex.
Monica: Ethan, focus. How could you not tell me?
Young Ethan: Well, you never told me how old you were.
Monica: Well, that's different. My lie didn't make one of us a felon in 48 states. What were you thinking?
Young Ethan: I wasn't thinking. I was too busy fallin'...
Monica: Don't say it. (closes Ethan's mouth with her hand)
Young Ethan: ...in love with you.
Monica: Really?
Young Ethan: (nods) Sorry.
Monica: Well,fall out of it. You know, you shouldn't even be here, it's a school night. Oh god, oh god. I'm like those women that you see with shiny guys named Chad. I'm Joan Collins.
Young Ethan: Who?
[Scene: Monica and Rachel's, everyone exept Monica is there.]
Ross: (on phone) Okay, Andr� should be there in like 45 minutes. All rightie, bye bye. (to Phoebe) Just easier that way.
Chandler: Oh, come on. You told me about the last dream.
Rachel: No, forget it.
Chandler: Oh, why not. Was I doing anything particularly... saucy?
Rachel: All right, fine. Um, you were not the only one there. (Camera fades to Ross, who's listening very carefully) Joey was there too.
Joey: All right. (Moves closer.)
Ross: Was there...uh, huh, huh, huh... andybody, anybody else there.
Rachel: No.
Ross: You're sure? Nobody uh, handed out uh, mints or anything?
Rachel: No, it was just the three of us.
Ross: Huh!
Joey: So, tell me. Was it like you and Chandler, and then you and me, or you and me and Chandler?
Rachel: (laughs) You know what?
Joey: What?
Rachel: There were times when it wasn't even me.
(Chandler and Joey laughs, until they look at each other then recoil in horror.)
Phoebe: That is so sweet, you guys. (hugs them)
(Monica enters, wearing a walkman, so she doesn't hear what the others say)
Ross, Rachel, and Phoebe: Hey, Mon.
Rachel: Mon, Ethan called again. Mon?
All: (shouting) Mon!
(Monica takes of her walkman)
Monica: What?
Rachel: Ethan called again.
Monica: Oh.
Ross: Are you not seeing him anymore?
Monica: No. You know, sometimes just things doesn't work out.
Chandler: And this has nothing to do with the fact that he needs a note to get out of gym.
(Monica stares at Rachel)
Rachel: I, I didn't say any... I sw... I did not say anything, I swear. He stopped by.
Joey: Listen, the next time you talk to him, can you ask him which one the strongest Power Ranger is?
(Ross and Chandler laughs)
Ross: Oh, yeah.
Monica: Ha,ha, ha, oh my life is just so amusing. Could we drop it now?
Joey, Chander, and Ross: Sorry.
Ross: It's morphin time!
Joey: Stegosaurus!
Chandler: Tyrannosaurus!
(They all cross they're arms like the Power Rangers do)
Phoebe: Ooh, oh, I've gotta go. (raises) Whoa, oh, head rush. One more, and then I have to go. (sits down, and then raises again) Cool!
Rachel: Where are you going?
Phoebe: Um, oh, I've got a birthday party, with some work people.
Chandler: Work people? Nobody told me.
Phoebe: No, I know. That's a part of the whole, you know, them-not-liking-you-extravaganza.
Chandler: You know, I don't get this. A month ago, these people were my friends. You know, just because I'm in charge doesn't mean I'm a different person.
Phoebe: Well, then you should come tonight. You know, just hang out with them. Let them see what a great guy you still are.
Chandler: You think I should?
Phoebe: I really do, yeah.
Chandler: Okay.
Phoebe: Okay.
Chandler: Okay.
Phoebe: Oh, but, could we not go together? I,I don't wanna be the geek that invited the boss.
[Scene: Chandler's office, he and Phoebe are taking a break from work.]
Chandler: I Think last night was great. You know, the Karaoke thing. Tracy and I doing Ebony and Ivory.
Phoebe: You were great. But they still made fun of you.
Chandler: What?
Phoebe: You know, now you're more like, you know like, "Mr. Caring Boss," "Mr.", you know, "I'm one of you, Boss," "Mr., I wanna be your buddy, Boss Man Bing!"
Chandler: Then, I don't get it.
Phoebe: Well, you know what Chandler? I think you've gotta face it. You're like, the guy in the big office, you know. You're the one that hires them, that fires them... They still say you're a great boss.
Chandler: They do?
Phoebe: Uh huh. But they're not your friends anymore.
Chandler: I just wan't to...
Phoebe: No, but you can't.
Chandler: But I just wa...
Phoebe: Uh uh.
[Scene: Central Perk. Everyone exept Phoebe and Chandler is there. Ross's beeper goes off and everyone exept him react.]
Monica: Aren't you gonna...
Ross: Oh, Carol and I have a new system. If she punches in 911, it means she's having a baby, otherwise I just ignore it.
Joey: What about Andr�?
Ross: Oh, well this morning he got a call from who I think was our cousin Nathan, and frankly, it was a little more than I needed to know.
(Ethan enters)
Young Ethan: Hey.
Monica: That was gonna be my opener.
Rachel: (understands that Monica and Ethan wanna be alone) Hey, did you guys check out those new hand-dryers in the bathroom?
Ross: I thought that was just a rumour.
Rachel: True story.
Joey: They're here already?
(Rachel, Ross and Ross go to the bathroom)
Young Ethan: All right, look. I've gotta tell you something. I'm not 17. I only said so that you'd think I was cute and vunerable. I'm actually 30, I have a wife, I have a job, I'm your Congressman. Monica, this is ridiculous, we're great together. We can talk, we make each other laugh, and the sex. Oh, man, okay i have no frame of graft, but I thought that was great.
Monica: It was.
Young Ethan: Then, what's the problem?
Monica: Ethan, it's um... it's icky.
Young Ethan: Icky? You're actually gonna throw this away because it's icky?
Monica: This isn't easy for me either. I wish things were different, I... If you were a few years older, or if I was a few years younger, or if we lived in biblical times, I would really...
Young Ethan: No, don't say it. (closes Monica's mouth with his hand)
Monica: ...love you.
(Ross, Rachel and Joey come back from the bathroom. They discover that Monica and Ethan aren't finished talking to each other yet.)
Ross: Are you're hands still wet?
Joey: Uh, moist, yeah.
Rachel: Let's dry 'em again.
(They go to the bathroom again)
[Scene: A hall on the floor where Chandler works. Chandler and Phoebe enters, and overhears some employees's conversation. One of them is doing Chandler.]
Gerston: Uh, like, could these margaritas be any stronger? (They discover that Chandler is listening) Hey, Chandler.
Santos: Hello, Mr. Bing.
Petrie: Loved your Stevie Wonder last night.
Chandler: Thanks. Listen, about the weekly numbers, I'm gonna need them on my desk by nine o'clock.
Santos: Sure.
Gerston: No problem.
(They go away, trying very hard not to laugh at Chandler)
Chandler: You have to give 'em something, you know. Okay, now that was Gerston, Santos, and who's the guy with the moustache?
Phoebe: Petrie.
Chandler: Petrie, right, right. Okay, some people gonna be working this weekend.
[Scene: Monica and Rachel's, Ross is watching TV, but turns it off, and Rachel is sleeping on the couch. Ross puts a blanket over her.]
Rachel: (talking in her sleep) Oooooooooh. (Rachel strokes her hand over the pillow. Ross mimicks her silently) Oh, that's nice. Oh, oh. Huh, Ross!
(Ross gets all excited and starts to dance on the coffee table, but slips allmost immediatly, and falls onto the couch. Rachel wakes up.)
Rachel: Ross?
Ross: I'm here.
Rachel: You are. Well, um... We, we, we were just... Wow!
Ross: What? (his beeper goes off) Great, now I'm having a baby.
Rachel: What?
Ross: Ooh, Ooh.
Rachel: What?
Ross: I'm having... I'm having a baby. (jumps back onto the table again) I'm having a... Where's the phone? The phone?
Rachel: I don't know where the phone is.
(Ross runs from the table, over the couch but slips and falls onto the floor)
Rachel: Ross?
Ross: I'm hurt.
Closing Credits
[Scene: The Hallway, Ross is eagerly waiting for the others to get ready, to go to the hospital.]
Ross: Monica, let's go. Come on now people, woman in labor.
(Chandler struts out from his apartment)
Chandler: (doing a little dance) Hey Ross, look what I've got going here.
Ross: Yeah, save it for the cab, okay.
(Rachel comes out from their apartment with a mirror and a lipstick in her hands)
Ross: What are you doing? We're going to a hospital.
Rachel: What, so I can't lokk nice? There might be doctors there.
Ross: Joey, get out of the fridge.
Joey: All right, all right. (he comes out from their apartment with a huge sandwich in his hand)
Ross: What is that? (refering to the sandwich)
Joey: For the ride.
Chandler: Yeah, like in a cab...
Ross: Save it.
Chandler: Okay, hating this.
Ross: Monica, come on now. Let's go, baby coming.
(Monica enters from their apartment, crying)
Monica: I can't belive it, I'm gonna be an aunt. I'm gonna have like a nephew.
Ross: That's nice. Get out Let's go, come on.
Joey: All right, I'm going. I'm going.
(They all go down the stairs, but Ross turns around, looking like his in a coma. The others also turns around to get him.)
Chandler: Here we go, here we go.
Rachel: Rossy, Rossy.
End
글
(영화대본) 프랜즈 시즌1-23
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One With the Birth
Story by: David Crane & Marta Kauffman
Teleplay by: Jeff Greenstein & Jeff Strauss
Transcribed by: Mindy Mattingly Phillips
Minor additions and adjustments by: Dan Silverstein
[Scene: The hospital, Ross, Rachel, Chandler, Joey, and Monica are in the waiting room, waiting for Carol and Susan to arrive.]
Ross: She's not here yet. She's not here. She's having my baby and she's not here.
Monica: I'm sure everything's fine. Has her water broke yet?
Ross: I don't know, but when I spoke to her, she said she had already passed the mucus plug.
(Joey makes a sound of absolute disgust.)
Joey: Do we have to know about that?
Monica: Joey, what are you gonna do when you have a baby?
Joey: I'm gonna be in the waitin' room, handing out cigars.
Chandler: Yes, Joey's made arrangements to have his baby in a movie from the 50's.
Ross: God, I don't believe this. She could be giving birth in the cab.
Rachel: Oh, Ross, relax. It's probably like two dollars for the first contraction, and then fifty cents for each additional contraction.
(Everyone looks at Rachel as though she made a tasteless comment.)
Rachel: What, it's ok when Chandler does it?
Chandler: You have to pick your moments.
(Phoebe arrives, guitar in hand.)
Phoebe: Did I miss it, did I miss it?
Ross: She's not even here yet.
Monica: What's with the guitar?
Phoebe: I just thought we might be here for awhile. You know, things might get musical.
(Carol and Susan arrive.)
Ross: (to Carol) Where the hell have you been?
Susan: We stopped at the gift shop.
Carol: I was looking at stuffed animals, and Susan wanted a Chunky.
Ross: Susan wanted a Chunky. We're having a baby, ok, a baby, you don't stop for Chunkys.
Chandler: I used to have that bumper sticker.
(Everyone is amused by Chandler's comment.)
Chandler: (to Rachel) You see what I mean.
Opening Credits
[Scene: Carol's Hospital Room, Carol is on the bed, Ross and Susan are at her side.]
Ross: Stopped for a Chunky.
Carol: Let it go, Ross.
Susan: I got an extra one. You want this? (holds the candy in front of Ross' face)
Ross: (weakly) No.
(Carol's doctor, Dr. Franzblau arrives.)
Dr. Franzblau: Hey, how's my favorite parenting team doing?
Ross: Dr. Franzblau, hi.
Dr. Franzblau: So, I understand you're thinking of having a baby? Well, I see you're nine months pregnant. That's a good start. How you doing with your contractions?
Carol: Oh, I love them. Each one's like a little party in my uterus.
Susan: They're every four minutes and last 55 seconds.
Ross: 59 seconds. (holds up his watch) Quartz, ha.
Susan: Swiss quartz, ha, ha.
Carol: Am I allowed to drink anything?
Dr. Franzblau: Ice chips, just ice chips. They're at the nurses' station.
Ross: I'll get it.
Susan: No, I'm getting it. I'll be right back.
Ross: I got it—I'm getting it!
(They both leave just as Rachel enters the room, holding a cup.)
Rachel: Hi, I thought you might like some ice chips.
Carol: Thanks.
Rachel: And if you need anything else, I—(notices the handsome Dr. Franzblau)—do not believe we've met. Hi. I'm, uh, Rachel Green. I'm Carol's... ex-husband's... sister's roommate.
Dr. Franzblau: It is nice to meet you. I'm Dr. Franzblau. I'm your roommate's... brother's... ex-wife's obstetrician.
Rachel: Oh, that's funny!
[Scene: The Waiting Room, Chandler is falling asleep on Monica's shoulder.]
Monica: I want a baby.
Chandler: Mmmm. Not tonight, honey. I got an early day tomorrow.
Monica: Get up. Come on. Let's get some coffee.
Chandler: Oh, ok, 'cause we never do that.
(Chandler and Monica leave. Cut to Joey, watching the Knicks/Celtics game on television.)
Joey: (to the screen) Shoot! Shoot! Shoot! Shoot, or just fall down. That's good too.
(A young pregnant woman enters.)
Lydia: Knick fan?
Joey: Oh, yeah.
Lydia: Oh, boy, do they suck.
Joey: Hey, listen, lady....(sees that she's pregnant)...whoa.
Lydia: Look, look at your man, Ewing. Nice shot. You know what, he couldn't hit water if he was standing on a boat.
Joey: Oh yeah? And who do you like?
Lydia: The Celtics.
Joey: The Celtics? Ha. They couldn't hit a boat if...wait. They suck, alright?
Lydia: Oh, shut up. You know, it's a rebuilding year. You... waah!
Joey: Wha? Wha..aa? Let me get the father. Hey, we need a father over here! We need a father!
Lydia: There is no father.
Joey: Oh, oh, oh, sorry.
Lydia: Ok, that's ok. I'm fine. I'm... oh!
Joey: Oh, uh, ok. Right this way. All the other pregnant women seem to be goin' in here.
Lydia: Ok.
(Joey accompanies Lydia to a hospital room.)
[Scene: The Waiting Room, Phoebe is playing a song. Chandler, Monica, and Ross are there as well.]
Phoebe: (singing)
They're tiny and chubby and so sweet to touch,
and soon they'll grow up and resent you so much.
Now they're yelling at you and you don't know why,
you cry and you cry and you cry.
And you cry and you cry and you cry...
(Ross gives Phoebe a dollar.)
Phoebe: Thanks, Ross.
Ross: Yeah. I'm paying you to stop.
Phoebe: Ok.
(A woman passes by, carrying newborn twins.)
Phoebe: Oh, look, twins. Hi, guys. Oh, cute, cute.
Monica: No fair. I don't even have one. How come they get two?
Chandler: You'll get one.
Monica: Oh yeah? When?
Chandler: All right. I'll tell you what. When we're 40, if neither one of us are married, what do you say you and I get together and have one?
Monica: Why won't I be married when I'm 40?
Chandler: Oh, no, no. I just meant hypothetically.
Monica: Ok, hypothetically, why won't I be married when I'm 40?
Chandler: No, no, no.
Monica: What is it? Is there something fundamentally unmarriable about me?
Chandler: (trapped) Uh, uh.
Monica: Well?
Chandler: Dear God! This parachute is a knapsack! (throws himself over the back of the chair he was sitting in)
(Rachel enters, in a formal dress.)
Rachel: Hey.
Phoebe: Hey. Ooh, look at you, dressy-dress.
Monica: Did you go home and change?
Rachel: Yeah, well, it's an important day. I wanna look nice. Um, has uh Dr. Franzblau been by?
Monica: No, I haven't seen him.
Rachel: Well, where is he? He is supposed to be here. (Pause) What if the baby needs him?
Chandler: Rachel, what is the deal with you and doctors, anyway? Was, like, your father a doctor?
Rachel: Yeah, why?
Chandler: No reason. (turns around, makes an 'Oh my God' gesture with his eyes)
[Scene: Joey and Lydia in the hospital room. Lydia is on the phone with her mother.]
Lydia: Mom, we've been through this. No, I'm not calling him. I don't care if it is his kid, the guy's a jerk. No, I'm not alone. Joey's here. (pause) What do you mean, Joey who? (covers the phone, to Joey) Joey who?
Joey: Tribbiani.
Lydia: Joey Tribbiani. Yes, ok. Hold on. (to Joey) She wants to talk to you. Take the phone.
Joey: (takes phone) Hi, yeah, it's me. (Listens) Oh, no no no, we're just friends. (Listens) Yeah, I'm single. (Listens) 25. (Listens) An actor. (Listens) Hello?
Lydia: She's not much of a phone person.
Joey: Yeah, so, uh, so, uh, what's the deal with this father guy, I mean, if someone was havin' my baby somewhere, I'd wanna know about it, you know?
Lydia: Hey, Knick fan, am I interested in your views on fatherhood? Uh, no.
Joey: Ok, look, maybe I should just go.
Lydia: Maybe you should.
Joey: Good luck, and uh, take care, huh?
(He leaves, but then returns a moment later.)
Joey: You know what the Celtics problem is? They let the players run the team.
Lydia: Oh, that is so not true.
Joey: Oh, it is.
Lydia: It isn't.
Joey: It is.
Lydia: Isn't!
[Scene: Carol's Hospital Room, Ross and Susan are coaching Carol.]
Ross: Breathe.
Susan: Breathe.
Ross: Breathe.
Susan: Breathe.
Ross: Breathe.
Susan: Breathe.
Carol: You're gonna kill me!
Ross: 15 more seconds, 14, 13, 12...
Carol: Count faster.
Susan: It's gonna be ok, just remember, we're doing this for Jordie. Just keep focusing on Jordie.
Ross: Who the hell is Jordie?
Susan: Your son.
Ross: No-no-no. I don't have a son named Jordie. We all agreed, my son's name is Jamie.
Carol: Well, Jamie was the name of Susan's first girlfriend, so we went back to Jordie.
Ross: What? Whoa, whoa whoa whoa, what do you mean, back to Jordie? We never landed on Jordie. We just passed by it during the whole Jessy, Cody, Dylan fiasco.
Carol: Ow, ow, ow, ow, leg cramp, leg cramp, leg cramp.
Ross: I got it.
Susan: I got it.
Ross: I got it! Hey, you get to sleep with her, I get the cramps.
Susan: No, you don't.
Carol: All right, that's it. I want both of you out.
Ross: Why?
Susan: He started it!
Ross: No, you started it.
Susan: You did!
Carol: I don't care. I am trying to get a person out of my body here, and you're not making it any easier.
Ross: But...
Carol: Now go!
Ross: (to Susan) Thanks a lot.
Susan: (to Ross) See what you did.
Ross: (to Carol) Yeah, listen...
Carol: Out!
(Ross and Susan both angrily leave the hopsital room.)
[Scene: Lydia's Hospital Room, Joey is helping Lydia go through labor, a nurse is now present in her room as well.]
Nurse: Breathe, breathe, breathe...
Lydia: Oh, no.
(Joey looks down at Lydia.)
Joey: Ew! What is that? Something exploded!
Nurse: It's just her water breaking. Calm down, will you?
Joey: (panicked) Water breaking, what do you mean? What's that, water breaking?
Nurse: (to Joey) Breathe, breathe, breathe.
[Scene: The Hall, Ross and Susan are arguing.]
Ross: Please. This is so your fault.
Susan: How, how is this my fault?
Ross: Look, Carol never threw me out of a room before you came along.
Susan: Yeah? Well, there's a lot of things Carol never did before I came along.
Ross: You tryin' to be clever? A funny lady?
Susan: You know what your problem is? You're threatened by me.
Ross: Oh, I'm threatened by you?
Susan: Yes.
(Phoebe has heard them arguing and comes down the hall, taking them into a broom closet.)
Phoebe: Hey, hey, ok, all right, that's it! Get in here. Come on. My god, you guys, I don't believe you. There are children coming into the world in this very building and your negative fighting noises are not the first thing they should be hearing. So just stop all the yelling, just stop it!
Ross: Yeah, Susan.
Phoebe: Don't make me do this again, I don't like my voice like this.
(Phoebe goes to leave the room, but the door is locked.)
Phoebe: Ok, who wants to hear something ironic?
Commercial Break
[Scene: The Broom Closet, Ross and Susan are trying to get out.]
All: Help!
Ross: I'm having a baby in here! Ok, everyone stand back. (Walks backwards as if he is going to break down the door, but steps in a bucket and falls) Ow.
[Scene: Carol's room, Rachel and Dr. Franzblau are there with her.]
Carol: Are they here yet?
Rachel: No, honey, they're not, but don't worry, because we are going to find them, and until we do, we are all here for you, ok?
Carol: Ok.
Rachel: Ok?
Carol: Ok.
Rachel: (to Dr. Franzblau) Ok, so anyway, you were telling me about Paris, it sounds fascinating.
Dr. Franzblau: It really was. There was this great little pastry shop right by my hotel. (Carol sits up in pain, Rachel and Dr. Franzblau casually lay her back down) There you go, dear.
[Scene: Lydia's Room, Joey is helping her deliver.]
Joey: Come on, Lydia, you can do it. Push! Push 'em out, push 'em out, harder, harder. Push 'em out, push 'em out, way out! Let's get that ball and really move, hey, hey, ho, ho. Let's— (notices the nurse looking at him strangely) I was just—yeah, right. Push! Push!
[Scene: The Broom Closet, Ross has picked up a vacuum and is holding it at the door.]
Susan: What're you gonna do, suck the door open?
Ross: Help! Help!
Phoebe: (singing) They found their bodies the very next day, they found their bodies the very next...(sees Ross and Susan staring at her) la la la la la la.
Susan and Ross: (even louder) Help!
[Scene: The Waiting Room, Monica is on the phone with her mother, Chandler is standing behind her.]
Monica: Now, Mom, everything's going fine, really. (Listens) Yeah, Ross is great. He's uh, he's in a whole other place. (Listens) No, he's gone. (Listens) No no, you don't have to fly back, really. (Listens) What do you mean this might be your only chance? (Listens) Would you stop? I'm only 26, I'm not even thinking about babies yet.
(Monica sees a woman pass by with a baby, puts the phone to her chest, and starts to cry. Chandler takes the phone, makes a noise in it resembling static, and hangs up. Joey enters.)
Chandler: Where have you been?
Joey: Oh, just had a baby.
Chandler: Mazel tov!
[Scene: The Waiting Room, Rachel and Dr. Franzblau have gone to get coffee.]
Dr. Franzblau: I don't know, could be an hour, could be three, but relax, she's doing great. So, uh, tell me, are you currently involved with anyone?
Rachel: (anxiously) No, no, not at the moment, no, I'm not. Are you?
Dr. Franzblau: No, it's hard enough to get women to go out with me.
Rachel: Right, yeah, I've heard that about cute doctors.
Dr. Franzblau: No, no, really. I suppose it's because I spend so much time, you know, where I do.
Rachel: Oh.
Dr. Franzblau: I try not to let my work affect my personal life, but it's hard, when you... do what I do. It's like uh...Well, for instance, what do you do?
Rachel: I'm a waitress.
Dr. Franzblau: Ok, all right, well aren't there times when you come home at the end of the day, and you're just like, 'if I see one more cup of coffee'...
Rachel: (getting the point) Yeah. Gotcha.
Dr. Franzblau: I'm gonna go check up on your friend.
Rachel: Ok. That's fine. (takes her earrings out)
[Scene: The Hall Outside Lydia's Room, Joey is walking up to Lydia's room with balloons, but before he enters he sees that the baby's father has arrived. He listens at the door.]
Lydia: So how did you know I was even here?
Guy: Your mom called me. So is this her?
Lydia: No, this is a loaner.
Guy: I'm sorry you had to do this by yourself.
Lydia: I wasn't by myself. I had a doctor, a nurse, and a helper guy. (Joey smiles) So, did you see who won the game?
Guy: Yeah, the Knicks by 10. They suck.
Lydia: Yeah, they're not so bad.
(Joey closes the door and ties the balloons to the knob. Then he walks away, holding the hand of an inflated balloon animal he had brought.)
[Scene: The Broom Closet, Ross is trying to open the door with a credit card, with no success.]
Ross: Come on, come on. Damnit, damnit, damnit, damnit. (to Susan) This is all your fault. This is supposed to be, like, the greatest day of my life, y'know? My son is being born, and I should be in there, you know, instead of stuck in a closet with you.
Susan: The woman I love is having a baby today. I've been waiting for this just as much as you have.
Ross: No no no, believe me. No one has been waiting for this as much as I have, ok? And you know what the funny thing is? When this day is over, you get to go home with the baby, ok? Where does that leave me?
Susan: You get to be the baby's father. Everyone knows who you are. Who am I? There's Mother's Day, there's Father's Day, there's no... Lesbian Lover Day.
Ross: Every day is Lesbian Lover Day.
Phoebe: This is so great.
Ross: You wanna explain that?
Phoebe: I mean, well, 'cause when I was growing up, you know my dad left, and my mother died, and my stepfather went to jail, so I barely had enough pieces of parents to make one whole one. And here's this little baby who has like three whole parents who care about it so much that they're fighting over who gets to love it the most. And it's not even born yet. It's just, it's just the luckiest baby in the whole world. (pause) I'm sorry, you were fighting.
[Scene: Carol's Room, she is ready to give birth. Everyone is there except for Phoebe, Ross, and Susan, who are in the broom closet.]
Carol: Where are they?
Monica: I'm sure they'll be here soon.
Rachel: Yeah, honey, they wouldn't miss this.
Joey: Relax. You're only at nine centimeters. And the baby's at zero station.
Chandler: (to Joey) You are really frightening me.
(Carol suddenly screams in pain and grabs Chandler by the shirt.)
Chandler: Somebody wanna help me, tryin' to rip out my heart. (they pull her hand off of him) Uh, that's great. (looking around) Anybody seen a nipple?
Dr. Franzblau: All right, ten centimeters, here we go.
Nurse: All right, honey, time to start pushing.
Carol: But they're not here yet!
Dr. Franzblau: I'm sorry, I can't tell the baby to wait for them.
Carol: Oh, god.
[Scene: The Broom Closet, Ross has used a broom to open the air vent in the ceiling. Phoebe is wearing a janitor's uniform, ready to go up in the vent.]
Ross: Ok, got the vent open.
Phoebe: (reading the nametag on the uniform) Hi, I'm Ben. I'm hospital worker Ben. It's Ben... to the rescue!
Ross: Ben, you ready? All right, gimme your foot. Ok, on three, Ben. One, two, three. Ok, That's it, Ben.
(Ross and Susan lift Phoebe up into the vent.)
Susan: What do you see?
Phoebe: Well, Susan, I see what appears to be a dark vent. Wait. Yes, it is in fact a dark vent.
(A janitor opens the closet door from the outside.)
Ross: Phoebs, It's open! It's open!
(Ross and Susan run to the delivery room, leaving Phoebe dangling from the vent.)
Janitor: (to Ross and Susan) Wait! You forgot your legs!
[Scene: Carol's Room, Ross and Susan rush in.]
All: Push, push!
Ross: We're here!
Carol: (irked) Where have you been?
Ross: Long story, honey.
Dr. Franzblau: All right, Carol, I need you to keep pushing. I need—(reaches for an instrument, Rachel's hand is on it) Excuse me, could I have this?
Nurse: All right, all right, there's a few too many people in this room, and there's about to be one more, so anybody who's not an ex-husband or a lesbian life partner, out you go!
All: Good luck!
(Everyone heads for the door.)
Chandler: (to nurse) Let me ask you, do you have to be Carol's lesbian life partner?
Nurse: Out!
Dr. Franzblau: All right, he's crowning. Here he comes.
Ross: Let me see, I gotta see, I gotta see. Oh, a head. Oh, it's, it's huge. Carol, how are you doing this?
Carol: (straining) Not.... helping!
Dr. Franzblau: You're doing great, you're doing fine.
Ross: (puts his head near the baby) Hello! (to Dr. Franzblau) Oh, sorry.
Susan: What do you see? What do you see?
Ross: We got a head, we got shoulders, we got arms, we got, oh, look at the little fingers, oh, and a chest, and a stomach. It's a boy, definitely a boy! All right! Ok, legs, knees, and feet. Oh, oh. He's here. He's a person.
Susan: Oh, look at that.
Carol: What does he look like?
Ross: Kinda like my uncle Ed, covered in Jell-o.
Carol: Really?
Phoebe: (from the air vent overhead) You guys, he's beautiful!
Ross: Oh, thanks, Pheebs!
(They look up towards the vent and wave at Phoebe.)
[Scene: The Delivery Room, Carol is holding the infant.]
Susan: No shouting, but we still need a name for this little guy.
Ross: (thinking) How 'bout Ben?
Susan: I like Ben.
Carol: Ben. Ben. Ben's good. How come you never mentioned Ben before?
Ross: We uh, we just cooked it up.
Susan: That's what we were off doing.
(Monica opens the door.)
Monica: Hi.
Ross: Hey.
Monica: Can we come in?
(The whole gang enters.)
Ross: (to Ben) I know, I know. Everybody, there's someone I'd like you to meet. Yeah. This is Ben. Ben, this is everybody.
Phoebe: Susan, he looks just like you.
Susan: Thanks.
Rachel: Oh, god, I can't believe one of us actually has one of these.
Chandler: I know, I still am one of these.
Monica: Ross, can I?
(Monica holds Ben.)
Ross: The head, the head. You gotta...
Monica: (getting choked up) Hi, Ben. Hi. I'm your Aunt Monica. Yes I am. I'm your Aunt Monica. I...I will always have gum.
Closing Credits
[Scene: The Hospital, the camera is placed as though it were Ben's eyes.]
Ross: Ben, I want you to know that there may be some times when I may not be around, like this. (walks out of the picture) But I'll still always come back, like this. (returns) And sometimes I may be away longer, like this. (walks away) But I'll still always come back, like this. (returns)
(Chandler comes into the picture.)
Chandler: And sometimes, I'll want you to steal third, and I'll go like this. (Does a baseball sign.)
(The rest of the group come into the picture.)
Monica: He is so amazing.
Rachel: Oh, I know. Look at him.
Joey: Ben, Ben, hey Ben. Nothing. I don't think that's his name.
Phoebe: Oh, look, look, he's closing his eyes. (screen goes blank) Look, he's opening his eyes. (picture comes back)
Joey: He doesn't do much, does he?
Ross: No, this is pretty much it.
(long moment of silence)
Rachel: You guys wanna get some coffee?
All: Yeah.
Ross: All right, I'll see you guys later.
(They all leave but Ross, but they all come back a few seconds later. They make faces at the baby.)
Phoebe: Oh, look, he's closing his eyes again.
(The screen fades to black.)
End
글
(영화대본) 프랜즈 시즌1-24
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The One Where Rachel Finds Out
Written by: Chris Brown
Transcribed by: Dan Silverstein
[Scene: Central Perk, the whole gang is there, Ross is showing pictures of his new baby boy, Ben, to the group.]
Ross: And here's little Ben nodding off...
Monica: Awww, look at Aunt Monica's little boy!
Phoebe: Oh, look, he's got Ross's haircut!
Rachel: Oh, let me see! (grabs picture) Oh, God, is he just the sweetest thing? You must just want to kiss him all over!
(Ross is practically drooling over Rachel at this point.)
Ross: (quietly) That would be nice.
(Chandler, annoyed with Ross's fawning, makes a 'pfft' noise.)
Rachel: Pardon?
Chandler: Nothing, just a little extra air in my mouth. Pffft. Pffffffft. (walks over to where Joey is seated)
(Joey is looking at his check.)
Joey: Hey, Chan, can you help me out here? I promise I'll pay you back.
Chandler: Oh, yeah, right, OK... inlcuding the waffles last week, you now owe me... 17 jillion dollars.
Joey: I will, really. I'll pay you back this time.
Chandler: (sigh)... And where's this money coming from? (gives money to Joey)
Joey: Well... I'm helping out down at the N.Y.U. Med School with some... research.
Ross: (overhearing) What kind of research?
Joey: Oh, just, y'know.... science.
Ross: Science. Yeah, I think I've heard of that. (everyone's interest is piqued, they all look over)
Joey: (sigh)... It's a fertility study.
(Rachel laughs.)
Monica: Oh, Joey, please tell me you're only donating your time.
Joey: Alright, come on you guys, it's not that big a deal. Really... I mean, I just go down there every other day and... make my contribution to the project. Hey, hey, but at the end of two weeks, I get seven hundred dollars.
Ross: Hey.
Phoebe: Wow, ooh, you're gonna be making money hand over fist!
Opening Credits
[Scene: Monica and Rachel's, Monica and Phoebe are preparing for a barbecue for Rachel's birthday.]
Monica: OK, we got the cole slaw, we got the buns...
Phoebe: We've got the ground-up flesh of formerly cute cows and turkeys, ew... (hands meat to Monica)
(Chandler and Joey enter with charcoal.)
Chandler: (in a deep voice) Men are here.
Joey: We make fire. Cook meat.
Chandler: Then put out fire by peeing, no get invited back.
Monica and Phoebe: Ewww!
Monica: Oh Joey, Melanie called, said she's gonna be late.
Joey: Oh, OK.
Phoebe: So how are things going with you two? Is she becoming your (provocatively) special someone?
Joey: I don't know, she's, uh.... she's pretty great.
Monica: Yeah? What does she think of your little science project?
Joey: What, you think I'm gonna tell a girl I like that I'm also seeing a cup?
Monica: Man's got a point.
Joey: Well, the tough thing is, she really wants to have sex with me.
Chandler: Crazy bitch.
Joey: Yeah, well, I still got a week left to go in the program, and according to the rules, if I want to get the money I'm not allowed to conduct any... ersonal experiments, if you know what I mean.
Monica: Joey... we always know what you mean.
[Time lapse. Chandler and Joey are making the fire, Monica and Phoebe are inside. Ross enters, carrying luggage.]
Phoebe: Hey.
Monica: Hey.
Ross: Hey. (Phoebe sees his bags)
Phoebe: How long did you think this barbecue was gonna last?
Ross: I'm going to China.
Phoebe: Jeez, you say one thing, and...
Monica: You're going to China?
Ross: Yeah, i-it's for the museum. Someone found a bone, we want the bone, but they don't want us to have the bone, so I'm going over there to try to persuade them to give us the bo—it's—it's a whole big bone thing. Anyway, I'm gonna be gone for like, uh... like a week, so, uh, if you wanna reach me, y-you can't. So here's my itinerary (hands a sheet of paper to Monica). Um... here's a picture of me... (hands it to Monica)
Phoebe: Oh, let me see! (takes the picture)
Ross: (to Monica): Could you take it to Carol's every now and then, and show it to Ben, just so he doesn't forget me?
Monica: Yeah.
(Phoebe puts the picture of Ross up to her face.)
Phoebe: Hi, Ben. I'm your father. I am... the head. Aaaaaahhhh.... (puts picture down, sees Ross staring at her) Alright, this barbecue is gonna be very fun.
Ross: Hey, is Rachel here? Um, I wanted to wish her a happy birthday before I left.
Monica: Oh no, she's out having drinks with Carl.
Ross: Oh. (pause) Hey, who's Carl?
Monica: You know, that guy she met at the coffeehouse.
Ross: No.
Phoebe: Oh, well, see, there's this guy she met at the...
Ross: At the coffeehouse, right.
Phoebe: So you do know who he is! (laughs, Ross stares at her) Sorry.
Ross: OK, I'm gonna go say goodbye to the guys.
Phoebe: Oh, hey, y'know what? Tell them that bone story.
(Ross goes outisde on the balcony.)
Ross: Hi.
Joey: Hey!
Chandler: Hey!
Ross: (sigh)....I have to go to China.
Joey: The country?
Ross: No no, this big pile of dishes in my mom's breakfront. Do you guys know who Carl is?
Chandler: Uh, let's see... Alvin... Simon... Theodore.... no.
Ross: Well, Rachel's having drinks with him tonight.
Joey: Oh no! How can she do that when she's never shown any interest in you?!?
Chandler: Forget about her.
Joey: He's right, man. Please. Move on. Go to China. Eat Chinese food.
Chandler: Course there, they just call it food.
Ross: Yeah... I guess. I don't—I don't know. Alright, just... just give her this for me, OK? (gives Chandler a gift for Rachel)
Joey: Listen, buddy, we're just looking out for you.
Ross: I know.
Joey: We want you to be happy. And I may only have a couple beers in me, but... I love you, man. (Joey gives Ross a hug)
Chandler: I'm still on my first. I just think you're nice.
[Time lapse. Melanie, Joey's girlfriend, is there with Joey, Chandler, Monica, Phoebe, and Rachel. Ross is gone.]
Melanie: Anyway, that's when me and my friends started this whole fruit basket business. We call ourselves 'The Three Basketeers.'
Joey: Like the three musketeers, only with fruit.
Chandler: (sarcastic) Ooooh. (looks dumbfounded at Joey's stupidity)
Monica: (gets up) OK, how does everybody like their burgers?
Rachel: Oh, no, no, no. Presents first. Food later. (walks into living room)
(Everyone follows Rachel to the living room. Monica pulls Joey aside.)
Monica: Hey, hold on there, tiger. How's it going? How you holding up?
Joey: Well, not so good. She definitely thinks tonight is the night we're gonna... complete the transaction, if you know what I...
(Monica rolls her eyes.)
Joey: Then you do. Heh, heh.
Monica: So, uh, have you ever thought about being there for her?
Joey: What do you mean?
Monica: Y'know, just be there for her.
(Long pause... Joey looks confused.)
Joey: Not following you.
Monica: Think about it.
(They both walk over to where Rachel is opening her gifts. Rachel sees her first gift is a fruit basket.)
Rachel: OK, I'm guessing this is from...
(Melanie smiles.)
Rachel: Well, thank you, Melanie.
Chandler: (pointing out a gift) OK, this one right here is from me.
Rachel: (picks it up) OK... ah, it's light... (shakes it)...it rattles... it's... (opens it) Travel Scrabble! Oooohhh, thank you! (she gives it back to him)
(Chandler looks dejected. Rachel picks up another gift.)
Rachel: This one's from Joey... feels like a book. Thinks it's a book... feels like a book. And...(opens it)...it's a book!
Phoebe: Oh, it's Dr. Seuss!
Joey: (to Rachel): That book got me through some tough times.
Melanie: There is a little child inside this man!
Chandler: Yes, the doctors say if they remove it, he'll die.
(Rachel picks up the next gift.)
Rachel: Who's this from?
Chandler: Oh, that's Ross's.
Rachel: Oh... (opens it)... (sees it is a pin) Oh my God. He remembered.
Phoebe: Remembered what?
Rachel: It was like months ago. We were walking by this antique store, and I saw this pin in the window, and I told him it was just like one my grandmother had when I was a little girl. Oh! I can't believe he remembered!
Chandler: Well, sure, but can you play it on a plane? (pats his Travel Scrabble game)
Phoebe: Oh, it's so pretty. This must have cost him a fortune.
Monica: I can't believe he did this.
Chandler: Come on, Ross? Remember back in college, when he fell in love with Carol and bought her that ridiculously expensive crystal duck?
(Everyone looks at him. He realizes he just spilled the beans about Ross's crush on Rachel. You can hear this entire classic scene by clicking here.)
Rachel: What did you just say?
Chandler: (panicked) ahem... um... Crystal duck.
Rachel: No, no, no.... the, um, the... 'love' part?
Chandler: (stuttering incoherently) F-hah.... flennin....
Rachel: Oh.... my God.
Chandler: (rubbing his temples) Oh, no-no-no-no-no....
Joey: (pats Chandler on the leg) That's good, just keep rubbing your head. That'll turn back time.
Commercial Break
[Scene: Monica and Rachel's, continued from earlier.]
Rachel: I mean, this is unbelievable.
Phoebe: I know. This is really, really huge.
Chandler: No it's not. It's small. It's tiny. It's petite. It's wee.
Phoebe: Nuh-uh. I don't think any of our lives are ever gonna be the same ever again.
Chandler: OK, is there a mute button on this woman?
Monica: I think this is so great! I mean, you and Ross! D-did you have any idea?
Rachel: No! None! I mean, my first night in the city, he mentioned something about asking me out, but nothing ever happened, so I just... (to Joey): W-well, what else did he say? I mean, does he, like, want to go out with me?
Joey: Well, given that he's desperately in love with you, he probably wouldn't mind getting a cup of coffee or something.
Rachel: Ross? All this time? Well, I've got to talk to him. (gets up to leave)
Chandler: (quickly) H-He's in China!
Joey: The country.
Monica: No, no, wait. (checks Ross's itinerary) His flight doesn't leave for another forty-five more minutes.
Chandler: What about the time difference?
Monica: From here to the airport?
Chandler: Yes! (Rachel walks towards door) You're never gonna make it!
Monica: Rachel, what're you gonna say to him?
Rachel: I-I-I don't know.
Chandler: Well then maybe you shouldn't go.
Joey: He's right, cause if you're just gonna, like, break his heart, that's the kind of thing that can wait.
Monica: Yeah, but if it's good news, you should tell him now.
Rachel: I don't know. Maybe I'll know when I see him.
Phoebe: Here, look, alright, does this help?
(Phoebe gets up, holds the picture of Ross up to her face.)
Rachel: Noooo... look, all I know is that I cannot wait a week until I see him. I mean, this is just too big. Y'know, I just, I've just gotta talk to him. I... I gotta... OK, I'll see you later. (opens door)
Chandler: Rachel, I love you! Deal with me first! (she leaves)
[Scene: Airport, Ross has headphones on, and is listening to a 'How To Speak Chinese' tape. Occasionally, he makes an outburst in Chinese in accordance with the tape. He is getting on the jetway. The flight attendant is there.]
Ross: (something in Chinese)
Flight Attendant: Alright!
Ross: Ni-chou chi-ma! (walks onto jetway)
(Rachel runs into the airport, trying to catch Ross, moving people out of the way.)
Rachel: Ross! Excuse me, pardon me, excuse me....
(Rachel gets up to the jetway.)
Flight Attendant: Hi!
Rachel: Hi.
Flight Attendant: May I see your boarding pass?
Rachel: Oh, no, no, I don't have one. I just need to talk to my friend.
Flight Attendant: Oh, oooh. I'm sorry. You are not allowed on the jetway unless you have a boarding pass.
Rachel: No, I know, but I—he just went on. He's right there, he's got the blue jacket on, I... can I j-just...
Flight Attendant: No no no! Federal regulations!
Rachel: OK, alright, OK, um... then could you please, uh... just give him a message for me? Please? This is very important.
Flight Attendant: Alright. What's the message?
Rachel: Uh... I don't know.
[Cut to the Jetway, the flight attendant enters, walks past Ross, and approaches an older man with his wife who is also wearing a blue jacket.]
Flight Attendant: Sir? Sir? Excuse me, sir? Uh... I have a message for you.
Man: (confused) What?
Flight Attendant: It's from Rachel. She said that she loved the present, and she will see you when you get back.
Man: (to wife): Toby... Oh, for God's sake, I don't know what she's talking about! There's no Rachel! Don't give me that deep freeze.
[Scene: Joey's Bedroom, he and Melanie are in bed together.]
Melanie: Mmmmmm... Oh, Joey, Joey, Joey... I think I blacked out there for a minute!
Joey: Heh, heh. It was nothin'.
Melanie: Well, now we've gotta find something fun for you! (she starts kissing his chest)
Joey: (panicked) Uhhh.. y'know what? Forget about me. Let's, uh... let's give you another turn.
Melanie: (surprised) M-Me again?
Joey: Sure! Why not?
Melanie: Boy, somebody's gonna get a big fruit basket tomorrow.
(Joey starts to kiss her.)
Melanie: Oooh, I gotta tell you... you are nothing like I thought you would be.
Joey: How do you mean?
Melanie: I don't know, I-I guess I just had you pegged as one of those guys who're always 'me, me, me.' But you... you're a giver. You're like the most generous man I ever met. I mean... you're practically a woman.
[Scene: Monica and Rachel's, Monica, Phoebe, and Rachel are there. Monica is holding the wrapping paper from one of Rachel's gifts.]
Monica: Uh, so, uh, Rach, uh... do you wanna save this wrapping paper, I mean, it's only a little bit torn... so are you gonna go for it with Ross or should I just throw it out?
Rachel: I don't know. I don't know... I thought about it all the way there, and I thought about it all the way back... and, uh, oh, you guys, y'know, it's Ross. Y'know what I mean? I mean, it's Ross.
Monica and Phoebe: Sure.
Rachel: I don't know, I mean, this is just my initial gut feeling... but I'm thinking... oh, I'm thinking it'd be really great.
Monica: Oh my God, me too! Oh! Oh, we'd be like friends-in-law! Y'know what the best part is? The best part is that you already know everything about him! I mean, it's like starting on the fifteenth date!
Phoebe: Yeah, but, y'know, it's... it would be like starting on the fifteenth date.
Monica: Another good point.
Phoebe: No, I mean, I mean, when you're at the fifteenth date, y'know, you're already in a very relationshippy place. Y'know, it's... you're committed.
Rachel: (confused) Huh?
Phoebe: Well, I mean, then what happens if it doesn't work out?
Monica: Why isn't it working out?
Rachel: I don't know... sometimes it doesn't.
Monica: Is he not cute enough for you?
Rachel: No!
Monica: Does he not make enough money?
Rachel: No, I'm just....
Phoebe: Maybe there's someone else.
Rachel: Wha...
Monica: Is there? Is there someone else?
Rachel: No! There is.. there is noone else!
Monica: Then why the hell are you dumping my brother?!?
[Scene: Chandler and Joey's, Chandler is eating breakfast, Joey quietly opens his bedroom door.]
Chandler: Hey, big...
Joey: Shhhh!
Chandler: (quietly) ...spender.
Joey: She's still asleep.
Chandler: So how'd it go?
Joey: Oh, it was amazing. You know how you always think you're great in bed?
Chandler: The fact that you'd even ask that question shows how little you know me.
Joey: Well, it's like, last night, I couldn't do the thing that usually makes me great. So I had to do all this other stuff. And the response I got... man, oh man, it was like a ticker tape parade!
Chandler: Yes, I know, as it happens my room is very very close to the parade route.
Joey: It was amazing! And not just for her... uh-uh. For me, too. It's like, all of a sudden, I'm blind. But all my other senses are heightened, y'know? It's like... I was able to appreciate it on another level.
Chandler: I didn't know you had another level.
Joey: I know! Neither did I!
[Scene: Monica and Rachel's, one week later. Monica is seated, Rachel comes out of her bedroom.]
Monica: Hey, great skirt! Birthday present?
Rachel: Yeah.
Monica: Oh, from who?
Rachel: From you. I exchanged the blouse you got me.
Monica: Well, it's the thought. Hey, doesn't Ross's flight get in in a couple hours? At gate 27-B?
Rachel: Uh, yeah. Uh, Monica, y'know, honey, I've been thinking about it and I've decided this—this whole Ross thing, it's just not a good idea.
Monica: Oh, why?
Rachel: Because, I feel like I wouldn't just be going out with him. I would be going out with all of you. Oh, and there would just be all this pressure, and I don't wanna...
Monica: (gets up) No, no, no, no, no, no pressure, no pressure!
Rachel: Monica, nothing has even happened yet, and you're already so...
Monica: I am not 'so'! OK, I was a teensy bit weird at first, but... I'll be good. I promise.
(Door buzzer goes off. Rachel answers it.)
Rachel: Who is it?
Intercom: It's me, Carl.
Rachel: C'mon up.
Monica: Behind my brother's back? (Rachel glares at her) ... is exactly the kind of crazy thing you won't be hearing from me.
[Scene: Chandler and Joey's, Chandler is seated, and the apartment is filled with baskets of fruit. Joey enters, check in hand.]
Joey: Seven hundred bucks!
Chandler: Alright, you did it! Do we have any fruit?
Joey: Man, hell of a two weeks, huh? Y'know what, though? I really feel like I learned something.
Chandler: Really? So, you're gonna stick with this 'it's all for her' thing?
Joey: What, are you crazy? When a blind man gets his sight back, does he walk around like this? (Joey closes his eyes and walks around with arms spread.)
[Scene: Monica and Rachel's Balcony, Rachel is having drinks with her date, Carl.]
Carl: I'm just sayin', if I see one more picture of Ed Begley, Jr. in that stupid electric car, I'm gonna shoot myself! I mean, don't get me wrong... I'm not against environmental issues per se.... it's just that guy!
(Rachel looks bored. At this point, Ross—a figment of Rachel's imagination— shows up on the balcony and starts talking to her.)
Ross: I can't believe you'd rather go out with him than me.
Rachel: Would you excuse me, please? I'm trying to have a date here.
Ross: Fine, just stop thinking about me.
(She tries, and Ross disappears momentarily. He reappears, standing closer to her.)
Ross: Can't do it, can you?
Rachel: So I'm thinking about you. So what?
Ross: I don't get it. What do you see in this guy, anyway?
Rachel: Well... he happens to be a very nice... guy....
Carl: I mean, come on, buddy, get a real car!
Ross: Rachel, come on. Give us a chance.
Rachel: Ross, it's too hard.
Ross: No, no, no... why, because it might get weird for everyone else? Who cares about them. This is about us. Look, I-I've been in love with you since, like, the ninth grade.
Rachel: Ross, you're like my best friend.
Ross: I know.
Rachel: If we broke up, and I lost you...
Ross: Whoa, whoa, whoa. What makes you think we're gonna break up?
Rachel: Well, have you been involved with someone where you haven't broken up?
Ross: (pause) No. But... it only has to happen once. Look, you and I both know we are perfect for each other, right? I mean... so, the only question is... are you attracted to me?
Rachel: I don't know... I mean, I've never looked at you that way before.
Ross: Well, start looking.
(They kiss. Ross walks away, and then fades out.)
Rachel: Wow.
Carl: Exactly! And you just know I'm gonna be the guy caught behind this hammerhead in traffic!
Rachel: Right! You're right!
Carl: Heh... y'know?
Rachel: You know what?
Carl: What?
Rachel: I forgot... I am supposed to pick up a friend at the airport. I am so sorry! I'm so... if you want to stay, and finish your drinks, please do.... (gives him her drink) I mean—I'm sorry. I-I-I gotta go. I'm sorry.
(Rachel leaves.)
Carl: But...
[Scene: Airport. Madonna's Take A Bow plays in the background as Rachel waits at the gate with flowers.]
Rachel: (sifting through crowd) Excuse me, pardon me, excuse me, excuse me, sorry. Hi.
[Cut to the jetway, the old man who the flight attendant delivered Rachel's message to gets off the plane, his wife still upset with him.]
Man: For God's sake, will you let it go? There's no Rachel!
(A Chinese woman getting off the plane drops one of her bags. Ross gets off next.)
Ross: Oh, hey, hey, I got that.
(Ross picks up the bag... then he and the woman kiss.)
Julie: Oh, thanks, sweetie.
Ross: No problem. I cannot wait for you to meet my friends.
Julie: Really?
Ross: Yeah.
Julie: You don't think they'll judge and ridicule me?
Ross: No, no, they will. I just... uh...
Ross and Julie: Can't wait.
Ross: Come on, they're gonna love you.
[Cut to a close-up of Rachel, eagerly awaiting Ross's arrival... not knowing he is getting off the plane with another woman.]
End
글
(영화대본) 토이스토리 - Toy Story
이 중에서 몇 개만 확실히 외우면 성공입니다. 욕심을 버려야 합니다. 다 얻으려면 다 잃습니다. 자신에게 와닿는 표현들 몇 개만을 집중적으로 물고 늘어지시기 바랍니다. 선택과 집중! 자신에게 와닿는 표현이란? 자신과 궁합이 맞는 표현입니다. 결국 모든 영어를 다 할 수도 없고, 그럴 필요도 없는 겁니다. 자신과 잘 맞는 것만 선택해서 집중적으로 외우시기 바랍니다.
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
TOY STORY
All right, everyone!
This is a stickup!
Don't anyboby move!
now empty that safe.
money . money . money!
stop it ! stop it !
you mean old poato.
Quiet . Bo peep.
or your sheep get run over!
Help ! Baa! Help us!
Oh, no, not my sheep!
somebody, do something!
Reach for the sky.
oh, no! sheriff woody!
I'm here to stop you,
one-Eyed Bart
How'd you know it was me?
Are you gonna come quietly?
You can't touch me, sheriff.
I brought my attack dog with the built-in force field.
well, I brought my dinosaur who eats force-field dogs.
You're going to jail, Bart.
Say good-bye to the wife and tater tots.
You saved the day again, Woody.
You're my favorite deputy.
You've got a friend in me.
Come on, let's wrangle up the cattle, when the road looks rough ahead.
And you're miles and miles from your nice, warm bed.
Round' em up , cowboy.
Just remember what your old pal said
Boy, you've got a friend in me.
Yee-haw!
Yeah, you've got a friend in me
Hey , cowboy!
some other folks might be a little bit smarter than I am.
Big and stronger too
come on, woody.
Maybe
But none of them will ever
love you the way I do
It's me and you, boy
And as the years go by
our friendship will never die
You're gonna see it's out destiny
You've got a friend in me
All right !
Yeah , you've got a friend in me.
Score!
You're got a friend in me.
Wow ! cool !
what do you think?
oh, this looks great, Mom!
Okay , birthday boy.
we saw that at the score!
I asked you for it !
I hope I have enough places.
Wow, look at that! That's so--
oh, my gosh, you got--
one, two -- four. Yeah , I think that's going to be enough.
Can we leave this up 'til we move?
well, sure.
we can leave it up.
Yeah!
Now go get Molly.
Your friends are going to be have any minute.
Okay!
It's party time, Woody.
Yee-haw!
Howdy, little lady.
Somebody's poisoned the water hole.
Come on, Molly.
oh, you're getting heavy.
See you later, Woody!
pull my string!
the birthday party's today?
Okay, everybody,
coast is clear!
Ages three and up.
It's on my box.
"Ages three and up."
I'm not supposed to be baky-sitting Princess Drool.
Hey, Hamm, look.
I'm Picasso!
I don't get it.
You uncultured swine.
what are you looding at, ya hockey puck?
Uh, hey, Sarge,
have you seen Slinky?
Sir! No, sir!
okay. Hey, thank you.
At ease.
Hey, uh, slinky?
Right here, Woody.
I-I'm red this time.
No, S-Slink--
oh, well, all right.
You can be red if you want.
N-Not now, slink.
I got some bad news.
Bad news?
Shh , shh , shh !
Just gathe everyone up for a staff meeting, and be happy.
Got it.
Be happy
Staff meeting, everybody !
Snake , Robot , podium , please.
Hey , Etch. Draw !
oh ! Got me again.
Etch, you've been working on that draw.
Fastest knobs in the west.
Uh, got a staff metting,
you guys come on, let's go.
Now , where is that -- oh.
Hey, who moved my doodle pad way over here?
Oh, how're you doin' , Rex?
were you scared ?
Tell me honestly.
I was close to being scared that time.
Oh, I'm going for fearsome here,
but I just don't feel it !
I think I'm just coming off as annoying.
Ow! oh, hi, Bo . Hi.
I wanted to thank you, Woody, for saving my flock.
oh, hey, it was, uh, nothin'.
what do you say I get someone else to watch the sheep tonight?
oh, yeah. I--
Remember, I'm just a couple of blocks away.
come on , come on .
Smaller toys up front.
Hey , woody , come on.
oh, thanks , Mike.
Okay -- oh, whoa.
Step back.
For crying out loud.
Okay. Thank you.
Hello. Check.
That better? Great.
Every hear me?
Up on the shelf,
Can you hear me? Great !
Okay, first item today.
oh, oh, yeah--
has everyone picked a moving buddy?
What ?
Moving buddy?
You can't be serious.
Well, I didn't know we were supposed to have one already.
Do we have to hold hands?
oh, yeah.
You guys think this is a big joke.
We've only got one week left before the move.
Idon't want any toys left behind.
A moving buddy.
If you don't have one,
get one !
All right, next.
Uh, oh, yes.
Tuesday night's plastic corrosion awareness meeting.....
was, I think, a big success,
and we want to thank Mr. Spell
for putting that on for us.
Thank you, Mr. Spell.
You're welcome.
Okay. uh , oh , yes.
One, uh m minor note here.
Andy's birthday party has been moved to today.
Uh, next we have--
wait a minute.
What do you mean the part's today?
His birthday's not 'till next week!
What's goin' on down there?
Is his mom losin' her marbles?
Well, obviously, she wanted to
hare the party before the move.
I'm not worried
You shouldn't be worried,
of course Woody ain't worried
He's been Andy's favorite since kindergarten.
Hey. hey come on, Potato Head.
If Woody says it's all right,
then, well , darn it.
it's good enough for me.
Woody has never steered us wrong before.
Come on, guys.
Every Christmas and birthday
we go through this.
But what if Andy gets
another dinosaur a mean one?
I just don't think I could take that kind of rejection !
Hey , listen.
No one's getting replaced.
This is Andy.
we're talking about.
It doesn't matter how much we're played with.
what matters is that we're here
for Andy when he needs us.
That's what we're made for, right?
Pardon me , I hate to
break up the staff meeting,
but they're here!
Birthday guests at three o'clock!
Stay calm, everyone!
Hey!
Uh, meeing adjourned.
Ho, boy, will you take a look
at all those presents?
I can't see a thing.
Yes , sir . We're next month's
garage sale fodder for sure.
Any dinosaur-shaped ones?
Oh, for crying out loud.
They're all in boxes, you idiot.
They're getting bigger!
wait, there's a nice little one over there.
Hi!
Spell. trash can.
We're doomed!
All right . All right!
If I send out the troops,
will you all calm down?
Yes! yes! We promise!
Okay! Save your batteries.
Eh, very good, woody.
That's using the old noodle.
Sergeant. establish a recon post
bownstairs. Code Red!
You know what to do.
Yes, sir!
All right. men.
You. heard him.
Code Red!
Repeat : we are at Code Red
Recon plan Charlie. Execute!
Let's move , move,
move , move , move.
Okay. Come on, kids, Everyone
in the living room. It's almost
time for the presents.
All right, gangway, gangway.
And this is how we find out...
what is in those presents.
Okay ! who's hungry?
Here come the chips!
I've got Cool Ranch and barbecue! Ow!
what in the world ? oh!
I thought I told him to pick these up.
shouldn't they be there by now?
What's taking them so long?
Hey, these guys are prefessionals.
They're the best.
Come on. They're not
lying down on the job.
G-Go on without me, Just go.
A good soldier never leaves a man behind.
Ok, everybody. Come on.
Settle down. Now. kids.
Everybody-- You sit in a circle.
No Andy. Andy. you sit in the middle there.
Good. And which present are you gonna open first?
There they are.
Come in. Mother Bird.
This is Alpha Bravo.
This is it! This is it!
Come in Mother Bird.
Quiet. quiet. quiet.
All right, Andy's opening the first present now.
Mrs. Potato Head!
Mrs. Potato Head!
Mrs. Potato Head!
Hey, I can dream , can't I?
The bow's coming off.
He's ripping the wrapping paper.
It's a-- It's -- It's a--
A lunch box.
We've got a lunch box here.
A lunch box?
A lunch box?
For lunch.
Okay. second present.
It appears to be--
Okay, it's bed sheets.
Who's invited that kid?
oh, only one left.
Okay, we're on the last present now.
Last present!
It's a big one. It's a--
It's a board game!
Repeat : Battleship.
Yay!
Hallelujah !
Yeah. all right!
Hey ! Watch it !
Sorry there , old spud head.
Mission accomplished.
Well done, men . Pack it up.
We're goin' home.
So did I tell you? Huh!
Nothin' to worry about.
I knew you were right.
all along.
Woody. Never doubted you for a second.
Wait a minute.
Oh, what do we have here?
Ohh!
Wait!
Turn that thing back on!
Come in , Mother Bird.
Come in , Mother Bird.
Mom has pulled a surprise present from the colset.
And's opening it.
He's really excited about this one.
Mom! What is it?
It's a huge package.
Oh, get outta the--
One of the kids is in the way.
I can't see.
It's a--
It's a what?
what is it?
Oh, no!
Oh, ya big lizard! Now we'll
never know what it is!
way to go. Rex!
No, no! Turn 'em around!
Turn 'em around!
Oh, he's puttin' 'em in backwards.
You're-- You're puttin' 'em in backwards!
plus is positive,
minus is negetive!
Oh, let me!
Let's go to my room, guys!
Red alert! Red alert!
Andy is coming upstairs!
There!
Juvenile intrusion. Repeat.
resume your positions now!
Andy's coming , everybody!
Back to your places! Hurry!
Get to your places!
Get to your places!
where's my ear!
Who's seen my ear?
Did you see my ear?
Out of my way!
Here I come!
Here I come! Ohh!
Hey, look!
It's lasers light up.
Take that zurg!
Quick, make a space.
This is where the spaceship lands.
And he does it back, and he does
a karate - chop action.
Come on down, guys!
It's time for games!
We got prizes!
Oh, yeah!
What is it?
Can you see it?
What the heck is up there?
Woody. who's up there with ya?
Woody, what are you doing under the bed?
Oh, nothin' . Oh. nothin'.
I'm sure Andy was just a little excited, that's all.
Too much cake and ice cream.
I suppose. It's just a mistake!
Well. that mistake is sitting in your spot, Woody.
Oh! Have you been replaced?
Hey, what did I tell you earlier?
No one is getting replaced.
Now, let's all be polite.
and give whatever it is up there, a nice, big Andy's -room welcome.
Buzz Lightyear to Star Command.
Star Command, come in.
Do you read me?
Why don't they answer?
My ship!
Blast! This'll take weeks to repair.
Buzz Lightyear mission log, stardate 4-0-7-2
My ship has run off course in route to sector 12
I've crash-landed on a strange planet.
The impact must've awoken me from hypersleep.
terrain seems a bit unstable.
No readout yet.
if the air is breathable.
And there seems to be no sign of
intelligent life anywhere.
Hello!
whoa! He-Hey! whoa,
whoa , whoa, whoa, whoa,
Did I frighten you?
Didn't mean to . Sorry.
Howdy. My name is Woody....
and this is Andy's room
That's all I wanted to say.
And also, there has been a bit of a mix-up.
This is my spot, see--
the bed here.
Local law enforcement.
It's about time you got here.
I'm Buzz Lightyear.
Space Ranger,
Universe Protection Unit.
My ship has crash-landed here by mistake.
Yes, it is a mistake, because, you see,
the bed here is my spot.
I need to repair my turbo boosters.
Do you people still use fossil fuels,
or have you discovered crystallic fusion?
Well, let's see.
We got double-A's.
Watch yourself!
Halt! Who goes there?
Don't shoot!
It's Okay. Friends.
Do you know these life-forms?
Yes. They're Andy's toys.
All right. everyone.
You're clear to come out.
I am Buzz Lightyear.
I come in peace.
Oh, I'm so glad
you're not a dinosaur!
All right, thank you.
Now, thank you all for your kind welcome.
Say, what's that button do?
I'll show you.
Buzz Lightyear to the rescue.
Whoa!
Man!
Hey, Woody's got something like that.
His is a pull string, only it's--
Only it sounds like a car ran over it
Oh, yeah, but not like this one.
This is a quality sound system.
Probably all copper wiring, huh?
So, uh, where you form?
Singapore? Hong Kong?
Well, no, Actually, I-I'm--
I'm stationed up in the Gamma.
Quadrant of Sector Four.
As a member of the elite
Universe Protection Unit of the Space Ranger Corps,
I protect the galaxy from the threat of invasion...
from the evil Emperor Zurg,
sworn enemy of the Galactic Alliance.
Oh, really?
I'm from Playskool.
And I'm from Mattel.
Well, I'm not really from Mattel.
I'm actually from a smaller.
company that was purchased
in a leveraged buyout.
You'd think they'd never
seen a new toy before
Well, sure, look at him.
He's got more gadgets on him
than a Swiss Army knife.
Ah, ah, ah, ah!
Please be careful.
You don't want to be in the way
when my laser goes off.
Hey, a laser!
How come you don't have a laser, Woody?
It's not a laser, It's a--
It's a little light bulb that blinks.
What's with him?
Laser envy.
All right, that's enough!
Look, we're all very impressed with Andy's new toy.
Toy?
T - O - Y. Toy!
Excuse me. I-I think
the word you're searching for is "Space Ranger."
The word I'm searching for
I can't say because there's preschool toys present.
Gettin' kind of tense,
aren't ya?
Oh, uh, Mr Lightyear,
uh, now, I'm curious.
What does a Space Ranger actually do?
He's not a Space Ranger!
He doesn't fight evil or--
or shoot lasers or fly!
Excuse me.
Wow!
Oh! impressive wingspan.
Very good!
Oh, what? What?
These are plastic.
He can't fly.
They are a terillium-carbonic alloy,
and I can fly.
No, you can't
Yes, I can
You can't.
can
Can't . Can't . Can't!
I tell you, I could fly around
this room with my eyes closed!
Okay, then, Mr. Light Beer.
Prove it.
All right, then, I will.
Stand back, everyone.
To infinity and beyond!
Can!
Whoa!
Oh. Wow! You flew maginficently!
I found my movin' buddy.
Thank you. Th-Thank you all.
Thank you.
That wasn't flying.
That was falling with style.
Man, the dolls must really go for you.
Can you teach me that?
Golly bob howdy?
Oh, shut up!
No, in a couple of days,
everything will be just the way it was.
They'll see.
They'll see. I'm still Andy's favorite toy.
♬ I was on top of the world livin' high
It was right in my pocket
whoa!
I was livin' the life
Things were just the way
they should be
When from out of the sky like a bomb.
Comes some little pund in a rocket.
Now all of a sudden
some strange things are happening to me.
Buzz Lightyear to the rescue!
Strange things
Are happening to me
Strange things
Strange things
Are happening to me
Ain't no doubt about it
I had friends
I had lots of friends
Now all my friends are gone
And I'm doin' the best I can
To carry on
I had power
Power
I was respected
Respected
But not anymore
And live lost the love of the one
Whom I adore
Let me tell you 'bout it
Strange things
Are happening to me
Strange things
Strange things
Are happening to me
Ain't no doubt about it
Strange things
Strange things ♬
Oh! Finally.
Hey, who's got my hat?
Look, I'm Woody.
Howdy, howdy , howdy.
Ah-ha. Ah-ha!
Give me that!
Say there. Lizard and Stretchy Doh,
let me show you something.
It looks as though I've been
accepted into your culture.
Your chief Andy
inscribed his name on me.
Wow! With permanent ink too!
Well! I must get back
to repairing my ship.
Don't let it get to you, Woody.
Uh, let what?
I don't , uh--
What do you mean? Who?
I know Andy's excited about Buzz,
but you know he'll always have
a special place for you.
Yeah, like the attic.
All right ! That's it!
Unidirectional bonding strip.
Mr. Lightyear wants more tape.
Listen, Light Snack,
you stay away from Andy.
He's mine , and no one is
taking him away from me.
What are you taking about?
Where's that bonding strip?
And another thing :
stop with this spaceman thing!
It's getting on my nerves!
Are you saying you want to
lodge a complaint with Star Command?
Oh - ho - ho! Okay?
Ooh, Well, so you wanna do
it the hard way, huh?
Don't even think about it, cowboy.
Oh, yeah, tough guy?
The air isn't toxic.
How dare you open a spaceman's
helmet on an uncharted planet!
My eyeballs could've been sucked from their sockets.
You actually think
you're the Buzz Lightyear?
Oh, all this time
I thought is was an act!
Hey, guys, look!
It's the real Buzz Lightyear!
You're mocking me, aren't you?
Oh, no , no , No , no , no , no , no.
Buzz, look! An alien!
Where?
Yes!
Whoa!
Uh-oh
It's Sid!
Don't move!
I thought he was at summer camp.
They, uh, must have kicked him
out early this year.
Oh, no, not Sid!
Incoming!
Who is it this time?
Uh, I can't -- I can't tell.
Hey, where's Lenny?
Right here, Woody.
Oh, no, I can't bear
to watch one of these again.
Stay where you are!
Oh, no, it's a Combat Carl
What's going on?
Nothing that concerns
you spacemen ; just us toys.
I'd better take a look anyway.
Why is that solider strapped
to an explosive device?
That's why -- Sid.
Hmm, sure is a hairy fellow.
No, no , that's Scud,
You idiot.
that is Sid.
You mean that happy child?
That ain't no happy child.
He tortures toys, just for fun!
Well, then , we've got to do something.
What are you doing?
Get down from there!
I'm gonna teach that boy a lesson.
Yeah, sure. You go ahead.
Mely him with your scary laser.
Be careful with that.
It's extremely dangerous.
He's lighting it!
He's lighting it!
Hit the dirt!
Lood out!
Yes! He's gone!
He's history!
I could've stopped him.
Buzz, I would love to see you try.
Of course, I'd love to see you as a crater.
Yeah!
The sooner we move, the better.
Oh, what a great shot, Yeah!
To infinity and beyond!
Oh, all this packing makes me hungry.
What would you say to dinner at, uh, oh,
Pizza Planet?
Pizza planet? oh, cool!
Go wash your hands,
and I'll get Molly ready.
Can I bring some toys?
You can bring one toy.
Just one?
One toy?
Will Andy pick me?
Don't count on it?
Ohh!
Buzz! oh, Buzz!
Buzz Lightyear!
Buzz Lightyear, thank goodness!
We've got trouble!
Trouble? Where?
Down there. Just down there.
A helpless toy!
It's-- It's trapped, Buzz!
Then we've no time to lose
I don't see anything.
Uh, he's there. Just--
Just keep looking.
What kind of toy--
Buzz!
Buzz!
Buzz!
I don't see him in the driveway.
Did you see that happened?
I think he bounced into Sid's yard!
Ohh! Buzz!
Hey, everyone!
R . C.'s trying to say something.
What is it, boy?
He's saying that this was no accident.
Huh?
What do you mean?
I mean Humpty-Dumpty was pushed.
No
By Woody!
What?
What?
Wait a minute. You-- You don't think
I meant to knock Buzz out the window, do you?
Potato Head?
That's Mr. Potato Head to you,
you back-stabbin' murderer!
Now, it was an accident, guys. Come on.
Now, you-- you gotta believe me.
We believe ya, Woody.
Right, Rex?
Well, ye--n--
I don't like controntations.
Where is you honor, dirt bag?
You are an absolute disgrace!
You don't deserve to-- Hey!
You couldn't handle Buzz
cuttin' in on your playtime,
could you, Woody?
Didn't wanna face the fact that
Buzz just might be
Andy's new favorite toy.
So you got rid of him. Well,
What if Andy starts playing
with me more, Woody, huh?
You're gonna knock me out
of the window too?
I don't think we should give him
the chance.
There he is, men.
Frag him!
Let's string him up by his pull string!
I've got dibs on his hat!
Would you boys stop it?
Tackle him!
No , no, no! W-W-wait!
Boys, stop it!
I can explain everything.
Okay, Mom, be right down.
I've gotta get Buzz.
Retreat!
Mom, do you know where Buzz is?
No, I haven't seen him
Past!
Andy, I'm heading out the door!
But, Mom , I can't find him!
Honey, just grab some other toy.
Now, come on.
Okay.
I couldn't find my Buzz.
I know I left him right there.
Honey, I'm sure he's around.
You'll find him.
It's too short!
We need more monkeys!
There aren't any more!
That's the whole barrel!
Buzz, the monkeys aren't working.
We're formulating another plan!
Stay calm!
Oh , where could he be?
Can I help pump the gas?
Sure! I'll even let you drive.
Yeah?
Yeah, when you're 16
Yuk, yuk, yuk.
Funny, Mom.
oh, great. How am I
gonna convince those guys it was
an accident?
Buzz!
Buzz! Hah! You're alive!
this is great!
Oh, I'm saved! I'm saved!
Andy will find you here.
He'll take us back to the room,
and then you can tell everyone....
that this was all just a big mistake.
Huh? Right? Buddy?
I just want you to know that even though
you tried to terminate me,
revenge is not an idea
we promote on my planet.
Oh. oh, that's good.
But we're not on my planet.
Are we?
No.
Okay. Come on!
You want a piece of me?
Ow!
Buzz-- Buzz-- Buzz
Lightyear to the rescue.
Ah -ow!
Next stop--
Pizza Planet. Yeah!
Andy!
Wh-- Dosen't he realize that I'm not there?
I'm lost!
Oh, I'm a lost toy!
Buzz Lightyear mission log.
the local sheriff and I seem
to be at a huge refueling station of
some sort.
You!
According to my navi - computer, the--
shut up!
just shut up, you idiot!
Sheriff, this is no time to panic.
This is the perfect time to panic!
I'm lost! Andy is gone!
They're gonna move from their house
in two days,
and it's all your fault!
My-- My fault?
If you hadn't pushed me out of
the window in the first place--
Oh, yeah? Well, if you hadn't shown up
in your stupid little cardboard spaceship...
and take away everything
that was important to me--
Don't talk to me about importance.
Because of you,
the security of this entire
universe is in jeopardy!
What? What are you taking about?
Right now, poised at the edge of the galaxy,
Emperor Zurg has been secretly building...
a weapon with the destructive capacity to
annihilate an entire planet!
I alone have information
that reveals this weapon's only weakness.
And you, my friend, are responsible
for delaying my rendezvous with Star Command!
You are a toy!
You aren't the real Buzz Lightyear! You're a--
Uh, you're an action figure!
You are a child's plaything!
You are a sad, strange.
little man, and you have my pity. Farewell.
Oh, yeah? Well,
gook riddance, ya loony.
"Rendezous with Star Command."
Hey, gas dude!
you taking to me?
Yeah, man.
Pizza Planet?
Can you help me?
Do you know where Cutting Boulevard is?
Andy!
Just a moment.
Oh, no!
I can't show my face in that room with Buzz.
Buzz ! Buzz, come back!
Go away.
No, Buzz, you gotta come back! I--
I found a spaceship!
It's a spaceship , Buzz.
Come on , man, hurry up!
Um , like , the pizzas are getting cold here.
Oh, yeah, Cutting Bwulevard.
Yeah, yeah. Which way?
Now, you're sure this space freighter will return...
to it's port of origin once
it jettisons its food supply?
Uh-huh. And when we get there,
we'll be able to find a way
to transport you home.
Well. then, let's climb aboard.
No, no, no, wait! Buzz! Buzz!
Let's get in the back.
No one will see us there.
Negative. There are no restraining
harnesses in the cargo area.
We'll be much safer in the cockpit.
Yeah, but--
Buzz! Buzz!
That's two lefts and a right, huh?
Yeah.
Uh, thanks for the directions, okay?
Yeah, remember, kid--
Buzz!
"It's safer in the cockpit
than the cargo bay."
What an idiot.
Next shuttle liftoff scheduled
for T-minus 30 minutes and counting.
You are cleared to enter.
welcome to Pizza Planet.
The white zone is for eating pizza--
Sheriff!
Sheriff? There you are.
Now, the entrance is heavily grarded.
We need a way to get inside.
Great idea, Woody.
I like your thinkin'.
You are cleared to enter.
Welcome to Pizza Planet.
Now!
Quickly, Sheriff!
The air lock is closing.
Jones, party of five,
your shuttle is now boarding--
Mom, can we have some tokens?
Ow! Watch where you're going!
Sorry!
Nine, eight, seven, six,
five, four, three, two, one.
What a spaceport!
Good work, Woody.
Mom , can I play Black Hole?
Please, please, please!
Andy!
Oh, it's so cool!
Now, we need to find a ship
That's headed for Sector 12.
Wait a minute. No, no , no, Buzz.
This way! there's a special ship.
I just saw it.
You mean it has hyperdrive?
Hyperactive hyperdrive and Astro, uh, turf!
Where is it?
I-I don't see the--
Come on. That's it.
Spaceship!
All right, Buzz,
get ready. And--
Until the universe explodes!
Okay, buzz, when I say go,
we're gonna jump in the basket.
Buzz!
Hey, Mom, if I eat all of my pizza,
No!
Can I have some alien slime?
This cannot be happening to me!
A stranger.
From the outside.
Ooh!
Greetings.
I am Buzz Lightyear.
I come in peace.
Tell me what it's like outside.
Before your space journey.
re-energize yourself with
a slice of pepperoni,
now boarding at counter three.
This is an intergalactic
emergancy. I need to commandeer
your vessel to Sector 12.
Who's in charge here?
The claw!
The claw is our master.
The claw chooses who will go
and who will stay.
This is Indicrous.
Hey, bozo, you got a brain in there?
Take that!
Oh, no! Sid!
Get down!
What's gotten into you,
Sheriff? I was--
You are the one...
that decided to climb into this..
Shh! The claw.
It moves.
I have been chosen!
Farewell, my friends.
I go on to a better place.
Gotcha!
A Buzz Lightyear?
No way!
Yes!
Buzz! No!
Hey!
He has been chosen.
He must go.
Hey!
You might anger the claw.
What are you doing? Stop it!
The claw! The claw!
Stop it, you zealots!
Do not fight the claw.
All right!
Double prizes!
Let's go home and play.
Sheriff, I can see
your dwelling from here.
You're almost home.
Nirvanna is coming.
The mystic portal awaits.
Will you be quiet?
You guys don't get it, do you?
Once we go into Sid's house,
we won't be coming out!
Whoa, Scud! Hey, boy!
Sit! Good boy.
Hey, I got something for you, boy.
Freeze!
Ready. set, now!
Hannah! Hey, Hannah!
What?
Did I get my package in the mail?
I don't know.
What do you mean,
You don't know?
I don't know.
Oh, no, Hannah!
What ?
Look-- Janie!
Hey!
She's sick!
No, She's not!
I'll have to perform
one of my operations.
No!
Not Sid's room.
Not there.
No!
Sid, give her back!
Sid!
Oh, no!
Mom!
We have a sick patient here, Nurse.
Prepare the O.R. stat!
Patient is prepped.
No one's ever attempted
a double bypass...
brain transplant before.
Now for the tricky part.
Pliers!
I don's believe that man's
ever been to medical school.
Doctor, you've done it!
Hannah!
Janie's all better now.
Mom! Mom!
She's lying!
Whatever she says it's not true!
We are gonna die.
I'm outta here!
Locked!
There's gotta be another way outta here.
Uh, Buzz, was that you?
Hey, hi there,
little fella.
come out here.
Do you know a way outta here?
Bu-Bu-Bu-Buzz!
They're cannibals.
Mayday, mayday.
Come in, Star Command.
Send reinforcements.
Star Command, do you copy?
I've set my laser from stun to kill.
Ah, great, great.
Yeah, and if anyone attack us.
we can blink 'em to death.
Hey, you guys, I think I found him. Buzz, is that you?
Whiskers, Will you get out of here!
You're interfering
with a search and rescue!
Look! They're home.
Mom, have you seen Woody?
Where was the last place you left him?
Right here in the van.
I'm sure he's there.
You're just not looking hard enough.
He's not here, Mom.
Woody's gone!
Woody's gone?
Yeah, boy,
The weasel ran away.
Huh? Huh?
I told you he was guilty.
Who would've thought he was
capable of such atrocities?
Oh, Slink,
I hope he's okay.
Oh, a survivor!
Where's the rebel base?
Talk!
I can see your will is strong.
Well, we have ways
of making you talk.
Where are your rebel friends now?
Sid, your Pop Taris are ready!
All right!
Are you all right?
I'm proud of you, Sheriff.
A lesser man would've
talked under such torture.
I sure hope this isn't permanent.
Still no word from Star Command.
We're not that far from the spaceport.
The door. It's open!
We're free!
Woody, we don't know
what's out there!
I'll tell you wha--
They're gonna eat us, Buzz!
Do something, quick!
Shield your eyes!
It's not working.
I recharged it before I left.
I-It should be good for--
You idiot, you're a toy!
Use your karate-chop action!
Get away!
Hey! Hey! How're you doin' that?
Stop that!
Back! Back,
you savages! Back!
Woody, stop it.
Sorry, guys,
but dinner's cancelled.
There's no place like home.
There's no place like home.
There's no place like home!
Another stunt like that, cowboy,
and you're gonna get us killed.
Don't tell me what to do
Shh!
Yee-haw! Giddyap, partner!
We got to get this
wagon train a- movin!
Split up!
Calling Buzz Lightyear.
Come in , Buzz Lightyear.
This is Star Command.
Buzz Lightyear,
Star Command!
do you read me?
Buzz Lightyear. responding
Read you loud and clear.
Buzz Lightyear,
planet Earth needs your help!
On the way!
Buzz Lightyear!
The world's great superhero,
now the world's greatest toy!
Buzz has it all!
Locking wrist Communicator!
Calling Buzz Lightyear!
Karate-chop action!
Wow!
Pulsating laser light!
Total annihilation!
Multi-phrase voice simulator!
There's a secret mission in uncharted space.
There's a secret mission in uncharted space.
And best of all,
high pressure space wings!
To infinity and beyond!
Not a flying toy.
Get your Buzz Lightyear action figure and save
a galaxy near you!
Buzz Lightyear!
Available at all Al's Toy Barn
outlets in the Tri-county area.
♬ Out among the stars I sit.
Way beyond the moon
In my silver ship I sail
To a dream
that ended too soon.
Now I know
Exactly who I am
and what I'm here for
You are a toy!
You can't fly!
And I will go sailing
No more
But no, it can't be true
I could fly if I wanted to
Like a bird in the sky
If I believed I could fly
Why, I'd fly
To infinity and beyond!
Clearly I
Will go sailing
No more ♬
Mom! Mom! , have you seen
my sally doll?
What, dear?
What was that?
Never mind!
Buzz, the coast is clear.
Buzz, where are you?
There's a secret mission
in uncharted space. Let's go.
Really?
That is so interesting.
Would you like some tea,
Mrs, Nesbitt?
Buzz!
It's so nice you could join us
on such late notice.
Oh, no.
What a lovely hat,
Mrs, nesbitt.
It goes quite well with your head.
Hannah! Oh, Hannah!
Mom? Please excuse me, ladies.
I'll be right back.
What is it. Mom?
Mom, where are you?
Buzz! Hey! Buzz, are you okay?
Gone! It's all gone.
All of it's gone.
Bye-bye. Whoo-whoo, See ya.
What happened to you?
One minute you're defending
the whole galaxy,
and suddenly you find yourself
suckin' down Darjeeling...
with Marie Antoinette and her little sister.
I think you've had enough tea for today.
Let's get you outta here, Buzz.
Don't you get it?
you see the hat?
I am Mrs. Nesbitt!
Suap out of it, Buzz!
I-I-I'm-- I'm sorry, I--
You're right.
I am just a little depressed.
that's all. I--
I-I can get through this.
Oh, I'm a sharm!
Shh!
Look at me.
Quiet, Buzz!
I can't even fly out of a window.
But the hat looked good?
Tell me the hat looked good.
The apron is a bit much.
Out the window!
Buzz, you're a genius!
Come on, come on. This way.
Years of academy training wasted!
B-3
Miss! G-6.
Ohh! You sunk it!
Are you peeking?
Oh, quit your whining and pay up.
No, no, not the ear.
Give me the nose. Come on.
How about three out of five?
Hey, guys! Guys!
Hey!
Son of a building block!
It's a Woody.
He's in the psycho's bedroom.
H-H-Hi!
Everyone! It's Woody!
Woody?
You're kidding!
Woody!
We're gonna get out of here, Buzz.
Buzz?
Hey, look!
Woody!
Oh, boy, am I glad to see you guys!
I knew you'd come back. Woody!
What are you doin' over where?
It's a long story, Bo.
I'll explain later.
Here! Catch this!
Whoa! I got it, Woody!
He got it, Woody!
Good goin', slink!
Now just, just tie it on to somethin'.
Wait , wait, wait, wait.
I got a better idea.
How about we don't?
Hey!
Potato Head!
Did you all take stupid pills this morning?
Have you forgotten what he did to Buzz?
And now you want to
let him back over here?
NO! no, no, no, no, no, no, no.
You got it--
You got it all wrong.
Potato Head.
Buzz is fine. Buzz is right here.
He's with me.
You are a liar!
No I'm not!
Buzz, come over here and j-just
tell the nice toys that you're--
that you're not dead.
Just a sec!
Buzz, Will you get up here and
give me a hand?
That's very funny, Buzz.
This is serious!
Hey, Woody, where'd ya go?
He's lying . Buzz ain't there.
Oh, hi, Buzz.
Why don't you say hello
to the guys over there?
Hiya, fellas!
To infinity and beyond!
Hey, look! It's Buzz!
Yeah! Hey, Buzz, let's show
the guys our new secret
best-friends handshake.
Give me five. man!
Something's screwy here.
So you see, we're friends now,
guy, Aren't we, Buzz?
You bet. Give me a hug.
Oh, I love you too.
Wee? It is Buzz.
Now give back the lights,
Potato Head.
Wait just a minute.
What are you tryin' to pull?
Nothin'.
Oh, that is disgusting.
Murderer!
No! No. no. no. no. no!
You murdering dog!
It's not what you think,
I swear!
Save it for the jury!
I hope Sid pulls
your voice box out, you creep.
No! No! No, no!
Don't leave! Don't leave!
Y-Ya gotta help us, please!
You don't know what it's like over here!
Come on, let's get out of here.
Go back to your lives, citizens.
Show's over.
Come back! Slink!
Slink, please!
Please listen to me!
No! No. come back!
Slinky!
Buzz!
Go away, you disgusting freaks!
All right, back!
Back, you cannibals!
He is still alive and you're--
you're not gonna get him,
you monsters!
What are you doin'?
Hey. Hey, they fixed you.
But-- But they're cannibals.
We saw them eat those other toys.
Uh, sorry. I-I-I thought
that you were gonna,
you kn--
you know, eat my friend.
Hey, no, no. Hey. Hey!
What's wrong?
Sid!
Not now, Mom! I'm busy!
Sid!
Buzz, Come on, get up!
Use your legs!
Fine! Let Sid trash you!
But don't blame me!
It came! It finally came!
"The big One."
"Extremely dangerous.
Keep out of reach of children."
Cool! What am I gonna blow?
Man! Hey, Where's that wimpy cowboy doll?
Yes.
I've always wanted to put a spaceman into orbit.
Yes.
Oh, no!
Oh, man!
Sid Phillis reporting.
Lanunch of the shuttle has been
delayed due to adverse weather
conditions at the launch site.
Tomorrow's forecast? Sunny.
Sweet dreams.
I looked everywhere, honey, but
all I could find was your hat.
W-What if we leave them behind?
Oh, don't worry, honey.
I'm sure we'll find Woody and
Buzz before we leave tomorrow.
I need air.
Will you quit moving around?
I'm sorry. It's just that
I get-- I get so vervous before I travel.
How did I get stuck with you
as a moving buddy?
Everyone else was picked.
Oh, Woody.
If only you could see
how much Andy misses you.
Past! Past! Hey, Buzz!
Hey. Get over here and
see if you can get
this tool box off me
Oh, come on, Buzz, I--
Buzz, I can't do this without you.
I need your help.
I can't help
I can't help anyone.
Why, sure you can, Buzz.
You can get me out of here.
And then I'll get
that rocket off you and we'll
make a break for Andy's house.
Andy's house. Sid's house.
What's the difference?
Oh, Buzz, you've had a big fall
Y-You must not be thinking clearly.
No, Woody, for the first time
I am thinking clearly.
You were right all along.
I'm not a Space Ranger.
I'm just a toy. A stupid
little insignificant toy.
Whoa. Hey. Wait a minute.
Being a toy is a lot better
than being a, a Space Ranger.
Yeah, right.
No, it is
Look, over in that house
is a kid who thinks
you are the greatest,
and it's not because
you're a Space Ranger, pal.
It's because you're a toy.
You are his toy.
But why would Andy want me?
Why would Andy want you?
Look at you!
You're a Buzz Lightyear!
Any other toy would give up
his moving parts just to be you.
You've got wings!
You glow in the dark! You talk!
Your helmet does that--
that-- that "whoosh" thing.
You are a cool toy.
As a matter of fact.
you're too cool.
I mean-- I mean, what chance
does a toy like me have....
against a Buzz Lightyear.
action figure?
All I can do is---
There's a snake in my boots!
Why would Andy ever want to play
with me when he's got you?
I'm the one that should be
strapped to that rocket.
Listen, Buzz, forgot about me.
You should get out of here
while you can.
Buzz, what are you doin'?
I thought you---
Come on, Sheriff.
There's a kid over in that house who needs us.
Now let's get you out of this thing.
Hit it!
Yes, sir!
Come on, Buzz, we can do it.
Woody! It's the moving van!
We gotta get out of here now.
Come on, Buzz.
All right.
Buzz, Hey, I'm out!
Almost there.
I wanna ride the pony.
Whew.
Woody. Woody, are you all right?
No, I'm fine. I'm okay.
Oh, yeah!
Time for liftoff! Whoo!
To infinity and beyond!
Whoo-hoo!
Back! Back!
Down! Down!
Okay, what do I do?
Come on, Woody, think.
Guys!
No, no, no, no, wait!
Wait, Listen. Please!
There's a good toy down there
and he's -- he's gonna be blown
to bits in a few minutes,
all because of me.
We gotta save him.
But I need your help.
Please. He's my friend.
He's the only one I've got.
Thank you.
Okay. I think I know what to do.
We're going to have to break
a few rules, but if it works
it'll help everybody.
Houston to Misson Contro.
Come in. Control.
Launchpad is being constructed.
All right, listen up.
I need Pump Boy here.
Ducky, here. Legs?
You're with Ducky.
RollerBob and I don't move
'till we get the signal. Clear?
Okay. Let's move!
Wind the frog!
Wait for the signal.
Go!
All right, let's go!
I'll get it!
Now!
I'm coming, I'm coming.
Whoa! Scud!
Stupid dog.
Lean back!
Uh, Mission Control,
is the launchpad consturction complete?
Uh, roger. Rocket is now
secured to guide wire.
We are currently obtaining the ignition sticks.
Countdown will commence momentarily.
Stand by.
Let's go.
Hey, Mom!
Where are the matches?
Oh, wait, here they are.
Never mind!
Woody! Great!
Help me out of this thing.
Shh!
What?
It's okay?
Everything's under control.
Woody, what are you doing?
Houston, all systems are go.
Requesting permission to launch.
Hey, How'd you get out here?
Oh, well. You and I can have
a cookout later.
Houston, do we have permission to launch?
Uh, roger. Permission granted.
You are confirmed
at T-minus ten seconds...
and counting.
Ten, nine, eight, seven, six,
five, four, three, two, one---
Reach for the sky.
Huh?
This town ain't big enough
for the two of us.
What?
Somebody's poisoned the water hole.
It's busted.
Who are you calling
"busted," buster?
Huh?
That's right.
I'm taking to you Sid phillips
Huh?
We don't like bein' blown up, Sid.
Or smashed.
Or ripped arart.
We?
That's right. Your toys.
Mama! Mama!
Mama!
From now on you must take
good care of your toys.
because if you don't
we'll find out. Sid.
We toys can see everything.
So play nice.
We did it! We did it! Yes!
The toys! The toys are alive!
N-Nice toy.
What's wrong , Sid ?
Don't you want to play with Sally?
Nice work, fellas. Good job.
Coming out of the ground--
What a touch.
That was a stroke of genius.
Woody.
Thanks.
Everybody say. "Bye, House!"
Woody! The van!
Bye. House.
We gotta run! Thanks, guys!
Quick!
Just go! I'll catch up!
Come on!
You can do it, Woody!
I made it.
Ow! Get away, you stupid dog!
Down! Down!
Hold on, Woody!
I can't do it.
Take care of Andy for me!
No!
Buzz!
Ow!
Are we there already?
Woody?
Woody!
How did you--
How'd he get here?
Where have you--
What happened- Ow!
What's goin' on?
What's the--
What's he takin'?
Aha! There you are!
Hey, what's he doing?
He's at it again!
Get him!
Come on!
Get him!
Aah! Aah! No! No!
No, no, no, no, wait!
Whoa, whoa, whoa, whoa, whoa,
whoa, whoa, whoa, whoa, whoa,
whoa, whoa, whoa, whoa, whoa!
whoa, whoa, whoa, whoa, whoa!
whoa, whoa, whoa, whoa, whoa!
whoa, whoa, whoa, whoa, whoa!
Pig pile!
Get out of that car!
Move it!
Whew.
No, please !
You don't understand!
Buzz is out there!
We gotta help him!
Toss him overboard!
No, no, no, no! Wait! Aaah!
Hooray!
so long, Woody!
Ohh, Woody!
Ohh!
Oh! Well, thanks for the ride!
Lood out! Aaaah!
Now let's catch up to that truck!
Guys! Guys!
Woody's riding R.C.!
What?
And Buzz is with him!
Ohh!
What? Buzz?
It is Buzz!
Woody was telling the truth!
What have we done?
Great! Now I have grilt!
We're almost there!
Rocky, the ramp!
Come on, Woody, Buzz!
You can do it!
Look out!
Quick! Hold on to my tail!
Atta boy, Slink!
Uhh! Woody!
Woody, speed up!
Speed up!
The batteries!
they're running out!
Whoa, whoa, whoa, whoa!
whoa!
Aaaah!
Hakuna Matata
What a wonderful phrase
I can't hold on much longer!
Slimk, hang on!
Ouch!
Great.
Woody! The rocket!
The match!
Yes! Thank you, Sid!
No! no, no, No!
No!
Oh, no, no, no,
no, no, no,
No!
Woody, what are you doing?
Hold still, Buzz.
You did it!
Next stop, Andy.
Wait a minute.
I just lit a rocket.
Rockets explode!
I should've held on longer.
Look! Look! It's Woody and Buzz coming up fast!
Woody!
Run! Take comer!
Aah! This is the part
where we blow up!
Not today.
Hey, Buzz! You're flying!
This isn't flying.
This is falling with style.
To infinity and beyond!
Uh, Buzz, we missed the truck.
We've not aiming for the truck.
Hey! Wow!
What? What is it?
Woody! Buzz!
Oh, great!
You found 'em.
Where were they?
Here in the car!
See?
Now, what did I tell you?
Right where you left 'em.
Which one can I open first?
Let's let Molly open one.
Frankincense, this is Myrrh.
Hey. heads up, everybody!
It's show time!
Oh! It's time!
Oh. Bo. There's gotta be a less
painful wat to get my attention
Merry Christmas, Sheriff.
Say, isn't that mistle toe?
Mm-hmm.
Maybe Andy'll get another
dinosaur, like a leaf eater.
That way I could play
the, uh, dominant predator!
Quiet, everyone, quiet.
Molly's first present is..
Mrs. Potato Head!
Repeat, a Mrs. potato Head!
Way to go, Idaho!
Gee, I'd better shave.
Come in, Frandincense.
Andy is now opening gis first present,
It's-- .
Buzz. Buzz Lightyear.
I can't quite---
You are not worried, are you?
Me? No.
make out--
No, No, no, no, no, no, no.
Mm-mmm.
A large box.
It's, it's, it's--
Are you?
Oh, now, Buzz.
What could Andy possibly get
that is worse than you?
Oh, what is it? What is it?
Wow! A puppy!
글
(영화대본) 토이스토리 2 - Toy Story 2
이 중에서 몇 개만 확실히 외우면 성공입니다. 욕심을 버려야 합니다. 다 얻으려면 다 잃습니다. 자신에게 와닿는 표현들 몇 개만을 집중적으로 물고 늘어지시기 바랍니다. 선택과 집중! 자신에게 와닿는 표현이란? 자신과 궁합이 맞는 표현입니다. 결국 모든 영어를 다 할 수도 없고, 그럴 필요도 없는 겁니다. 자신과 잘 맞는 것만 선택해서 집중적으로 외우시기 바랍니다.
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
Toy Story 2
[ Squeaking ]
[ Whooshing ]
[ Rocket Firing ]
[ Rocket Firing ]
[ Hydraulics Whooshing ]
[ Breathing Apparatus Hissing ]
Buzz Lightyear mission log.
All signs point to this planet
as the location of Zurg's fortress,
but there seems to be no sign
of intelligent life anywhere.
[ Electronic Whirring ]
[ All Whirring ]
- [ Grunts ]
- [ Laser Buzzing ]
[ Screaming ]
[ Electronic Whirring ]
- [ Electronic Beeping ]
- [ Grunts ]
[ Gasping ]
- [ Beeping ]
- [ Laughing Evilly ]
Come tome, my prey.
[ Continues Gasping ]
[ Grunts ]
[ Electronic Buzzing ]
[ Screaming ]
To infinity and beyond!
[ Electronic Whirring ]
So, we meet again,
Buzz Lightyear, for the last time.
Not today, Zurg!
- [ Cries Out ]
- [ Grunts ]
[ Laughing Maniacally ]
[ Laughing Maniacally ]
- ~~ [ Game Theme ]
- Oh, no! No!
- No, no, no, no.
- Oh, you almost had him.
- I'm never gonna defeat Zurg!
- Sure, you will, Rex.
- In fact,
you're a better Buzz than I am.
- But look at my little arms!
I can't press the "fire" button
and jump at the same time!
Where is it?
Where is it?
- Uh, Woody?
- Huh? [ Grunts ]
- [ Continues Grunting ]
- [ Both ] Ooh.
Hang on, cowboy!
- Woody, are you all right?
- [ Grunts ] Oh. Yeah.
Yeah, I'm fine, Buzz. Okay. Here's your
list of things to do while I'm gone.
Batteries need to be changed.
Toys in the bottom of the chest
need to be rotated.
Oh, and make sure everyone
attends Mr. Spell's seminar...
on what to do
if you or a part of you is swallowed.
- Okay? Okay. Good. Okay.
- Woody, you haven't found
your hat yet, have you?
No! And Andy's leaving
for cowboy camp any minute,
and I can't find it anywhere!
Don't worry, Woody.
In just a few hours,
you'll be sitting around a campfire with
Andy making delicious, hot "sch'moes."
- They're called s'mores, Buzz.
- Right. Right. Of course.
Has anyone found Woody's hat yet?
[ Sergeant ] Keep looking, men.
Dig deeper! Negatory. Still searching.
The lawn gnome next door says it's not
in the yard, but he'll keep lookin'.
[ Sheep Bleating ]
It's not in Molly's room.
We've looked everywhere.
- I found it.
- You found my hat?
Your hat? No.
The missus lost her earring.
- Oh, my little sweet potato!
- Oh, you found it!
Oh, it's so nice...
to have a big, strong spud
around the house.
- Ooh! [ Giggles ]
- Oh, great. That's just great.
This'll be the first year I miss cowboy
camp, all because of my stupid hat!
- Woody, look under your boot.
- Don't be silly.
- My hat is not under my boot.
- Would you just look?
[ Groans ] You see? No hat.
Just the word "Andy."
Uh-huh. And the boy who
wrote that would take you to
camp with or without your hat.
I'm sorry, Bo.
It's just that I've been
lookin' forward to this all year.
- It's my one time
with just me and Andy. [ Gasps ]
- You're cute when you care.
- Bo, not in front of Buzz.
- [ Purrs ] Let him look.
- [ Bleating ]
- Miss Peep, your sheep!
- [ Whistles ]
- [ Rex Screams, Grunts ]
- This is Al from Al's Toy Barn,
and I'm sittin' on good deals.
- Whoa!
Ow! I think I'm feeling
a deal hatching right now.
Whoa! Let's see what we got. We got
boats for a buck, Beanies for a buck--
-Rex, turn it off!. Someone's gonna hear!
-Which one is off?
Buck-buck-buck! And that's
cheap-cheap-cheap! So hurry on down--
For cryin' out loud, it's this one.
- I despise that chicken.
- Fellas! Fellas!
- Okay, I got some good news,
and I got some bad news.
- What news?
The good news is
I found your hat, Woody.
My hat! Slink, thank you.
Thank you, thank you, thank you.
- Where'd you find it?
- Well, that's the bad news.
- [ Dog Barking ]
- Oh, it's Buster!
[ Sergeant ] Canine alert! Man your
battle stations! Let's move, move, move!
- [ Buster Growling ]
- Woody! Hide! Quick!
- [ Woody Gasps ]
[ Barking ]
[ Continues Barking ]
[ Beeping Electronically ]
[ Sniffing ]
[ Continues Barking ]
[ Growling ]
[ Snarling ]
[ Sputtering ] Okay, okay, okay.
Okay, okay! You found me!
Buster, all right. [ Groans ]
Hey, how did he do, Hamm?
- Looks like a new record.
- Okay, boy. Sit.
- Reach for the sky.
- [ Whimpering ]
- Gotcha!
- [ Shrieks ]
[ Chuckles ]
Great job, boy.
Who's gonna miss me
while I'm gone, huh?
- Who's gonna miss me?
Who's gonna miss me?
- [ Panting ]
[ Woman ]
Andy, you got all your stuff?.
-Have a good weekend, everybody.
I'll see you Sunday night.
-It's in my room.
- [ Barking ]
- Stick'em up.
I guess we'll work on that later.
Hey, Woody.
Ready to go to cowboy camp?
Andy, honey, come on.
Five minutes, and we're leavin'.
Five minutes. Hmm.
Help, help!
Somebody help me!
Let her go, evil Dr. Pork Chop!
[ Andy, Evil Voice ]Never!
You must choose, Sheriff Woody.
How shall she die?
Shark, or death by monkeys?
[ Imitates Monkey Chittering ]
- Choose!
- [ Andy Imitating Woody ]
I choose Buzz Lightyear!
- What? That's not a choice!
- [ Andy Imitating Buzz ]
To infinity and beyond!
- I'll save you, Miss Peep.
- My hero. [ Imitates Kissing ]
- [ Andy As Woody ] Thanks, Buzz.
- [ Andy As Buzz ] No problem, buddy.
You should never tangle
with the unstoppable duo
of Woody and Buzz Lightyear!
Oh, no.
Andy, let's go!
Molly's already in her car seat.
- But, Mom, Woody's arm wrecked.
- Oh, no.
- Maybe we can fix him on the way.
- No, just leave him.
I'm sorry, honey,
but you know toys don't last forever.
[ Sighs ]
[ Gasps ]
- What happened?
- Woody's been shelved.
[ Rex Gasps ]
Andy!
-[ Slinky ] Woody?
-[ Bo Peep ] Woody? Honey, are you okay?
[ Andy ] Yee-hah!
Ride'em, cowboy! [ Whoops ]
He's back? Hey, everybody! Andy's back!
He's back early from cowboy camp!
- Places, everybody! Andy's coming!
- [ All Gasping, Chattering ]
Yeah!
~~[ Humming Lone Ranger Theme Song ]
Hey, Woody!
Did you miss me?
Giddyap, giddyap, giddyap.
Ride'em, cowboy!
Ohh. I forgot.
You're broken.
I don't wanna play with you anymore.
[ Gasping ]
No, Andy!
No. No, Andy! No!
[ Choking ]
Andy. Andy. [ Garbled ]
[ Voice Echoing ]
Bye, Woody.
No! No! Andy!
[ Screaming, Gasping ]
[ Grunts, Coughs ]
[ Coughing ]
- [ Continues Coughing ]
- [ Woody ] Wheezy, is that you?
- Hey, Woody.
- What are you doing up here?
I thought Mom took you
to get your squeaker fixed months ago.
- Andy was so upset.
- Nah. She just told him that
to calm him down...
and then put me on the shelf.
- Why didn't you yell for help?
- Well, I tried squeakin'.
But I'm still broken.
No one could hear me. [ Wheezes ]
[ Coughs ] Besides, the dust
aggravates my condition.
[ Wheezes, Coughs ]
What's the point in
prolonging the inevitable?
We're all just one stitch away
from here to there.
Yard sale? Yard sale!
Yard sale! Guys, wake up, wake up!
There's a yard sale outside!
- Yard sale?
- Sarge, emergency roll call!
Sir, yes, sir!
Red alert!
All civilians fall in position now!
Single file! Let's move, move, move!
- Hamm? Potato Head, Mr. and Mrs.?
- Here.
- [ Both ] Here.
- Troikas. Check,
check, check, check, check.
- I hate yard sales!
[ Yelps ]
Someone's coming!
[ Gasps ]
Okay. Let's see what's up here.
[ Puzzle Pieces Rattling ]
Bye, Woody.
Wheezy! Think, think, Woody.
Think, think, think.
Ooh-- [ Blows Raspberry,
Sputters, Whistles ]
- [ Barking ]
- Hey. Here, boy. Here, Buster!
Up here!
No, no, no, no, no, no!
Okay, boy.
To the yard sale! Hyah!
- [ Potato Head ]
What's goin'on? He's nuts.
- His arm ain't that bad.
Don't do it, Woody!
We love you!
[ Woody ] Careful on the steps, now.
[ Grunting ]
[ Buster Pants ]
[ Child Laughing ]
Okay, boy. Let's go.
And keep it casual.
[ Woody ] Not that casual.
[ Child Babbling ]
- [ Hamm ] Piggy bank
coming through, coming through.
- [ Rex ] Is he out there?
[ Buzz ] There he is.
- [ Woody Grunts ]
- ~~[ Man Whistling ]
- [ Rex ]He's in the box!
- [ Hamm ] He's sellin' himself
for 25 cents!
- You're worth more than that.
- [ Buzz ]Hold on. Hold on.
He's got something.
- It's Wheezy!
- [ All ] Wheezy?
Hey, it's not suicide.
It's a rescue.
- [ Woody Grunts ]
- [ Wheezy Squeaking ]
Good boy, Buster. Hold still.
There. There you go, pal.
- Bless you, Woody.
- All right, now.
Back to Andy's room. Hyah!
- [ Toys Laughing ]
- [ Buzz ] Way to go, cowboy.
- [ Slinky ] Golly bob howdy!
- Woody, I'm slipping!
[ Yells, Grunts ]
[ Child Laughing ]
Mommy-- Mommy, look! Look at this!
- Mommy, look! It's a cowboy dolly!
- Hey, that's not her toy!
[ Slinky ] What's that little gal
think she's doin'?
- Mommy, Mommy, can we get it?
Please? Mommy, please?
- Oh, honey.
You don't want that toy.
It's broken.
- [ Mechanical Voice ]
There's a snake in my boot.
- [ Man Gasping ]
Original hand-painted face.
Natural-dye, blanket-stitched vest!
Little rip. Fixable. Oh, if only you had
your hand-stitched, polyvinyl--
[ Gasps, Laughs Hysterically ] A hat!
I found him! I found him! I found him!
- [ Continues Laughing ]
- [ Andy's Mother ]Buster! Quiet down!
- Excuse me. Can I help you?
- Yes. You can help
take his paws off my pal.
I'll give you, uh,
50 cents for all this junk.
- Oh, now, how did this get down here?
- [ Buzz ]Hand her the sheriff.
Nice and easy.
- Five dollars.
- I'm sorry. It's an old family toy.
- [ Groans ] Wait!
- Now just walk away. The other way.
- I'll give you 50 bucks for it.
- Fifty bucks ain't bad.
- [ Mother ]It's not for sale.
- Everything's for sale.
- We'll trade. You like my watch?
- Sorry.
- He's safe. Way to go!
- She showed him!
- Molly, don't touch that, sweetie.
- [ Sputtering, Groaning ]
[ Potato Head ]
Yeah. Go home, Mr. Fancy Car.
- [ Buzz ]Hold on.
- [ Hamm ] What's up?
[ Rex ] What is it, Buzz?
- [ Crash ]
- [ Toys ] What's happening?
What's he doing?
I can't watch!
Can someone cover my eyes?
- [ Buzz ]He's stealin' Woody!
- [ Rex ] What?
He can't take Woody. It's illegal.
- Where's he going?
- Do something.
- Buzz!
- [ Gasping ]
- [ Potato Head ] Get him, Buzz.
Where's the red jacket?
[ Gasping, Grunting ]
[ Engine Revving ]
[ Grunting ]
[ Cries Out, Grunts ]
Why would someone steal Woody?
[ Grunts, Gasps ]
[ Gasping, Grunting ]
All right.
Let's review this one more time.
At precisely 8:32-ish,
Exhibit "A," Woody, was kidnapped.
Exhibit " B,"
a composite sketch of the kidnapper.
- He didn't have a beard like that.
- Fine. Etch, give him a shave.
[ Slinky ]
The kidnapper was bigger than that.
- Oh, picky, picky, picky.
- Let's just go straight to Exhibit " F."
The kidnapper's vehicle.
Now, the vehicle fled the scene
in this direction.
- Your eyes are in backwards.
It went the other way.
- Hey. Put a cork in it.
- How do you spell " F.B.I."?
- My crime scene!
Oh, why don't you watch
where you're going, "Godspilla"?
- I didn't know there was a crime scene.
- Excuse me. Excuse me.
- A little quiet, please. Thank you.
- Huh?
[ Mr. Spell ]
Lazy toy brain.
- Lousy try, Brian.
- What are you doing, Buzz?
It's some sort of message
encoded on that vehicle's I.D. tag.
- Liz try bran.
- It's just a license plate.
It's just a jumble of letters.
Yeah, and there are about
3.5 million registered cars
in the tri-county area alone.
- Lou's thigh burn.
- [ Buzz Groaning ]
Oh, this can't help.
Let's leave Buzz to play with his toys.
Toy. Toy. Toy.
Hold on!
[ Mr. Spell Beeping Electronically ]
- Al's Toy Barn.
- Al's Toy Barn!
Etch, draw that man
in a chicken suit.
- [ All Gasping ]
- It's the chicken man!
- [ Buzz ] That's our guy.
- I knew there was something
I didn't like about that chicken.
Yeah, yeah, yeah.
I'll be right there.
And we're gonna do this commercial
in one take, do you hear me,
because I am in the middle
of something really important.
- [ Phone Beeps Off ]
- [ Chuckling Maniacally ]
You, my little cowboy friend,
are gonna make me big buck-buck-bucks.
[ Gasping, Straining ]
[ Grunts ]
[ Gasping, Grunting ]
- [ Siren Blaring ]
- [ Gasps ]
Andy!
I can't believe I have to drive
all the way to work on a Saturday.
- All the way to work!
- [ Horns Honking ]
[ Grunting ]
What? Whoa!
[ Screaming ]
Hey! Stop! Horsey, stop!
Stop! Sit, boy!
Stop it!
[ Screams ] Sit, I said!
Whoa! Whoa.
[ Grunts ]
- Yee-hah!
- [ Cries Out ]
It's you! It's you!
It's you! It's you! It's you!
- It's really you!
- What's me?
- Whoo-whee!
- [ Mechanical Voice ]
There's a snake in my boot.
- Ha! It is you!
- Please stop saying that.
Prospector said someday you'd come.
Sweet mother of Abraham Lincoln!
The Prospector!
He'll wanna meetya! [ Whistles ]
Say "hello" to the Prospector!
- It-- It's a box.
- He's mint in the box.
Never been opened.
[ Pete ] Turn me around,
Bullseye, so I can see.
Why, the prodigal son has returned.
Yee-hah!
It's you! It's you!
You're here! It's you!
It's you! It's you!
Okay. I'm officially freaked-out now.
Oh, we've waited countless years
for this day.
- It's good to see you, Woody.
- Listen. I don't know wh--
- Hey, how do you know my name?
- Everyone knows your name, Wood-y.
Why, you don't know
who you are, do you? Bullseye?
[ Gasps ]
That's me.
[ Gasping ]
Wow.
Holy cow.
~~[ Western-style Theme Song ]
[ Announcer ]
Cowboy Crunchies, the cereal that's
sugar-frosted and dipped in chocolate...
proudly presents:
[ Chorus ] ~ Woody's Roundup
Come on, it's time to play~
-~There's Jessie the yodeling cowgirl ~
-~Yodel-ay-hee-hoo ~
- ~~ [ Chorus Yodeling ]
- Look it! That's me!
- ~ Bullseye, he's Woody's horse ~
-~He's a smart one~
-~Meet the old Prospector~
- Has anyone seen my pick?
~And the man himself
Of course, it's time for Sheriff Woody~
~ He's the very best
He's the rootin'-est
tootin'-est cowboy~
~ In the wild, wild west ~
~ Woody's Roundup~~
I can't find it! It doesn't seem
to be on any of these stations.
- Keep looking.
- You're going too slow.
Let me take the wheel.
- [ Jumbled Audio ]
- [ Rex ] It's too fast.
- How can you even tell what's on?
- I can tell.
- [ Al Squawks ]
- [ All ] Stop! Back, back, back!
Too late. I'm in the 40s.
Got to go 'round the horn. It's faster.
- [ All ] Back, back! Stop!
- And look for the giant chicken!
Now, Etch!
That's where I need to go.
You can't go, Buzz.
You'll never make it there.
Woody once risked his life to save me.
I couldn't call myself his friend
if I weren't willing to do the same.
So who's with me?
I'm packing you an extra pair of shoes
and your angry eyes just in case.
This is for Woody when you find him.
[ Clears Throat ]
All right, but I don't think
it'll mean the same coming from me.
Mr. Buzz Lightyear,
you just gotta save my pal Woody.
- [ Coughing, Wheezing ]
- I'll do my best, son.
Okay, fellas.
Let's roll.
Geronimo!
You'd think with
all my video game experience,
I'd be feeling more prepared.
[ Screaming ]
The idea is to let go.
We'll be back before Andy gets home.
Don't talk to any toy you don't know!
To Al's Toy Barn and beyond!
[ TV Jessie ] They don't
call this the old abandoned mine
for nothin', Prospector.
I reckon we oughta
get outta here.
[ TV Pete ] Where's my gold?
Hold on. I'll light me a candle.
[ TV Pete ] Where's my gold?
Hold on. I'll light me a candle.
This sure is a fast-burnin' wick.
Blast us to smithereens!
That there's dynamite!
- Holy tarnation.
- I'll call for help.
~Yodel-ay-hee-hoo ~
Hey, critters, go get Sheriff Woody.
Now scurry!
[ TV Woody ] Good job,
Bullseye. I reckon the new
schoolhouse is finally done.
- [ Critters Chittering ]
- What's that?
Jessie and Prospector are trapped
in the old abandoned mine,
and Prospector just lit a stick
of dynamite thinkin' it was a candle,
and now they're about
to be blown to smithereens?
- [ Rabbit ] Mm-hmm.
- Ride like the wind, Bullseye!
You're fannin' the flames, Jessie!
It takes brains to put out that fire.
Yow! My biscuits are burnin'!
[ Announcer ]
Will Woody and Bullseye land to safety?
Can they reach Jessie
and Stinky Pete in time?
Tune in next week for the exciting
conclusion: "Woody's Finest Hour."
All right! All right! Next tape!
Hey, w-wait.
What happened? What happens next?
- Come on! Let's see the next episode!
- [ Pete ] That's it.
- What?
- The show was canceled after that.
Wait. What about the gold mine and the
cute little critters and the dynamite?
That was a great show!
I mean, why cancel it?
Two words: Sput-nik.
Once the astronauts went up, children
only wanted to play with space toys.
I know how that feels.
But still, my own show.
- I mean, look at all this stuff!.
- [ Jessie ]Didn't you know?
Why, you're valuable property!
I wish the guys could see this.
Hey-howdy-hey. That's me.
I'm on a yo-yo.
[ Chuckles ]
Oh, hey. Nice teeth.
And yet, still a good-lookin' guy.
Oh, it's a bank! Cool.
Wh-What do you do?
You push the hat, and out co--
Oh, out come bubbles. Clever.
Oh, wow. Hey, what's this thing do?
[ Laughing ] I get it.
"There's a snake in my boot."
Oh, hey, Bullseye.
Go long! Go long! Whoo!
- ~~ [ Distorted Instrumental ]
- A record player!
- I haven't seen one of these in ages.
- ~~ [ Fast-speed Yodeling ]
- ~~ [ Singing Slows ]
- Okay, now. Slow.
- ~~ [ Extra-slow Singing ]
- Oh, that's funny, Bullseye.
Hop on, cowgirl! Think fast!
[ Jessie Gasps ] Oh.
- Not bad.
- ~It's time for Woody's Roundup~
- Whee!
- [ Distorted ]~He's the very best~
[ Fast-speed ]~He's the rootin'-est
tootin'-est cowboy--~~
Look at us!
We're a complete set!
- Now it's on to the museum.
- Museum?
- [ Record Scratching ]
- [ Jessie Screaming ]
- What museum?
- The museum.
We're being sold
to the Konishi Toy Museum in Tokyo.
- That's in Japan!
-Japan? No, no, no, no, no.
I can't go to Japan.
[ Chuckles ]
What do you mean?
I got to get back home to
my owner, Andy. Hey, look, look. See?
- [ Gasps ] He still has an owner.
- Oh, my goodness.
[ Hyperventilating ] No. Can't go.
-I can't do storage again. I just can't!
-Jessie. Jessie.
- I won't go back in the dark!
- What's the matter?
What's wrong with her?
- Well, we've been in storage
for a long time waiting for you.
- [ Continues Hyperventilating ]
- Why me?
- The museum's only interested
in the collection...
if you're in it, Woody.
Without you, we go back into storage.
- It's that simple.
- It's not fair!
How can you do this to us?
Hey, look. I'm sorry,
but this is all a big mistake.
- You see, I was in this yard sale--
- Yard sale?
Why were you in a yard sale
if you have an owner?
Well, I wasn't supposed to be there.
I was trying to save another toy when--
Was it because you're damaged?
Hmm? Did this Andy break you?
Yeah, but-- No, no, no, no, no!
It was-- It was an accident.
- I mean--
- Sounds like he really loves you.
It's not like that, okay?
And I'm not going to any museum!
- Well, I'm not going back into storage!
- [ Door Opening ]
- [ Gasps ]
- [ Pete ]Al's coming!
- [ Gasps ]
- Go! Go on, Jessie. Jessie, look at me.
- Oh, oh, oh.
I promise you'll come out of the box.
Now go! Go!
~~[ Al Humming ]
It's show time!
[ Chuckles ] Oh, money, baby.
Money, money, money.
[ Laughs Evilly ] And now,
the main attraction.
~~ [ Resumes Humming ]
[ Gasps, Screams ]
No! His arm! Where's his arm?
Oh... no. No, no, no, no!
What am I gonna do?
I know. I know.
[ Muttering ] Come on! Come on!
Come on! Pick up the phone!
- [ Man ] Hello?
- It's me. It's Al.
I got an emergency here.
- Well, I'm busy.
- Yes, we're all busy.
Look. It has to be tonight.
- [ Man Responds, Indistinct ]
- All right. All right.
But first thing in the morning.
[ Screams ] It's gone!
I can't believe it!
- My arm is completely gone!
- All right. Come here. Let me see that.
- [ Gasping ]
- Oh, it's just a popped seam,
easily repaired.
- You should consider yourself lucky.
- Lucky?
Are you shrink-wrapped?
I am missing my arm!
Big deal.
Let him go.
I'm sure his precious Andy...
is dying to play with
a one-armed cowboy doll.
Why, Jessie, you know he wouldn't last
an hour on the streets in his condition.
It's a dangerous world
out there for a toy.
[ Owl Hooting ]
[ Gasping ]
[ Chuckles ]
All right.
Nobody look till I get my cork back in.
- Good work, men.
Two blocks down and only 1 9 more to go.
- What?
- [ All ] Nineteen?
- Are we gonna do this all night?
- My parts are killing me.
- Come on, fellas.
Did Woody give up
when Sid had me strapped to a rocket?
- [ All ] No.
- No.
And did he give up when you threw him
out of the back of that moving van?
- Oh, you had to bring that up.
- No, he didn't!
We have a friend in need, and we will
not rest until he's safe in Andy's room!
- ~~[ "Star-Spangled Banner" ]
- Now let's move out!
[ Announcer ]
And that concludes our broadcast day.
[ Static ]
[ Snoring ]
[ Snorting ]
[ Crunching ]
- [ Crunching ]
- [ Gasps ]
Bullseye. Bullseye, go, go, go, go.
Oh, tsk. Come on. You don't wanna
help me. I'm the bad guy.
You're gonna go back in storage
because of me, remember? Just go.
Bullseye-- [ Sputtering ]
All right. All right.
But you have got
to keep quiet. Come on.
Over here. Attaboy.
Okay, Bullseye. Upsy-daisy.
[ Continues Snoring ]
[ Muffled Grunting ]
[ Chuckling ]
Psst. Bullseye. Cut it out.
Stop it. Psst.
Stop it, Bullseye. Stop it. Stop it.
Stop it.
[ Rumbling ]
- [ Burping ]
- [ Groaning ]
[ Gagging ]
[ Exhaling ]
[ Snorting ]
- Phew.
- [ Remote Clicks ]
- ~ Woody's Roundup
Come on, it's time to play~
- [ Gasping ]
No, Officer! I swear.
[ Muttering ] What? [ Gasps ]
[ Gasping, Muttering ]
Uh-- Oh.
Get in there.
There you go. Cheap case.
- Where is the remote?
- ~~[ Theme Song Continues ]
Where is the remote?
[ Grunting ]
Why don't I put it in the same place
every ti-- Oh, here it is .
[ Yawning ]
[ Muttering ]
[ Door Closing ]
What is your problem? Look, I'm sorry
I can't help you guys out.
Really, I am. But you didn't have
to go and pull a stunt like that.
What? You think I did that?
Oh, right, right.
The TV just happened to turn on,
and the remote magically ended up
in front of you!
- You calling me a liar?
- Well, if the boot fits--
Say that again.
[ Enunciating ]
If the boot fits.
Okay, cowboy.
- Yah!
- [ Grunting ]
How do you like that?
Take it back! Take it back!
Don't think just 'cause you're a girl,
I'm gonna take it easy on you.
- [ Screams ]
-Jessie, Woody, you stop this at once.
- [ Cries Out ]
- [ Gasps ]
I don't know
how that television turned on,
but fighting about it
isn't helping anything.
- If I had both my arms--
- The fact is, you don't, Woody,
so I suggest
you just wait until morning.
- The cleaner will come, fix your arm--
- And then I'm outta here!
Oh, no, no.
Bullseye, don't take it that way.
- It's just that Andy--
- Andy, Andy, Andy.
That's all he ever talks about.
[ Sighs ]
Hey, Buzz, can we slow down?
May I remind you that some of us are
carrying over six dollars in change?
Losing health units.
Must rest.
- Is everyone present and accounted for?
- Not quite everyone.
- Who's behind?
- Mine.
Hey, guys.
Why do the toys cross the road?
- Not now, Hamm.
- Oh, I love riddles. Why?
To get to the chicken
on the other side! [ Laughs ]
- [ All Whooping ]
- [ Rex ] The chicken!
- Oh, well. We tried.
- We'll have to cross.
- What the-- You're not
turning me into a mashed potato.
- [ All Gasping ]
I may not be a smart dog,
but I know what road kill is.
There must be a safe way.
[ Buzz ]Okay.
Here's our chance. Ready. Set. Go.
[ Whimpering ]
Drop!
- [ Air Hissing ]
- [ Horns Honking ]
[ Buzz ] Go!
[ Buzz ] Drop! I said "drop"!
- [ Horns Honking ]
- [ Buzz ] Go!
[ Mumbling ]
[ Buzz ] Drop.
[ Horn Honking, Tires Squealing ]
[ Buzz ]Go.
That went well.
[ Horns Honking ]
Good job, troops.
We're that much closer to Woody.
[ Honking Continues ]
- [ Ringing ]
- Oh, thank goodness you're here.
Is the specimen ready for cleaning?
So, uh, how long is this gonna take?
You can't rush art.
[ Bellowing ]
[ Wheels Squeaking ]
[ Slinky ]Oh, no. It's closed.
We're not preschool toys, Slinky.
We can read.
- [ Doors Mooing ]
- [ Man ] Hey, Joe, you're late.
- We've got
a ton of toys to unloading the back.
- All right. All right.
- I'm comin'. I'm comin'.
- All right. Let's go.
[ Rex ] But the sign says it's closed.
No, no, no, no. All together. Now!
- [ All Grunting ]
- [ Doors Mooing ]
[ Giggling ]
Whoa, Nelly! How are we going to
find Woody in this place?
Look for Al. We find Al,
we find Woody. Now move out!
- Woody?
- Woody.
[ Motor Pumping ]
[ Air Hissing ]
There you go.
[ Chuckles ]
He's for display only.
You handle him too much,
he's not gonna last.
It's amazing. You're a genius.
He's just like new.
[ Gasps ]
Wow.
[ Gasps ]
[ Whistles ]
I could use one of those.
You know, they make it so you can't
defeat Zurg unless you buy this book.
It's extortion.
That's what it is.
Hey, I always thought
the golden sector was the only--
- [ Screams ]
- [ Hamm ] I thought
we could search in style.
Nice going there, Hamm. So how about
letting a toy with fingers drive?
Am I really that fat?
[ Whistles ]
- [ Grunting ]
- Ow!
- What are you doing?
- You're in direct violation
of Code 6404.5,
stating all space rangers
are to be in hyper-sleep...
until awakened by authorized personnel.
- Oh, no.
- [ Grunts ]
You're breakin' ranks, ranger.
Buzz Lightyear to Star Command.
- I've got an AWOL space ranger.
- Tell me I wasn't this deluded.
No back talk!
I have a laser, and I will use it.
-You mean the laser that's a light bulb?
-[ Laser Humming ]
[ Gasps ] Has your mind been melded?
You could've killed me, space ranger.
Or should I say "traitor"?
- I don't have time for this.
- Halt!
I order you to halt!
[ Both Grunting ]
Listen to me.
Listen. Wait.
- We've been down this aisle already.
- We've never been down this aisle.
- It's pink.
- Face it. We're lost.
- [ Hamm ] Back it up. Back it up.
- [ All Giggling ]
- ~~[ Beach ]
- What a great party!
How low can you go?
How low can you go?
[ Giggling Continues ]
Excuse me, ladies. Does anyone
know where we might find the Al
of Al's Toy Barn?
I can help.
I'm Tour Guide Barbie.
Please keep your hands, arms
and accessories inside the car,
and no flash photography.
-Thank you.
-I'm a married spud. I'm a married spud.
- I'm a married spud.
- Then make room for the single fellas.
[ Barbie ] To our right is
the Hot Wheels aisle. Developed in 1 967,
the original series had 1 6 cars,
including the Corvette.
I beg your pardon, ma'am,
but where's Al's office?
Please hold all questions
until the end of the tour. Thank you.
[ Screams ]
It says how you defeat Zurg! Look!
-Hey, get this outta here, "geek-osaur."
-Excuse me, sir. [ Gasps ]
- [ Potato Head ]Look out!
- Stop, stop, stop!
[ All Yelling ]
- [ Rex Whimpering ]
- [ Hamm ] Turn into the spin, Barbie!
[ Screams ]
My source of power!
No! Comeback![ Yells ]Hey!
Wait up! Hey!
Come on! Slow down!
Dinosaur overboard!
Slow down! [ Cries Out ]
Remain seated, please.
[ Recites In Spanish ]
Ow! Listen to me. Listen to me.
You're not really a space ranger.
You're a toy.
We're all toys. Do you hear me?
- Well, that should hold you
till the court martial.
- Let me go!
You don't realize what you're doing!
And this is the Buzz Lightyear aisle.
Back in 1 995, shortsighted retailers did
not order enough dolls to meet demand.
- Hey, Buzz!
- Halt! Who goes there?
Quit clownin' around and get in the car!
Buzz, Buzz, I know how to defeat Zurg!
- You do?
- Come on. I'll tell you on the way.
No, no, guys! You've got the wrong Buzz!
You've got the wrong Buzz!
Say, where'd you
get the cool belt, Buzz?
Well, slotted pig,
they're standard issue.
No!
[ Flash Popping ]
- [ Al Chuckling ]
It's like printing my own money.
- [ Phone Ringing ]
- Yeah? What?
- [ Man Speaking, Indistinct ]
Oh, oh. Mr. Konishi.
Yes, uh, I have the pictures right here.
In fact, I'm in the car right now on
my way to the office to fax them to you.
I'm going through a tunnel!
I'm breakin' up!
Oh, wow! Will you look at me?
It's like I'm fresh out of the box!
Look at this stitching! Andy's gonna
have a hard time rippin' this! Hello!
H-Hi! Hello!
Great. Now you can go.
Well, what a good idea.
[ Pete ]
Woody, don't be mad at Jessie.
She's been through more than
you know. Why not make amends
before you leave, huh?
It's the least you can do.
[ Groans ] All right.
But I don't know what good it'll do.
Hey. Whatcha doin' way up here?
Thought I'd get one last look at
the sun before I get packed away again.
Look, Jessie.
I know you hate me for leaving,
but I have to go back.
I'm still Andy's toy.
Well, if you knew him, you'd understand.
See, Andy's a real--
Let me guess.
Andy's a real special kid.
And to him, you're his buddy,
his best friend.
And when Andy plays with you,
it's like even though you're not moving,
you feel like you're alive,
because that's how he sees you.
How did you know that?
Because Emily was just the same.
She was my whole world.
[ Woman ]
~ When somebody loved me~
~Everything was beautiful~
~Every hour we spent together~
~Lives within my heart~
~And when she was sad~
~I was there to dry her tears~
~And when she was happy so was I~
~ When she loved me~
~ Through the summer and the fall~
~ We had each other
That was all~
~Just she and I together~
~Like it was meant to be~
~And when she was lonely~
~I was there to comfort her~
~And I knew that~
~She loved me~
[ Both Giggling ]
~So the years went by~
~I stayed the same~
~But she began to drift away~
~I was left alone~
~Still I waited for the day~
~ When she'd say~
~I will always love you~
~Lonely and forgotten~
~I never thought she'd look my way~
~She smiled at me and held me~
~Just like she used to do~
~Like she loved me~
~ When she loved me~
~ When somebody loved me~
~Everything was beautiful~
~Every hour we spent together~
~Lives within my heart~
~ When she loved me~~
You never forget kids
like Emily or Andy.
[ Whispering ]
But they forget you.
-Jessie, I-I didn't know.
-Just go.
How long will it last, Woody?
Do you really think...
How long will it last, Woody?
Do you really think...
Andy is gonna take you
to college or on his honeymoon?
Andy's growing up,
and there's nothing you can do about it.
It's your choice, Woody.
You can go back, or you can stay
with us and last forever.
You'll be adored
by children for generations.
Who am I to break up the Roundup gang?
- Hey, Woody, are you in here?
- Nah. This one's empty too.
- Woody! Woody!
- Woody!
Pardon me, gentlemen, but have either of
you seen a cowboy doll with a bad arm?
- Why, no, I haven't.
- Hey! He was talkin' to me!
- No! He was talkin' to me!
- Why, you--
- [ Both Grunting ]
- You see, all along,
we thought the way into Zurg's fortress
was through the main gate,
but in fact, the secret entrance
is to the left, hidden in the shadows.
-To the left and in the shadows. Got it.
-[ Al Speaking Japanese ]
- Someone's coming.
- Everyone take cover.
It was a big pile up, but don't want
to bore you with the details.
Yes. Now, let me
confirm your fax number.
- [ Man ] 01 1 -- [ Continues ]
- 01 1 . Wait.
That's a lot of numbers. No. I got it.
- It's him.
- The chicken man.
- Funny, he doesn't look like poultry.
- [ Slinky ]
That's the kidnapper, all right.
A kidnapper!
An agent of Zurg if I ever saw one.
[ Grunting ]
And the pi?e de r?istance!
I promise the collection will be
the crown jewel of your museum.
- It's Woody!
- Now that I have your attention,
- imagine we added
another zero to the price, huh?
- [ Man Speaking, Indistinct ]
- I'll pay anything you want.
- Yes! Yes!
You got a deal!
I'll be on the next flight to Japan!
Quick.
Into the poultry man's cargo unit.
He'll lead us to Zurg.
Move, move, move!
[ Sputtering ] Don't touch my moustache!
[ Scatting Happily ]
[ Grunts ]
[ Al Speaking, Indistinct ]
Rich, rich, rich, rich!
[ Laughing Maniacally ]
- [ Gasps ]
- ~~ [ Humming Happily ]
[ Grunts ]
~~ [ Continues Humming ]
[ Groans ]
[ Groans ]
Huh?
[ Grunts ]
[ Doors Mooing ]
[ Radar Buzzing ]
[ Growls ] Destroy Buzz Lightyear.
Destroy Buzz Lightyear.
Destroy Buzz Lightyear.
- [ Rex ] Ha! He didn't take the bag!
- No time to lose!
- [ Rex ] Ha! He didn't take the bag!
- No time to lose!
[ Grunting ]
He's ascending
in the vertical transporter.
All right, everyone. Hang on.
We're gonna blast through the roof.
- Uh, Buzz?
- To infinity and beyond!
What are you? Insane? We're
wasting time. Stand still, Godzilla.
- [ Grunting ]
- I don't understand.
Somehow, my fuel cells have gone dry.
- [ Screams ]
- [ Chuckles ]
[ Laser Buzzing ]
[ Laser Stops ]
- [ Bell Dings ]
- Blast. He's on level 23.
How are we gonna get up there?
Maybe if we find some balloons,
we could float to the top.
Are you kidding?
I say we stack ourselves up,
push the intercom
and pretend we're delivering a pizza.
How about a ham sandwich...
with fries and a hot dog?
- What about me?
- You can be the toy
that comes with the meal.
Troops! Overhere. [ Grunts ]
[ Grunting ]
Just like you said, lizard man.
"In the shadows to the left."
Okay. Let's move!
Mission log. Have infiltrated
enemy territory without detection...
and are making our way
through the bowels of Zurg's fortress.
You know, I think that Buzz aisle
went to his head.
[ Slinky ] Oh, no.
Which way do we go?
-This way!
-[ Potato Head ] What makes you so sure?
- I'm Buzz Lightyear. I'm always sure.
- [ Motor Whirring ]
We've been detected. The walls!
They're closing in! Quick!
- Help me prop up vegetable man,
or we're done for.
- Hey! Put me down, you moron!
Guys, look! It's not the walls!
It's the elevator!
Come on. We've got no time to lose.
Everyone grab hold!
- [ Hamm ] What?
- [ Slinky ] Huh?
[ Hamm ] Uh, Buzz,
why not just take the elevator?
They'll be expecting that.
[ Rex ]Hey, Buzz! Stop!
Slowdown!
To overnight six packages
to Japan is how much?
- [ Woman Speaking, Indistinct ]
- What? That's in yen, right?
Dollars? [ Groans ]
You are deliberately taking advantage...
of people in a hurry, you know that?
All right. [ Sputtering ]
I'll do it! All right. Fine.
I'll have the stuff
waiting in the lobby, and you'd
better be here in 1 5 minutes,
- because I have a plane
to catch, do you hear me?
- [ Door Closing ]
Whoo-hoo!
We're finally going.
Can you believe it?
[ Laughs ]
That's custom-fitted foam insulation
you'll be riding in, Bullseye.
First class all the way!
You know what?
I'm actually excited about this.
I mean it.
I really am!
- And why shouldn't you be?
- Yee-hah!
- Whoa!
- ~ Swing your partner do-si-do ~
- Look at you, dancing cowboy!
- Look! I'm doin' the box step!
[ Woody Laughs ]
[ Grunting ]
Uh-oh. Hey, heads up down there!
- Whoa! Pork bellies are fallin'.
- Hey, how much farther, Buzz?
[ Grunting ]
Halfway there.
[ Groaning ]
My arms can't hold on much longer!
[ Toys Crying Out ]
[ Grunting ]
Too... heavy.
- Oh! What was I thinking?
My antigravity servos!
- [ Hydraulic Whirring ]
Hang tight, everyone.
I'm going to let go of the wall.
- What?
- He wouldn't.
- One--
- He would.
- Two--
- [ All Protest ]
- Three!
- [ Toys Screaming ]
[ Toys Landing, Grunting ]
To infinity and beyond!
- Approaching destination.
Reengaging gravity.
- [ Hydraulic Whirring ]
[ Laser Buzzing ]
- Area secure. It's okay, troops.
- [ All Moaning ]
The antigravity sickness will wear off
momentarily. Now let's move!
Remind me to glue his helmet shut
when we get back.
How 'bout givin' me
a little intro there, Jessie?
Introducing the high-ridin'-est
cowboy around--
- You forgot "rootin'-tootin'-est"!
- [ Giggles ]
The high-ridin'-est, rootin'-tootin'-est
cowboy hero of all time,
Sheriff Woody!
- Say, little missy, you notice
any trouble around these parts?
- [ Snorts Laughter ]
Nary a bit,
not with Sheriff Woody around.
Wait-wait-wait-wait-wait! I got it!
I got it! This is great! Okay!
The bandits got the critters
tied up in the burning barn,
and now for the best part!
Help us!
The barn's on fire!
I've gotya, critters.
No need to worry.
Woody saves the day again!
- Yee-hah!
- Now, where's my trusty steed Bullseye?
I have to ride off
into the sunset-- Oh!
Ride like the wind, Bullseye!
[ Grunts ]
[ Groans, Chuckles ]
[ Giggling ] W-W-Watch it.
Wait. I'm ticklish, okay?
- Oh, you are?
- No, no, no. Cut it out.
Stop it. Stop it.
- No, please. No, no. Stop! Stop!
- [ Laughing ]
[ Laser Buzzing ]
Mission log. Have reached
Zurg's command deck, but no sign
of him or his wooden captive.
- [ Woody ]Please, no!
- That's Woody!
- [ Howling ]
- This way!
[ Woody ]Please, please, no!
[ Potato Head ]Buzz, can you see?
What's going on?
[ Tickling, Protests Continue ]
- [ Jessie ] Take that!
- [ Potato Head ]
To the left. No, your left.
- Take it up higher.
- [ Buzz ] What's happening?
Oh, it-it's horrible.
They-they're torturing him.
- [ Gasps ] What are we gonna do, Buzz?
- Use your head!
But I don't wanna use my head!
[ All Screaming ]
- [ All Moaning ]
- What's going on here?
Buzz, guys!
Hey, how did you find me?
- Watch yourself!.
- [ Slinky ]
We're here to spring ya, Woody!
- [ Yelling ]
- You heard of kung fu?
Well, get ready for pork chop.
Prepare to meet Mr. Angry Eyes!
[ Snarling ]
Hold it, now! Hey, you don't understand!
These are my friends!
- Yeah, we're his friends!
- No, Rex, I mean they're my friends!
- [ Growling ]
- Hey, stop it!
Leave him alone, springy dog! Hey!
- Grab Woody, and let's go!
- Fellas, hold it! Buzz, put me down!
- Quick! To the vent!
- They're stealing him.
- [ Pete ]No!
- [ Woody Yelling ]
- Hold it right there!
- Buzz?
- You again?
-Woody! Thank goodness you're all right.
-Buzz, what is going on?
Hold on. I am Buzz Lightyear,
and I'm in charge of this detachment.
- No, I'm Buzz Lightyear.
I'm Buzz Lightyear!
- I am Buzz Lightyear!
So, who's the real Buzz?
-I am!
-I am! Don't let this impostor fool you!
He's been trained by Zurg himself
to mimic my every move.
[ Gasps, Chokes ]
- [ Continues Gasping ]
- [ All ] Buzz!
I had a feelin' it was you,
Buzz. My front end just had
to catch up with my back end.
Will somebody please
explain what's going on?
It's all right, space ranger.
It's a code 546.
- [ Gasps ] You mean it's a--
- Yes.
- And he's a-- [ Gasps ]
- Oh, yeah.
- Your Majesty.
- [ Chuckles ]
- Woody, you're in danger here.
We need to leave now.
- Al's selling you to a museum--
- in Japan!
- [ Chuckling ] I know. It's okay, Buzz.
- I actually wanna go.
- What?
- Are you crazy?
Look, the thing is,
I'm a rare Sheriff Woody doll,
and these guys are my Roundup gang.
- What are you talking about?
- What am I talking about?
Woody's Roundup !
- What are you talking about?
- What am I talking about?
Woody's Roundup !
Oh, it's this great old TV show,
and I was the star. See? Now look.
Look! Look at me!
See? That's me!
- This is weirdin' me out.
- Buzz, it was a national phenomenon.
There was all this merchandise
that just got packed up.
Oh, you should have seen it.
There was a record player and a yo-yo--
Buzz, I was a yo-yo!
- "Was"?
-Woody, stop this nonsense and let's go.
Nah, Buzz.
[ Sighs ]
I can't go.
I can't abandon these guys.
They need me to get into this museum.
Without me, they'll go back
into storage-- maybe forever!
Woody, you're not a collector's item.
You're a child's plaything.
You are a toy!
For how much longer?
One more rip, and Andy's done with me.
And what do I do then, Buzz?
Huh? You tell me.
Somewhere in that pad of stuffing
is a toy who taught me...
that life's only worth living
if you're bein' loved by a kid.
And I traveled all this way
to rescue that toy...
because I believed him.
Well, you wasted your time.
- Let's go, everyone.
- What about Woody?
He's not coming with us.
But-But Andy's coming home tonight.
Then we'd better make sure
we're there waiting for him.
I don't have a choice, Buzz.
This is my only chance.
To do what, Woody? Watch kids from
behind glass and never be loved again?
Some life.
- [ TV Woody ]Is everybody okay?
- [ TV Jessie ]Sheriff Woody!
- I knew you'd make it!
- Now, remember, deputies,
the real treasures are
your friends and family.
Before I go, kids, I want to share
somethin' special with you,
- for the times I'm not around.
- Good going, Woody!
I thought they'd never leave.
[ TV Woody Singing ]
~ You've got a friend in me~
~You've got a friend in me ~
- Woody?
-~ You've got troubles~
~Well, I've gate's too ~
~There isn't anything I wouldn't do ~
-~ We stick together and
see it through 'cause~
- [ Sighs ]
~ You got a friend in me~
~ Some other folks might be
a little bit smarter than I am ~
~Bigger and stronger too~
Maybe.
~ But none of them will ever love you ~
~ The way I do
It's me and you, boy~
~And as the years goby~
~ Our friendship will never die~
- [ Sighs ] What am I doing?
- ~ You're gonna see it's our destiny~~
- Buzz! Wait! Wait!
- Woody, where are you going?
You're right, Prospector.
I can't stop Andy growing up.
But I wouldn't miss it for the world.
- No!
- Buzz!
- Yes?
- Yes?
- I'm coming with you!
[ Gasps ] Wait! Wait-wait-wait-wait.
I'll be back in just a second.
Way to go, cowboy!
- Hey, you guys-- Come with me.
- What?
Andy will play with all of us.
I know it!
Woody, I-I--
I don't know. I--
Wouldn't you give anything
just to have one more day with Emily?
Come on, Jessie. This is what it's
all about to make a child happy.
And you know it.
Bullseye, are you with me?
[ Chuckling ]
Okay, good boy.
Prospector, how 'bout you?
- [ Metallic Thud ]
- [ Gasps ]
- [ Jessie ]Prospector?
- You're outta your box!
I tried reasoning with you, Woody,
but you keep forcing me
to take extreme measures.
Wait a minute. You turned on the TV
last night, not Jessie.
Look, we have an eternity
to spend together in the museum.
Let's not start off
by pointing fingers, shall we?
- You really are Stinky Pete, aren't you?
-Prospector, this isn't fair.
" Fair"? I'll tell you what's not fair:
spending a lifetime on a dime-store
shelf watching every other toy be sold.
Well, finally my waiting
has paid off,
and no hand-me-down cowboy doll
is gonna mess it up for me now!
Buzz. Help, Buzz! Guys!
It's too late, Woody. That silly
Buzz Lightweight can't help you.
His name is Buzz Lightyear.
Whatever. I've always hated
those upstart space toys.
[ Grunting ]
It's stuck! What do we do?
- Should I use my head?
- [ Grunts, Gasps ]
- [ Rumbling ]
- It's Al!
[ Gasps ]
Look at the time.
I'm gonna be late!
Oh, figures. I can't miss this flight!
I've gotta pack.
All right. Let's see.
Uh, wallet, keys, tickets,
uh, passport, beef jerky--
very expensive over there.
Shower! [ Sniffs ]
Oh, I can skip the shower.
I just gotta get outta here now!
[ Mutters Indistinctly ]
Quick! To the elevator!
- [ Buzzing ]
- Hurry. I can hear it coming.
[ Gasps ]
So, we meet again, Buzz Lightyear--
for the last time.
Aah! It's Zurg! Watch out!
He's got an ion blaster!
[ Moans ]
[ Bell Dings ]
Quick! Get on!
- [ Gasps ]
- [ Whimpers ]
The emergency hatch!
Come on!
[ Whimpers, Yells, Moans ]
[ Groans ]
Huh?
- Come on! Hurry!
- [ Whimpers ] But Buzz is in peril!
[ Recording, Repeating ] Buzz-- Buzz--
Buzz-- Lightyear to the rescue!
[ Muttering ]
Surrender, Buzz Lightyear.
I have won.
I'll never give in.
You killed my father!
No, Buzz.
I am your father.
Noooo!
[ Sighs Impatiently ]
Come on! Come on! Come on!
[ Whimpers ] Buzz, you could have
defeated Zurg all along!
You just need to believe in yourself!.
[ Gasps ]
- Prepare to die!
- [ Whimpers ] I can't look!
Wh-Wh-Whoa!
[ Yelling ]
I did it.
I finally defeated Zurg!
Father.
[ Gasps, Grunts ]
- [ Bell Dings ]
- Ah, finally!
[ Toys Grunt ]
[ Door Slams, Engine Starts ]
- [ Horns Honking ]
- How are we gonna get him now?
Pizza, anyone?
- Go, go, go! [ Grunts ]
- I got it!
- Buzz, are you coming?
- No, I have a lot of
catching up to do with my dad.
Good throw, son.
That's my boy. Go long, Buzzy!
- Oh, you're a great dad. Yippee!
- Farewell.
- Does anyone know how to drive?
- Slink, take the pedals.
Rex, you navigate.
Hamm and Potato,
operate the levers and knobs.
Whoa.
Ohh.
- Strangers.
- From the outside.
- Oh, no.
- He's at a red light! We can catch him!
- Maximum power, Slink!
- [ Engine Revs ]
Whaa! It turned green! Hurry!
- Why won't it go?
- Use the Wand of Power.
- [ Gears Grinding ]
- [ Tires Squealing ]
- [ Screams ]
- Ooh! Ow! Ooh!
- Rex, which way?
- Left! No, no! I mean right!
That's right! No, I mean left!
Left is right!
Buzz, he's turning left!
He's turning left!
- Oh, oh, boy!
- [ Gasps ]
Whoa-oa-oa-oa!
Oh, I seriously doubt
he's gettin' this kind of mileage.
Go right! To the right!
Right-right-right-right!
- Whoa!
- [ Gasps, Groans ]
- You have saved our lives.
We are eternally grateful.
- Yeah, yeah, yeah. Whatever.
[ Woman Over P.A. ] The white zone is
for immediate loading and unloading--
No parking.
Guys, we can't park here!
It's a white zone!
You have saved our lives.
We are eternally grateful.
- Final boarding call
for Far East Airlines...
- There he is!
flight451 to Tokyo, all confirmed
passengers must board at this time.
[ Man Over P.A. ]Passenger Twitch,
passenger Leon Twitch, please pick up--
- You have saved our lives.
We are eternally grateful.
- Will you just leave me alone?
- [ Rex ]Oh! Someone's coming!
- [ Girl ]Ooh, a puppy!
Uh, bark-bark-bark-bark.
Bark-bark-bark-bark-bark.
Listen, flyboy. The contents
of that case are worth more
than you make in a year!
- You got that, sport! You be careful!
- I understand, sir.
- Do you have
a "fragile " sticker or something?
- Don't worry, sir.
I had a box of cookies once
that came back as crumbs!
- The Mystic Portal!
- Oooh.
Once we go through,
we just need to find that case.
[ Gasps ]
[ Toys Screaming ]
[ All Groaning ]
- Ow! There's the case!
- No, there's the case!
You take that one!
We'll take this one!
[ All Grunt ]
Whoa-oa! Buzz!
Buzz, my back end's
goin' to Baton Rouge!
- Slinky!
- [ Panting ]
Here we come, Woody!
Woody, here we come! Woody!
- [ All Groan ]
- Nice flash though.
[ Panting ]
[ Panting ]
Okay, Woody, let's go!
- [ Grunts, Groans ]
- Take that, space toy.
Hey! No one does that
to my friend! [ Grunts ]
- [ Yells ]
- Your choice, Woody.
You can go to Japan
together or in pieces.
If he fixed ya once,
he can fixya again. Now get in the box!
- Never!
- Fine!
- [ Gasps ]
- [ Yells ]
[ All Shout ]
- No! Aaah!
- Gotcha!
Idiots!
Children destroy toys!
You'll all be ruined, forgotten!
Spending eternity
rotting in some landfill!
Well, Stinky Pete, I think it's time you
learned the true meaning of playtime.
- Right over there, guys!
- [ Whimpering ] No. No! No!
[ Woman Over P.A. ]
Atlantic Air flight eight...
is now arriving--
[ Girl ] Look, Barbie.
A big ugly man doll.
Ooh, he needs a makeover.
- [ Whimpering ]
- Hi! You'll like Amy.
- [ Gasps ]
- She's an artist!
[ Sobbing ]
[ Mother ]
Come on, hon!
Happy trails, Prospector.
- Buzz! Woody!
- Help us out here!
- [ Gasping ]
- Hurry!
- Oh, no. Jessie! Come on!
- Oh, Woody!
[ Jessie Screaming ]
Jessie!
[ Whistles ]
[ Grunts ]
Come on, Buzz.
- Yah!
- Ride like the wind, Bullseye!
Hey-howdy-hey!
Giddyap!
[ Buzz ] Come on, Bullseye! Yah!
Buzz, give me a boost!
[ Grunting, Panting ]
- Oh! Ohh! Oohhh!
- Woody!
[ Grunting ]
[ Grunts ]
- Here's the rest!
- [ Panting ] Ah!
[ Glass Tinkling, Shattering ]
[ Panting, Grunting ]
Excuse me, ma'am, but I believe
you're on the wrong flight.
- Woody!
- Come on, Jess.
It's time to take you home.
- But... what if Andy doesn't like me?
- Nonsense!
Andy'll love you! Besides,
- he's got a little sister.
- He does?
- Why didn't you say so? Let's go!
- Whoa!
[ Man ]Hold it! There's a couple
more bags coming from the terminal!
Okay. On three.
- One, two--
- Too late!
Pate's on the next flight!
- This is bad.
- How are we gonna get outta here?
- [ Latch Clicks ]
- Over there! Come on!
[ Grunting ]
- You sure about this?
- No! Let's go!
[ Both Gasp ]
- [ Yelling ]
- Hold on, Woody!
- [ Ripping Sound ]
- [ Yelling ]
- What's a cowboy without his hat?
- Buzz!
- [ Engines Accelerating ]
- [ Whimpering ]
Buzz! Buzz, get behind the tires!
[ Panting, Grunting ]
Jessie, let go of the plane!
- What? Are you crazy?
-Just pretend it's
the final episode of Woody's Roundup.
But it was canceled!
We never saw if you made it!
Well, then, let's find out together!
[ Both Screaming ]
Oh-oh-oh.
- We did it! We did it! We did it!
- [ Laughing ]
- Nice ropin', cowboy.
- That was definitely
Woody's finest hour!
- [ Laughing ]
- Your hat, partner.
- Hoo-hoo!
- [ Engines Roaring ]
Let's... go home.
Yee-hah!
[ Panting ]
~~ [ Hums Lone Ranger Theme ]
Hey, Woody! Woody?
Oh, wow! New toys!
Cool! Thanks, Mom!
It's Bazooka Jane and her jet-propelled
horse! [ Makes Jet Sounds ]
Woody, Buzz, that polecat Zurg
has stolen my space cows!
[ Continues, Indistinct ]
Andy, come on, hon.
Time to go.
- Hey, you fixed Woody!
- Yeah.
Glad I decided not to take him to camp.
His whole arm might have come off.
Well, what do you know?
Yee-hah! Oh, Bullseye,
we're part of a family again!
Hmm?
Uh, m-ma'am, I, uh--
[ Clears Throat ]
Well, I just wanted to say
you're a bright young woman
with a beautiful "yarnful" of hair.
Uh, "hairful" of yarn.
It's, uh-- Whoo-- Uh--
- [ Clears Throat ] I must go.
- Well, aren't you
the sweetest space toy I ever met?
[ Barking ]
- What's that? Bark-bark?
- [ Barking ]
This fella says he needs to go out
for a little private time.
That critter needs help!
~Yodel-ay-hee-hoo ~
- [ Grunts ]
- [ Barks ]
Ooh, ooh, oh-- Hey, Rex,
I could use a hand over here, buddy.
I don't need to play--
I've lived it!
- No-no-no-no! Oh, nuts!
- [ Clicks Channel ]
[ Weeping ]
Welcome to Al's Toy Barn.
We've got the lowest prices in town.
Everything for a buck-buck-buck.
[ Sobbing ]
Well, I guess crime doesn't pay.
Oh, Andy did a great job, huh?
Nice and strong!
- I like it. Makes you look... tough.
- [ Giggles ]
- [ Smooching ]
- [ Laughing ]
- You have saved our lives.
We are eternally grateful.
- [ Groans ]
You saved their lives?
Oh, my hero!
- And they're so adorable!
Let's adopt them!
- Daddy!
- Oh, no.
- [ Squeaking ]
Wheezy, you're fixed!
Oh, yeah. Mr. Shark looked in the
toy box and found me an extra squeaker.
- And... how do you feel?
- Oh, I feel swell.
In fact, I think I feel
a song comin' on.
~~ [ Big Band ]
[ Robert Goulet's Voice ]
~You've got a friend in me ~
~You've got a friend in me ~
~You just remember
what your old pal said ~
-~Babe, you've got a friend in me~
- [ Barking ]
- [ Giggling ]
-~ Yeah, you've got a friend in me~
Come on over.
Oh, you are such a big girl.
Andy, you think she's ready
to drive the car yet?
- Yeah, and I can teach her.
- [ Barking ]
- You still worried?
- About Andy?
- Nah. It'll be fun while it lasts.
- I'm proud of you, cowboy.
Besides, when it all ends, I'll have
old Buzz Lightyear to keep me company...
for infinity and beyond.
~You're gonna see it's our destiny~
- ~You got a friend in me ~
- ~Yes, you do ~
- ~ You've got a friend in me~
- ~ That's the truth~
~ You've got a friend~
~ In me ~~
Yeah!
~WOODY'S ROUNDUP
RIGHTHEREEVERYDA Y~
~ WOODY'S ROUNDUP
COME ON, IT'S TIME TO PLAY~
~ THERE'S JESSIE
THE YODELING COWGIRL~
~~[ Chorus Yodeling ]
~BULLSEYE
HE'S WOODY'S HORSE~
HE'S A SMART ONE.
~MEET THE OLD PROSPECTOR~
~AND WOODY THE MAN HIMSELF~
~ OF COURSE, IT'S TIME
FOR WOODY'S ROUNDUP ~
~HE'S THE VERY BEST
HE'S THE ROOTIN'-EST
TOOTIN'-ESTCOWBOY~
~IN THE WILD, WILD WEST~
~ WOODY'S ROUNDUP
COME ON AND GATHER 'ROUND~
~ WOODY'S ROUNDUP
WHERE NOBODY WEARS A FROWN~
~BAD GUYS GO RUNNIN'
WHENEVER HE'S IN TOWN~
~HE'S THE ROOTIN'-EST
TOOTIN'-EST, SHOOTIN'-EST
HOOTIN'-EST COWBOY AROUND~
~ WOODY'S ROUNDUP ~~
~ YOU'VE GOT A FRIEND IN ME~
~ YOU'VE GOT A FRIEND IN ME~
~ WHEN THE ROAD
LOOKS ROUGH AHEAD~
~AND YOU'RE MILES AND MILES
FROM YOUR NICE, WARM BED~
~ YOU JUST REMEMBER
WHAT YOUR OLD PAL SAID~
~SON, YOU'VE GOT
A FRIEND IN ME~
~ YEAH, YOU'VE GOT
A FRIEND IN ME~
~ YOU'VE GOT A FRIEND IN ME~
~ YOU'VE GOT A FRIEND IN ME~
~ YOU GOT TROUBLES
THEN I GOT'EM TOO~
~ THERE ISN'T ANYTHING
I WOULDN'T DO~
~ WE STICK TOGETHER
WE CAN SEE IT THROUGH~
~ 'CAUSE YOU'VE GOT
A FRIEND IN ME~
~ YES, YOU DO~
~ YEAH, YOU'VE GOT
A FRIEND IN ME~
~SOME OTHER FOLKS MIGHT BE
A LITTLE SMARTER THAN I AM~
~BIGGER AND STRONGER TOO~
~MAYBE~
~BUT NONE OF THEM
WILL EVER LOVE YOU~
~ THE WAY I DO
JUST ME AND YOU, BABE~
~AND AS THE YEARS GO BY~
~ OUR FRIENDSHIP
WILL NEVER DIE~
~ YOU'RE GONNA SEE
IT'S OUR DESTINY~
~ YOU'VE GOTA FRIEND IN ME~
~ YOU JUST REMEMBER
WHAT YOUR OLD PAL SAID~
~SON, YOU'VE GOT
A FRIEND IN ME~
~AND AS THE YEARS GO BY~
~ GO BY~
~ OUR FRIENDSHIP
WILL NEVER DIE~
~DIE~
~ YOU'RE GONNA SEE
IT'S OUR DESTINY~
~ YOU'VE GOTA FRIEND IN ME~
~ YES, YOU DO~
~ YOU'VE GOTA FRIEND IN ME~
~ YES, YOU DO~
~ YOU'VE GOTA FRIEND IN ME~
~ YEAH~~
글
(영화대본) 몬스터 주식회사 - Monsters, Inc.
이 중에서 몇 개만 확실히 외우면 성공입니다. 욕심을 버려야 합니다. 다 얻으려면 다 잃습니다. 자신에게 와닿는 표현들 몇 개만을 집중적으로 물고 늘어지시기 바랍니다. 선택과 집중! 자신에게 와닿는 표현이란? 자신과 궁합이 맞는 표현입니다. 결국 모든 영어를 다 할 수도 없고, 그럴 필요도 없는 겁니다. 자신과 잘 맞는 것만 선택해서 집중적으로 외우시기 바랍니다.
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
Monsters, Inc.
( upbeat jazz playing )
( roars )
( woman shrieks )
( squeaking )
( music ending )
( crickets chirping )
WOMAN:<br>Good night, sweetheart.
BOY:<br>Good night, Mom.
MAN:<br>Sleep tight, kiddo.
( light switch clicks )
( door closes )
( owl hooting )
( owl hooting )
( ticking )
( wind blowing gently )
( door creaking open )
( gasps softly )
( wind blowing )
( gasps )
( wind whistling )
( gurgling snarl )
( screaming )
( screaming louder )
Whoa!
( shrieking )
( screaming )
Oh! Aye! Oh! Oh!
( shrieking )
( alarm blaring )
( yelps )
COMPUTER VOICE:<br>Simulation terminated.
Simulation terminated.
Simulation terminated.<br>Simulation terminated.
Simulation terminated.
All right,<br>Mr Bile, is it?
Uh... my friends<br>call me Phlegm.
Uh-huh.
Mr Bile, can you tell me<br>what you did wrong?
I fell down?
No, no, before that.
Can anyone tell me<br>Mr Bile's big mistake?
Anyone?
( coughs )
( groans )
Let's take a look<br>at the tape.
Here we go.
Uh, right...<br>puh-puh-puh-puh...
Ah! There, see?
The door.<br>You left it wide open.
( whimpers )
( all murmuring )
And leaving the door open<br>is the worst mistake
any employee<br>can make because...?
Um... it could let in a draft?
It could let in
a child!
Oh! Mr Waternoose!
There is nothing more toxic<br>or deadly than a human child.
A single touch could kill you!
Leave a door open
and a child could walk<br>right into this factory!
Right into the monster world!
I won't go<br>in a kid's room!
You can't make me!
You're going in there<br>because we need this.
( children screaming )
( whimpering )
( static and feedback )
( screaming stops )
Our city is counting on you
to collect<br>those children's screams.
Without scream,<br>we have no power.
Yes, it's dangerous work
and that's why I need<br>you to be at your best.
I need scarers<br>who are confiident, tenacious
tough, intimidating.
I need scarers like... like...<br>James P. Sullivan.
( snoring )
Hey! Good morning,<br>Monstropolis.
It's now fiive after<br>the hour of 6:00 a.m.
in the big monster city.
Temperature's a<br>balmy 65 degrees--
which is good news<br>for you reptiles--
and it looks like it's<br>going to be a perfect day
to maybe, hey,<br>just lie in bed, sleep in
or simply... work out that flab<br>that's hanging over the bed!
Get up, Sulley!
-( honking )<br>-( screaming )
I don't believe I ordered<br>a wake-up call, Mikey.
Hey! Less talk, more pain,<br>marshmallow boy!
-( growling )<br>-Feel the burn!
You call yourself<br>a monster?
( growling )
Scary feet, scary feet,<br>scary feet!
Oop! The kid's awake!
Okay, scary feet, scary feet,<br>scary feet, scary feet--
Kid's asleep!
( roaring )
Twins! In a bunk bed!
( growling )
Ooh! I thought I had you there.
Okay, Sulley, here we go.
You ready? Follow it.
Oh! It's over here!
Oh, look over there!
Don't let the kid<br>touch you!
Don't let it touch you!
*SONG* I don't know,<br>but it's been said *SONG*
*SONG* I love scaring kids in bed! *SONG*
Come on, fiight that plaque!<br>Fight that plaque!
Scary monsters<br>don't have plaque!
118... do you have 119?
Do I see 120?
Oh, I don't believe it!
I'm not even<br>breaking a sweat.
Not you!
Look! The new<br>commercial's on!
( yells )
ANNOUNCER:<br>The future is bright<br>at Monsters, Incorporated.
I'm in this one!<br>I'm in this one!
ANNOUNCER:<br>We're part of your life.
We power your car.
We warm your home.
We light your city.
I'm Monsters, Incorporated.
Hey, look! Betty!
ANNOUNCER:<br>Carefully matching every child<br>to their ideal monster...
-( roars )<br>-( screams )
to produce superior scream
refiined into clean,<br>dependable energy.
Every time<br>you turn something on
Monsters, Incorporated<br>is there.
I'm Monsters, Incorporated!
ANNOUNCER:<br>We know the challenge--
the window of innocence<br>is shrinking.
Human kids are harder to scare.
Of course, M.I. is prepared<br>for the future
with the top scarers...
( child screaming )
the best refiineries
and research<br>into new energy techniques.
-( yelling )<br>-( shrieking )
Okay, here I come.
We're working<br>for a better tomorrow... today!
WORKERS:<br>We're Monsters, Incorporated!
W ATERNOOSE:<br>We're M.I.--<br>Monsters, Incorporated.
We scare because we care.
I can't believe it.
Oh, Mike...
I was on TV!
Did you see me?<br>I'm a natural!
( phone rings )
Hello.
I know!
Hey, wasn't I great?
Did the whole<br>family see it?
It's your mom.
What can I say?<br>The camera loves me.
( bicycle bell rings )
I'm telling you, big daddy
you're going to be seeing<br>this face on TV a lot more often.
~Yeah? Like, on<br>Monstropolis's Most Wanted?
( mocking laughter )
You've been jealous<br>of my good looks
since the<br>fourth grade, pal.
Have a good day, sweetie.
You, too, hon.
Whoo!<br>Okay, Sulley, hop on in.
Nope. Uh-uh. Uh-uh.
Hey, hey, hey, hey, hey!
Where you going?<br>What are you doing?
Mikey, there's a scream shortage.<br>We're walking.
Walking?! Yep.
No, no, no, my baby.
Come on. Come on.
Look, she needs<br>to be driven.
Bye, baby.<br>I... I'll call you!
MIKE:<br>Hey, genius,<br>you want to know why
I bought the car? Huh?
Not really.
To drive it!
You know, like,<br>on the street?
With the honk-honk<br>and the vroom-vroom
and no walking involved.
( mock whining )
Give it a rest,<br>will you, butterball?
Come on, you could<br>use the exercise.
I could use<br>the exercise?!
Look at you.<br>You have your own climate!
GIRL MONSTERS:<br>How many tentacles<br>jump the rope?
BOY MONSTER:<br>Morning, Mike!<br>Morning, Sulley!
Hey! Morning, kids.
Hey, kids.
How you doing?
Bye, Mike!<br>Bye, Sulley!
BIG EYE:<br>Ow! Hey!
( humming )
( sneezing )
Ah, nuts.
( singing )
Hey, hey, hey! Fellas!
Hey, Tony!
Tony! Ba-da-bing!
-Hey, Tony!<br>-Tony!
Pow, pow,<br>pow, pow, pow!
I hear somebody's<br>close to breaking
the all-time<br>scare record.
Ah, just trying<br>to make sure
there's enough scream<br>to go around.
( laughing )
Hey! On the house!
-Hey, thanks!<br>-Grazie!
MIKE:<br>Ba-da-bing!
( startled gasp )
Oh, great.
Hey, Ted!
Good morning!
( clucking )
See that, Mikey?
Ted's walking to work.
Big deal.
Guy takes fiive steps<br>and he's there.
( phones ringing )
FEMALE MONSTER:<br>Monsters, Inc. Please hold.
Monsters, Inc. Please hold.<br>Monsters, Inc. Please hold.
Morning, Sulley.
Morning, Ricky.
Hey, it's the Sullster!
See you on the scare floor,<br>buddy!
Hey, Marge.<br>Hey, how was jury duty?
Morning, Sulley!
Hey!
Hey, it's still<br>leaning to the left.
It is not!
Hey, fellas.
Hey, Jerry.
Hey, Mr Sullivan!
Guys, I told you,<br>call me Sulley.
( nervous giggling )
I don't think so.
We just wanted to wish<br>you good luck today.
Hey. Hey, hey,<br>hey, hey!
Come on, get lost,<br>you two.
You're making him<br>lose his focus.
Oh. Sorry.
See you later,<br>fellas.
Go get 'em,<br>Mr Sullivan!
Quiet! You'll make<br>him lose his focus.
Oh, no. Sorry!
Shut up!
-( phones ringing )<br>-Monsters, Inc. Please hold.
Monsters, Inc.<br>I'll connect you.
Ms Fearmonger is on vacation.
Would you like her voice mail?
Oh, Schmoopsie-poo.
-( snakes squealing )<br>-Googley Bear!
Happy birthday.
Oh, Googley-woogley,<br>you remembered!
Hey, Sulley-wulley.
Oh, hey, Celia...
weelia.
( clears throat ):<br>Happy birthday.
Thanks.
So, uh... are we going<br>anywhere special tonight?
I just got us<br>into a little place
called, um...<br>Harryhausen's.
( gasps )
Harryhausen's?!
But it's impossible to<br>get a reservation there!
Not for Googley Bear.
I will see you<br>at quitting time
and not a minute later.
Okay, sweetheart.
Think romantical<br>thoughts.
*SONG* You and me *SONG*
*SONG* Me and you *SONG*
*SONG* Both of us together! *SONG*
You know, pal, she's the one.
That's it.<br>She is the one!
I'm happy for you.
Oh, and, uh,<br>thanks for hooking me up
with those reservations.
Oh, no problem.<br>They're under the<br>name Googley Bear.
Oh, good ide...
You know,<br>that wasn't very funny.
( gasps )
What the...?
Wazowski!
( screams )
( grunts )
( chuckling )
What do you know?
It scares little kids<br>and little monsters.
I wasn't scared.
I have... allergies.
( coughing )
Uh-huh. Sure.
Hey, Randall, save it for<br>the scare floor, will you?
I'm in the zone today,<br>Sullivan.
Going to be doing<br>some serious scaring.
Putting up some big numbers.
Wow, Randall.
That's great.
That should make it<br>even more humiliating
when we break the record fiirst.
Ha, ha!
Shh, shh, shh,<br>shh, shh.
Do you hear that?
It's the winds of change.
( mocking voice ):<br>''You hear it?<br>You hear the winds of ch...?''
Oh, what a creep.
One of these days,<br>I am really...
going to let you<br>teach that guy a lesson.
( deep croaking )
( liquid squishing )
Chalooby! Baby!
MIKE:<br>Good morning, Roz
my succulent<br>little garden snail.
And who would<br>we be scaring today?
Wazowski, you didn't fiile<br>your paperwork last night.
Oh, that darn paperwork.
Wouldn't it be easier<br>if it all just blew away?
( chair squeaking )
Don't let it happen again.
Yes, well, I'll, uh...
I'll try to be less careless.
I'm watching you, Wazowski.
Always watching.
Whoo! She's nuts.
Always!
CELIA ( over P.A. ):<br>All scare floors are now active.
Assistants, please report<br>to your stations.
( metallic clunk )
( machine beeps, bell dings )
( bell dings )
( clanking and whirring )
( chime rings )
Okay, people,<br>eastern seaboard coming on-line.
We got scarers coming out!
( dramatic brass fanfare<br>~ playing )
Ooh, they're<br>so awesome.
( knuckles cracking )
( clanging and growling )
( snarls )
( blowing )
( growling )
Hey... may<br>the best monster win.
I plan to.
( bell ringing )
We are on in seven... six...
fiive... four... three...
two...
( horn blaring )
( growls )
You're the boss.<br>You're the boss.
You're the big,<br>hairy boss.
( child screaming )
( bell dings )
Oh, I'm feeling<br>good today, Mikey!
Yeah!
MIKE:<br>Whoa!
Attaboy.<br>Attaboy.
Another door coming right up.
( whirring and clanking )
( child screaming )
( bell dings )
( growling )
You're still behind,<br>Randall.
You know, maybe I should<br>realign the scream intake valve.
Just get me<br>another door!
A door! Yes, door!
( child screaming )
( bell dings )
( bells dinging )
( beeping )
( metallic clanking )
( click and hiss )
( children screaming )
( bells dinging )
( children screaming )
Well, Jerry, what's<br>the damage so far?
We may actually<br>make our quota today, sir.
Hmm. First time<br>in a month.
( gurgling and burping )
Huh?!
( door buzzing )
( screaming and sobbing )
What happened?
The kid almost<br>touched me!
She got this close<br>to me!
She wasn't<br>scared of you?
She was only six!
I could've been dead!
I could've died!
Keep it together, man.
( whistling )
Hey! We got a dead<br>door over here!
-We're coming!<br>-Coming!
-Look out!<br>-Out of the way!
-Coming through!<br>-Excuse us.
( whimpering )
We've lost 58 doors<br>this week, sir.
Oh, kids these days.
They just don't get<br>scared like they used to.
Let her rip!
( buzzing )
( metallic clank )
( eerie blubbering )
( child screaming )
( bell dings )
Uh, sir?
What?!
Look.
CELIA ( over P.A. ):<br>Attention.
We have a new scare leader:<br>Randall Boggs.
( snickering )
( assistants cheering )
( children screaming )
( knuckles cracking )
Slumber party.
( laughing )
Whoo!
( beeping )
CELIA ( over P.A. ):<br>Never mind.
Hey! Watch it!
( Sulley laughing )
Well, James, that was<br>an impressive display!
Oh, just doing my job,<br>Mr Waternoose.
Of course, I did<br>learn from the best.
( both laughing )
If I don't see a new door at<br>my station in fiive seconds
I will personally<br>put you through the shredder!
( screams )
Hey, Wazowski, nice job!
Those numbers<br>are pretty sweet.
Are they?
You know,<br>I hadn't even noticed.
And, uh...<br>how is Georgie doing?
He's doing great!
I love working<br>with that big guy.
( child screaming )
Keep the doors coming,<br>Charlie.
I'm on a roll today.
George and I<br>are like brothers.
( gasping )
2319!
( gasping )
( alarm blaring )
COMPUTER VOICE ( over P.A. ):<br>Red alert! Red alert!
Red alert! Red alert! Red alert!
FEMALE ( over P.A. ):<br>George Sanderson
please remain motionless.
Prepare for decontamination.
Get it off!
JERRY:<br>Duck and cover, people!
Oh, not the CDA.
( siren wailing )
CDAAGENT :<br>Move! Move! Move!
Coming through, please.<br>Stand aside.
CDAAGENT 2:<br>Clear the contaminated area.
( screams )
CDAAGENT :<br>This is a 2319 in progress.
Keep the area clear.
Coming through.<br>Watch yourself.
( grunts )
( whimpering )
Stand back.
Careful.
( metallic clang )
( drills whirring )
( all gasping )
( muffled explosion )
( drills whirring )
All clear.
Situation is niner-niner-zero.
Ready for decon.
Hey, thanks, guys.
That was a close one.
Okay.
( shears buzzing )
( screaming )
( whimpering )
( ripping )
( screaming )
JERRY:<br>Okay, people, take a break!
We got to shut down<br>for a half-hour
and reset the system.
An entire scare floor<br>out of commission.
What else can go wrong?
Oh... what a day.
We're just going through<br>a rough time, sir.
Everyone knows you're going<br>to get us through it.
Tell that to the<br>board of directors.
( slurping )
James, this company
has been in my family<br>for three generations.
I would do anything to<br>keep it from going under.
Oh, so would I, sir.
Well...
Say, I could use your help<br>with something.
Anything, sir.
You see, we've hired<br>some new scare recruits
and frankly, they're...<br>they're, um... uh...
Inexperienced?
Oh, they stink!
Uh-huh.
And I thought maybe<br>you might come by tomorrow
and give them a demonstration.
Show them what it takes<br>to be a top scarer, huh?
I'll start out with the old<br>Waternoose jump-and-growl.
( growling loudly )
Ha! Oh, oh, yes!
Now, that's my boy!
( both laughing )
( ringing )
JERRY:<br>Let's go, everybody!
All doors must be returned!
No exceptions!
-Whoo!<br>-Oh, yeah.
I've never seen anything<br>like you today.
You were on<br>a roll, my man.
Another day like this
and that scare record's<br>in the bag.
That's right, baby!
Uh-huh.
So get this--<br>as if dinner wasn't enough
I'm taking her to<br>a monster truck rally afterwards.
Nice.
What's on your agenda?
I'm going to head home<br>and work out some more.
Again? You know, there's<br>more to life than scaring.
( sniffing )
Whew. Hey, can I<br>borrow your odorant?
Yeah. I got, uh...
smelly garbage or old dumpster.
You got low tide?
No.
How about wet dog?
Yep. Stink it up.
( growling )
You know, I am so romantic
sometimes I think<br>I should just marry myself.
Give me a break,<br>Mike.
What a night of romance<br>I got ahead of me.
Tonight is about me
and Celia.
Ooh, the love boat<br>is about to set sail.
( imitating ship horn )
'Cause I got<br>to tell you, buddy
that face of hers,<br>it just makes my heart go...
Yikes!
Hello, Wazowski.
Fun-fiilled evening<br>planned for tonight?
Well, as a<br>matter of fact...
Then I'm sure you<br>fiiled your paperwork
correctly... for once.
Your stunned silence<br>is very reassuring.
Oh, no. My scare reports--<br>I left them on my desk
and if I'm not at<br>the restaurant in fiive minutes
they're going to give<br>our table away!
What am I going to tell...
Schmoopsie-poo.
Hey, Googley Bear.<br>Want to get going?
Do I ever!<br>It's just that...
What?
Uh, you know,<br>there's a small....
I don't understand.
It's just that I forgot<br>about some paperwork
I was supposed to fiile.
Mike was reminding me.
Thanks, buddy.
Whoo.
I was? I mean, I was!<br>Yeah, I was.
Oh, okay.<br>Let's go then.
We're going!
On my desk, Sulley.
The pink copies<br>go to Accounting
the fuchsia ones<br>go to Purchasing
and goldenrod ones<br>go to Roz.
Huh!
Leave the puce.
SULLEY:<br>Pink copies go to Accounting,<br>the fuchsia ones go to Roz.
No, fuchsia ones<br>go to Purchasing.
The goldenrod ones go to Roz.
Man, I have no idea<br>what puce is.
Oh, that's puce.
Hmm?
Uh, hello?
Anyone?
There's a door here.
Hmm.
( door latch clicking )
( door creaking )
( whispering ):<br>Hello?
Hey.
Psst.
Anybody scaring in here?
Hello?
Yo!
Hmm.
( thump )
( thump )
( thump )
( speaking baby talk )
( screams )
Whoa! Ah! Ah!
Oh!
( giggling ):<br>Here.
Gotcha!
( yells )
( squeals in delight )
Eh!
( giggling )
( yells )
( giggles )
( gasps, then whimpers )
( squeals in delight )
( giggling )
( laughs )
Oh!
( loud crashing, toy squeaking )
Yeow!
( gasps )
( toy ducks quacking )
( yelling )
( toy ducks quacking )
( quacking )
Eww.
( toy ducks quacking )
( sighs )
( yells )
( panting )
( toys quacking and squeaking )
( squeaking )
Whew.
( Sulley screams )
( little girl<br>~ speaking baby talk )
Kitty!
( speaking baby talk )
No, no-- stay back.
( speaking baby talk )
( stutters in fear )
( giggling )
( speaking baby talk )
( whine of disgust )
( little girl<br>~ speaking baby talk faintly )
( whimpers )
( door latch clicking )
Hmm.
( speaking baby talk )
( faint squeal<br>~ of delight )
( sneezes )
( murmur of conversation )
( knives being sharpened )
PHOT OGRAPHER:<br>Hold it. Hold it.
( shutter clicks )
ALL:<br>Get a paper bag!
Mmm.
( laughing )
Oh, Michael, I've had<br>a lot of birthday...
well, not a<br>lot of birthdays
but this is the<br>best birthday ever.
Hmm.
What are you<br>looking at?
I was just thinking
about the fiirst time<br>I laid eye on you--
how pretty you looked.
Stop it!
Your hair was<br>shorter then.
Mm-hmm. I'm thinking<br>about getting it cut.
( faint squeal of fear )
No, no, I like<br>it this length.
( sighs of relief)
I like everything<br>about you.
Just the other day
someone asked me<br>who I thought
the most beautiful monster was<br>in all of Monstropolis.
You know what I said?
What did you say?
I said...
Sulley?
Sulley?
No! No, no.
That's not<br>what I was going to say.
Mike, you're not making sense.
SULLEY:<br>Hi, guys!
What a coincidence,<br>running into you here!
Uh, I'm just going<br>to order something to go.
Michael...
Sulley!
I wonder what's good here.
Get out of here.<br>You're ruining everything.
I went back to get<br>your paperwork
and there was a door.
What?
( rattling )
A door?!
Randall was in it.
Wait a minute.<br>Randall?
That cheater!
He's trying<br>to boost his numbers!
There's something else.
What?!
Ook-lay in the ag-bay.
What?!
Look in the bag.
What bag?
( sighs )
( gasps )
( giggling )
Oh!
They don't have<br>anything I like here.
So take care, Celia!
Excuse me, sir.
What's going on?
Celia, please try<br>to understand.
I have to do something!
Michael?
PHOT OGRAPHER:<br>On three.
One... two....
( squeals and giggles )
( screaming )
A kid!
Boo!
( all screaming )
A kid!
There's a kid here--<br>a human kid!
( exclaiming in baby talk )
Oh!
CELIA:<br>Googley Bear!
( yelling )
( blows raspberry )
Come on!
( monsters screaming in terror )
MIKE:<br>Let's get out of here!
CDA HELICOPTER PIL OT :<br>Please remain calm.
This is not a drill.
( siren wailing,<br>~ tyres screeching )
CDAAGENT :<br>We have an 835 in progress.
Please advise.
Michael? Michael?
Oh, Celia.
-Please come with me.<br>-Ow. Stop pushing.
Hey, get your hands off<br>my Schmoopsie-poo!
Building clear.<br>Ready for decontamination.
Well, I don't think that date<br>could have gone any worse.
( explosion )
( electrical buzzing )
If witnesses are to be believed
there has been<br>a child security breach
for the fiirst time<br>in monster history.
We can neither confiirm nor deny
the presence of<br>a human child here tonight.
Well, a kid flew right over me
and blasted a car<br>with its laser vision!
I tried to run from it,<br>but it picked me up
with its mind powers<br>and shook me like a doll!
It's true!<br>I saw the whole thing!
It is my<br>professional opinion
that now is the time<br>to... panic!
Oh-oh.
( both yelling )
Oh, it's coming!
It's coming!
( giggling ):<br>Boo!
( both screaming )
( distant sirens wailing )
( delighted cry )
( yelling )
No, no, no, no, no!
Come here, kid.
Whee.
No, don't touch those,<br>you little...!
Oh, now
those were alphabetized.
It's okay, it's all right.
As long as it doesn't<br>come near us
we're going to be okay.
( sneezes )
( screams )
( yelling in pain )
( whimpering in fear )
Wanna ride on it!
Da, da-da.
Da-da-da.
Oh, y-you like this?
Fetch!
( giggles )
( gasps )
Hey, hey, that's it!
No one touches<br>little Mikey!
( whining )
Mike, give her the bear.
Oh, no.
( piercing scream )
( electrical buzzing )
( screaming and crying<br>~ continue )
( buzzing continues )
( exclaiming in fear )
Make it stop, Sulley!
Make it stop!
Look!<br>See the bear?
Ooh, nice bear.
( screams )
Sulley!
See?
Ooh, bear, ooh.
Oh, he's<br>a happy bear.
*SONG* He's not crying,<br>neither should you *SONG*
*SONG* Or we'll be in trouble *SONG*
*SONG* 'Cause they're gonna fiind us *SONG*
*SONG* So please stop crying *SONG*
*SONG* Right now. *SONG*
Good, good, Sulley.<br>Keep it up.
You're doing great.
*SONG* Ooh, the happy bear,<br>he has no... *SONG*
( screaming )
She touched me!
Sulley, the bear!
The bear!
Give her the...
Whoa!
( giggles )
( screaming with laughter )
( electrical buzzing<br>~ grows louder )
( light bulb shatters )
( giggles )
What was that?
( thumping )
I have no idea
but it would be<br>really great
if it didn't<br>do it again.
( giggles )
Shh, shh, shh.
Shh...
Shh.
Shh...
Ah!
How could I do this?
How could I be so stupid?
This could destroy<br>the company.
The company?
Who cares<br>about the company?!
What about us?
That thing is<br>a killing machine!
*SONG* La-la-la-la-la-la *SONG*
I bet it's just waiting<br>for us to fall asleep
and then wham!
Oh, we're easy prey,<br>my friend-- easy prey.
We're sitting targets.
Okay, look, I think
I have a plan here.
Using mainly spoons, we dig<br>a tunnel under the city
and release it into the wild.
Spoons.
That's it, I'm out of ideas.
We're closed.<br>Hot air balloon?
Too expensive.<br>Giant slingshot?
Too conspicuous.
Enormous wooden horse?<br>Too Greek!
( speaking baby talk )
No plan. No plan.
Can't think.<br>Can't think.
Flatlining.
Uh, Mike?
I think she's getting tired.
Well, then<br>why don't you
fiind someplace<br>for it to sleep?
While I think of a plan!
Are you sleepy?
You want to sleep?
Is that what you want?
Huh?
( crunching )
Okay, all right.
I'm making a nice<br>little area for you to...
( giggling )
No. Hey, hey,<br>that's my bed!
You're going to get<br>your germs all over it.
( sighing ):<br>Fine.
My chair is<br>more comfortable anyway.
( yells )
What?
( speaking fearfully )
It's just a closet.
Will you go to sleep?
Hey, that looks like Randall.
Randall's your monster.
You think he's going<br>to come through the closet
and scare you.
Oh, boy,<br>how do I explain this?
Uh, it's empty.
-See?<br>-Ah!
No monster in here.
Well, now there is
but I'm not going to scare you.
I'm off-duty.
Okay.
How about I sit here,<br>until you fall asleep?
Go ahead.
Go to sleep.
Now.
Now... go.
Uh, you...
go...
to...
sleep.
( imitating snoring )
( giggles )
( sighs in relief)
( door creaks softly )
Hey, Mike,<br>this might sound crazy
but I don't think<br>that kid's dangerous.
Really? Well, in that case,<br>let's keep it.
I always wanted a pet<br>that could kill me!
Now, look.
What if we just put<br>her back in her door?
What?
Mike, think about it.
If we send her back,<br>it's like it never happened.
Everything goes back to normal.
Is that a joke?
Tell me you're joking.
Sulley, I'd like to think<br>that, given the circumstances
I have been extremely<br>forgiving up to now
but that is a horrible idea!
What are we going to do?
March right out into<br>public with that thing?
Then I guess we just waltz<br>right up to the factory, right?
I can't believe we<br>are waltzing right<br>up to the factory.
Sulley, a mop,<br>a couple of lights<br>and some chair fabric
are not going<br>to fool anyone!
Just think about<br>a few names, will you?
Loch Ness, Bigfoot,<br>the Abominable Snowman--
they all got one thing<br>in common, pal-- banishment.
We could be next!
Don't panic--<br>we can do this.
Hey, how you doing, Frank?
Hey, guys.
Everything's going
to be okay.
( gasping )
( equipment buzzing loudly )
Number One wants this place<br>dusted for prints.
Careful with that.
I got a good view from here.
A little lower.
This was recovered<br>at the scene.
Don't panic.<br>Don't panic!
Don't tell me<br>not to panic.
Just keep it together.
Everything is not okay!
LITTLE GIRL:<br>Boo.
...could be contaminated.
Gentlemen, safety
is our number one concern.
If there's anything that...
Not now, not now.
Oh, hello, little one.
Where did you come from?
Mr Waternoose!
Ah, James!<br>Is this one yours?
Actually, that's my, uh,<br>cousin's sister's daughter, sir.
Yeah, it's, uh...
''Bring an Obscure Relative<br>to Work Day.''
Hmm, must have<br>missed the memo.
Well, listen, James
why don't you stop by<br>the simulator after lunch today
and give us<br>that scare demonstration
we talked about, huh?
Oh, oh, sir, uh....
Excuse me,<br>Mr Waternoose?
Yes, yes, I'm coming.
All right then, I'll see<br>you this afternoon, James.
That is, if these gentlemen<br>haven't shut us down.
Oh, boy.
Oh, a scare demo.
Well, that is great.
Why am I<br>the last to know?
We can bring your cousin's<br>sister's daughter along.
She'll be a big hit!
( equipment buzzing loudly )
Halt!
( yelling )
Stop him!
Hold him down.
Come on,<br>the coast is clear.
Okay, all we have to do<br>is get rid of that thing.
So, wait here while<br>I get its card key.
But she can't stay here.
This is the men's room.
That is the weirdest thing<br>you have ever said.
It's fiine. It's okay.
Look, it loves it here!
It's dancing with joy!
Uh, uh, uh, uh.
I'll be right back<br>with its door key.
( laughs )
That's a cute little<br>dance you've got.
It almost looks<br>like you've got to...
( whining )
Oh.
( singing in baby talk )
( singing stops )
Uh, are you<br>done in there?
( squeals )
Ah! Sorry. Sorry.
( singing )
( toilet flushes )
Okay, you<br>fiinished now, right?
Hello?
( yells )
Boo.
( giggles )
( sighs )
( giggling )
( chuckles )
Where did she go?
Oh, did she disappear?
Did she turn invisible?
( giggling softly )
I just have no idea.
Gotcha!
Boo.
( giggles )
Hey, you're good.
( sighs )
Be relaxed,<br>be relaxed, be relaxed.
Roz, my tender,<br>oozing blossom
you're looking<br>fabulous today.
Is that a new haircut?
Come on, tell me.
It's a new haircut,<br>isn't it?
That's got to be<br>a new haircut.
New make-up?<br>You've had a lift.
You've had a tuck.<br>You've had something.
Something has been<br>inserted in your skin
that makes you look like...
( sighs )
Listen, I need a favour.
Randall was working<br>late last night
out on the scare floor.
I really need the key<br>for the door he was using.
Well, isn't that nice?
But guess what?
You didn't turn in<br>your paperwork last night.
He didn't... I...<br>no paperwork?
This offiice is now closed.
( Mike screams in pain )
Ready or not, here I come!
I'm getting warmer.
Any second now.
Fee fii fo...
What are you doing?!
I-I'm looking<br>for the kid.
You lost it?!
No, no, she was just....
( squeals )
Here she is.
( whining )
Hey, what's the matter?
RANDALL:<br>I already told your buddies<br>I haven't seen anything.
CDAAGENT :<br>All right. Carry on.
( splashing )
Randall!<br>Thank goodness!
What are we going to do<br>about the child?
Shh!
Shh, shh, shh.
( door slams open )
( door slams open )
The front page!<br>It's on the front page.
The child--<br>the one you were after.
Will you be quiet?!
Don't you think I'm aware<br>of the situation?
I was up all night<br>trying to fiind it.
I did a simple<br>calculation
factoring in the size<br>of the sushi restaurant.
The child<br>may have escaped!
Yeah, well, until<br>we know for sure
we're going to act like<br>nothing happened, understand?
You just get the<br>machine up and running.
I'll take care of the kid.
And when I fiind whoever<br>let it out, they're dead!
Oh!
Why are you still here?
Come on, go!
Move! Now!
FUNGUS:<br>Ow, ow! I'm not here.
SULLEY ( whispering ):<br>They're gone.
( squeaking and splashing )
LITTLE GIRL:<br>Ew.
MIKE:<br>This is bad.
This is so very bad.
What were they talking<br>about a machine?
Who cares? Oh!
Look, don't panic--<br>all we have to do
is call her door down<br>and send her home.
You're right.<br>You're right.
We're just two regular joes<br>on our way to work.
We will blend right in.
Top of the mornin', fellas!
Hey, what's shakin',<br>bacon?
Did you lose weight?
Or a limb?
You have<br>her card key, right?
Of course<br>I have her card key.
I told you<br>I'd get her card key.
I went and got<br>her card key
and now I have her card key.
Okay, here we go.
Take care of yourself.
Try not to run<br>through any more closets.
( giggles )
Mike,<br>that's not her door.
What are you<br>talking about?
Of course it's her door.<br>It's her door.
No, her door was white<br>and it had flowers on it.
No. It must have been<br>dark last night
because this is its door.
( polka music playing )
Hey, you hear that?
Sounds like fun in there!
Okay, send me a postcard, kid.
That's Mike Wazowski, care of
22 Mike-Wazowski-<br>you-got-your-life-back Lane.
Mowki Kowski.
Very good.<br>Now bon voyage!
Bye-bye!<br>Come on.
Look at the stick.<br>See the stick?
Go get the stick!<br>Go fetch.
Mike, this isn't<br>Boo's door.
Boo? What's Boo?
That's what I decided<br>to call her.
Is there a problem?
Sulley, you're not<br>supposed to name it.
Once you name it,<br>you start getting attached to it!
Now put that thing
back where it came from,<br>or so help me...
Oh, hey!
We're rehearsing a scene<br>for the upcoming company play
~called Put That Thing<br>Back Where lt Came From
Or So Help Me.
( Mike laughing )
It's a musical!
*SONG* Put that thing back where<br>it came from or so help me *SONG*
*SONG* Bom-bom, bom-bom,<br>bom-bom... *SONG*
*SONG* So help me,<br>so help me. *SONG*
And cut!
We're still working on it.
It's a work in progress
but, hey,<br>we need ushers.
Sulley, I've had enough.
Now say goodbye to...<br>where'd it go?
What'd you do with it?
( gasps ):<br>Where is she?
I don't believe it.
She got away<br>from you again?!
Well, that is just...
Wait a minute.
The sun is coming up.
This is perfect!
She's gone!
Hey, hey, hey, hey.
Where are you going?
Sulley, please,<br>don't blow this.
Not when we're so close<br>to breaking the record.
Somebody else<br>will fiind the kid.
It'll be their problem,<br>not ours!
She's out of our hair!
What are you<br>two doing?
They're rehearsing a play.
*SONG* She's out of our hair! *SONG*
Can it, Wazowski!
So, what do you think<br>of that kid getting out, Sullivan?
Pretty crazy, huh?
Oh, yeah, crazy.
Word on the street is the kid's
been traced back<br>to this factory.
You haven't seen anything,<br>have you?
Uh, well, uh...
No, no way!
But if it was<br>an inside job
I'd put my money<br>on Waxford.
Waxford?
Yeah, the one<br>at station six.
You know, he's got<br>them shifty eyes.
Hey, Waxford!
Sulley!
CELIA:<br>Michael Wazowski!
( whimpers )
Last night was one<br>of the worst nights
of my entire life,<br>bar none!
( hissing )
I thought<br>you cared about me.
Honey, please.
Schmoopsie, I thought<br>you liked sushi.
CELIA:<br>Sushi? Sushi?!!
You think this is<br>about sushi?!
Wazowski!
Michael! Mike...
Men.
( panting )
Breathe. Keep breathing.
Whew.
Yikes!
Where's the kid?
Kid? What kid?
It's here in<br>the factory, isn't it?
You're not<br>pinning this on me.
It never would<br>have gotten out
if you hadn't been<br>cheating last night!
Cheating?
Cheating. Right.
Okay, I think I know how<br>to make this all go away.
What happens when<br>the whistle blows<br>in fiive minutes?
Uh... I get a time-out?
Everyone goes to lunch!
Which means the scare floor<br>will be...?
Painted?
Empty! It'll be<br>empty, you idiot!
You see that clock?
When the big hand<br>is pointing up
and the little hand<br>is pointing up
the kid's door<br>will be in my station.
But when the big hand<br>points down
the door will be gone.
You have until then<br>to put the kid back.
Get the picture?
( roaring playfully )
Boo!
( giggles )
No.
Hey, you! Halt!
He's the one.
The one from<br>the commercial!
Affiirmative.<br>That's him.
Can we get<br>an autograph?
Oh, oh, sure.<br>No problem.
You can make that out<br>to Bethany, my daughter.
Yes. Let's see....
''From your scary friend
best wishes...''
So I said,<br>''If you talk to me
like that again,<br>we're through!''
What'd she say?
You know my mom.
She sent me to my room.
See you guys later.<br>Take it easy.
Bottoms up!
No!
( singing )
Whoa!
Hey.
( growling )
Oh, well, hello, there.
What's your name?
Mike Wazowski!
( machinery pounding loudly )
( grinding and chopping )
( panting )
( moans )
Sulley!
Oh, Sulley.
Okay, Sulley, come on, enough.
Hey, you guys seen<br>Sulley anywhere?
Nope. Sorry.
Oh, Sulley!
Boy, Wazowski looks<br>like he's in trouble.
( squeaking and quacking )
2319!
We have a 2319!
Oh, dear.
Get him!
Sulley?
Sulley!
( moaning )
Sulley!
Oh, great news, pal.
I got us a way out of this mess
but we got to hurry.
Where is it?
( whimpering )
Sull, that's<br>a cube of garbage.
( squeaks )
Uh-oh.
I-I can still hear<br>her little voice.
BOO:<br>Mike Wazowski!
Hey, I can hear her, too.
BABY MONSTERS:<br>Mike Wazowski!
How many kids<br>you got in there?
Mike Wazowski!
Kitty!
Boo!
Boo, oh,<br>you're all right!
I was so worried!
Don't you ever run away<br>from me again, young lady!
Oh, but I'm so glad<br>you're safe.
My, what an affectionate father.
Actually, she's<br>my cousin's sister's...
Okay, Sulley.
That's enough.<br>Let's go.
Mike Wazowski!
Yeah, yeah.
Step aside, kid.<br>We're in a...
( screams in pain )
( screams with laughter )
( electrical buzzing )
( light bulbs shattering )
( gasping )
( baby monsters screaming<br>~ and crying )
Will you stop<br>making Boo laugh?
I didn't, so come on!
( screaming and crying<br>~ continue )
I still don't understand.
You've got Boo's door?
I'll explain later.
Run.
Okay, let's move,<br>let's move, let's move.
Come on.
Oh, please be there, please<br>be there, please be there.
There it is!
Just like Randall said!
Randall?<br>Wait a minute.
( cries out in fear )
Oh, hey.
One, two, three, four!
Get the kid back<br>through the door!
Hey, hey.
We're going to get<br>our lives back.
The nightmare is over.
Hey, it's okay, Boo.
What's the matter?
Come on, it's time to move!
Mike, what are you thinking?
We can't trust Randall.
He's after Boo.
Who cares?<br>Let's go.
This is a limited time offer.
No, no.
I don't like this.
Look, Sulley, you wanted<br>her door and there it is.
Now, let's move.
No, Mike.
( sighs ):<br>You want me to prove<br>everything's on the up-and-up?
Fine! He wants the door,<br>I get the door...
( whispering ):<br>Mike, wait!
He's a paranoid<br>delusional furball.
Mike!
( whimpers in fear )
( whining )
Shh, shh, shh.
( small cry of surprise )
( lunch bell rings )
Hey, Sulley,<br>where you been all day?
Sulley? Sulley?
Huh?
( whispering ):<br>Mike?
Mike?
Where are you?
You in there?
Where are you, buddy?
Mike?
Hey.
( door thunks )
( excited baby talk )
Boo, way to go.
( giggles )
It's okay.
( door clunks shut )
( pipes whistling and venting )
( distant voices )
RANDALL:<br>Yes! I got the kid!
FUNGUS:<br>Oh, huzzah!
That's great news.
Not that I was concerned,<br>of course.
Just get over<br>here and help me!
Come on, come<br>on, come on.
While we're young<br>here, Fungus!
( both straining )
Kid needs to take<br>off a few pounds.
( yelps )
Wazowski?!
Where is it,<br>you little one-eyed cretin?
Okay, fiirst of all,<br>it's cree-tin.
If you're going<br>to threaten me
do it properly.
Second of all, you're nuts<br>if you think kidnapping me
is going to help you cheat<br>your way to the top!
( chuckling evilly )
You still think this is about<br>that stupid scare record?
Well... I did, right up<br>until you chuckled like that
and now I'm thinking<br>I should just get out of here.
I am about to revolutionise<br>the scaring industry
and when I do, even<br>the great James P. Sullivan
is going to be<br>working for me.
MIKE:<br>Well
somebody's certainly<br>been a busy bee.
First, I need to know<br>where the kid is
and you're going<br>to tell me.
Yeah, I don't<br>know anything.
Uh-huh, sure.
MIKE:<br>I don't.
I mean, I don't.
Uh-oh.
( mechanical clanging<br>~ and grinding )
What's that?
Come on.<br>Wait, wait, wait.
Oh-oh. Oh-oh.<br>Oh, come on.
No, no, no, no, no.
Come on,<br>hey, hey, hey.
This thing is moving.
I don't like big...
moving things that are<br>moving towards me.
No! Come on!
Hey, Randall!
Say hello<br>to the scream extractor.
Hello.
Come on,<br>where you going?
We'll talk.
Come on,<br>we'll have a latte!
Come on.
We can talk<br>about this.
( electrical whirring starts,<br>~ then grows louder )
What's that thing?<br>What is that thing?
Wait, wait, wait!
Stop, stop!
No, no!
Come on, hey!
( deep, resonating whirring )
Help! Help! Help!
Help!
( yelling )
( noise dies away )
Oh, for...
What did you<br>do wrong this time?
I don't know.
I calibrated the drive...
Go check the machine!
There must be something wrong<br>with the scream intake valve.
That's the problem<br>with these 3250 units...
Huh?
Hmm.
Psst!
Fungus.<br>Fungus.
You like cars, huh?
'Cause I got a really nice car.
If you let me go,<br>I'll give you...
a ride in the car.
Please, Fungus?
I'm sorry, Wazowski,<br>but Randall said
I'm not allowed to fraternize<br>with victims of his evil plot.
( gasps )
( clanging )
Hmm...
( zapping )
( electrical whirring )
( clanking, rattling, whirring )
( gasps )
( muffled screams )
What happened?
Where's Wazowski?
( muffled screams )
( shuts off machine )
Where is he?!
( whimpering )
( growls )
( whimpering )
( squeals )
Come on!
This is crazy.<br>He's going to kill us!
CDAAGENT :<br>Careful.<br>That could be contaminated.
We got to get out of here now!
We can start a whole new life<br>somewhere far away.
Goodbye, Monsters, Inc.!
Goodbye, Mr Waternoose!
No, Mike, wait!
Hey, what are you doing?
Follow me. I have an idea.
No! No, no, no, no,<br>no, no, no, no...
COMPUTER VOICE ( over P.A. ):<br>Simulation terminated.
W ATERNOOSE:<br>No, no, no, no, no.
What was that?
You're trying to scare the kid,<br>not lull it to sleep.
I was going for a<br>snake/ninja approach
with a little hissing.
( hisses )
How many times<br>do I have to tell you?
It's all about presence!
About how you enter the room!
Mr Waternoose!
James! Perfect timing.
No, no. Sir, you<br>don't understand.
Ah, now, show these monsters<br>how it's done.
What? No, no,<br>I can't...
Sir...<br>sir, you have
to listen to me.
Pay attention, everyone.
You're about to see
the best in the business.
Reset the simulator.
But-but, sir!
MOTHER:<br>Good night, sweetheart.
ANIMATRONIC BOY:<br>Night, Mom.
Kitty!
No, Boo, no, no!
Now, give us a big, loud roar.
Mr Waternoose,<br>there's no time for this.
Come on. What are you<br>waiting for? Roar!
But-but-but, sir!
Roar!
( groans )
( roaring ferociously )
( shrieking in terror )
( gasps )
( roaring ferociously )
( squeals )
( Boo crying )
( students applauding )
W ATERNOOSE:<br>Well done.
Well done, James.
Boo?
-All right, gentlemen,<br>I hope you've learned...<br>-Right this way, everyone.
...a valuable lesson<br>in scaring today.
( fearful whimper )
( whines softly )
Boo.
( nervous grunt )
( whining )
Boo?
( panicked grunts )
( door slams )
Boo, it's me.
( squealing )
( gasps ):<br>The child!
Sir, she isn't toxic.
I know it sounds<br>crazy, but trust me.
Boo?
No, no, no, no.
It's okay.
I was just...
( whimpering in fear )
No, no, no, no, no,<br>don't be scared.
That wasn't real.
It's just a...
I was just...
( crying ):<br>No...
( Boo continues crying )
( Boo sobbing )
Boo.
MIKE:<br>...and he was going<br>to test it out
on that sweet,<br>little girl.
Boo.<br>Now that we<br>have her...
...he is trying<br>to kill us.
This whole thing<br>is Randall's fault.
Randall?
Yes. And we can take<br>you to his secret lab,<br>which is right here
in this factory.
How could this happen?
Oh, how could this happen?
Does anyone else<br>know about this?
No, sir.
Good.
This company can't afford<br>any more bad publicity.
Now, before we do<br>anything else, let's...
take care of the child.
Oh, I never thought things<br>would come to this...
not in my factory.
I'm sorry you boys<br>got mixed up in this.
Especially you, James.
But now we can set
everything straight again<br>for the good of the company.
( whirring )
( thunk )
MIKE:<br>Uh...
sir, that's not her door.
I know, I know.
It's yours.
( startled gasps )
( grunts )
( yelling )
No!
( gasps )
( voice echoing ):<br>Boo!
( gasps )
No! No!
No! No! No! No!
No!
( desperate grunts )
It's too late!
We're banished, genius.
We're in the human world!
Oh, what a great idea, going<br>to your old pal Waternoose!
Too bad he was in<br>on the whole thing!
All you had to do was listen<br>to me--just once!
But you didn't, did you?
You're still not listening!
( yelling )
( Sulley grunting and groaning )
Take that!
( growling )
( gasps in horror )
Welcome to the Himalayas!
( wind gusting )
''Abominable''!
( chuckles )
Can you believe that?
Do I look abominable to you?
Why can't they call me<br>the Adorable Snowman or...
or the Agreeable Snowman,<br>for crying out loud?
I'm a nice guy.
Snow cone?
Yuck.
No, no, no.
Don't worry--<br>it's lemon.
Uh, how about<br>you, big fella?
Snow cone?
Did you see the way she...<br>looked at me?
( sighs )
Ah, poor guy.
I understand.
It ain't easy<br>being banished.
Take my buddy, Bigfoot.
When he was banished
he fashioned an enormous diaper<br>out of poison ivy.
Wore it on his head<br>like a tiara.
Called himself King Itchy.
Ah, it won't be so hard for<br>you guys, though, you know.
I mean, how lucky<br>can you get?
Banished with your<br>best friend.
He is not my friend.
Oh. I just assumed you<br>were buddies, you know
when I saw you out<br>there in the snow
hugging and all that.
Look at that big jerk.
Ruined my life, and for what?
A stupid kid!
Because of you,<br>I am now stuck
in this frozen<br>wasteland!
Wasteland?
I think you mean wonderland!
I mean, how about<br>all this fabulous snow, huh?
Oh, and wait till you see<br>the local village.
Cutest thing in the world.
I haven't even mentioned<br>all the free yak's milk.
What... what did you say?
Yak's milk.
Milking a yak<br>ain't exactly a picnic.
You know, once you pick<br>the hairs out
it's very nutritious.
No, no. Something<br>about a village.
Where?<br>Are there kids in it?
Kids? Sure.
Tough kids, sissy kids,<br>kids who climb on rocks...
Where is it?!
It's at the bottom<br>of the mountain.
Around a three-day hike.
Oh, three days?!
We need to get there now!
( thump )
( ding )
You want to go to the village?
Okay, rule number one<br>out here.
Always...
No.
Never go out in a blizzard.
We need to get to Boo.
( grunts, then gasps )
Boo?!
What about us?
( grunts )
Ever since that kid<br>came in
you've ignored<br>everything I've said
and now look where we are!
Oh, we were about<br>to break the record, Sulley.
We would have had it made!
None of that matters now.
None of it matter...
Wa-wait a second.
None of it matters?
( sighs )
MIKE:<br>Okay.
That's.... no. Good. Great.
So, now the truth<br>comes out, doesn't it?
Oh, would you<br>look at that?
We're out of<br>snow cones, uh...
Let me...just go outside
and make some more.
Sulley, what about everything<br>we ever worked for?
Does that matter?<br>Huh?
And what about Celia?
I am never... never<br>going to see her again.
Doesn't that matter?
( sighs )
What about me?
I'm your pal.
I'm... I'm your best friend.
Don't I matter?
( sighs )
I'm sorry, Mike.
I'm sorry we're stuck out here.
I didn't mean<br>for this to happen.
But Boo's in trouble.
I think there might<br>be a way to save her
if we can just<br>get down to that...
''We''?
Whoa, whoa, whoa. ''We''?
No.
There's no ''we'' this time, pal.
I-if-if you want<br>to go out there
and freeze to death
you be my guest...
because you're on your own.
( wind whistles )
Hey, I got more snow cones!
Ohh!
Ahh!
Ahh!
( yells )
( grunting and groaning )
( wind howling )
( distant child screaming )
( children screaming )
Oh, come on, now, George.
I know you can do this.
I picked out an easy door<br>for you-- in Nepal.
Nice, quiet Nepal.
You know, you're right.
Here, take this.
Go get 'em, Georgie!
Gangway! Look out!<br>Coming through!
Sorry, George.
Hey, you can't just...
( gasps )
23...
( gagging )
( whistling )
Out of the way!
-Hey!<br>-Whoa!
Don't!
( gasps )
( whimpers )
Finally!
I never should have<br>trusted you with this.
Because of you, I had<br>to banish my top scarer!
With this machine,<br>we won't need scarers.
Besides, Sullivan got<br>what he deserved.
Sullivan was twice the scarer<br>you will ever be!
( low growl )
( panting )
( clanging )
( grunting )
( yells with effort )
( mechanical whirring )
( gasps )
Kitty!
( whirring and hissing )
( yelling )
( shrieking )
( roaring )
Kitty!
Sullivan?
( grunting )
Wh-whoa!
Kitty!
Sorry, Boo.
Stop him!
( growls )
Let's get you home.
( panting )
( blow lands )
Ooh!
W ATERNOOSE:<br>Finish him off!
Oh! Ooh! Oh!
( clanging )
( thunk )
You don't know how long
I've wanted to do<br>that, Sullivan.
( grunts )
( chuckles )
( punches landing )
Hah!
Ooh!
( shrieks )
( panting )
Ooh!
Mike?!
Look, it's not that I<br>don't care about the kid.
Mike, you don't<br>understand.
Yes, I do. I was<br>just mad, that's all.
I needed some time to think.
But you shouldn't<br>have left me out there.
( thump )
I'm being attacked!
No, I'm not attacking you.
I'm trying to be honest.
Just hear me out.
You and I are a team.
Nothing is more important<br>than our friendship.
I-I-I know, kid.
He's too sensitive.
( gagging )
( whining cry )
Come on, pal.
If you start crying,<br>I'm going to cry
and I'll never get through this.
I'm sorry<br>I wasn't there for you
but I am now.
Ow!
Sulley, I am baring<br>my soul here.
The least you could do<br>is pay attention!
( yells in pain )
( sighs in relief)
Hey, look at that--<br>it's Randall! It's...
Oh.
Come on!
W ATERNOOSE:<br>Get up!
There can't be<br>any witnesses.
There won't be.
I'm glad you came back, Mike.
Somebody's gotta take care<br>of you, you big hair ball.
( Celia screaming )
( screaming )
Ow!
Schmoopsie-poo,<br>I really can't talk.
Come on!
Michael, if you<br>don't tell me
what's going on right<br>now, we are through!
You hear me? Through!
Here's the truth.
You know the kid that they're<br>looking for-- Sulley let her in.
We tried to<br>send her back
but Waternoose<br>had this secret plot
and now Randall's right behind<br>us and he's trying to kill us!
You expect me to believe that<br>pack of lies, Mike Wazowski?!
Mike Wazowski!
( startled yell )
I love you, Schmoopsie-poo!
RANDALL:<br>Move it! Look out, you...
Oh!
...idiot!
( huffing )
Look out. Coming through,<br>here, coming through!
Make way. Move it!
Hurry up. Hurry up.
There they are!
CELIA: ( over P.A. )<br>Attention, employees:<br>Randall Boggs
has just broken<br>the all-time scare record.
Huh?
No, I didn't.
Get out of my way!
( clamouring )
Go get 'em, Googley Bear!
( Boo shrieks )
There it is!
RANDALL:<br>Get off my tail!
Let me through!
Sulley,<br>what are you doing?
Grab on, Mike!
Are you out of your...?
( screaming )
( whirring )
( Mike whimpering )
MIKE:<br>Sulley, what are we doing?
We have to get Boo's door<br>and fiind a station.
MIKE:<br>What a plan--<br>simple, yet insane!
( growls )
Whoa.
Oh, boy. ( gasps )
Hold on!
( Mike screaming )
( screaming )
( clinking )
Wow!
Don't look down!
( teeth chattering )
( rattling )
( startled gasp )
( screaming )
( shrieking )
I'm gonna be sick.<br>I'm gonna be sick!
Whoa!
( screaming )
Oh, no!
( chugging and clanking )
No!
Aah...
Boo's door?
There it is!
MIKE:<br>How are we supposed<br>to get it now?
Oh, it's a dead<br>end, Sulley!
( gasps )
MIKE:<br>There he is.
Make her laugh.
What, Sulley?!
Just do it!
Oh... ow!
( laughing )
( squealing laughter )
( engines starting )
SULLEY:<br>Get it open.
Here he comes.
Give me that kid!
( birds twittering )
( Boo giggling )
Why couldn't we<br>get banished here?
Come on. We got to<br>fiind another door.
( gasps )
Look, Boo's door!
( grunting )
There he is!
Hurry up, hurry up!
Give me your hand.
( screaming )
( grunts )
Come on, it slides,<br>it slides!
Ooh, right, right, right.
( panting )
( gasps )
Jump!<br>I'm behind you!
Come on!
Hurry up! Keep moving!
Get inside!
Ooh! That was weird.
( grunts )
Mike?
Oh, sorry, buddy.
( stunned mumbling )
( growls )
( electronic whirring )
Oh!
I hope that hurt, lizard boy!
( laughing )
Great job, buddy.<br>We lost him.
( squeals )
Boo!
Ha, ha!
No!
( screaming )
Nice working with you!
Get it open!
-I'm trying!<br>-Open the door!
Come on, get in here!
( Boo crying )
( grunting )
Boo!
( panting )
( panting )
There they are!
Sulley, what are you doing?
Sulley!
( grunts )
( grunts )
( yells )
Looks like we caught<br>the express, pal.
Do you see them?
Straight ahead!
No...
( stifled cry )
( grunting nervously )
Kitty!
Boo!
( yelling )
( whimpering )
RANDALL:<br>Look at everybody's<br>favourite scarer now!
You stupid, pathetic waste!
( thump )
You've been number one<br>for too long, Sullivan.
Now your time is up!
And don't worry.
I'll take good care of the kid.
No!
( yelling )
( Boo grunting<br>~ and Randall gagging )
( Randall groaning )
( gagging )
( roaring angrily )
She's not scared<br>of you any more.
( roars angrily )
Looks like you're out of a job.
( gulps )
All right, come on,<br>over the plate.
Let's see<br>the ol' stuff here, pal.
Come on, now, chuck him,<br>chuck him, baby. Hum, baby.
Hum, baby,<br>here's the pitch.
Wait, please, don't,<br>don't, don't!
No!
And he is...<br>out of here!
( crickets chirping )
BOY:<br>Mama, another gator<br>got in the house.
Another gator?!
Give me that shovel!<br>Come here!
( clanging, yelling )
Get him, Mama!<br>Get that gator!
Care to do the honours,<br>Mikey?
With pleasure.
( thud )
( baby talk )
That's right, Boo.
You did it.
You beat him.
( raspberry )
Come on.
Okay, Boo,<br>it's time to go home.
Take care of yourself,<br>and be a good girl, okay?
( gasps )
Oh, no!
The power's out!
Make her laugh again.
All right, I got a move here.
It'll bring down the house.
Up...
( metallic clang )
( groans softly )
Oh, sorry, she didn't see that.
What?! What'd you do,<br>forget to check
if her stupid hood was up
ya big dope?!
( singsong ):<br>Uncle Mike, try not to yell<br>in front of her.
You know we still need her<br>to laugh.
Right.
( laughs )
Hey, Boo, just kidding. Look!
( gibberish )
Funny, right? Huh?<br>See what the...
These are the jokes, kid.
Whoa!
What's happening?
SULLEY:<br>Hold on!
When the door lands<br>in this station, cut the power.
You'll have the child<br>and the criminals responsible
for this whole mess.
Great.<br>A welcoming committee!
What are we going to do?!
( electrical humming )
( clang )
This is the CDA.
Come out slowly
with the child<br>in plain sight.
Okay, okay.
You got us.
Here we are.
Here's the kid.
I'm cooperating.
But before you take us away,<br>I have one thing to say:
( gags )
Catch!
( all shouting ):<br>2319!
We have a toxic<br>projectile!
Halt! After the suspect!
Cover the area!<br>Bring in reinforcements!
W ATERNOOSE:<br>Stop him!
( Boo squeaks )
Come on.
Don't let them get away.
What...?!
No, wait, wait!
Come back!<br>He has the child!
( frustrated growl )
( Boo squeaks )
Sullivan? Sullivan!
Give me the child!
Me not go!
Give her to me!
( panting )
( grunts )
( metallic creaking )
W ATERNOOSE:<br>Open this door!<br>Open this door!
( growling and pounding )
Hey!
Sullivan!
( yells )
W ATERNOOSE:<br>Don't do it.
( beep )
Come on.
Don't go in that room!
( yelling )
I think we stopped him, Boo.
You're safe now.
You be a good girl, okay?
This has gone<br>far enough, James.
She's home now!<br>Just leave her alone!
I can't do that!
She's seen too much.
You both have.
It doesn't have to be this way.
I have no choice!
Times have changed.
Scaring isn't enough any more.
But kidnapping children?!
I'll kidnap<br>a thousand children
before I let<br>this company die
and I'll silence anyone
who gets in my way!
No!
( child's voice ):<br>Good night, Mom.
( woman's voice ):<br>Good night, sweetheart.
Good night, Mom.
What, wh-what is this?!<br>What? Who? Huh?
COMPUTER:<br>Simulation terminated.<br>Simulation terminated.
Well, I don't know<br>about the rest of you guys
but I spotted<br>several big mistakes.
But-but-but how-how did...?<br>How did...?
MIKE:<br>You know what?
Let's watch my favourite part<br>again... shall we?
( repeating ):<br>I'll kidnap a thousand children<br>before I let this company die.
What...? Wha...?
I'll kidnap<br>a thousand children before...
( baby talk )
Shh, shh, shh, shh!
Shh!
I'll get him.
All right,<br>come with us, sir.
Wh-what are<br>you doing?
Take your<br>hands off me!
You can't arrest me!
I hope you're happy, Sullivan!
You've destroyed this company.<br>Monsters, Incorporated is dead!
Where will everyone<br>get their scream now?!
The energy crisis<br>will only get worse
because of you!
( loud clang )
Stay where you are.
Huh?
Number One<br>wants to talk to you.
Attention!
Hello, boys.
BOTH:<br>Roz?!
Two and a half years<br>of undercover work
were almost wasted
when you intercepted<br>that child, Mr Sullivan.
Of course, without your help,<br>I never would have known
that this went all the way up<br>to Waternoose.
( baby talk )
( gasps )
ROZ:<br>Now...
about the girl...
I just want to<br>send her home.
Very good.
( chiming tones )
Bring me a door shredder.
What, you mean... you mean,<br>I can't see her again?
That's the way it has to be.
I'll give you<br>fiive minutes.
( whirring hum )
Well, so long, kid.
Mike Wazowski!
Yeah.
Ah, Boo,<br>it's been fun.
Go ahead.
Go grow up.
( door creaking )
( squealing in delight )
( laughing )
Uh-uh, B-Boo...?
( speaking baby talk )
Um... Boo?
( speaking baby talk )
Oh, look at that.
Yeah, you know...
Oh, that's cute, yeah.
( baby talk )
Uh, Boo, um...
( squeaking toy )
Well, that's very nice.
( giggling )
Come here, you!
( squeals )
( both laughing )
*SONG* Oh, he's a happy bear... *SONG*
( giggling )
( baby talk )
Nothing's coming<br>out of your closet
to scare you<br>any more, right?
Mm...
Yeah.
Goodbye, Boo.
Kitty.
Kitty has to go.
Boo!
( gasps )
Kitty?
( motor buzzing loudly )
( clicks off)
None of this
ever happened, gentlemen.
And I don't want to see<br>any paperwork on this.
( door closes )
Take him away.
( all murmuring )
I bet we get<br>the rest of the day off.
You idiot!
They're going<br>to shut down the factory!
( all gasp )
I'm telling you, pal,<br>when that wall went up
you should have seen the look<br>on Waternoose's face.
Whoo-hoo! I hope we get<br>a copy of that tape.
Hey, you all right?
Come on, pal,<br>cheer up, we did it!
We got Boo home.
Ah, sure, we put the factory<br>in the toilet, and...
gee, hundreds of people<br>will be out of work now.
Not to mention the angry mob<br>that'll come after us
when there's no more power,<br>but, hey...
at least we had<br>some laughs, right?
Laughs...
( crickets chirping )
( wind blowing softly )
( door quietly creaks open )
( boy gasps )
Hey, is this thing on?<br>Hello?
Hello?<br>Testing, testing.
Hey, good evening.<br>How are you?
How are you?<br>Nice to see you.
I tell you, it's good<br>to be here in... your room.
Where you from?
Never mind.
You're in<br>kindergarten, right?
Oh, I love kindergarten.
Best three years of my life.
Of my life.
But I love sports.
Dodgeball was the best.
Oh, yeah.
I was the fastest one out there.
Course I was the ball.
But I...
was the ball, see?
All right.
( rumbling )
( rumbling gets louder )
( gurgling )
Ah...
( huge burp )
Ah?
( laughing )
Hey, thanks a lot.
I'll be here all week.
Remember to tip your waitresses.
( guffawing )
( rippling gurgle )
( bell dings )
Great job, Mikey.
You fiilled your quota on<br>the fiirst kid of the day.
Not bad, huh?
You know, only somebody<br>with perfect comedic timing
could produce this much energy<br>in one shot.
Uh-huh, and the fact<br>that laughter is
ten times more<br>powerful than scream
had nothing to do with it.
( clears throat )
CELIA:<br>Oh, Googley Bear.
Come here, you.
Schmoopsie-poo!
Googley.
Whoa!
( snakes chittering )
( Mike giggling )
Girls!<br>Girls, put...
Stop, stop, stop!
Michael,<br>you're such a charmer.
Hey, did you bring<br>the magazine?
They just delivered<br>a whole box.
Let me see it!
( laughing )
Sulley and I<br>made the cover, right?
( whispering ):<br>I don't believe it.
( sympathetically ):<br>~Googley Bear...
I'm on the cover<br>of a magazine!
Ow!
( chattering )
( jittering blubbers )
Oh, this is great!
( humming happily )
( child laughing uproariously )
( bell dings )
Oh.
( distant laughter )
( kazoo whirs )
( toy horn toots )
MIKE:<br>Hey, Sulley!
( yells )
Hey, uh, Mike.<br>I was, uh, just...
Well, listen,<br>if you got a minute
there's something<br>I want to show you.
But-but-but...
Okay, close your eyes.
Follow me.<br>Come on.
I-I-I...
No peeking.
Keep coming,<br>keep coming,<br>keep coming.
Come on,<br>keep coming.
Keep coming,<br>keep coming.
Mike...
Follow the sultry<br>sound of my voice.
Okay, stop.
Open them.
Ta-da!
Mike...
is that...?
Sorry it took
so long, pal.
It was a lot of wood<br>to go through.
You know,<br>it only works
if you have<br>every piece.
( whirring hum )
( creaking )
Boo?
BOO:<br>Kitty!
( bouncy blues melody plays )
-Speed.<br>-Marker.
And... action.
SULLEY:<br>*SONG* If I were a rich man *SONG*
*SONG* With a million or two *SONG*
MIKE:<br>*SONG* I'd live in<br>a penthouse *SONG*
*SONG* In a room<br>with a view *SONG*
*SONG* And if I were handsome *SONG*
No way.
It could happen.
*SONG* Those dreams<br>do come true *SONG*
*SONG* I wouldn't have nothing<br>if I didn't have you *SONG*
*SONG* Wouldn't have nothing<br>if I didn't have *SONG*
*SONG* Wouldn't have nothing<br>if I didn't have *SONG*
*SONG* Wouldn't have nothing... *SONG*
( giggling )
DIRECT OR:<br>Okay, cut.
( flushing )
Okay, you fiinished<br>now, right?
Hello?
Hello.
( yells )
( laughs )
( both laugh )
Come on, get lost, you two.
You're making him<br>lose his focus.
Oh, sorry.
See you later, fellas.
Go get 'em, Mr Solomon.
You idiot!
It's Sullivan, not Solomon!
What?
You're messing up the scene!
Sorry.
We're never going to work<br>in Hollywood again!
Let me do it over.
Shut up!
Keep rolling!
You're making it worse!
JERRY:<br>Duck and cover, people!
( squeaking )
Hey, thanks, guys.
That was a close one.
( yelling )
Ta-da!
( all laughing )
Oh, Boo, it's been fun.
Go ahead.
Go throw up.
( Boo giggles )
What?<br>What did I say?
What? What?
Cut.
Hey, Ted!
Good morning!
( unrealistic roaring )
Cut.
Hey, how was that?<br>Was I scary?
Do I get the part?
Thank you.
Can I do it again?
I can be taller!
Next!
And action!
Okay, let's move.<br>Let's move, let's move!
( yelling )
( loud crash )
Ow!
( laughter )
Can we get a little more wax<br>on the floor, please?
Wait a minute.<br>Randall?
That cheater!
He's trying<br>to boost his numbers!
There's something else.
What?!
Look-lay in the bag-bay.
I think you mean<br>''Ook-lay in the ag-bay.''
What? Didn't I...?
Well, you know, maybe<br>you should just take a minute
and ead-ray<br>your ipt-scray.
( chuckles )
You think he's in going<br>to come through the closet
and scare you.
Oh, boy, how do I explain this?
Uh, it's empty.
See?
Guess who.
( laughter )
Action.
Hey, what's the...
( laughing )
( chuckles )
Okay, very funny.
Hey, I look good in a suit.
Marker.
And action.
Let her rip.
Go.
( loud whirring )
Whoa!
Shut it off!<br>Shut it off!
( yelling )
Pull the lever!
( yells )
You're making it worse!
MIKE:<br>*SONG* But I must admit it *SONG*
*SONG* Big guy, you<br>always come through *SONG*
*SONG* I wouldn't have nothing<br>if I didn't have you *SONG*
BOTH:<br>*SONG* You and me together *SONG*
*SONG* That's how it<br>always should be *SONG*
*SONG* One without the other<br>don't mean nothing to me *SONG*
*SONG* Nothing to me... *SONG*
Oh, hey!
We're rehearsing a scene<br>for the upcoming company play
~called Put That Thing Back<br>Where lt Came From
Or So Help Me.
( Mike laughing )
It's a musical!
*SONG* Put that thing back where<br>it came from or so help me *SONG*
*SONG* Bom-bom, bom-bom,<br>bom-bom... *SONG*
*SONG* Get that thing<br>away from me, you guys *SONG*
*SONG* Put that thing back<br>where it came from *SONG*
*SONG* Or I'll poke myself<br>in the eye! *SONG*
It's a work in progress.
It's gonna get better.
Ladies and gentlemen
welcome to this year's<br>company play
starring, written
and directed by Mike...
and produced!
And produced<br>by Mike Wazowski.
Oh.
( applause and cheers )
( piano plays bouncy tune )
*SONG* Put that thing back where<br>it came from, or so help me *SONG*
*SONG* So help me *SONG*
*SONG* So help me get by *SONG*
*SONG* Put that thing back<br>where it came from *SONG*
*SONG* Or so help me *SONG*
*SONG* So help me *SONG*
*SONG* I just gotta cry... *SONG*
Your seat is right<br>over there, sir.
Boo!
*SONG* There's a child,<br>there's a child *SONG*
*SONG* There's a human child *SONG*
Oh, no!
*SONG* Running<br>'round the restaurant *SONG*
*SONG* This is really wild *SONG*
( screaming )
*SONG* What in heaven's name<br>will become of us? *SONG*
*SONG* We who are living<br>in Monstropolis? *SONG*
( tinkling crash )
( piano segues to ballad )
All right, Wazowski.
Tell us where the kid is.
( booing and hissing )
I will never talk!
Never!
*SONG* She's out of our hair *SONG*
( light applause and whistles )
*SONG* And just when I dare...<br>to care *SONG*
*SONG* She says, ''au contraire'' *SONG*
*SONG* You're my pair...<br>of friends *SONG*
*SONG* I love you. *SONG*
( sobbing loudly )
Keep it together, man!
*SONG* And so we put that kid<br>back where she came from *SONG*
*SONG* And she helped us to fiind *SONG*
*SONG* A better tomorrow today! *SONG*
Thank you!
What a night for my mother<br>to be in the audience!
Ladies and gentlemen
my mom!
( whistling loudly )
Thank you, Monstropolis!
BOTH:<br>*SONG* I don't have to say it *SONG*
SULLEY:<br>Ah, say it anyway.
MIKE:<br>*SONG* 'Cause we... *SONG*
*SONG* Both know it's true *SONG*
*SONG* I wouldn't have nothing<br>if I didn't have *SONG*
*SONG* I wouldn't have<br>nothing if I didn't have *SONG*
*SONG* I wouldn't have nothing<br>if I didn't have you *SONG*
*SONG* Wouldn't have nothing<br>if I didn't have you. *SONG*
( music ends )
One more time.
( music begins again )
It worked!
*SONG* I don't have to say it *SONG*
I'm gonna anyway!
*SONG* 'Cause we both<br>know it's true *SONG*
Let's take it<br>home, big guy.
BOTH:<br>*SONG* I wouldn't have nothing<br>if I didn't have *SONG*
*SONG* I wouldn't have<br>nothing if I didn't have *SONG*
*SONG* I wouldn't have nothing<br>if I didn't have you *SONG*
*SONG* You, you *SONG*
*SONG* A, E, I, O... *SONG*
*SONG* That means you, yeah. *SONG*
( music ends )
글
(영화대본) 아이스 에이지 - Ice Age
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
Ice Age
Why not call it the Pecu? Or the Nipia one?
I'm just saying how do we know it's an ice age?
Because of all the ices!
Well , things just got a little peculiar.
Help! Help!
Come on, kids, let's go. The berg is moving.
But, dad. . .
No "but". You can play later.
Okay. Come on, guys.
Sally, where's Eddie?
He said something about being on a verge of a revolutionary breakthrough.
Really?
I'm flying!
Some breakthrough.
Look out! A mammoth is on its way.
Hey, do the world a favour!
Move your issue off the road!
If my trunk was that small , I wouldn't draw attention to myself, pal .
Give me a break.
We've been wandering with our babies.
Go ahead. Follow the crowd.
Be quiet when you're gone.
Come on.
I'm up, I'm up!
Rising sign, everybody.
Zeke? Mashu?
Birdie? Uncle Fungis?
Where is everybody?
Come on, guys. We gonna miss the mi . . .
My patient.
They left without me.
They do this every year!
Why? Doesn't anyone love me?
Isn't there anyone who cares about Sid the Sloth?
All right, I'll just go by myself.
Oh. Stinks!
Hey, wait, buddy! Tell me next time!
I can't believe it. Fresh and green.
Frank, you're cutest ever.
Go ahead, pick it.
A dandelion. I thought the frost wipe them all out.
All but one.
Make me so. . .
This is definitely not been my day. You know what I'm saying, buddy?
What a mess.
Hey, you rhino, you have really nice race, do you know that?
It's just a fact.
You know what I'm talking about.
A dandelion.
Must be the last one of season.
Carlo. Easy, Frankie.
He ruined our salad.
Oh, my mistake. It's my mistake. Let me. . .
No, seriously, let me take care of this.
Oh. What is this?
A Pine Cone!
My goodness, that's my favourite.
Hmm , delicious.
That's a. . .good eating.
Don't let me have it all . Yes, you have some.
Tasty, isn't it?
Gonna have to pick tooth.
Now?
Now.
Please save me. I wanna hit him full speed.
That's okay, Frank. We'll have some fun with him .
Don't let them kill me, please. I wanna live!
Get off me!
Come on, you're making a scene.
We just take off free and go. Do your mind?
Buddy, if not them today, it's just someone else tomorrow.
I rather not be today. Okay?
Gotta break your neck so you don't feel the pain. How's that?
Wait a minute. I thought rhinos are vegetarians.
An active point. Shut up!
Who says we gonna eat him after we kill him?
Come on, move it.
You know, I don't like animals to kill for pleasure.
Sid, for matters that cares.
I'm the matter that cares.
Okay, look. If either of you make it across that sink hole in front of you, you get this one.
That's right, you losers. You take a step and you're dead.
You're bluffing, huh?
Yeah, that was a bluff.
Go!
A dandelion?
We're steady!
W..What?
You have beautiful eyes.
Get off my face.
You and me, we make a great team .
What do you say we just head South together?
Yeah, jump on my back and relax your whole way.
Really? No.
Wait, aren't you going to South?
The changing season, emigrational things?
Is it ringing a bell?
I guess not, pal .
Okay, thanks for the help. I can take it from here.
Hey, you over grown weasel . Wait till we get down there.
The whole South thing is way out. The heat, the crowd.
This great. You and me, two guys knocking about in the wild.
No, you just want a bodyguard so you don't become somebody's side dish.
You're very strut mammoth.
Can you lead the way, Mr. Big Guy?
Manfred.
How about Mandy the moody mammoth or nanny the. . .
Stop following me.
Okay, so you got it. You won't even know I'm here.
I'll just zip the lip when I say. . .
Look at the cute little baby, Diego.
Isn't it nice if he joining us for breakfast?
It wouldn't be breakfast without him .
His daddy wiped our hair for pack.
And rag our skin to keep warm .
And ruin our lives. Don't you think?
Let show that human what happen when he messed with Sabers.
Alert the troops. We attack at dawn.
And Diego, bring me that baby. Alive.
If I'm gonna enjoy my revenge, I want it to be fresh.
I'm wiped out.
That's your shelter?
You're a big guy. You got a lot of woods.
I'm a little guy.
You only got a stick.
Yeah, but with my little stick, and my highly evolved brain. . .
I'll start the fire.
Fascinating.
We'll see if breeze try to blow us tonight.
Now won't we?
Hey, I think I saw its flare.
Any chance I can squeeze in there with you?
Isn't there someone else you can annoy?
Friends? Family? Poison reptiles?
My family is bad. They just kind of migrate without me.
You should see what they did last year.
They woke up early and they tied my hands and feet together.
They buried the cave door, and covered their tracks.
And,, And they made it anyway.
So what about you? You got family?
Okay, you're tired, I see. We'll talk tomorrow morning.
Manfred? Manfred.
Could you move over?
Come on, nobody fall asleep that fast.
Mandy!
That's Diego, fall back!
Where's the baby?
I lost it over the falls. You lost it?
I want that baby, Diego. I'll get it.
You better. Unless you want to serve yourself as the replacement.
We'll go up to half peak. Meet us there.
It'd better be alive.
Can we trust you with that, Diego?
Let's go!
And you pick this year off my shoulders.
If you gonna have a mating partner,
at least pick a female with the same color palette, right?
And I thought, wow, he's gonna go primal , you know what I'm saying?
If you find a mate in life, you should be loyal .
In your case, it's grateful . Get away from me.
Well , I think mate in life is stupid. I mean everybody just sit around. . .
Mandy?
Look at that. He's okay.
She's gone.
Hey, Mandy, are you forgetting something?
No.
But you just saved him .
Yeah, but I'm still trying to get rid of the last thing I saved.
You can't leave him here.
Look, there's smoke.
That's his heir right up the hill . We should return him .
Let's get something straight. There's no "we".
There never was a "we".
In fact, without me, there wouldn't even be a "you"!
Just up the hill .
Listen very carefully. I'm not g-o-i-n-g.
Fine. Be a jerk.
I'll take care of him .
Go. Yeah, that's good.
You take care of him? You can't even take care of yourself.
This I gotta see.
I'll return him . We don't need that Mandy.
You know we do.
You're embarrassing the nature, do you know that?
I'm fine. I'm fine! I'm gonna die.
That thing is mine.
No, actually that thing belongs to us.
Us? You two are barely a couple.
-There is no "us". -I see.
You can have one of your own so you won't adopt.
Look, I'm sorry to interrupt this.
But we gotta go.
The baby, please.
I'm returning to his heir.
Oh, yeah. Nice try, bucktooth.
You're calling me a lair? I didn't say that.
You were thinking it.
I don't like this cat. He reads mind.
Name is Diego, friend.
Manfred. And I'm not your friend.
Fine, Manfred.
If you're looking for its heir, you're wasting your time.
He left this morning.
Thanks for the advice. I beat this.
All right, I'll help you bring it to its heir.
But promise me you'd leave me alone after that.
Okay, deal .
What's your problem? You're my problem .
But I think you're stressed. That's why you eat so much.
It's hard to get fat on a diet.
I'm not fat. It's all this fur. It makes me look puffy.
All right, yeah. Fat hair. But when you're ready to talk, I'm here.
Just drop it on the land.
Shouldn't we make sure they found him? Good idea.
No, no, no! Wait.
Don't spear me!
This is a problem .
Now what?
That's perfect.
I told you they were gone.
Look who it is.
Don't you have some flaw defenseless animals to disembogue?
They couldn't be far. They went this way?
Or this way?
You don't know much about tracking, do you?
I must lost. I see trees, either leaves, that's my tracking.
You didn't miss them by much.
It's still green.
They head north 2 hours ago.
Is it? They head north 2 hours ago.
You don't need this aggravation.
Give me the baby.
I can track human down faster than you can.
And you're just a good citizen helping out, right?
I just know where the human will go.
Find the pass.
Everybody knows they have a settlement on the other side.
Unless you know how to track,
you never gonna reach them before their pass closed up with snow.
Which should be like, tomorrow.
So you can give that baby to me or go get lost in the blizzard.
It's your choice.
Here's your little bundle of joy. We'll return it to the human.
Big bad Tiddy Widdy get cliff. Poor Tiddy Widdy. . .
Sid, Tiddy Widdy is gonna lead the way.
Mandy, can I talk to you for a second?
No.
The sooner we find the human, the sooner I get rid of Mr. Stinky-drew-face.
And the baby too.
You always have that jumbo around to protect you.
And when that day comes, I suggest you watch your back.
Cause I'll be tuning on it.
Human tracker, up front so I can see you.
Help me.
You gotta make him stop. I can't tolerate anymore!
I think this thing didn't complain this much.
Stop shouting at me. You're holding it wrong.
Watch its head! Just put it down.
Its nose is dry.
That means something is wrong with it.
Maybe we should lick it. Just in case.
I'll do it.
You know, the baby stinks.
So if it poops, where does it go?
Humans are disgusting.
Okay, you.
Check for poop.
Why am I the poop checker?
Because returning it is your idea. Because you're small and insignificant
And because I'll pound you if you don't.
What else? Now, Sid!
I mean, my goodness.
All right, look out. Coming through.
Watch out! Stop waving it around!
Oh, I'm gonna slip!
It's clean! Got you!
Would you cut it out!
Hey, do that again. He likes it.
That makes me feel better too.
Turn him towards me.
Where is the baby? There it is!
Where is the baby?
There it is!
Stop it! You're scaring it!
I bet he's hungry.
How about some milk?
I'd love some. Not you, the baby.
I ain't exactly doing it right now, pal .
You alone are the food jamming mouth, aren't you?
Enough!
Food!
Prepare for ice age!
Protect the Dodo valley!
Survivals separate the Dodo off the peak!
Protect the Dodo valley!
Prepare for ice age!
Ice age?
I've heard of these cracks, buddy.
Intruders!
Don't fall in. if you do, you'll physically. . .
Intruders!
Burned and died.
Hey, can we have our melon back?
Junior is hungry and. . .
No way! This is our private stuff for ice age.
Some of us has been looking around for billions billions years.
So you got three melons?
If you weren't smart, and I'll cut it into half and throw on you.
Throw on you.
Get away from me.
No!
Retrieve the melon!
Attack!
The melon!
There goes our last female.
The last melon!
That's it.
Now we gonna find more food.
We got dinner on the shore.
Now the meal will be feeding a hungry sloth.
With who? A vole?
Come on, you wanna fist me?
Bedtime.
The triumph has returned.
Shuffle.
How about a good night kiss for you?
Shh. It's asleep.
I was talking to you.
Fine, I'll tuck myself in.
Good night.
Would you stop that!
All right. All right.
Trying to relax.
All right.
What the. . .
Go ahead. Slice me.
It'll be the last thing you'd ever do.
I'm working here, you wasted fur.
For who, Diego?
Tracking down human is too difficult for you?
What are you two doing here?
Soto's getting tired of waiting.
Yeah. He said, come back with the baby,
or don't come back at all !
I have a message for Soto.
Tell him , I'm bringing the baby.
And tell him , I'm bringing a mammoth.
A mammoth.
Mammoth never travels alone.
This one does. And I'm leading him to half peak.
Look at all that meat.
Let's get him ! Not yet!
We need the whole gang to bring this mammoth down.
Get everyone ready.
Now!
Where is the baby?
You lost it?
Sid!
It's so ugly. But it's adorable.
Hello, pumpkin.
Where did you find it?
The poor kid all alone in the wild.
Sabers gang nailed on it. So I just snatch it.
So brave.
Well , he needed me and I only wish I have with my home.
Really?
I never attracted to a male.
Who wouldn't want a family, I always say.
Well , you know.
Cute kid, huh?
So I was saying, ladies. . .
Hey! Mandy!
What's the matter with you?
Excuse me, ladies.
You just keep aggregating and I'll be right back.
He's not much to look at but it's so hard to find a family guy.
Tell me about it. But the sensitive ones get eaten.
No, please. I beg you, I need him .
Why? A good looking guy like you?
You say that but you don't mean it.
No, seriously, look at you.
Most ladies, they don't stand the chance.
We have a very cool sense of humour.
Don't let me crap this time.
Thanks, man. You're the best.
Without the baby. Mandy, I need him .
So, ladies, where were we?
Carlo? Easy, Frankie.
Pretty tired, huh? Somebody moves like a cheater.
And that tiger.
Yeah, Mr. Great Tracker. Can't even find a sloth.
What am l? Head winder?
What are you looking at?
Look at you. You gonna grow into a big predator, huh?
I don't think so.
What do you got? You got a little. . .
patched fur, no teeth, no claws.
Your foot is skin-wrap in mulish. What so threatening about you?
Hey, am I like pillow a to you?
Okay. All right, wise guy.
You just started time out.
You think that's funny? How about this?
You'll lose snack in an hour.
I'm a little square to give you that.
Thank goodness.
Oh, a tiger! Help! Help!
Where's the baby?
The rhinos are after me. So think about it.
He got me! Help. . .
Get away from me.
This way. Over here.
No, Carlo! The tiger beat us to him .
Wait a minute.
It's dead, all right.
No. Carlo, where's your all upon?
I hate to bend like that. But you know how it is.
All right, thanks. You can put me down now.
Mandy!
Guys, I thought we're in a hurry.
When Diego speaks that out, you're gonna wiped.
Boy. For a second, I actually thought you gonna eat me.
I don't eat junk food.
I thought you're gonna. . . Were you?
Wait up. Wait up!
Can you wait a second, please?
Hey, fellows!
Thanks for waiting.
3, 2, 1 .
Sure is faithful .
Don't make me reach back there. He started it.
I don't care who started it. I'll finish it.
Modern architecture. It'd never last.
Hey, Mandy.
Hey, Diego.
Hey, Sid.
You're lost, aren't you? No, I know exactly where we are.
Ask him direction.
I don't need direction. Fine, I'll ask him .
Hey, buddy. Have you seen any human goes by here?
I love this game.
Okay, three words.
First word, stamp.
Let me try.
Pack. Good word, Mandy.
Long teeth?
Great news
I found a short cut
What do you mean short cut ?
I mean it's faster that the Long way around
I know what a short cut is
Either we slip through there and Beat the past
Or take the long way and miss them
What do you take me for?
This time you can be a free man
Hei guys check this out
The tiger found the short cut
No thanks I chose light
Did I suggest you take The short cut ?
Are you threatening me?
Move sloth
Quick! Inside!
OK! I'll go short cut.
Come on. Guys. Stick together. It's easy to get lost in here.
Fish
I don't want to keep track Of one baby
I got you
Captain.
Tell the kid to be more careful
Look. Look! Tigers!
It's ok
Tigers are just playing with the antilopes
With their teeth
Come on Sede
Somebody painted me
Look! This fat one Just like you
Look he is playing with this kid
See that's your problem
That's what men're supposed to do
Find the shelters, have the babies . . .
Sede What ?
-Shut up -But..
Look at this.
Next stop. Major pass
How could I ever doubted you ?
Did you hear that ?
You are almost home?
I feel a sweat
Do you have to get a new flask Every time your body does something ?
Just ignore him
Seriously, my feet are really hot. . .
Tell me that was your stomach
I am serious about this
From under . . ,
Come on keep up with me
I wonder if you're moving
I wish I'd jump like that
Come on move faster
Mandy are you ok?
Come on say something Anything
What? I can't hear you
You are standing on my trunk
You're ok
Why'd you do that ?
You'd have died trying To save me
That' what you do when I'm hurt
We guard for each other
Well . . .thanks
I don't now you guys
We're the weirdest herd I ever seen
I can't wait to get my Claws on that mammal
No one touches until I get that baby
Knock it off I am starving
I told you to knock it off
Save your energy
Mammals don't go down easy
There is only one way to do it
First you have to force him lnto a corner
Cut off his ribs
Then go for throat
We gotta get this kid out Of the wind
How much further ? 3 miles
what're you doing ?
I'm painting sloth on a map
Why don't you make him look Realistic and make him like down
Make him rounder
I forgot how to laugh
I am a genius
Now you have to refer me as
Sid, Lord of the flame
Lord of the flame, your tail ls on fire
Thank you
From now on I'm gonna call You Diego
You touch me and you are dead
I am just kidding you little Nuthead
Look at this
I don't believe. . .
Come here
Come to uncle Sid
No no this way
go to him
Ok
Good job
Practise
A little guy growing up
Come on sleep tight
You know I never had a friend who'd Risk his life for me
Yeah he is a good guy
Yeah he is
Well , good night
What is your problem ?
Nothing. Let's go. it's freezing my Tail off
Hey Diego you're frozen back there
Get down! What?
Get down and follow me
What's going on?
There is an ambush waiting for you
What do you mean ambush?
You set us up ?
It was my job, I was supposed to Get the baby but. . .
You pull us home for dinner
That's it you're out Of the herd
I am sorry
No you are not . not yet
Listen I can help you
Stay close Sid
We can find our way out
You can't . Pax is too strong
You have to trust me
Trust you ? why in the world Would we trust you ?
Because I am your only chance
Hello ladies.
Look who decided to show up
Diego. I was beginning to Worry about you
No need to worry
In about 2 minutes you'll be Satisfied your taste for revenge
Very Nice!
I see the sloth
He got the baby
Don't give away your position Until you see the mammal
He is the one you have to surprise
You wanna eat something don't just ache
what are you waiting for?
No I said wait for the mammal
Got you!
eat my powder
Sorry fellas you got a little surprise
Get him!
Suprise~
Ok follow me.
we take Sid up here where we can
come on Diego let's bring this mammal down
that's right that's maybe. . .
what are you doing ?
Ieave the mammal alone
I'll take you down first
We did it
We were some team , huh?
We were? Come on. We're still a team
I am sorry I set you up
You know me I am too lazy To hold a bunch
Knock it off
You have to be strong
You have to take care of mammal
Especially Sid
You're a tiger I can carry you
Come On.What do you say?
Come on everything's gonna Be ok
Listen. You have to leave me here
Or the humans get to the pass
You'll never catch them
You didn't have to do that
That's what you do in The herd
Forget about us , ok?
We won't forget about you
Good bye
That's right. Where is the baby ?
Come on Sid
Save your breath Sid
You're Ok?
9 lives baby
You're ok.You're ok.
I'll kiss ya
welcome back partner want a lift ?
no thanks I gotta save whatever dignity I got left
With us now, buddy. Dignity has nothing To do with it
But I'll take that lift
Climb upon
March!
Not march. , either way
글
(영화대본) 기동경찰 패트레이버 - PATLABOR
이 중에서 몇 개만 확실히 외우면 성공입니다. 욕심을 버려야 합니다. 다 얻으려면 다 잃습니다. 자신에게 와닿는 표현들 몇 개만을 집중적으로 물고 늘어지시기 바랍니다. 선택과 집중! 자신에게 와닿는 표현이란? 자신과 궁합이 맞는 표현입니다. 결국 모든 영어를 다 할 수도 없고, 그럴 필요도 없는 겁니다. 자신과 잘 맞는 것만 선택해서 집중적으로 외우시기 바랍니다.
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
PATLABOR - THE MOVIE
OVER TOKYO BAY
The pilot of the Shinohara Heavy Industries' chopper is speaking:
"...and that's the Second Kisarazu Artificial Island. 450,000 square
meters in total area. That and the artificial island off the coast of
Kawasaki are the key points of this project; when it's done, the
project will be in its final stage, and we'll construct a 15 km long dike
to connect both islands to each other, and to Kawasaki and Kisarazu
on the mainland. When the project is complete it will not only
provide a highway that circumvents the metropolis, but it'll use tidal
height differences to drain the water from the area. In ten years it'll
have created 45,000 hectares of new land, enough to eliminate our
land problems for the rest of the century.Tokyo will be an eternal
paradise, like Babillon. Project Babillon, the biggest project of the
century.
With the difficulty of the adjustments facing the involved
sectors, it may not have been completed in this century, but labor
systems made it possible. The basic research had been completed in
the late 80's, but if it hadn't been for the massive demand for the
project it would never have developed this quickly. As a matter of
fact, we have a total of 3600 labors working here, large and small.
That's about 40% of the labors working in the entire country.
A labor is a machine that can do the work of tens of
experienced workers in only a short time, and this ocean project
works through an intensive use of them. An old fairytale is now
coming true. Mind you, we're now getting things like labor-crimes,
which we couldn't have imagined either... Oh, that's your specialty
isn't it?"
(Noa and Asuma are half asleep. Noa wakes up and punches
Asuma)
NOA: !! Boink!
ASUMA: "Wha...?"
PILOT (still talking, oblivious to what's happening behind him): "Oh,
there it is, 5 o'clock. 500 meters in length, 150 meters high. It's the
platform that handles the maintenance of all the labors working on
the project. We call it the Ark"
(NOA and ASUMA lean out the window to look at it)
NOA: "Tell me, why's it called the Ark?"
ASUMA: " How the hell should I know?"
INSIDE the Ark
(Chief Shinobu Nagumo of the 1st unit is testing out a new labor
(type-0). An engineer is in the control booth, talking with her over
the radio)
SHINOBU: "Deactivating systems 1 to 5. Display functioning
normally..."
ENGINEER: " See? It's working perfectly, right?"
SHINOBU: " There seem to be no problems so far."
ENGINEER: "Come on, there won't be any problems! To begin
with, we checked thoroughly before we even brought it in here. Was
it Shige-san, from your place? It's good to be careful, but he's too
careful. Anyway, there haven't been any problems with the ones
that were taken over there, right? The guys from Hachiouji have
been pushing me to get the OK to roll out car #2 and start production
of the others."
SHINOBU: "...I'll start it up with the backup this time..."
ENGINEER: "Oh, wait. Two people from the second unit are here
to pick you up."
SHINOBU: "The second unit?"
(NOA and ASUMA appear at the labor's feet. SHINOBU turns on the
audio system to eavesdrop.)
ASUMA: "Holy... Whaddya think Noa? Wasn't it worth coming
over?"
NOA: "I don't like this kid..."
ASUMA: "What?! You said you wanted to see it, so I made all the
excuses to get here, and then this's your attitude?!"
NOA: "Sorry, it just slipped out..."
SHINOBU: "Okay, let's call it a day."
ENGINEER: "Roger."
(SHINOBU gets out of the Type-0, slides down the pole, and walks
up to NOA and ASUMA)
ASUMA: "Officers Shinohara and Izumi reporting. Here to pick up
Chief Nagumo."
SHINOBU: "Well, that was quick enough. I didn't know you
two were coming."
ASUMA: "We hitched a ride on a civilian chopper that happened to
drop by SV2 (Special Vehicles Police, Unit 2), ma'am. The
maintenance squad's ferry is on the way... but if possible, while we
wait for it, I was wondering..."
SHINOBU: "You're Goto-san's men alright. I don't know how
you sniffed it out, but you can test ride it if you like. Though, officer
Izumi doesn't seem to like it..."
NOA: "Looks like she heard us..."
ASUMA: "That's 'cause you didn't watch what you were saying.
Now she'll have it out for you."
NOA: "But what I said was true. He looks a bit villainous."
ASUMA: "That's a matter of opinion. Once it's officially registered
it'll be called a Type-0, the final version of the Type-98. It's also the
first designed to be run soley by HOS."
NOA: "What's HOS?"
ASUMA: "You don't know a thing about software do you? It's a
sytem program that makes labors run more efficiently."
NOA: "Oh, the OS (Operating System)..."
ASUMA: "HOS is the revolutionary OS that Shinohara released two
months ago. Even when installed in a conventional labor it increases
performance by 30%. Hyper Operating System, HOS. Most labors now
have their mainframes re-written to HOS."
NOA: "But no matter how good the vehicle is, all it come's
down to is the pilot's-"
NOA and ASUMA: "-brains and guts!"
ASUMA: "-Good!"
P.A. SYSTEM "Chief Nagumo of SV2, your ferry has arrived. Please
go to deck A-12."
ASUMA: "WHAT?! It's here already?"
SHINOBU: "Come on, let's go."
(The group is walking down a catwalk in the Ark)
ASUMA: "Wow! Just like the world of giants!"
NOA: "It's all in labor size..."
SHINOBU: "I'm gonna leave you two behind if you don't hurry
up."
(On an elevator. NOA is hopping about, looking around)
ASUMA: "Chief Nagumo, can I ask you a question?"
SHINOBU: "If it's about this place, I doubt I know any more
than you..."
ASUMA: "No, it's about the Type-0... Why is it here?"
SHINOBU: "You know that three of them were issued to the
New York police as an experiment..."
ASUMA: "Yeah. You mean that crazy story about how Kanuka
might become chief of the first labor unit there, right?"
SHINOBU: "Shige-san, who went over there to give technical
assistance, phoned me and asked if we could have it checked inside
and out by someone from SV2. Well, here we have access to
Shinohara's labor facilities, and we're close to the second command
station. It's the perfect place to keep it secret."
ASUMA: "Is there a problem then?"
SHINOBU: "Certainly not. If there was, it would've caused big
trouble already. It's just that it was Shige-san who asked, so I
couldn't ignore it."
BACK in SV2, in the Captain's office.
SHINOBU: "...Extension of the training period? But I had your
word that we'd have everybody back this week!"
FUKUSHIMA: " Yes, but things have changed. The First unit's
training on the Type-0 is being extended for another week."
SHINOBU: "I demand a complete explanation. We're already
overworking the Second Unit, and they have problems to begin with
(Goto makes a face, but Shinobu ignores him). If we have to work
them even harder, there's no telling what kind of disaster we could
have. And I'm sure if we brought back the First Unit now they'd do
just fine."
(Outside, SHINSHI has been eavesdropping on the conversation. He
leaves hastily to report the bad news to the others.)
FUKUSHIMA:" Nagumo-kun. This descision came from the main
department. There's nothing I can do."
SHINOBU: "Then I'll report to the main department myself,
and I will personally ask the Guard Division Chief to return the First
Unit."
FUKUSHIMA:" Wait! Look, this goes against my better judgement,
so try to keep it a secret. In the early morning, the day before
yesterday, the JSDF 7th Sector's prototype heavy labor suddenly ran
away during a wind tunnel test. It escaped from the base, and it
actually took the paratroop labor unit to stop it. They don't know
what caused the prototype to run away, and it was so heavily
damaged that examinations haven't helped. They must've been really
panicked to have trashed it instead of taking it in one piece."
SHINOBU: "But what does that have to do with this?"
FUKUSHIMA:" The labor in question was built by Shinohara Heavy
Industries, and it had the same OS as the Type-0. And I should also
mention, though they're trying to hide this information, that at the
time it ran away the labor was said to be unmanned. You get the
picture, I assume? This could become a real problem. We'll have to
practice self-restraint, as of right now."
In the Second Unit office
(Everybody is depressed by the news, except OHTA, who is lifting
weights)
ASUMA: "What? It's a joke, right? Seriously?...(His head drops)
Darn it. I hope this'll be over soon."
OHTA: "That's a rotten attitude! Until the First Unit comes back,
we're the only ones who can protect this city from criminals!"
ASUMA: "And who's gonna protect our human rights?"
OHTA: "We don't have any!!"
NOA: "Shocking, isn't it Shinshi-san?"
SHINSHI: "Yeah...I've only been home three times this month.
It's a certified marriage crisis."
OHTA: "That's why you shouldn't have gotten married!"
ASUMA: "Stationed in the middle of the reclaimed lands, far away
from your family..."
NOA: "But hey, aren't we getting more dispatches these
days?"
P.A.: "Call from sector 7, 205 at Shimoya, Taitoh Ward!
Second Unit report to the site! Repeat, 205 at Shimoya, Taitoh
Ward..."
ASUMA: "Of course. As soon as you said it. Darn..."
EVERYBODY: "Let's Go!!"
In HANGAR
SAKAKI: "Roll out the trailer! Hurry up with that revolver cannon!
I'll personnally murder any snails, so move it!"
At SHIMOYA
(Residents are fleeing in panic. A squad car is parked in the middle
of the chaos, and an officer is directing the crowds)
OFFICER 1: "A dangerous labor is out of control and moving this
way! Please evacuate the area!"
(A group of people are watching the spectacle from a roof. Another
officer is trying get them to evacuate)
OFFICER 2: "Run!! Didn't you hear me? I said run! Oh, here it
comes!!"
(Crash! The runaway labor steps on the officers' car)
OVERHEAD
(An observation 'copter is relaying the info)
"This is Sakura Fubuki 12 to Chief Goto of SV2, Second Unit. The
target's been Eye-Deed as a Yotsubishi Tyrant 2000, from a
construction site on Kokusai Street. It's moving at 4km an hour and
destroying civilian buildings."
ON THE WAY
(As he hears the report, Goto picks up the radio)
GOTO: "Shinohara, keep going along the river; try to get
ahead of that labor. Car #2, start up immediately and get in pursuit
of the target."
AT THE SITE
(Car #2's carrier parks. The pilot of Ingram#2 is one happy man...)
OHTA: "Roger! Beginning start-up."
SHINSHI: "Ohta-san, remember! Think of the driver's safety
first! You know what I mean!!"
OHTA: "Shut Up! Quick response based on the situation! Believe
in your judgement at the scene!"
"Wouldn't it be better if you just said it out loud? Don't
use the gun."
SHINSHI: "Raise him..."
(He gestures 'get him out of here'. The deck rises, and car #2 steps
off. Cheers.)
(Meanwhile, car #1's carrier is rolling down a street)
ASUMA: "The Yotsuboshi Tyrant is one of those heavy classes. It's
not very fast, but a lot of power is guaranteed. Watch it."
NOA: "I don't like these..."
(Car #2 starts chasing the runaway labor)
OFFICER: "Hey! He went that way! That bastard crushed my squad
car! Make him pay!"
OHTA: "Leave it to me!"
(Crash! He steps on the squad car himself)
OFFICER: "YOU MORON! I HOPE YOU DROP DEAD!"
(Aboard the runaway...)
DRIVER: "Somebody! Help me!"
OHTA: "You! Driving the labor! This is the SV2, Second Unit!
Hang on, I'm here to rescue you!"
DRIVER: "Second Unit? I'm dead!"
OHTA: ">grrrrr< I was being nice to you, just because you're a tax
payer! Well, no more Mr. Nice guy! Bastard!"
(OHTA grabs the labor from behind, but the rear covering gives
way and Ingram #2 falls down.)
OVERHEAD
"This is Sakura Fubuki 12, observing for Chief Goto. 102 is
pummeling the runaway labor in the middle of a residential area. Oh,
now it's kicking... a drop kick now... Can't you do something about
him?"
ASUMA: "Target and car #2 closing in. It's coming Noa!"
(The Tyrant 2000 appears, dragging Ingram #1)
OHTA: "Hey, do something about the driver! This thing's too
strong!"
(NOA rips away the cockpit. Rescue complete.)
ASUMA: "Ohta! Use the stun stick! Hit the S-RAM unit in the left
chest area; you can finish it with one shot!"
(OHTA does so. The Tyrant wiggles a bit, then stops.)
OHTA: "Alright, done! Let's go grab some lunch"
(Suddenly the Tyrant starts up again, pushing Ingram #2)
ASUMA: "WHAT?!"
OHTA: "What on Earth..."
(Ingram #2 is pushed into the canal. OHTA pulls out his gun)
NOA: "Ohta-san, don't!"
GOTO(calmly):" All trailers, prepare to move out."
OHTA: "You just bought the farm!"
(He fires on the labor. One of the shots hits the cooling system, and
super-cooled gasses freeze OHTA solid. The voice of Sakura Fubuki
12 comes over his ice-covered radio:)
"Mission complete. Target has been completely destroyed, damage
to surrounding area extensive."
BACK at the hangar
(The Ingrams are being moved onto the maintenance pad)
SAKAKI: "Give it a careful washing, then dry it!"
"Okay."
SAKAKI: "And where's the twit who dropped the labor into the
river?!"
"He's taking a bath out back."
SAKAKI: "Okay, tell him to report to me when he's done."
"Yes sir."
ABOVE
SHINOBU: "Reactivation? You mean to tell me that a
deactivated labor started up again, without a driver?"
ASUMA: "I couldn't beleive it myself, even though I saw it with
my own eyes. And that idiot filled it with so many holes there's
nothing left to examine."
GOTO: "Could you have made a mistake? You guys are
tired, you've had a lot of dispatches..."
SHINOBU: "What caused the original problem? What did the
driver have to say?"
ASUMA: "The usual sort of thing. It just started-up all of a sudden
during work..."
GOTO: "Sure, of course he said that. After all, he caused
one hell of a mess."
ASUMA: "But don't you think it's kind of unnatural? Until two
months ago nothing like this ever happened. We have 22 cases so
far this month. I wish we could run away. What do we do with this
report?"
GOTO: "What do YOU do? Do you think the brass would
accept this? As far as the police and the manufacturers are
concerned, today's labors are totally incapable of running away;
program malfunctions couldn't cause this kind of accident. We'll just
have to settle for driver error. There won't be any legal action, not
when all they have is the testimony of the driver and a black-listed
labor unit member."
(NOA comes out of the office, munching chips.)
ASUMA: "Noa!"
NOA: "What is it? I"m not giving you any! This is my last
bag!"
ASUMA: "Can you dig out the dispatch records for this month, and
copies of the reports?"
NOA: "What do you want those for?"
ASUMA: "Just do it. (He grabs some chips, ignoring her protests)
Hey Old Man!! Can I use the fridge?!"
SAKAKI: "The computer room?...(He looks at Goto, who gestures
'please') Alright. Go ahead."
ASUMA: "Thank-you!"
SHINOBU: "You're so good at using people."
GOTO: "This isn't any of your business is it? What's it got
to do with the Type-0?"
SHINSHI: "Chief! There's a phonecall for you from Matsui-san
of the Investigation division!"
GOTO: "Fine! I'll take it in my office."
SHINOBU: "What have you started?"
GOTO: "Why, interested?"
(He goes back to his office. After a moment SHINOBU follows. She
sighs)
SOMEWHERE in Tokyo
(Inspector Matsui and his partner Katayama are looking around an
abandoned 'river apartment' near the Sumida river. When he looks
out the window he finds the view blocked by a highrise. A bird cage
is lying about.)
THAT NIGHT
(Noa comes out of the ready-room and yawns. She takes a peek in
the chief's office. Goto is on the phone.)
GOTO (in bad English):" Yes. Shige Shiba from Tokyo Police, Special
Vehicle Second Command. Absent? Oh yeah, Kanuka Clancy. Yes..."
(Noa walks into the fridge)
NOA: "Are you still at it?"
ASUMA: "Is that you Noa? Don't stay in here, you might catch a
cold. Go get some sleep. You never know when you'll get a dispatch."
NOA: "Right... you too, Asuma."
NEXT MORNING
(The maintenance crew are drying their futons and laundry. Noa is
the field behind the barracks, helping Hiromi with his tommato
patch.)
NOA: "Wow!"
HIROMI: "They're smaller than usual. I wasn't able to give them all
the attention they needed."
NOA: "You're good at this, Hiromi-chan. Everyone'll be so
pleased."
HIROMI: "Well then, Izumi-san, please pick some. We aren't
sending them to market, so just take the red, ripe ones."
NOA: "Sure... By the way, where's Asuma? I thought he
said he'd help, too."
HIROMI: "He said he was on his way to the chief's office. Looked
like he'd pulled an all-nighter; it may have something to do with
that..."
NOA: "Hmmm. Hey, why don't we go share these with the
chief?"
(She picks one.)
THE CHIEF'S OFFICE
(Asuma is reporting his conclusion from last nights research to
Goto, Shinobu, and Sakaki.)
ASUMA: "Taking into consideration each labor's manufacturer,
condition, and the background of each driver, I've found only one
common factor among the runaways. All of them, regardless of
manufacturer, have a Shinohara HOS mainframe."
SHINOBU: "But 80% of registered labors carry HOS..."
ASUMA: "Maybe, but it was in 100% of the runaways. And another
thing; the increase in runaway cases began two months ago,
coinciding with the date HOS was released. It can't be a coincidence -
HOS has some fatal defect. I think we should submit this data to the
department chiefs, and press Shinohara to reveal the HOS program!"
GOTO: "Hmmm."
ASUMA: "Chief?!"
GOTO: "HOS is a revolutionary OS, and it has monopolized
the field. If there should be any defect it would ruin Shinohara.
Besides, the officials who approve labor OSs aren't total fools either.
If there was any defect in HOS it should have been detected during
de-bug."
ASUMA: "But...!"
GOTO: "Listen. Let's say there is some relationship
between the runaways and HOS, as you said. But what if HOS isn't
defective?"
ASUMA: "Wha...?"
GOTO: "I mean, what if the runaways aren't due to some
bug, but due to something intentionally programmed?"
ASUMA: "!!!"
(Goto takes out a report and hands it to Shinobu)
GOTO: "Would you read this for us? This's the first report
from Matsui-san."
SHINOBU: "Report on Eiichi Hoba..."
ASUMA: "Hoba?... You mean Eiichi Hoba, the programmer?"
GOTO: "Eiichi Hoba, the ace of Shinohara's software
development division. He's the genius programmer who single-
handedly developed HOS. Or rather, he was..."
SHINOBU: "Estimated age: 30. Returned from MIT in '97, and
was immediately hired by Shinohara Heavy Industries. Registered
address unknown. Profile unknown. Criminal record unknown.
Height: approximately 170cm. Physical character, including major
illnrss unknown... What is this?"
GOTO: "Not only Shinohara's personnel computer, but
school, city hall - all of his personal records have been erased. He's
far beyond simple suspiscion..."
ASUMA: "Then it's a piece of cake. Just bust him and bring him in
for questioning."
GOTO: "We can't"
ASUMA: "Can't? Why?"
GOTO: "Five days ago he was sent to the Shinohara line at
the Ark, and jumped into the sea. His body was never found. We
certainly started a bit late on this. Just when we started sniffing
around HOS... If we'd only done something earlier... Dammit. Oh well.
Bug, program, either way it looks like HOS is the culprit. Now we
have to figure out the big picture, and how Hoba fits in. We'll leave
the investigation of Hoba to Matsui-san, and... why are you making a
face, Shinohara?"
ASUMA: "Then you knew it was HOS all along. Boy, do I look like a
fool, working all night..."
GOTO: "If nothing turns up, you WILL. We still don't know
what triggers the runaway. I want you to continue with your
analysis - assuming of course you still want to?"
ASUMA: "YES!!!"
GOTO: "Oh, and this matter should just be between those
of us in this room."
ASUMA: "Why's that?"
GOTO: "Don't you remember? Following last month's
orders from on high, Shige-san rewrote the Type 98's OS to HOS."
ASUMA: "!!!"
GOTO: "If there's a relation between HOS and the
runaways, then the 98s are also carrying that risk. Despite that, if
there's a dispatch order, we have to go. Revealing this information
would only serve to worry the men."
SAKAKI: "I'm going over to Hachiouji."
GOTO: "Old Man..."
SAKAKI: "I got things I wanna check. I'm not gonna interfere with
your investigation."
ASUMA: "I'd like to go too, Chief! Please, can I?"
GOTO: "I probably don't have to tell you this, but..."
ASUMA: "I'll restrain myself!!!"
(Asuma is puzzled to find a tomato lying in front of the office)
SAKAKI: "Whattaya doing? Move it!"
IN GOTO'S OFFICE
(watching Sakaki's car leave)
SHINOBU: "Are you sure about this?"
GOTO: "They'll be back by tonight. If we get a dispatch
order I'll take over the command car."
SHINOBU: "something I don't get"
GOTO: "It's so ironic. The father is the president of a major
labor manufacturer, and the son is in the police labor unit. On top of
that they're constantly opposed, like cats and dogs. But it's up to
Shinohara to make the decision. I don't like forcing people to make
decisions, or ordering them to do so..."
HACHIOUJI FACTORY
(JITSUYAMA and SAKAKI stand on a catwalk, overlooking the labor
production line)
JITSUYAMA: "Now that production for project Babillon is done
for awhile, we're concentrating on export. We just recently increased
production on this line by 30%."
SAKAKI: "I see."
JITSUYAMA: "You know, even though I see this view every day,
I still feel like I'm dreaming. Fifty years since Mr. Shinohara and I
started a small parts factory for the US occupational force. Then we
grew from vehicle parts to machine manufacturing. We started on
industrial robot development the year Asuma-san was born. And
now the monsters called labors are flowing down the line. But I'm
lost... I studied a lot, but fifth generation computer or system
engineering - I just can't handle them. As a mechanic... I really feel
lonely..."
SAKAKI: "I'm just about the same. Everybody was constantly
kicking me upstairs as a 'Vehicle God' or something, but when it
comes to software I'm basically a beginner... There's no way I can
compete with Shige or any of the younger guys..."
JITSUYAMA: "But Sakaki-san is..."
SAKAKI: "There's no point in fossil engineers sitting around
comforting each other. No matter how technology develops, there's
one thing that holds true. As long as the human side - those who
make the machines, those who maintain the machines, and those who
handle the machines, don't do anything bad, the machines won't play
foul. But Jitsuyama-san, I didn't come here as the SV2 maintenance
squad leader, to meet the manager of Shinohara Industries' Hachiouji
factory. I came to speak openly, as two mechanics who have spent
more time with machines than with their wives. Your company's HOS,
is it safe?"
JITSUYAMA: "That sure wasn't what I expected you to say... This
company's future depends on HOS. It's been well received
everywhere. As a matter of fact, Project Babillon's construction time
has been reduced by 30%."
SAKAKI: "That's not what I'm asking. How is it?"
JITSUYAMA: "It's safe. You have my guarantee."
THE FACTORY DATA ROOM
ASUMA: "Okay, got the copy finished."
(As he puts back a disk, he finds something very interesting...)
"The master copy of HOS..."
(He dumps the disk in the drive. HOS starts up.)
"Attach to CD-01"
"Enter author password"
(Asuma thinks for a bit, then enters the programmer's name)
"E...H...O...B...A......Ehoba? (Jehovah)"
(The monitor displays a passage from the Old Testament King
James Version)
"Therefore is the name of it called Babel; because the
LORD did there confound the language of all the earth; and from
thence did the LORD scatter them abroad upon the face of all the
earth." (Genesis 11-9)
(Asuma doesn't get it. Suddenly the printer behind him starts
printing out a single word- 'Babel'. Then all the monitors begin to
display the same thing.)
FACTORY CONTROL ROOM
(An operator is talking to Jitsuyama over a radio. The abnormality
is spreading all over the factory.)
OP: "It's spreading steadily! No, I don't know the exact rate!
What? We can't do that!"
JITSUYAMA: "Just do it! Shut down the main computer! Did you
forget we're connected to the computers at other factories, too?!
(Sakaki looks up and sees Asuma stumbling quickly along an upper
catwalk)
SAKAKI: "!!!...That little twit!"
OUTSIDE THE FACTORY
(Sakaki's car speeds away)
ASUMA: "Damn! Did that surprise me or what?"
SAKAKI: "Did you leave anything behind that they could trace to
you?"
ASUMA: "No way. But the only people who know the lock
combination to the room are me and Jitsuyama, so they'll figure it
out sooner or later."
SAKAKI: "Guess we can't go back there for a while..."
ASUMA: "But we did get the data we needed. If something that
risky is in the master copy, then even Shinohara Industries hasn't
broken the protection on HOS. We have eight thousand labors lurking
around Tokyo with a suspicious OS, and God only knows what's in it."
SAKAKI: "It's bad news alright, and sooner or later some of the
sharper folks'll start to notice. Eventually the little lady (Noa) will
find out too. We'd better deal with this quickly."
SOMEWHERE IN TOKYO
(Matsui and Katayama are still on the trail of Ehoba. They walk
through sections of town ignored by time, and through fields of junk.
They enter another battered room. Matsui opens a window and
notices a high rise...)
MATSUI: "We can see that again..."
KAT: "Oh? We saw it from every room... but that's pretty
common in today's Tokyo... must be a coincidence. I still don't get this
Hoba guy. I mean labor related jobs have really high salaries, right?
So why did he choose all these battered apartments; 26 of them in
three years?"
MATSUI: "Don't you think it might be the best way to keep from
being traced, especially in this town? Buildings about to be
demolished to make way for redevelopment are just as good as
battered ones. No neighbors to be interrogated."
KAT: "If he was that cautious, then why'd he leave
behind a change-of-address at city hall? And this after breaking into
the files and not only erasing his personal data at work, but at his
school over-seas.
MATSUI: "As if he were showing off, eh?"
(A construction worker peeks into the room)
WORKER: "Hey, Officers. You through yet?"
KAT: "Oh, thank-you. Sorry about that."
(A labor starts demolishing the house. Matsui sits on what was
once part of a public bath. Katayama comes back with a soft drink.)
MATSUI: "Maybe he wanted to show us something."
KAT: "Show us what? What for?"
MATSUI: "To find that out, I guess I'll have to follow our man
Hoba's trail."
KAT: "Matsui-san, are you sure we can screw around like
this?"
MATSUI: "The chief won't say anything for a while. That's the way
things always work."
KAT: "That's what I don't understand! Us, in the Crime
Investigation Division, working at the request of the Guard Division!
That man, Goto, what is he?"
MATSUI: "'Razor' Goto. He's notorious at headquarters."
KAT: "Then how come he's stuck out in the middle of the
reclaimed land?"
MATSUI: "Cause he was too sharp. Let's go."
KAT: "Wait!"
IN THE FRIDGE
(Asuma is still at it. Goto is looking at the update)
ASUMA: "This shows the geographical distribution of the
runaways."
(the occurrences are distributed into three areas)
GOTO: "They're pretty concentrated alright. Riverside
Redevelopment, Shinjuku Subdowntown Development, Ariake Harbor
City... But Shinohara, aren't they the areas that have the greatest
concentrations of labors to begin with?"
ASUMA: "I thought so too. This is the distribution of labors in
Tokyo."
(More labor concentrations appear)
GOTO: "I see. Interesting."
ASUMA: "There are other areas of concentration, but the incidents
only occurred in these limited areas."
GOTO: "So there's something in those areas that triggers
the runaways. But what is it?"
ASUMA: "I've been inputting anything and everything that comes
to mind, and searching for a comman factor, but...the conditions are
so vague... It's just no good... I wish Shige-san was here..."
GOTO: "Shinohara, why don't you take a break? You didn't
get any sleep again last night, did you?"
ASUMA: "I can't. We don't know when our own Type 98s might
start doing something..."
GOTO: "Look, just go out and get some fresh air!"
AT THE HANGAR
(Maintenance crews are watching TV, eating their midnight snack.)
ANNOUNCER:" Yesterday's dream is today's hope, and tomorrow's
reality. Making a step towards the realization of a fulfilled tomorrow,
is Project Babillon. A challenge to the 21st century!"
(Noa enters with a basket full of tomatoes)
NOA: "Sorry to keep you waiting!"
MAINT.CREW:" ALL RIGHT!!!!"
NOA: "One each!"
(They storm the basket. Asuma enters, yawning.)
"Hey, Asuma. Why don't you have one?"
ASUMA: "Oh. A tomato?"
NOA: "Come on. You look like you need the most
vitamins."
ASUMA: "Why couldn't you get something more gutsy...!"
(Asuma stares at the tomato)
NOA: "What's wrong? I washed them."
ASUMA: "Noa... did you..."
(He grabs Noa's hand)
"Come with me!"
NOA: "What is it?"
ASUMA: "Just come! Say I've got a date with you!"
(He takes her away, while the crew looks on)
NOA: "What the hell's this about? You can just DROP
DEAD! ASSHOLE!"
ON NOA'S SCOOTER
NOA: "Did you actually get permission to leave?"
ASUMA: "The chief said get some fresh air! That's close enough,
right?"
NOA: "But we're both still in uniform, riding double on a
scooter, without helmets... and I still think it's too risky. Someone
might see us together."
ASUMA: "Don't worry about it! I already checked the patrol
schedules for the squad cars."
NOA: "I'm not talking about that!"
ASUMA: "What?"
NOA: "I said I'm not talking about that!"
ASUMA: "Then what are you talking about?"
NOA: "...dammit! Just let it go!"
ASUMA: "Okay!"
AT "GEGE", A RESTAURANT
"Thank-you for waiting. 20 inch slop pizza, ethnic style."
NOA: "Are you sure about this? Looks like we're
attracting attention..."
ASUMA: "Relax. Just act natural and there won't be any problem."
NOA: "Right. Cheers! But really, why'd you suddenly
decide to treat me?"
ASUMA: "Well..."
NOA: "I see..."
ASUMA: "By the way, Noa..."
NOA: "Yes?"
ASUMA: "How's Alphonse been doing lately?"
NOA: "He's doing great, of course.... Why do you ask?"
ASUMA: "Just wanted to know..."
NOA: "Alphonse is always doing great... Sakaki-san and
everyone in the maintenance squad take good care of him...(Her voice
starts to get shaky) He's been a good boy to me, and...and he's doing
just great! He's not gonna run away!"
(She starts to cry)
ASUMA: "You did hear us, after all..."
(He hands her a napkin. She blows her nose)
NOA: "Tell me- Alphonse won't run away, right?"
ASUMA: "I don't know. I still don't know what triggers the
runaway...The only man who did know is dead, and we haven't yet
figured it out."
NOA: "Then we can just rewrite the OS! If HOS isn't online
anymore..."
ASUMA: "Rewriting the OS would have to be done at the
manufaturer, and to do that we'd have to fill out the proper
paperwork. Unless we come up with some proof of what causes the
runaways, the top brass'll never approve it."
NOA: "But if we leave them like this and Alphonse runs
away, then... he'll be destroyed, right? Like the labors me and Ohta-
san destroyed..."
ASUMA: "Noa, just give me a little more time. I'll find the
solution."
NOA: "Forward and backup are two-in-one."
ASUMA: "The pilot shall follow the order of command."
NOA: "Come on..."
ASUMA: "Let's eat. It's gonna get cold."
NOA(looking outside): "Look, just like Alphonse."
ASUMA: "?"
NOA: "Alphonse I, the dog I had when I was little."
ASUMA: "Oh? Then the present one is the second?"
NOA: "Nope; number 3. The second was a cat."
ASUMA: "Hunh? What's he doing?"
NOA: "He must've heard something. Dogs can hear some
sounds that humans can't. The wind must be whistling somewhere..."
ASUMA: "Wind whistling..."
NOA: "What's wrong? You look funny..."
ASUMA: "Wind... sound... sounds inaudible to humans..."
AFTERWARDS
(Asuma is on Noa's scooter)
ASUMA: "Noa, I've got to borrow this! There's something I have to
check out, fast!"
NOA: "Borrow? Then how am supposed to get back?"
ASUMA: "And when you get back, tell the the chief to wait for my
phonecall! See ya!"
NOA: "Wait! Damn you Asuma! I HATE YOU!"
AT JITSUYAMA'S HOME
ASUMA: "I couldn't get hold of my old man. The main office
wouldn't tell me anything, and when I phoned home they said he
hasn't been back for a while."
JITSUYAMA: "He's a busy man. Sorry the place is a mess; my
daughter and her children came over."
ASUMA: "Oh. Your grandchildren?"
JITSUYAMA: "I guess beer is out if you're still on duty... I'll make
you some coffee."
ASUMA: "Before you do that, I want to know what sound
frequency triggers the labor runaways."
JITSUYAMA: "....................."
(Asuma takes out a pen cap and blows across it. It whistles.)
ASUMA: "The Sumitomo Building at Shinjuku Subdowntown. The
Twin Building at Riverside Park 21. Both of them are high rises with
a blow-through structure that acts like a giant whistle when the
wind blows. The Ariake harp bridge that connects Daiba and Chiba -
its wire should vibrate, also making a whistle... Inaudible sounds to
humans, but quite audible to a labor's sensitive receptors. That's
what triggered all these recent runaways. Labor work places are
concentrated in areas of the city or in construction sites where such
sounds are easily produced. Hoba was quite a genius, choosing low
frequency sounds to trigger the runaway.
"It's no coincidence that he joined Shinohara, which was behind
in the field. My old man was trying to go up against the major
corporations, and if possible monopolize the market, so he was easily
hooked by HOS - the bait. As he wanted, labor OS is now dominated
by HOS, and that's what's gonna kill Shinohara Industries. That's why
I can't get ahold of him, because he's realized what HOS is and he's
running all over town, right?"
JITSUYAMA: "Asuma-san... If that's made public now... Shinohara
will be..."
ASUMA: "Jitchan, if it isn't me, it'll be somebody else; sooner or
later somebody'll reach the same conclusions. I wan't you to make an
announcement about the matter. You don't want to turn labors into
villains, do you?"
NEXT MORNING, AT THE GATE TO SV2
(Asuma got a lift back. The scooter is out of gas, so he's pushing it
back to the barracks. He yawns. Noa runs towards him.)
NOA: "Asuma!"
ASUMA: "I'm back!"
NOA: "Asuma!"
ASUMA: "Rejoice Noa! Your noble sacrifice has been rewarded!"
NOA: "Asuma! Asuma!"
(Noa looks concerned)
ASUMA: "?"
THE CAPTAIN'S OFFICE
FUKUSHIMA: "Officer Asuma Shinohara. You're being suspended for
two weeks. I assume you know the reasons."
ASUMA: "No, I don't!"
FUKUSHIMA: "Alright, then I'll spell it out for you: Leaving the base
without permission while on standby. Nearly using blackmail to illicit
testimony, by invading an ordinary citizen's home. Unauthorized use
of a private computer. Riding double with a colleague, and without a
helmet. Drinking and driving, as well as other various traffic
violations. And more to come! Under normal circumstances you
would be put to a disciplinary comittee for such intolerable violations
of the regulations. But this is not the time, and since Chief Goto so
strongly petitioned your case, we'll quietly settle the matter like this.
You should be grateful to him, since he's willing to sacrifice himself
to save his men.
ASUMA: "I have a question! What's happened to the Shinohara
Heavy Industries case?"
FUKUSHIMA: "That isn't really any of your concern, but if we just
left it at that you'd be a wreck. Generally this is not something an
officer would have anything to do with. Late last night, the president
of Shinohara Industries himself filed a report to the Ministry of
International Trade and Industry, stating that HOS has a major flaw.
Taking the matter quite seriously, the cabinet held an emergency
meeting early this morning. They accepted Shinohara's case and
settled on rewriting HOS back to conventional OS. To prevent any
unnecessary panic this process will be carried out and described as a
rewrite to a new version of HOS, free of charge."
ASUMA: "You're kidding! What about Shinohara Industries'
responsibility! I'm being punished, and he's getting away! Isn't it
more fair to punish both sides in a fight?!"
FUKUSHIMA: "WHAT THE HELL DO YOU THINK THE POLICE ARE
FOR?! POLICE INVESTIGATIONS ARE NOT MEANT TO SUPPORT
FAMILY FEUDS!!!"
ASUMA: "Well, how about that. You guys knew the truth and you
were dealing under the table the whole time!"
FUKUSHIMA: "Well, having someone in the Guard division, who
doesn't even have the authority to investigate, snooping around
without the permission of his superior, is IMPERMISSABLE!!"
AFTERWARDS, ON THE VERANDA
GOTO: "He must have figured that it's better to have
admitted the fault himself than to have it pointed out by someone
else. The government's more concerned about the public turning
against labors than about Shinohara's responsibility...Project Babillon
is involved, and if that sinks, so will they. So they stay silent about
Shinohara, they keep it quiet and cover it up... That's about it; don't
get depressed, you did a great job... We may have all had the data,
but you reached the conclusion by yourself. Though that last move
wasn't so good."
ASUMA: "But how did the captain find out about the scooter ride?"
GOTO: "Oh, that? I forced Izumi to spit it out, and then I
informed him."
ASUMA: ".... CHIEF?!"
GOTO: "You're tired aren't you? Well, now you can stop
working and concentrate on the investigation."
ASUMA: "Investigation... Are you still thinking of continuing that?"
GOTO: "You're so fatalistic for your age. Even Shinohara
itself doesn't have a complete grasp on the matter. If the solution
was as simple as a rewrite, Hoba wouldn't have killed himself so
early on. Don't you agree?"
ASUMA: "Then... you still beleive in the 'Hoba's intentional crime'
hypothesis."
GOTO: "What do you think, Shinohara?"
ASUMA: "I think so too..."
(Sakaki comes up)
SAKAKI: "Asuma! He's back!"
THE SECOND UNIT OFFICE
(Asuma runs in)
ASUMA: "SHIGE-SAAAAAN!!!"
SHIGE(In bad English again): "HELLO!"
ASUMA: "...What's that costume?..."
SHIGE: "I could ask you the same thing. What're you doing in
street clothes?"
ASUMA: "Well, this and that happened and I got suspended for
two weeks."
OHTA: "If you'd talked to us beforehand that may not have
happened. It's the price you pay for not thinking about teamwork."
ASUMA: "Oh? Which button do I have to push to make you say
'teamwork'?"
OHTA: "WHAT?!"
SHIGE: "Please, calm down, both of you... try to honor my safe
return..."
NOA: "Oh, Shige-san, please fill out the form for program
re-writing."
SHIGE: "?"
ASUMA: "Right! Sorry to put you to work as soon you get back, but
could you?"
SHIGE: "Do a rewrite?"
NOA: "Yeah!"
SHIGE: "For the 98?"
ASUMA: "Of the OS!"
SHIGE: "?"
ASUMA: "What's the problem?! We can't have HOS aboard! It's the
reason I was killing myself working... and got suspended..."
SHIGE: "I never did the rewrite to HOS."
ASUMA: "What?! But we got the order from headquarters..."
SHIGE: "So, I just pretended to rewrite. I threw in a dummy
activation display and sent back the diskette. Inside is the same old
OS. But you didn't have any problems, did you? Well. I sure was glad
when I got the news over there that HOS was a chancy thing. But it's
all thanks to Sakaki's training. Even if it was good, I didn't feel like
putting in some suspicious new HOS. If anything happened I'd take
full responsibility; so off I went, secret in my heart. Well, it sure was
a success! Right? But nobody ever heard about this?... Funny... I told
Goto-san when he called me international long-distance..."
NOA: "You told the Chief?"
SHINSHI: "In other words, he knew that if he didn't tell you,
Asuma-san, you'd work hard enough to kill yourself...He's at it
again..."
ASUMA: "Now I know how Noa was feeling earlier...He's been
playing me like a puppet... That middle-aged weasel..."
NOA: "Poor Asuma..."
ASUMA: "A CURSE ON HIMMMMMMM!!!!!!!!!!!!!!!!!!!!"
SOMEWHERE IN TOKYO AGAIN
(Matsui and Katayama have found Hoba's home. Matsui comes
across a tambourine...)
"1-3 Eiichi Hoba"
(Katayama notices a 1999 calender, which must've been put there
recently)
KAT: "Matsui-san!"
MATSUI: "Hey!"
(They flip the calendar, and find a scribble on the wall behind it)
KAT: "It's in English...'He bound the heavens also..."
(Voices continue as the camera switches to the backyard of SV2,
where the maintenance crews are fishing. Goto and Matsui are there)
GOTO: "...and came down: and darkness was under his feet
(Psalms 18-9)... It's one of the psalms in the Old Testament. It
must've been written there by Hoba himself. But I still can't beleive
you found the house where he was born."
MATSUI: "It was nothing, really. All I did was trace the adress
changes and that was where I ended up. But that's it, I can't go any
further...dead end. That area of town was deserted during the 80s,
when there was that sharp increase in land prices. After the National
Land Act it was forgotten.
But how strange this city is... As I traced his path I started to feel
as though time were leaving me behind... What you think of as a
familiar sight starts to rot away here and there; you look away for a
moment and when you turn back it's gone. Gone before you even
know what it meant. In this town, the past is a worthless thing..."
GOTO: "Look at it this way. The place where we're talking
now was sea until a little while ago. And in a few years there'll be a
huge city in front of us. And then, someday, that will become the
worthless past. It's like a continual bad joke. That's probably what
Hoba was trying to say... 'Where do we go? What are we?'"
MATSUI: "What's that?"
GOTO: "An inscription. It was left on a wall by a Viking
captain in ancient Europe."
MAINT.CREW:"You bozo! Snap it harder!"
MATSUI: "Then..."
GOTO: "Sorry I asked you to work on such a selfish
endeavor..."
(They stare at each other for a moment)
"Before you go...what's your opinion?"
MATSUI: "He's it, Goto-san, definately it. But if he's a goner, then I
guess there's not much more an inspector can do..."
GOTO: "I owe you for this one. I'll make it up to you some
day..."
(Katayama has been waiting for his partner and looking at the
strange environment of SV2)
KAT: "A Tomato patch, a chicken house, and the
maintenance crew are all out fishing... do they really call themselves
police?"
MATSUI: "Not police; more like defenders of justice."
GOTO'S OFFICE
(Goto is talking to Shinobu, who is changing from her uniform into
street clothes.)
GOTO: "Tell me, do you think I'm still overanalyzing?"
SHINOBU: "What? I can't say really, but I am grateful that the
defect was found before we actually got the Type 0."
GOTO: "I asked Kanuka to do research on Hoba's stay at
MIT. While he was there he was called Jehovah."
SHINOBU: "Jehovah? That's what they call God in the Old
Testament. It sounds alot like his real name, and he was probably
smart enough to earn it."
(Goto's speech is voiced over a variety of shots)
GOTO: "Well, actually there's a follow-up story to that. The
proper pronunciation is 'Yah-weh' or 'Yah-ha-weh'. 'Je-ho-va' is an
incorrect one that spread by accident. When he found that out he
was insanely happy. You know, Shinobu-san, I'm starting to feel I
understand the way this Hoba guy thinks. Looking at those high-
rises, day after day, wondering what kind of crime to commit. (from
King James Version) "And the Lord came down to see the city and
the tower, which the children of men builded." (Genesis 11-5)
"Therefore is the name of it called Babel; because the LORD did there
confound the language of all the earth; and from thence did the LORD
scatter them abroad upon the face of all the earth." (Genesis 11-9)
SHINOBU: "Well, it could be coincidence..."
(she comes out of the changing space)
GOTO: "Do you think it's a coincidence that he chose the
Ark as the place to kill himself? If this plan centers on a code based
on the bible, there's no way he's going to pass over a target like
Project Babillon. There's more to come. These are clues left by Hoba
himself. Another example. All 23 of the places Hoba lived overlap
with the three labor runaway zones that Asuma pointed out. Matsui-
san was really puzzled. He said it was as though Hoba was asking us
to solve the mystery."
SHINOBU: "A challenge?"
GOTO: "He's not that sort of romantic. He wasn't going up
against the police at all. He had great confidence in his program, or
else he wouldn't have died before seeing the result. When he jumped
off he was probably laughing at us, no, everybody who lives in this
city..."
SHINOBU: "You know, you look so happy when you talk about
Hoba."
GOTO: "Oh, that's dangerous... Really?"
(He takes out a hand mirror to check)
SHINOBU: ">sigh< Anyway, if it's that big a plot, are you sure
those two can handle it?"
GOTO: "I think they'll be okay..."
SHIGE'S PLACE (a suite above a grocery store)
ASUMA: ">yawn<...I'm sleepy... and hungry..."
SHIGE: "Okay, input's complete... Here we go..."
ASUMA: "Okay ... what's the parameter for the simulation
program?"
SHIGE: "Well, if 10.21Hz is the right number, then this is corect..."
ASUMA: "That's all the damage there'd be? ... I feel like I'm
dealing blind. Darn it... I don't get it... I know it couldn't end with this
little... What data could be missing?"
SHIGE: "That inaccessible file in HOS... If that could be taken
apart we could prove Goto-san's theory about Hoba's crime. Then we
could spend more resources and personnel..."
ASUMA: "Then it's a Trojan Horse program?"
SHIGE: "Probably... That rewrite must've worsened the
contamination, spread it even further... Such a stupid dicision..."
LANDLADY (Shouting from downstairs): "Shige-san! You have a
guest!"
NOA: "I've brought provisions! How was the simulation?"
ASUMA: "It just proved how powerless we are..."
NOA: "That's it? Here, I got a newspaper"
SHIGE: "Thanks. Let's how our international affairs are doing..."
ASUMA: "Compared to 'God' I feel like a computer-loving little
kid... Noa, couls you get me a coffee?"
SHIGE: "Oooooo, sounds good. I only have instant; sorry."
NOA: "Sure thing."
(The kettle whistles, vibrating a glass case. Noa turns off the gas,
and it stops)
ASUMA: "!!!!! Noa, turn on the gas again!"
NOA: "?"
ASUMA: "Just do it!"
NOA: "What's this all about?"
(She turns on the gas again, and agin the glass vibrates)
SHIGE: "So what?...."
(Asuma dashes to the window, looking at two high-rises and some
power lines. He comes back to the computer and starts inputting
additional data.)
ASUMA: "The resonance! There was no point in simulating the
components individually - if objects vibrate at the same fixed
frequency they reinforce each other's vibrations!"
(He clicks the mouse. The new estimate isn't too much different
from the last)
SHIGE: "Not much of a difference. The low frequency that
initiates the first resonance is too weak. It has to kick off with
something more powerful!"
ASUMA: "Blow-through structure buildings, the harp bridge, iron
pipes in construction sites, air ducts for underground facilities...
There's gotta be something else..."
SHIGE: "Let's see... it should be located in some big open space...
with no outer walls... say some multilevel structure..."
ASUMA: " How could something like that exist in crowded
Tokyo...oh!!"
(He gets a disk from his bag and plugs it into the drive. The info
file on the Ark appears.)
SHIGE: "The Ark?! How could we have been so blind?!"
ASUMA: "I forgot that I made a copy at the Hachiouji factory... Put
the Ark into the wind tunnel simulation, raise the windspeed
parameter to infinite, and throw the lot into our first simulation..."
SHIGE: "This computer doesn't have the processing capacity.
Hang on! (He hooks his computer up to the Fridge) Okay, we've got
the Fridge online!"
ASUMA: "Here we go..."
NOA: "The data's not coming back, is it?"
SHIGE: "Here it is!"
(Map of Tokyo appears. Area of damage spreads out from the Ark.
It continues to expand, eventually covering all of Tokyo and 2/3 of
Kanto.)
SHIGE: "Holy...."
ASUMA: "What's the lowest wind velocity that can set off the
reaction?"
SHIGE: "...40 m/second?!! Damn... You only get that sort of wind
when a Typhoon hits..."
(He lies down, and glances at the newspaper)
"AAAAAAAAAAAAARRRRRRRRRGGGGGGGGGGHHHHHHHH!!!!"
(He grabs the remote control, and turns the TV to a weather
forecast)
T.V.: "...and so this rather powerful Typhoon, #19, is now
at the south west tip of Kii Peninsula, heading north east at a speed
of 25 kmph. It will hit Tokyo early tomorrow morning. The typhoon's
air pressure is 950 bar, and within 25 km of its center wind speeds
are over 40 m/second..."
TOKYO POLICE HEADQUARTERS
(In a conference room. Goto has called an emergency meeting of
the Guard Division executives, to discuss the HOS case. Everyone is
skeptical and unwilling to take any drastic actions that might
jeaopardize their careers.)
"That's it! We've heard enough! This is all just a theory!"
"And I heard that this simulation was programmed by a
suspended officer and the maintenance crew. Do you really expect us
to take it seriously?"
GOTO: "According to the Meteorological Agency, Typhoon
#19 will strike the city early next morning. We don't have time for
additional testing of the program. You say it's only an unproven
theory, but it's a fact that we have no evidence to deny it either.
When the Typhoon reaches Tokyo its heavy winds will cause the Ark
to vibrate... That will stimulate the low-frequency howling of the
numerous high-rises at the water front, which will itself induce the
whirring of the buildings in downtown Tokyo. And 8000 labors
situated all over the metropolis will become runaways.... What will
result need not be mentioned. Labors aren't just located in the
redevelopments around the bay, in the city center, and in the Geo-
front construction site 100 meters underground. There are also a few
labors operating inside some nuclear reactors. If the simulation
results become reality, I'd like to know who would take
responsibility, and how, for not preventing the crime beforehand."
KAIHOU: "Goto-kun. The city-wide OS rewite has been completed.
Even if Eiichi Hoba's crime existed, it is now quite irrelevent, don't
you think?"
GOTO: "HOS is still being analyzed, with the assisstance of
MIT, but it's true nature has not yet been determined. The experts
agree that it may still be hiding in the labors' memories; in that case
it is reasonable to assume that any labors that came in contact with
HOS are still contaminated. So will you change the direction of the
Typhoon? Chop down the high-rises? Dismantle all 8000 labors? Or...
You have only four choices. Your decision please."
KAIHOU: "From early tomorrow until the typhoon has passed,
activation of all labors within city limits will be prohibited. Labor
production lines and repair facilities will be shut down. We will
request aid from the fire department and the defence ministry, as
well as neighboring prefectures. That is all."
(The officials are about to leave...)
GOTO: "Chief, there's a possibility that deactivated labors
may start up by themselves, due to the effects of the low frequency
noise. Did you forget about the episode with the JSDF prototype
labor..."
FUKUSHIMA: "Goto-kun!"
KAIHOU: "What was that? I never received such a report."
GOTO: "Then I have one more question."
FUKUSHIMA: "Will you knock it off?!"
GOTO: "If it's caused by a Typhoon, I don't really see how
anyone should be held responsible... I mean it's done by a Typhoon..."
KAIHOU: "Of course. If it's an act of God, it can't be helped..."
FUKUSHIMA: "Chief!!!"
GOTO (Salutes with a grin): "Assistant Inspector Goto, returning to
the station."
IN THE ELEVATOR
ASUMA: "What did he mean?"
GOTO: "As he said, it can't be helped if it's an act of God.
Afterwards, if Hoba's crime can be proven, fine. If not, let it go as the
Typhoon's fault. If the cat gets let out of the bag, the Captain'll take
the fall. The old snake."
ASUMA: "Poor Captain..."
GOTO: "We're the poor ones. If Hoba's crime can't be
proved, we'll be criminals. Want out?"
ASUMA: "No. If I'm gonna regret it anyway, better something done
than left undone."
GOTO: "Well then. No turning back now."
(Just outside SV2 headquarters)
GOTO: "I won't be back for awhile. Follow Shinobu-san's
orders until then will you?"
ASUMA: "Roger!"
(Goto walks away. Noa runs up.)
NOA: "What's gonna happen?"
ASUMA: "We're gonna destroy the Ark!"
AT THE HANGAR
(Sakaki's men are running around, preparing for the assault.)
SAKAKI: "After insulating the memory bank and the cockpit, get
on with the water-proofing. We don't have much time!"
SHIGE: "Boss! The floats are here!"
SAKAKI: "Okay, let group 3 handle it! As the crews finish their
current jobs I'll send them down!"
OHTA: "I got the okay! Bring out the riot gun too! We got the
experimental explosive shells, right?! Load 'em into cartridges!"
"What? But that's too risky..."
OHTA: "DO IT!!!"
T.V.: "Typhoon #19 is continuing on course. It is still
heading north east, and will hit the Kanto area in..."
OHTA: "YES! THE STORM IS COMING! THE STORM IS COMING!"
(In the office...)
SHINSHI: " We'll have to purge the platforms with the
emergency fire systems after all..."
ASUMA: "Then the occupation of the control center is the key...
Give me the file on the security robots..."
(The maintenance squad is welding the floats to the vehicles. An
anti-labor rifle arrives and is tested by Hiromi. Later, as evening
draws, Shinobu gets a call from Goto. He is at the Fishing co-op, and
they have agreed to tow the assault group to the Ark as they are
opposed to project Babillon.)
SHINOBU: "Labors are set up... Attaching the floats to the
trailers'll be done in a couple hours... By the way, how did you get
hold of that monster anti-labor rifle?"
GOTO: "I begged for one from the paratroop unit in
Kasumigaura. When I mentioned the prototype labor incident they
rented me one immediately. I'm going over to Narita airport now. If
worse comes to worse we may have to fight every labor in the Ark,
so I called in a secret weapon. Yes, I mean her."
AT NARITA
CUSTOMS: "Sight seeing?"
KANUKA: "No, combat."
AT SV2 BARRACKS
(It's starting to rain. Everyone is out back, and the maintenance
crews are about to start on their last task.)
SHIGE: "Let the air in!"
(The floats attached to the two labor carriers and the command car
expand. Noa, Asuma, Ohta, Kanuka, Shinshi, and Hiromi are lined up
in front of Goto and Shinobu.)
GOTO: "There's nothing more for me to say. The Ark
should be totally empty after the evacuation order, so fight as much
as you like!"
(The officers and their labors take to the water, and Goto and
Shinobu watch them leave.)
MAINT.CREWS: "ALRIGHT! GIVE IT ALL YOU'VE GOT!"
SHINOBU: "Are you sure? You can still call them back! What if
the operation is successful but you still can't prove Hoba's crime?"
GOTO: "Then we're criminals. But if we don't do anything,
and there's a disaster?... Then we're criminals again. Which do you
prefer? And besides, there was no choice to begin with. If they fail
the bay area will be devastated. If they succeed, then project
Babillon will be crippled by the loss of the Ark. Either way we lose.
Probably the real fight ended when Hoba jumped. Don't you agree?"
SHINOBU: "And you still want to do this?"
GOTO: "You really don't have the right character to be in
the police... I really feel sorry that you always end up getting the
short end of the stick."
SHINOBU: "Where are you going?"
GOTO: "We did get silent approval from headquarters, but
if they raise hell at the Ark, the Maritime Safety Agency and the
Ports and Harbors Bureau won't keep quiet. I'll go over there and
buy some time. This's a job for the chief."
SHINOBU: "Goto-san..."
GOTO: "Yes?"
SHINOBU: "... No, nothing..."
GOTO: "Then please take care of the rescue arrangements."
(He leaves)
IN OPEN WATER
(Asuma radios in)
ASUMA: "There it is! 500 meters ahead! The Ark!"
AT THE ARK
(Two Ingrams and a command car go up an elevator. They enter
the first level. Everybody except the forwards (Ohta and Noa) are in
the command car.)
SHINSHI: "Doesn't the atmosphere feel Evil?"
KANUKA: "Just like a shrine of Idols. An appropriate grave for
a man who assumed the name of the Lord."
ASUMA: "Listen, as long as they don't get too close, guard robots
aren't much of a concern. But there's far too many of them, so avoid
combat as much as possible!"
(Kanuka and Hiromi cock their guns.)
"Ohta, take the point! Noa, bring up the rear! We'll run all
the way!"
EVERYONE: "CHAAAAAAAAARGE!!!!!!!!!"
(They attack. The security robots don't even have time to issue a
warning before being reduced to scrap.)
OHTA: "AAAHHRRR!!! Come on you worthless hunks 'a junk! I'll
rip you apart!"
(The robots discharge electricity, damaging the command car's
search lamp. Hiromi, Shinshi and Kanuka are firing continuously. Noa
is checking her rear monitor.)
NOA: "Five to the rear... eight... There's more coming!"
(Ohta and the command car enter the elevator. Ohta lays down
cover fire as Noa tries to catch up.)
OHTA: "Move it! RRRRAAARRRGH!"
(She reaches the elevator. The doors close.)
ASUMA: "I told you to avoid combat!"
KANUKA: "We did, as much as possible."
(Everybody reloads their guns)
OHTA: "Quick response based on the situation! The situation is
changing all the time! Shuddup!"
ASUMA: "At any rate, save ammo! We don't know what's up
there!"
"Roger!"
(When the elevator doors open at the level of the command center.
The floor is packed with security robots; the assault party charges on.
They see the lights of the command center.)
ASUMA: "There it is!"
(Ohta's Ingram knocks away the door and Asuma and Shinshi
stumble into the command center.)
ASUMA: "Move it!"
SHINSHI: "He's so rough, dammit..."
ASUMA: "If we don't hurry this place is gonna be flooded with
security robots!"
(Shinshi starts flipping switches.)
SHINSHI: "Start up the emergency routines! That'll shut off
the security automatically!"
(Asuma hits the button. Alarms sound, lights come on, and the
emergency console appears.)
ASUMA: "Okay, here we go..."
SHINSHI: "This will've sounded the alarm back on land."
ASUMA: "Well then let's see if we'll be dangerous criminals or
heroes by the time the Maritime Safety people get here. We have
until the weather clears. Can you hear me? I've deactivated the
security systems."
OHTA: (over radio): "Roger! Will stand guard!"
ASUMA: "Okay, let's take this thing apart!"
SHINSHI: "W-wait!"
ASUMA: "What?"
SINSHI: "A person! There's somebody in the subcontrol on the top
level!"
ASUMA: "WHAAAAAAAT?!!!!!!"
(On one of the monitors is an indication that somebody with an ID
tag is up there.)
SHINSHI: "It's no mistake. See? It's moving..."
(The computer cross files the tag with personnel records.)
"ID #666
E. HOBA/SHINOHARA
NO FILE"
ASUMA: "It can't be..."
SHINSHI: "But he's supposed to be dead, isn't he?... Hoba's
ghost?!"
ASUMA: "Or some sort of trap?... can you get me into
communication with the subcontrol?"
SHINSHI: "Can't. The subcontrol isn't in use... It has to be
powered up from there."
ASUMA: "Someone has to go up and check..."
SHINSHI: "But the time! The Typhoon's about to hit!"
(He thinks for awhile.)
ASUMA: "Noa! Listen up!"
NOA: "What is it?"
ASUMA: "We've got a problem. There's a possibility that someone's
still here, in the top floor subcontrol. A file cross-check says it's Eiichi
Hoba."
NOA: "!!!"
KANUKA: "It's a trap for sure!"
ASUMA: "But somebody is still up there. Noa, will you go?"
NOA: "Why Me?!"
ASUMA: "It's too dangerous to go without a labor, and delicate
decision-making might be needed. Ohta can't handle it!"
OHTA: "WHAT?!!!"
ASUMA: "Go! I'll support you from here..."
NOA: "Forward and backup are two-in-one, hunh?"
ASUMA: "And one more thing! We don't have much time, so we'll
proceed with the original plan at the same time!"
NOA: "WHAAAAAAAAAT????!!!!!!!!"
BACK IN SV2
(Shinobu enters an office where the maintenance crew is gathered
in front of a computer.)
SHINOBU: "I heard HOS's true nature was confirmed."
SHIGE: "Oh, chief Nagumo... Yeah, we got a call from MIT saying
that they'd finally dissected the file."
SHINOBU: "So what's the verdict?"
SHIGE: "We hit the jackpot. A genuine virus was planted in HOS.
It invades the backup memory to start off; then it changes its name
and gets into every available space possible. There's no doubt that
any computer that has HOS or comes in contact with HOS will be
contaminated. By morning there's gonna be one hell of a mess... MIT
has already started programming a vaccine, but I wonder if it'll do
the trick..."
SHINOBU: "If we'd known this only half a day earlier, they
wouldn't have had to go by themselves... We can't even send in
reinforcements..."
SHIGE: "But this did prove Goto-san's theory... At least now we
can arrange the rescue."
SHINOBU: "Waitasec! You said HOS or any computers that
came in contact with it, right?"
SHIGE: "Yeah..."
SHINOBU: "Then what about the Ark's main computer?
They're using it for the purge!!"
SHIGE: "!!!!!!!"
BACK ON THE ARK
(Alphonse is running. A computer warning sounds.)
"D level, block 5, 30 seconds until purge. All personnel
working in this block evacuate immediately."
(Just as Ingram #1 moves to the next block, D-5 falls away.)
IN THE COMMAND CENTER
SHINSHI: "D-5 block is purged. Alphonse is moving from D-7
to 9."
ASUMA: "Get ready for the next one. Code for D-7?"
SHINSHI: "FPD-00207. Why can't we wait until she goes up to
the next level, and then drop the entire floor?"
ASUMA: "If the Ark loses too much weight at once it'll become
dangerously unstable. Don't worry; if we drop the open blocks first, it
should eliminate quite a bit of the resonance effect. What's it like
outside?"
SHINSHI: "Wind velocity 35... now it's up to 36!"
ASUMA: "D-7, here we go!"
"D level, block 7 is purged."
SOMEWHERE IN THE ARK
(Alphonse is running. It boards the elevator as the floors she just
passed are purged. As the wind whistles through the gaps that have
been left by the proccess, the display monitors of deactivated labors
suddenly turn on.)
COMMAND CENTER
ASUMA: "Next! Code for E-2!"
(Shinshi looks at the security monitors.)
SHINSHI: "!!! Asuma-san! Look! Blocks 3, 5 and 7 of D level,
and all of C level! They're flooded with runaway labors!"
ASUMA: "What?! But the wind isn't over 40m per second yet!"
SHINSHI: "Either the simulation overlooked something, or the
purging has worsened the effect!"
(There's a gunshot outside. Ohta is facing off with numerous
runaways on the other side of the bridge.)
OHTA: "Come on, you scrapheaps!
ASUMA: "Hiromi! What's going on?!"
HIROMI: "Runaway labors are piling up at the other end of the
bridge. Ohta-san charged in just now."
ASUMA: "What about Kanuka?!"
HIROMI: "She left. She said she was gonna look for a weapon."
SHINSHI: "What do we do?"
ASUMA: "Could it be that she's..."
SOMEWHERE IN THE ARK
(Kanuka is starting up the Type 0)
TYPE 0 COMP.: "Level okay. System normal. Type-0 standing by."
ASUMA: "Kanuka, don't! The Type-0 is too risky!"
KANUKA: "Don't worry, I'm using a system disk where the
virus has been isolated. Assuming all goes well I should be able to
control it."
ASUMA: "But what if the virus has hidden somewhere..."
KANUKA: "Then this labor will be a threat whether I use it or
not! Besides, Ohta won't be able to hold them all off on his own. I'm
willing to take the gamble. Clancy out!"
(The Type-0 starts moving. It kicks away the door and engages the
runaways.)
ON THE ARK'S UPPER LEVELS
(Something pushes Alphonse down)
NOA: "!!!"
ASUMA: "Noa! Can you hear me?! The situation's changed! The
runaways have started earlier than estimated! We don't have much
time left, so proceed at full speed! That is all!"
NOA: "Thanks for telling me..."
(She is surrounded by a herd of runaways. Various action scenes.
She reaches the subcontrol and peeks in.)
"!!....Birds?..."
(Behind her is the raven, with ID tag #666 attached to its leg.)
COMMAND CENTER
SHINSHI: "The wind velocity outside is now over 40m per
second! We can't wait any longer!"
ASUMA: "Noa! Answer me! Noa!"
NOA: "The ID's around a raven's leg..."
ASUMA: "Just report your conclusions! Is there anybody up
there?!"
NOA: "No!... Nobody's here!"
(Jusat as she finishes, all the monitors in the command center go
blank. Then they all light up with a single word: BABEL.)
ASUMA: "!!!"
SHINSHI: "It's not accepting any input..."
ASUMA: "The main computer was contaminated too?!..."
HIROMI: "Control room, please respond! Runaway labors are
increasing! There's so many of them... I can't hold them off if they
start crossing the bridge! Please hurry up with that purging!"
ASUMA: "There's gotta be something... some way... There should be
a backup manual ignition system, something that blows away all the
block joints without the computer relay!"
SHINSHI: "!!! But how do we get to the ignition point while
we're stuck in this mess?!"
ASUMA: "Just deal with it!"
(They start checking the info-file on a portable computer they
brought along.)
SHINSHI: "The top level of the main shaft, right under
subcontrol..."
ASUMA: "Good thing the police stress the value of human life.
Bingo, and just in time! It's right under Noa's feet!"
ELSEWHERE...
(Ingram #2 is heavily damaged. Ohta is using a labor-arm as a
club.)
OHTA: "Take that!!! AAAAAHHHRRRRR!"
(Some labors explode behind him. The Type-0 has arrived.)
OHTA: "!!! The Type-0?!... Holy..."
(The Type-0's laser locks onto Ingram #2.)
SHINSHI: "Ohta-san! Kanuka-san! We're gonna start purging
the entire floor! Get back to the command center! Ohta-san!"
OHTA: "!!!!"
AT THE MANUAL IGNITION POINT
(The hatch opens up. Noa takes out the flare gun used for the
ignition and loads it.)
ASUMA: "30 seconds after ignition, the entire floor should purge!
I don't know what'll happen when the Ark loses that much weight at
once! Listen Noa, don't move away from there after you ignite it,
alright?!"
(Noa looks at her labor sitting outside.)
ASUMA: "Answer me Noa!"
NOA: "Roger! Ignition! Ignition confirmed!"
(Then she returns to Ingram #1.)
COMMAND CENTER
(What's left of car #2 crashes into the room, and Hiromi crawls in,
panicking.)
HIROMI: "Kanuka-san is... Kanuka-san..."
(Lots of action. The Ark falls apart. Noa survives.)
DAWN
(Alphonse is hanging from the main shaft. The Ingram's computer
beeps, waking her up.)
MONITOR: "Battery Check"
(She starts the Ingram walking around.)
NOA: "Asuma! Shinshi-san! Kanuka! Hiromi-chan!
Ohta-san! Somebody answer me!"
(A labor stands)
NOA: "Ohta-san! .....!!!"
(It's the Type-0. They fight.)
ASUMA: "Ow... Helluvan experie...."
(He sees the two labors)
ASUMA: "Noa, don't! Kanuka is aboard that thing!"
(More fighting.)
NOA: "Kanuka! Kanuka! Answer me Kanuka!"
KANUKA: "....! Get out of your vehicle and run Noa! There's no
way you can beat this thing in hand-to-hand combat!"
NOA: "But can't you stop it?! What about the activation
disk?!"
KANUKA: "I used it. AND reset the computer, and it's still
moving!" Probably the virus entered the S-RAM for pattern study,
and that must be adjusting the program!"
NOA: "Where's the S-RAM?!"
KANUKA: "Behind the neck, same as in the Type-98!"
(More action. Noa blows open Alphonse's cockpit (chest) and grabs
her shotgun.)
NOA: "Gotcha!...!!!"
(Even more action.)
ASUMA: "Noaaa!!! Run! You can't win with a Type-98!"
NOA: "Grrrrrrrrrr......."
(The action continues. Both labors fall. They are entangled in wire
and hanging in mid-air.)
ASUMA: "Noaaaaaa!!!"
(Noa climbs out, and crawls onto the Type-0. She opens up the S-
RAM unit and fires into it. Yet more action as the Type-0 refuses to
die.)
NOA: "DAMMIT!!! STOOOP!!!!!!!"
(she runs out of bullets. The Type-0 stops, and its monitor says"NO
FILE".)
(Noa stumbles away, and falls down exhausted. Her partners run
towards her.)
ASUMA: "Noaaaaaaaa!"
NOA: "... I did it..."
(In the sky, some choppers approach. Shige, Shinobu, and Goto are
aboard.)
NOA AND ASUMA: "Yahoooo! Alright! hahahahahahahaha!"
(Sappy, movie ending stuff. If you like that sort of thing, you can
see it in the film. I'm not describing it here.)
THE END
----------
글
(영화대본) 미녀와 야수 - Beauty and the Beast
이 중에서 몇 개만 확실히 외우면 성공입니다. 욕심을 버려야 합니다. 다 얻으려면 다 잃습니다. 자신에게 와닿는 표현들 몇 개만을 집중적으로 물고 늘어지시기 바랍니다. 선택과 집중! 자신에게 와닿는 표현이란? 자신과 궁합이 맞는 표현입니다. 결국 모든 영어를 다 할 수도 없고, 그럴 필요도 없는 겁니다. 자신과 잘 맞는 것만 선택해서 집중적으로 외우시기 바랍니다.
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
Beauty and the Beast
NARRATOR: Once upon a time, in a faraway land, a young prince lived in a
shining castle. Although he had everything his heart desired,
the prince was spoiled, selfish, and unkind. But then, one
winter's night, an old beggar woman came to the castle and
offered him a single rose in return for shelter from the bitter
cold. Repulsed by her haggard appearance, the prince sneered at
the gift and turned the old woman away, but she warned him not
to be deceived by appearances, for beauty is found within.
And when he dismissed her again, the old woman's ugliness
melted away to reveal a beautiful enchantress. The prince
tried to apologize, but it was too late, for she had seen that
there was no love in his heart, and as punishment, she
transformed him into a hideous beast, and placed a
powerful spell on the castle, and all who lived there.
Ashamed of his monstrous form, the beast concealed himself
inside his castle, with a magic mirror as his only window to
the outside world. The rose she had offered was truly an
enchanted rose, which would bloom until his twenty-first
year. If he could learn to love another, and earn her love in
return by the time the last petal fell, then the spell would
be broken. If not, he would be doomed to remain a beast for
all time. As the years passed, he fell into despair, and lost
all hope, for who could ever learn to love a beast?
(We have seen a progression of stained glass windows illustrating the narration,
as well as BEAST shredding his portrait. The camera slowly zooms out from the
castle and we see the title. Fade up on the home of BELLE. She exits the front
door and begins her walk into town.)
BELLE: Little town, it's a quiet village
Every day, like the one before
Little town, full of little people
Waking up to say...
TOWNSFOLK 1: Bonjour!
TOWNSFOLK 2: Bonjour!
TOWNSFOLK 3: Bonjour!
TOWNSFOLK 4: Bonjour!
TOWNSFOLK 5: Bonjour!
BELLE: There goes the baker with his tray like always
The same old bread and rolls to sell
Every morning just the same
Since the morning that we came
To this poor provincial town...
BAKER: Good morning, Belle!
(BELLE jumps over to the bakery)
BELLE: Morning monsieur!
BAKER: Where are you off to?
BELLE: The bookshop! I just finished the most wonderful story, about
a beanstalk and an ogre and...
BAKER: (Ignoring her) That's nice...Marie, the baguettes! Hurry up!!
TOWNSFOLK: Look there she goes, that girl is strange no question
Dazed and distracted, can't you tell?
WOMAN 1: Never part of any crowd
BARBER: Cause her head's up on some cloud
TOWNSFOLK: No denying she's a funny girl, that Belle!
(BELLE jumps on the back of a wagon and rides through town)
DRIVER: Bonjour!
WOMAN 2: Good day!
DRIVER: How is your family?
WOMAN 3: Bonjour!
MERCHANT: Good day!
WOMAN 3: How is your wife?
WOMAN 4: I need six eggs!
MAN 1: That's too expensive!
BELLE: There must be more than this provincial life!
(BELLE enters the bookshop)
BOOKSELLER: Ah, Belle!
BELLE: Good morning. I've come to return the book I borrowed.
BOOKSELLER: (Putting the book back on the shelf) Finished already?
BELLE: Oh, I couldn't put it down! Have you got anything new?
BOOKSELLER: (laughing) Not since yesterday.
BELLE: (on ladder of bookshelf) That's all right. I'll borrow...
this one.
BOOKSELLER: That one? But you've read it twice!
BELLE: Well it's my favorite! (BELLE swings off side of ladder,
rolling down it's track) Far off places, daring
swordfights, magic spells, a prince in disguise!
BOOKSELLER: (handing her the book) Well, if you like it all that much,
it's yours!
BELLE: But sir!
BOOKSELLER: I insist!
BELLE: Well thank you. Thank you very much! (leaves bookshop)
MEN: (looking in window, then turning to watch her)
Look there she goes
That girl is so peculiar!
I wonder if she's feeling well!
WOMEN: With a dreamy far-off look!
MEN: And her nose stuck in a book!
ALL What a puzzle to the rest of us is Belle!
(BELLE sits on the edge of a fountain, singing to the sheep and the washing
woman in the background, who leaves)
BELLE: Oh! Isn't this amazing!
It's my favorite part because, you'll see!
Here's where she meets Prince Charming
But she won't discover that it's him 'til chapter three!
WOMAN 5: Now it's no wonder that her name means 'beauty'
Her looks have got no parallel!
MERCHANT: But behind that fair facade
I'm afraid she's rather odd
Very different from the rest of us...
ALL: She's nothing like the rest of us
Yes different from the rest of us is Belle
(GEESE flying overhead, one is shot and plummets to the ground. LEFOU runs
over, holds out the bag, and misses catching the prize. He returns to GASTON)
LEFOU: Wow! You didn't miss a shot, Gaston! You're the
greatest hunter in the whole world!
GASTON: I know!
LEFOU: Huh. No beast alive stands a chance against
you...and no girl for that matter!
GASTON: It's true, Lefou, and I've got my sights set on that
one! (pointing to BELLE)
LEFOU: The inventor's daughter?
GASTON: She's the one! The lucky girl I'm going to marry.
LEFOU: But she's--
GASTON: The most beautiful girl in town.
LEFOU: I know--
GASTON: And that makes her the best. And don't I deserve the best?
LEFOU: Well of course, I mean you do, but I mean...
GASTON: Right from the moment when I met her, saw her
I said she's gorgeous and I fell
Here in town there's only she (BELLE walks by and away)
Who is beautiful as me
So I'm making plans to woo and marry Belle
BIMBETTES: Look there he goes, isn't he dreamy
Monsieur Gaston, oh he's so cute
Be still my heart, I'm hardly breathing
He's such a tall, dark, strong and handsome brute
(BELLE walks easily through the crowd of people in the town, GASTON struggles to
catch up to her)
MAN 1: Bonjour!
GASTON: Pardon!
MAN 2: Good day!
MAN 3: Mais oui!
WOMAN 1: You call this bacon?
WOMAN 2: What lovely grapes!
MAN 4: Some cheese!
WOMAN 3: Ten yards!
MAN 4: One pound
GASTON: 'xcuse me!
MAN 4: I'll get the knife!
GASTON: Please let me through!
WOMAN 4: This bread!
MAN 5: Those fish!
WOMAN 4: It's stale!
MAN 5: They smell!
MAN 6: Madame's mistaken!
BELLE: There must be more than this provincial life!
GASTON: Just watch I'm going to make Belle my wife! (TOWNSFOLK gather
around GASTON, and eventually surround him)
ALL: Look there she goes a girl who's strange but special
A most peculiar mademoiselle
It's a pity and a sin
She doesn't quite fit in!
GROUP 1: But she really is a funny girl
GROUP 2: A beauty but a funny girl
ALL: She really is a funny girl! That Belle!
GASTON: Hello, Belle.
BELLE: Bonjour Gaston. (GASTON grabs the book from BELLE) Gaston,
may I have my book, please?
GASTON: How can you read this? There's no pictures!
BELLE: Well, some people use their imaginations.
GASTON: Belle, it's about time you got your head out of those books
(tossing book into the mud) and paid attention to more
important things...like me! The whole town's talking about
it. (The BIMBETTES, who are looking on, sigh. BELLE has
picked up the book and is cleaning off the mud) It's not
right for a woman to read--soon she starts getting ideas...
and thinking.
BELLE: Gaston, you are positively primeval.
GASTON: (Putting his hand around her shoulders) Why thank you,
Belle. Hey, whaddya say you and me take a walk over to
the tavern and have a look at my hunting trophies.
BELLE: Maybe some other time.
BIMBETTE 1: What's wrong with her?
BIMBETTE 2: She's crazy!
BIMBETTE 3: He's gorgeous!
BELLE: Please, Gaston. I can't. I have to get home and help my
father.
LEFOU: Ha ha ha, that crazy old loon, he need all the help he can get!
(GASTON and LEFOU laugh heartily)
BELLE: Don't you talk about my father that way!
GASTON: Yeah, don't talk about her father that way! (He conks LEFOU on
the head.)
BELLE: My father's not crazy! He's a genius! (Explosion in background.
GASTON and LEFOU continue laughing. BELLE rushes home and
descends into the basement.)
BELLE: Papa?
MAURICE: How on earth did that happen? Dog gonnit! (He pulls the barrel
off his waist, along with his pants.)
BELLE: Are you all right, Papa?
MAURICE: I'm about ready to give up on this hunk of junk! (kicking
machine)
BELLE: You always say that.
MAURICE: I mean it, this time. I'll never get this boneheaded contraption
to work.
BELLE: Yes, you will. And you'll win first prize at the fair tomorrow
MAURICE: Hmmmph!
BELLE: ...and become a world famous inventor!
MAURICE: You really believe that?
BELLE: I always have.
MAURICE: Well, what are we waiting for. I'll have this thing fixed in no
time. (sliding under machine) Hand me that dog-legged clencher
there... So, did you have a good time in town today?
BELLE: I got a new book. Papa, do you think I'm odd?
MAURICE: My daughter? Odd? (Appears from under machine with bizarre
goggle contraption on his head distorting his eyes) Where would
you get an idea like that?
BELLE: Oh, I don't know. It's just I'm not sure I fit in here.
There's no one I can really talk to.
MAURICE: What about that Gaston? He's a handsome fellow!
BELLE: He's handsome all right, and rude and conceited and...Oh Papa,
he's not for me!
MAURICE: Well, don't you worry, cause this invention's going to be the
start of a new life for us. (Comes out from under machine) I
think that's done it. Now, let's give it a try. (MACHINE
whirs and chops wood, just as it should)
BELLE: It works!
MAURICE: It does? It does!
BELLE: You did it! You really did it!
MAURICE: Hitch up Phillipe, girl. I'm off to the fair! (Log strikes
him in the head, knocking him out. Fade to later in the day)
BELLE: Good bye, Papa! Good luck!
MAURICE: Good bye, Belle, and take care while I'm gone!
(MAURICE and PHILLIPE continue on their journey until they become lost)
MAURICE: We should be there by now. Maybe we missed a turn. I guess I
should have taken a...wait a minute. (Lifts lantern to
illuminate sign giving directions to Anaheim and Valencia)
Let's go this way!
(PHILLIPE looks right, at a dark, overgrown path, then left towards a more
inviting route, then begins to go left)
MAURICE: Come on, Phillipe! It's a shortcut. We'll be there in no time!
(PHILLIPE and MAURICE continue through the dark.)
MAURICE: This can't be right. Where have you taken us, Phillipe? We'd
better turn around...and...whoa...whoa boy, whoa Phillipe. Oh,
oh! Look out!
(A swarm of bats fly out of a tree. PHILLIPE runs through the forest avoiding
everything until he almost runs over the edge of a cliff)
MAURICE: Back up! Back up! Back up! Good boy, good boy. That's good,
that's--back up! Steady. Steady! Hey now. Steady. (PHILLIPE
finally bucks him off.) Phillipe! (PHILLIPE runs away, leaving
MAURICE on the edge of the cliff.) Phillipe? Oh no! (He looks
up and sees WOLVES growling at him. MAURICE runs away, being
chased by the WOLVES. He stumbles down a hill, and lands at the
gate of a castle. He grabs the locked gate and tries to shake it
open.)
MAURICE: Help! Is someone there?
(The gate opens, and MAURICE runs in. He slams the gate in the faces of the
WOLVES. Leaving his hat on the ground as the rain begins to fall, MAURICE runs
to the castle and bangs on the door. It creaks open and he enters, cautiously.)
MAURICE: Hello? Hello?
(Watching from a table near the entrance are LUMIERE and COGSWORTH)
LUMIERE: (Barely whispering) Old fellow must have lost his way in the
woods.
COGSWORTH: (Also whispering) Keep quiet! Maybe he'll go away.
MAURICE: Is someone there?
COGSWORTH: Not a word, Lumiere. Not one word!
MAURICE: I don't mean to intrude, but I've lost my horse and I need a place
to stay for the night.
LUMIERE: (looking at COGSWORTH like a child having just found a lost puppy)
Oh Cogsworth, have a heart.
COGSWORTH: Shush shush shhhhh! (COGSWORTH puts hand over LUMIERE'S mouth,
who promptly proceeds to touch his lit candle hand to COGSWORTH's
hand.)
Ow ow Ow OW OW OUCH!!!!!
LUMIERE: Of course, monsieur, you are welcome here.
MAURICE: (looking around in confusion) Who said that? (He picks up the
candlestick for light, not realizing that the speaker is in his
hand)
LUMIERE: (Tapping him on the shoulder) Over here!
MAURICE: (Spins around, pulling LUMIERE to the other side) Where?
LUMIERE: (Taps MAURICE on the side of the head. MAURICE looks at LUMIERE.)
Allo!
MAURICE: Oh!!!! (Startled, he drops LUMIERE onto the floor.) Incredible!
COGSWORTH: (hopping over) Well, now you've done it, Lumiere. Splendid,
just peachy--aaarrrgghh! (MAURICE picks up COGSWORTH)
MAURICE: How is this accomplished? (He fiddles with COGSWORTH)
COGSWORTH: Put me down! At once! (MAURICE tickles the bottoms of
COGSWORTH's feet. He laughs. He begins to wind the spring on
the back of COGSWORTH's head, twisting his face around with the
clock hands. MAURICE opens the front of COGSWORTH and begins
to play with his pendulum. COGSWORTH slams the door shut on
his finger.) Sir, close that at once, do you mind!
MAURICE: I beg your pardon, it's just that I've never seen a clock
that...aah...i mean...aah aah aah-chooo!!!! (MAURICE sneezes in
the face of COGSWORTH, who proceeds to wipe his face off using
his clock hands in a very anachronistic windshield wiper manner.
MAURICE sniffles, indicating the cold he has caught from being
in the rain.)
LUMIERE: Oh, you are soaked to the bone, monsieur. Come, warm yourself by
the fire.
MAURICE: Thank you.
(LUMIERE and MAURICE head towards the den, with COGSWORTH running after them.)
COGSWORTH: No, no, no, do you know what the master would do if he finds you
here. (BEAST is watching the action from an overhead walkway,
and rushes off as the trio enters the den.) I demand that you
stop...right...there! (COGSWORTH tumbles down the steps. MAURICE
takes a seat in a large chair in front of a roaring fire.) Oh
no, not the master's chair! (FOOTSTOOL rushes past COGSWORTH,
barking up a storm.) I'm not seeing this, I'm not seeing this!
MAURICE: (As FOOTSTOOL rushes up to him) Well, hello there, boy. (FOOTSTOOL
props himself up under the feet of MAURICE. COATRACK enters and
removes his cloak.) What service!
COGSWORTH: All right, this has gone far enough. I'm in charge here, and
(COGSWORTH is run over by the (once again) anachronistic
IndyCar sounding teacart of MRS. POTTS)
MRS. POTTS: (Arriving by the side of MAURICE) How would you like a nice
spot of tea, sir? It'll warm you up in no time. (Pours tea into
cup (CHIP), which hops over into MAURICE's open hand)
COGSWORTH: (from face down position on carpet) No! No tea, no tea!!!
CHIP: (As MAURICE sips the tea) Ha ha! His moustache tickles, momma!
MAURICE: (Startled by the cup) Oh! Hello!
(The door to the den slams open and a strong gust of wind blows into the room,
extinguishing LUMIERE's flames and the fire in the fireplace. COGSWORTH dives
for cover. MRS. POTTS begins to shake. CHIP jumps back onto the tea cart and
takes refuge from behind his mother)
CHIP: Uh oh!
(BEAST enters. We see him in full for the first time. He is on all fours. He
looks around in the darkness.)
BEAST: (Growling his words) There's a stranger here.
LUMIERE: (who has relit his flames) Master, allow me to explain. The
gentleman was lost in the woods and he was cold and wet...
(LUMIERE's last sentence is drowned out by the very loud growl
of BEAST, which puts out his flames once again. LUMIERE looks
down, dejected.)
COGSWORTH: (Coming out from under a rug) Master, I'd like to take this
moment to say...I was against this from the start. I tried to
stop them, but would they listen to me? No, no, no! (Again,
BEAST's growl drowns out COGSWORTH.)
(MAURICE looks to one side of the chair, then to the other and sees BEAST.)
BEAST: Who are you! What are you doing here?
MAURICE: (Very scared and backing away from the advancing BEAST) I was lost
in the woods and...(stares at BEAST)
BEAST: (Advancing on him) You are not welcome here!
MAURICE: I'm sorry
BEAST: What are you staring at?
MAURICE: (Cowering under BEAST) Noth-noth-nothing! (Turns to leave)
BEAST: (Racing around and blocking the entrance with surprising speed)
So, you've come to stare at the beast, have you?
MAURICE: Please, I meant no harm! I just needed a place to stay .
BEAST: I'll give you a place to stay! (BEAST picks up MAURICE, carries
him out of the room and slams the door, plunging the den, along
with COGSWORTH, LUMIERE,MRS. POTTS, and CHIP into darkness.
Fade out.)
(Fade in to BELLE's cottage, seen from POV of GASTON and LEFOU.)
LEFOU: Heh! Oh boy! Belle's gonna get the surprise of her life, huh
Gaston.
GASTON: Yep. This is her lucky day!
(GASTON lets go of a branch, which swings back and hits LEFOU in the mouth.
GASTON turns to the band, wedding guests and others, apparently just out of
sight of BELLE's cottage.)
GASTON: I'd like to thank you all for coming to my wedding. But first, I
better go in there and... propose to the girl! (MINISTER, BAKER,
and OTHERS laugh heartily. Camera pans quickly to show BIMBETTES
crying their eyes out. To LEFOU) Now, you Lefou. When Belle and
I come out that door--
LEFOU: Oh I know, I know! (He turns and begins directing the band in
"Here Comes the Bride." GASTON slams a baritone over his head.)
GASTON: Not yet!
LEFOU: (From inside the instrument, with his lips sticking out the
mouthpiece) Sorry!
(Cut to interior of cottage. BELLE is sitting in a chair reading her new book.
There is a knock at the door. She puts the book down and walks to the door.
She reaches up and pulls down a viewing device. She peeks through and sees an
anachronistically accurate fish-eye view of GASTON. She moans, and pushes the
door open.)
BELLE: Gaston, what a pleasant...surprise.
GASTON: Isn't it though? I'm just full of surprises. You know, Belle.
There's not a girl in town who wouldn't love to be in your shoes.
This is the day...(GASTON pauses by a mirror and licks his teeth
clean.) This is the day your dreams come true.
BELLE: What do you know about my dreams, Gaston?
GASTON: Plenty. Here, picture this. (GASTON plops down in the chair and
props his mud-covered feet up on BELLE's book. He begins to kick
off his boots and wiggle his toes through his hole-y socks.) A
rustic hunting lodge, my latest kill roasting on the fire, and my
little wife, massaging my feet, while the little ones play with
the dogs. (BELLE looks positively disgusted. GASTON gets up
next to her face.) We'll have six or seven.
BELLE: Dogs?
GASTON: No, Belle! Strapping boys, like me!
BELLE: Imagine that. (She picks up her book, places a mark in it, and
puts it on the shelf.)
GASTON: And do you know who that wife will be?
BELLE: Let me think.
GASTON: (Corners BELLE ) You, Belle!
BELLE: (Ducking under GASTON'S arms) Gaston, I'm speechless. I really
don't know what to say.
GASTON: (Pushing chairs and things out of the way until he reaches BELLE
and traps her against the door) Say you'll marry me.
BELLE: (Reaching for the doorknob) I'm very sorry, Gaston, but I just
don't deserve you. (She twists the knob and the door opens (this
time outward). BELLE ducks under GASTON as he tumbles out the
door and into the mud.)
(The wedding band begins to play "Here Comes the Bride." GASTON's boots are
thrown out of the door (now opened inward) and the door is slammed shut. LEFOU,
who is directing the band, looks down and sees GASTON's legs sticking out of the
mud, and a PIERRE's head sticking up. LEFOU cuts off the band, and GASTON's
head pops up, with the pig on top of him. He tilts his head, and the pig slides
down his back.)
LEFOU: So, how'd it go?
GASTON: (Picks up LEFOU by the neck) I'll have Belle for my wife, make no
mistake about that! (GASTON drops LEFOU into the mud.)
LEFOU: (To PIERRE) Touchy!
PIERRE: Grunt Grunt.
(GASTON walks off, dejected, and the focus returns to the cottage. BELLE pokes
her head out the door.)
BELLE: (To the chickens) Is he gone? Can you imagine, he asked me to
marry him. Me, the wife of that
boorish, brainless...
Madame Gaston, can't you just see it
Madame Gaston, his little wife
Not me, no sir, I guarantee it
I want much more than this provincial life...
(BELLE walks into the pen and feeds the animals, then runs off singing into an
open field overlooking a beautiful valley)
I want adventure in the great wide somewhere
I want it more than I can tell
And for once it might be grand
To have someone understand
I want so much more than they've got planned
(PHILLIPE runs into the open field. BELLE looks at him, disturbed that MAURICE
is not with him.)
BELLE: Phillipe! What are you doing here? Where's Papa? Where is he,
Phillipe? What happened? Oh, we have to find him, you have to
take me to him!
(BELLE unhitches the wagon from PHILLIPE. Cut to exterior of the castle gate.
(How PHILLIPE brought BELLE there is a mystery, seeing as PHILLIPE never made it
to the castle with MAURICE.))
BELLE: What is this place?
(PHILLIPE snorts, then begins to buck as if something is scaring him. BELLE
dismounts and comforts him.)
BELLE: Phillipe, please, steady. (She enters the gate and sees MAURICE's
hat on the ground.) Papa.
(Cut to interior of castle with COGSWORTH and LUMIERE discussing events.)
COGSWORTH: Couldn't keep quiet, could we. Just had to invite him to stay,
didn't we? Serve him tea, sit in the master's chair, pet the
pooch.
LUMIERE: I was trying to be hospitable.
(Cut back to door opening and BELLE entering castle.)
BELLE: Hello? Is anyone here? Hello? Papa? Papa, are you here?
(We follow as BELLE ascends the grand staircase and searches for her father. Cut
to kitchen where MRS. POTTS is standing next to a tub of hot water. CHIP hops
in.)
CHIP: Momma. There's a girl in the castle!
MRS. POTTS: Now, Chip, I won't have you making up such wild stories.
CHIP: But really, momma, I saw her.
MRS. POTTS: (Disgusted) Not another word. Into the tub. (She lifts CHIP
into the tub. FEATHERDUSTER enters)
FEATHERDUSTER:
A girl! I saw a girl in the castle!
CHIP: (poking his head out from the water) See, I told ya!
(Cut back to LUMIERE and COGSWORTH bickering)
COGSWORTH: Irresponsible, devil-may-care, waxy eared, slack-jawed--
BELLE: Papa?
(COGSWORTH and LUMIERE turn to look at the new arrival)
LUMIERE: Did you see that? (Running to the door and poking his head around
the corner with COGSWORTH) It's a girl!
COGSWORTH: I know it's a girl.
LUMIERE: Don't you see? She's the one. The girl we have been waiting for.
She has come to break the spell! (He chases after her.)
COGSWORTH: Wait a minute, wait a minute!
(BELLE advances down a narrow hallway. COGSWORTH and LUMIERE sneak up behind
her and open the door that leads to the tower where MAURICE is being kept. The
door creaks open and BELLE hears the sound)
BELLE: Papa? Papa? (COGSWORTH hides behind the door and LUMIERE rushes
off.) Hello? Is someone here? Wait! I'm looking for my father!
(She begins up the stairs, but doesn't realize that LUMIERE is
watching her.) That's funny, I'm sure there was someone...
I-I-Is there anyone here?
(MAURICE's voice echoes from his cell)
MAURICE: Belle?
BELLE: (Rushes up to the cell to find him) Oh, Papa!
MAURICE: How did you find me?
BELLE: Oh, your hands are like ice. We have to get you out of here.
MAURICE: Belle, I want you to leave this place.
BELLE: Who's done this to you?
MAURICE: No time to explain. You must go...now!
BELLE: I won't leave you!
(Suddenly, BEAST grabs BELLE's shoulder and whips her around. She drops the
torch she was carrying into a puddle and the room is dark except for one beam of
light from a skylight.)
BEAST: What are you doing here?
MAURICE: Run, Belle!
BELLE: Who's there? Who are you?
BEAST: The master of this castle.
BELLE: I've come for my father. Please let him out! Can't you see he's
sick?
BEAST: Then he shouldn't have trespassed here.
BELLE: But he could die. Please, I'll do anything!
BEAST: There's nothing you can do. He's my prisoner.
BELLE: Oh, there must be some way I can...wait! Take me, instead!
BEAST: You! You would take his place?
MAURICE: Belle! No! You don't know what you're doing!
BELLE: If I did, would you let him go?
BEAST: Yes, but you must promise to stay here forever.
(BELLE ponders the situation and realizes she can't see the captor)
BELLE: Come into the light.
(BEAST drags his legs, then his whole body into the beam of light. BELLE looks,
her eyes growing wider until she can stand no more and falls back to MAURICE.)
MAURICE: No, Belle. I won't let you do this!
(BELLE regains her composure, then steps into the beam of light, giving her a
very virgin-ish look)
BELLE: You have my word.
BEAST: (quickly) Done!
(BEAST moves over to unlock the cell, and BELLE collapses to the floor with her
head in her hands. We hear the door being unlocked, then MAURICE rushing over
to BELLE.)
MAURICE: No, Belle. Listen to me. I'm old, I've lived my life--
(BEAST grabs him and drags him downstairs)
BELLE: Wait!
MAURICE: Belle!
BELLE: Wait!
(Cut to ext. of castle. BEAST drags MAURICE towards PALLENQUIN)
MAURICE: No, please spare my daughter!
BEAST: She's no longer your concern. (BEAST throws MAURICE into the
PALLENQUIN.) Take him to the village.
(The PALLENQUIN breaks the ivy holding it to the ground, then slinks off like a
spider with MAURICE inside)
MAURICE: Please, let me out, please!
(Cut to BELLE looking out cell window at the PALLENQUIN crossing the bridge over
the moat. She begins to cry. Cut to BEAST walking up the stairs. LUMIERE is
still at his post.)
LUMIERE: Master?
BEAST: (angrily) What!
LUMIERE: Since the girl is going to be with us for quite some time, I was
thinking that you might want to offer her a more comfortable
room. (BEAST growls angrily at him.) Then again, maybe not.
(BEAST enters the cell where BELLE is still crying.)
BELLE: You didn't even let me say good bye. I'll never see him again. I
didn't get to say good-bye.
BEAST: (feeling bad) I'll show you to your room.
BELLE: (surprised) My room? (Indicating the cell) But I thought--
BEAST: You wanna, you wanna stay in the tower?
BELLE: No.
BEAST: Then follow me.
(BEAST leads BELLE to her room. As they proceed, BELLE begins to lag behind.
She looks at the hideous sculptures on the walls and the light casting shadows
on them. Frightened, she gasps and runs to catch up with BEAST, who is carrying
LUMIERE as a light source. BEAST looks back at BELLE, and sees a tear form at
the corner of her eye.)
LUMIERE: Say something to her.
BEAST: Hmm? Oh. (To BELLE) I...um...hope you like it here. (He looks
at LUMIERE for approval. He motions BEAST to continue.) The
castle is your home now, so you can go anywhere you wish, except
the West Wing.
BELLE: (looking intrigued) What's in the West Wing?
BEAST: (stopping angrily) It's forbidden!
(BEAST continues, and BELLE reluctantly follows. Cut to int. of BELLE's room,
dark. The door opens and light spills in.)
BEAST: (Tenderly) Now, if there's anything you need, my servants will
attend you.
LUMIERE: (whispering in his ear) Dinner--invite her to dinner.
BEAST: (Growing angry) You...will join me for dinner. That's not a
request!
(BEAST leaves, slamming the door behind him. BELLE, terrified, runs over to the
bed and flings herself onto it, finally breaking down and crying. Fade to
tavern in the town.)
GASTON: Who does she think she is? That girl has tangled with the wrong
man. No one says 'no' to Gaston!
LEFOU: Darn right!
GASTON: Dismissed. Rejected. Publicly humiliated. Why, it's more than I
can bear. (turns chair away)
LEFOU: (Runs in front of him) More beer?
GASTON: (Turns chair away again) What for? Nothing helps. I'm disgraced.
LEFOU: Who, you? Never. Gaston, you've got to pull yourself together.
Gosh it disturbs me to see you, Gaston
Looking so down in the dumps
Every guy here'd love to be you, Gaston (cheering from the
gallery)
Even when taking your lumps
There's no man in town as admired as you
You're everyone's favorite guy
Everyone's awed and inspired by you (LEFOU turns chair back to
forward)
And it's not very hard to see why!
No one's slick as Gaston, no one's quick as Gaston
No one's next as incredibly thick as Gaston
For there's no man in town half as manly
Perfect, a pure paragon!
You can ask any Tom, Dick, or Stanley
And they'll tell you who's team they'd prefer to be on!
(LEFOU has pulled a man's belt off, whose pants fall to the ground. LEFOU jumps
up and wraps the belt around GASTON's neck, who flexes and breaks it off. LEFOU
continues to dance around. OLD CRONIES pick him up and swing him around.)
OLD CRONIES: No one's been like Gaston, a king-pin like Gaston
LEFOU: No one's got a swell cleft in his chin like Gaston
GASTON: As a specimen, yes, I'm intimidating!
OLD CRONIES: My, what a guy that Gaston!
(OLD CRONIES swing LEFOU back and forth into the camera. LEFOU tickles GASTON's
chin, who stands with pride)
OLD CRONIES: Give five hurrahs, give twelve hip-hips
LEFOU: Gaston is the best and the rest is all drips!
(LEFOU swings up his arm in dance and throws a mug of beer in GASTON's face, who
socks LEFOU in the face)
ALL: No one fights like Gaston, no one bites like Gaston
WRESTLER: In a wrestling match, nobody bites like Gaston
BIMBETTES: For there's no one as burly and brawny
GASTON: As you see I've got biceps to spare
LEFOU: Not a bit of him scraggly or scrawny
GASTON: That's right! And every last bit of me's covered with hair!
(GASTON fights with the men, then lifts a bench with the BIMBETTES on it. He
drops the bench on LEFOU, then turns to the camera and reveals his hairy chest.)
OLD CRONIES: No one hits like Gaston, matches wits like Gaston
LEFOU: In a spitting match, nobody spits like Gaston!
GASTON: I'm especially good at expectorating! Ptooey!
ALL: Ten points for Gaston!
(GASTON plays a chess game with a man, then hits the board, sending it and
pieces all over. He takes a bite of leather from the belt once wrapped around
his neck, chews it and spits it into a spittoon, which falls and gets stuck on
the head of LEFOU.)
GASTON: When I was a lad I ate four dozen eggs
Every morning to help me get large!
And now that I'm grown, I eat five dozen eggs
So I'm roughly the size of a barge!
(GASTON juggles a number of eggs, then swallows them whole. LEFOU attempts the
trick, and is hit in the face by three eggs.)
ALL: No one shoots like Gaston, makes those beauts like Gaston
LEFOU: Then goes tromping around wearing boots like Gaston
GASTON: I use antlers in all of my decorating!
(GASTON takes three shots at a beer barrel, which begins leaking into the mugs
of onlookers. He returns stomping to his chair, where we see the fireplace
surrounded by the heads of the animals he has killed. The mystery cut of music
is here! Cut to ending of "Gaston Reprise")
ALL: My what a guy! Gaston!!!!!!!
(The OLD CRONIES have picked up the chair and carry GASTON around in it. LEFOU
tries to flee, but they toss the chair into its normal place, and LEFOU is
pinned underneath. MAURICE bursts in frantically)
MAURICE: Help! Someone help me!
OLD MAN: Maurice?
MAURICE: Please! Please, I need your help! He's got her. He's got her
locked in the dungeon.
LEFOU: Who?
MAURICE: Belle. We must go. Not a minute to lose!
GASTON: Whoa! Slow down, Maurice. Who's got Belle locked in a dungeon?
MAURICE: A beast! A horrible, monstrous beast!
(MAURICE has gone from person to person, pleading his case, until he is thrown
at the feet of GASTON. A moment of silence, then the OLD CRONIES begin to laugh
and mock him.)
CRONY 1: Is it a big beast?
MAURICE: Huge!
CRONY 2: With a long, ugly snout?
MAURICE: Hideously ugly!
CRONY 3: And sharp, cruel fangs?
MAURICE: Yes, yes. Will you help me?
GASTON: All right, old man. We'll help you out.
MAURICE: You will? Oh thank you, thank you!
(The OLD CRONIES pick up MAURICE and help him out by throwing him through the
door.)
CRONY 1: Crazy old Maurice. He's always good for a laugh!
GASTON: (Very pensive) Crazy old Maurice, hmm? Crazy old Maurice. Hmmm?
Lefou, I'm afraid I've been thinking.
(LEFOU is still under the chair.)
LEFOU: A dangerous pastime--
GASTON: (finishing line) I know,
But that wacky old coot is Belle's father
And his sanity's only so-so
Now the wheels in my head have been turning
Since I looked at that loony old man
See I promised myself I'd be married to Belle,
And right now I'm evolving a plan!
(GASTON picks LEFOU out from under the chair and holds his head close, and
whispers)
GASTON: If I...(whisper)
LEFOU: Yes?
GASTON: Then I...(whisper)
LEFOU: No, would she?
GASTON: (whispering)...GUESS!
LEFOU: Now I get it!
BOTH: Let's go!
(They begin a waltz around the floor as they sing)
BOTH: No one plots like Gaston, takes cheap shots like Gaston
LEFOU: Plans to persecute harmless crackpots like Gaston
ALL: So his marriage we soon'll be celebrating!
My what a guy, Gaston!!!
(Camera zooms out through window to snow covered square, empty except for
MAURICE)
MAURICE: (to no one in particular) Will no one help me?
(Fade back to the bedroom of the castle where BELLE is still crying. There is a
'clink clink clink' at the door. She gets up and walks over to open the door.
MRS. POTTS enters with CHIP and their entourage.)
BELLE: Who is it?
MRS. POTTS: (from outside the door) Mrs. Potts, dear. (Door opens.) I
thought you might like a spot of tea.
BELLE: (amazed at the fact that she is listening to a walking tea set)
But you...ah...but...I--
(BELLE bumps into the WARDROBE)
WARDROBE: Oof. Careful!
BELLE: (sits on bed) This is impossible--
WARDROBE: (leans 'shoulder' on bed, popping other end and BELLE into the
air) I know it is, but here we are!
CHIP: (as sugar and cream are being poured into him) Told ya she was
pretty, mama, didn't I?
MRS. POTTS: All right, now, Chip. That'll do. (CHIP hops over to
BELLE, who is sitting on the floor) Slowly, now. Don't spill!
BELLE: Thank you. (She picks up CHIP, and is about to take a sip of
tea.)
CHIP: (To BELLE) Wanna see me do a trick? (CHIP takes a big breath,
then puffs out his cheeks and blows bubbles out the top of the
cup.)
MRS. POTTS: (admonishingly) Chip!
CHIP: (looking guilty) Oops. Sorry.
MRS. POTTS: (To BELLE) That was a very brave thing you did, my dear.
WARDROBE: We all think so.
BELLE: But I've lost my father, my dreams, everything.
MRS. POTTS: Cheer up, child. It'll turn out all right in the end. You'll
see. (She looks up, startled.) Oops! Look at me, jabbering on,
when there's a supper to get on the table. Chip!
CHIP: (hopping away) Bye!
(BELLE stands and the WARDROBE approaches her.)
WARDROBE: Well now, what shall we dress you in for dinner? Let's see what
I've got in my drawers. (The doors fly open and moths flutter
out. She slams them shut.) Oh! How embarrassing. Here we are.
(One door opens, the other serves as an arm. It pulls out a pink
dress.) Ah! There, you'll look ravishing in this one! (Something
to think about: We never hear of a King or Queen or parents, so
what is a Prince living on his own doing with a wardrobe full of
women's clothing? Maybe he wants to be a lumberjack!)
BELLE: That's very kind of you, but I'm not going to dinner.
WARDROBE: Oh, but you must!
(COGSWORTH waddles in)
COGSWORTH: Ahem, ahem, ahem. Dinner...is served.
(Cut to BEAST pacing back and forth in front of fire, with MRS. POTTS and
LUMIERE looking on.)
BEAST: What's taking so long? I told her to come down. Why isn't she
here yet?!?
MRS. POTTS: Oh, try to be patient, sir. The girl has lost her father and
her freedom all in one day.
LUMIERE: Uh, master. Have you thought that, perhaps, this girl could be
the one to break the spell?
BEAST: (angrily) Of course I have. I'm not a fool.
LUMIERE: Good. You fall in love with her, she falls in love with you,
and--Poof!--the spell is broken! We'll be human again by
midnight! (That sounds like a good title for a song-- "Human
Again")
MRS. POTTS: Oh, it's not that easy, Lumiere. These things take time.
LUMIERE: But the rose has already begun to wilt.
BEAST: It's no use. She's so beautiful, and I'm so...well, look at me!
(LUMIERE shrugs his shoulders and looks at MRS. POTTS.)
MRS. POTTS: Oh, you must help her to see past all that.
BEAST: I don't know how.
MRS. POTTS: Well, you can start by making yourself more presentable.
Straighten up, try to act like a gentleman.
(BEAST sits up, then straightens his face very formally)
LUMIERE: (adding in) Ah yes, when she comes in, give her a dashing,
debonair smile. Come, come. Show me the smile. (BEAST bears his
ragged fangs in a scary, and yet funny grin.)
MRS. POTTS: But don't frighten the poor girl.
LUMIERE: Impress her with your rapier wit.
MRS. POTTS: But be gentle.
LUMIERE: Shower her with compliments.
MRS. POTTS: But be sincere
LUMIERE: And above all...
BOTH: You must control your temper!
(The door creaks open. BEAST wipes the silly face off, and looks to the door
expectantly.)
LUMIERE: Here she is!
(COGSWORTH enters.)
COGSWORTH: Uh, good evening.
(BEAST goes from expectant to mad.)
BEAST: (growling) Well, where is she?
COGSWORTH: (buying time) Who? Oh! The girl. Yes, the, ah, girl. Well,
actually, she's in the process of, ah, um, circumstances being
what they are, ah... she's not coming.
(Cut to ext of den with door slightly ajar)
BEAST: WHAT!!!!!!!
(Door bangs open and BEAST comes running out, with OBJECTS giving chase)
COGSWORTH: Your grace! Your eminence! Let's not be hasty!
(Cut to ext of BELLE's room. BEAST runs up to it and bangs on the door.)
BEAST: (Yelling) I thought I told you to come down to dinner!
BELLE: (From behind the door) I'm not hungry.
BEAST: You'll come out or I'll...I'll break down the door!
LUMIERE: (interrupting) Master, I could be wrong, but that may not be the
best way to win the girl's affections.
COGSWORTH: (pleading) Please! Attempt to be a gentleman.
BEAST: (growing angrier) But she is being so...difficult!
MRS. POTTS: Gently, gently.
BEAST: (very dejected) Will you come down to dinner?
BELLE: No!
(BEAST looks at the OBJECTS, very frustrated.)
COGSWORTH: Suave. Genteel.
BEAST: (Trying to act formal, bowing at the door) It would give me great
pleasure if you would join me for dinner.
COGSWORTH: Ahem, ahem, we say 'please.'
BEAST: (once again dejected) ...please.
BELLE: (Mad at BEAST) No, thank you.
BEAST: (furious) You can't stay in there forever!
BELLE: (provokingly) Yes I can!
BEAST: Fine! Then go ahead and STARVE!!!! (To OBJECTS) If she doesn't
eat with me, then she doesn't eat at all!
(BEAST runs back down the hall, slamming a door and causing a piece of the
ceiling to fall on LUMIERE.)
MRS. POTTS: That didn't go very well at all, did it.
COGSWORTH: Lumiere, stand watch at the door and inform me at once if there
is the slightest change.
LUMIERE: (Taking guard position next to door) You can count on me, mon
capitan.
COGSWORTH: Well, I guess we better go downstairs and start cleaning up.
(Cut to int of BEAST's lair. BEAST enters, knocking over and destroying things
in his path.)
BEAST: I ask nicely, but she refuses. What a...what does she want me to
do--beg? (Picking up the MAGIC MIRROR) Show me the girl.
(The MAGIC MIRROR shines, then glows green and reveals BELLE in her bedroom,
talking to the WARDROBE)
WARDROBE: (in mirror pleading) Why the master's not so bad once you get to
know him. Why don't you give him a chance?
BELLE: (still disturbed by the attack) I don't want to get to know him.
I don't want to have anything to do with him!
BEAST: (setting down MAGIC MIRROR, speaking tenderly) I'm just fooling
myself. She'll never see me as anything...but a monster. (Another
petal falls off the rose.) It's hopeless.
(BEAST puts his head in his hands as in a depressed state. Fade out/Fade in to
ext of BELLE's room. Door creaks open. BELLE silently emerges. We see her feet
go by as three bright spots shine through a curtain at floor level. Behind it
are LUMIERE and FEATHERDUSTER.)
FEATHERDUSTER:
Oh, no!
LUMIERE: Oh, yes!
FEATHERDUSTER:
Oh, no!
LUMIERE: Oh, yes, yes, yes!
FEATHERDUSTER:
I've been burnt by you before!
(LUMIERE and FEATHERDUSTER have emerged and LUMIERE takes her in his arms.
Suddenly he looks up and sees BELLE walking down the hall. He drops
FEATHERDUSTER.)
FEATHERDUSTER:
Oof!
LUMIERE: Zut alors! She has emerged!
(Cut to kitchen, where we find COGSWORTH,MRS. POTTS,CHIP and the STOVE.)
MRS. POTTS: Come on, Chip. Into the cupboard with your brothers and
sisters. (helping him in)
CHIP: But I'm not sleepy.
MRS. POTTS: Yes you are.
CHIP: No, I'm...not. (He falls asleep and MRS. POTTS shuts the cupboard
door.)
(A banging of pots and pans comes from the STOVE.)
STOVE: I work and I slave all day, and for what? A culinary masterpiece
gone to waste.
MRS. POTTS: Oh, stop your grousing. It's been a long night for all of us.
COGSWORTH: Well, if you ask me, she was just being stubborn. After all,
the master did say 'please.'
MRS. POTTS: But if the master doesn't learn to control that temper, he'll
never break the--
(BELLE enters, and COGSWORTH cuts off MRS. POTTS before she can say 'spell.')
COGSWORTH: (interrupting) Splendid to see you out and about, mademoiselle.
(LUMIERE comes running in.) I am Cogsworth, head of the
household. (He leans over to kiss her hand, but LUMIERE butts
in front of him.) This is Lumiere.
LUMIERE: En chante, cherie.
COGSWORTH: (trying to talk around LUMIERE who is still kissing BELLE's
hand) If there's anything...stop that...that we can...please
(finally shoving him out of the way)...to make your stay more
comfortable. (LUMIERE burns the hand of COGSWORTH) Ow!!!!
BELLE: I am a little hungry.
MRS. POTTS: (excited, to the other tea pots) You are? Hear that? She's
hungry. Stoke the fire, break out the silver, wake the china.
(The fire on the STOVE roars to life, and drawers open to reveal silverware
standing at attention.)
COGSWORTH: (secretively) Remember what the master said.
MRS. POTTS: Oh, pish tosh. I'm not going to let the poor child go hungry.
COGSWORTH: (thinking he is giving in to the ultimate demand) Oh, all
right. Glass of water, crust of bread, and then--
LUMIERE: Cogsworth, I am surprised at you. She's not our prisoner. She's
our guest. We must make her feel welcome here. (to BELLE)
Right this way, mademoiselle.
COGSWORTH: Well keep it down. If the master finds out about this, it will
be our necks!
LUMIERE: Of course, of course. But what is dinner without a little music?
(LUMIERE has started out the swinging door. He lets it close, and the door hits
COGSWORTH and sends him across the room to land in a pan filled with (what looks
like) pancake batter. He screams his line as he is in flight.)
COGSWORTH: MUSIC!?!
(Cut to dining room, where BELLE is seated at the end of a long table. LUMIERE
is on the table and a spotlight shines on him.)
LUMIERE: Ma chere, mademoiselle. It is with deepest pleasure and
greatest pride that I welcome you tonight. And now, we invite
you to relax. Let us pull up a chair as the dining room proudly
presents...your dinner.
Be our guest, be our guest
Put our service to the test,
tie your napkin 'round your neck, cherie
and we provide the rest!
(The CHAIR has wrapped a napkin around the neck of BELLE, who takes it off and
places it on her lap. The CHAIR's arms put it's hands on it's 'waist' as if it
were mad.
Soup du jour, hot hors d'oeuvres
Why we only live to serve
Try the grey stuff, it's delicious
Don't believe me? Ask the dishes!
(LUMIERE offers BELLE a plate of hors d'oeuvres. She dips her finger in one,
and tastes it.)
They can sing, they can dance
After all, miss, this is France!
And a dinner here is never second best!
Go on unfold your menu, take a glance and then you'll
Be our guest, be our guest, be our guest!
(A cabinet at the end of the table opens to reveal a large CHINA collection,
which rolls out and begins to perform. LUMIERE hands BELLE a menu, which she
begins to read.)
Beef ragout, cheese souffle,
Pie and pudding en flambe!
We'll prepare and serve with flair
A culinary cabaret!
(Plates of food go dancing by, with COGSWORTH in the pudding. LUMIERE sets his
torch to it, and it explodes, turning COGSWORTH's face black with soot.)
You're alone and you're scared,
But the banquet's all prepared!
No one's gloomy or complaining,
While the flatware's entertaining!
(The FLATWARE enters a 'Busby Berlkley-esque' swimming scene.)
We tell jokes, I do tricks
With my fellow candlesticks
(LUMIERE, standing on a plate, is elevated and begins to juggle his candles.
MUGS enter the shot.)
MUGS: And it's all in perfect taste
That you can bet!!!
(The MUGS begin a gymnastics routine, hopping over one another and passing a
beverage from one to the next)
ALL: Come on and lift your glass,
You've won your own free pass
To be our guest, be our guest, be our guest!
LUMIERE: If you're stressed, it's fine dining we suggest!
ALL: Be our guest, be our guest, be our guest!
(ALL leave except COGSWORTH, who looks scared, then begins to inch away. LUMIERE
enters and holds him there.)
LUMIERE: Life is so unnerving,
For a servant who's not serving!
He's not whole without a soul to wait upon
COGSWORTH: Get off!
LUMIERE: Ah, those good old days when we were useful
Suddenly, those good old days are gone.
(LUMIERE sings as if he were reminiscing. Snow begins to fall. COGSWORTH looks
up and sees the salt and pepper shakers doing their thing.)
LUMIERE: Ten years we've been rusting
Needing so much more than dusting
Needing exercise, a chance to use our skills!
(LUMIERE dusts the salt of the head of COGSWORTH, who tries to escape. He trips
and falls into the gelatin mold.)
Most days just lay around the castle,
Flabby fat and lazy
You walked in, and oops-a-daisie!
(LUMIERE jumps on a spoon in the gelatin, which catapults COGSWORTH out of the
mold. Cut to kitchen, where MRS. POTTS is surrounded by soap bubbles.)
MRS. POTTS: It's a guest, it's a guest!
Sakes alive, well I'll be blessed!
Wine's been poured and thank the Lord
I've had the napkins freshly pressed!
(MRS. POTTS continues to dance around the kitchen)
With dessert, she'll want tea,
And my dear, that's fine with me!
While the cups do their soft shoeing,
I'll be bubbling, I'll be brewing!
I'll get warm, piping hot
Heaven's sake, is that a spot?
Clean it up, we want the company impressed!
We've got a lot to do--
Is it one lump or two?
For you our guest!
(MRS. POTTS is cleaned off by a napkin. She hops onto the tea cart and rolls
into the dining room, where she offers tea to BELLE.)
ALL: She's our guest!
MRS. POTTS: She's our guest!
ALL: She's our guest!
Be our guest! Be our guest!
Our command is your request!
It's ten years since we had anybody here
And we're obsessed!
With your meal, with your ease,
Yes indeed, we aim to please
While the candlelight's still glowing
Let us help you, we'll keep going--
(The CHINA and CANDLESTICKS perform an elaborately choreographed dance sequence,
ending in a c.u. of LUMIERE.)
ALL (esp. LUMIERE):
Course, by course
One by one
'Til you shout "Enough, I'm done!"
Then we'll sing you off to sleep as you digest
Tonight you'll prop your feet up,
But for let's eat up
Be our guest! Be our guest! Be our guest! Please Be our guest!!
(A fantastic ending comes of the song, with SILVERWARE flying through the air,
PLATES and FEATHERDUSTERS dancing, and COGSWORTH the focus of attention, until
LUMIERE comes sliding in and sends him flying out of camera range.)
BELLE: Bravo! That was wonderful!
COGSWORTH: Thank you, thank you, mademoiselle. Yes, good show, wasn't it
everyone. (Looking at his own face) Oh, my goodness, will you
look at the time. Now, it's off to bed, off to bed!
(LUMIERE comes up next to COGSWORTH.)
BELLE: Oh, I couldn't possibly go to bed now. It's my first time in
an enchanted castle.
COGSWORTH: Enchanted? Who said anything about the castle being enchanted?
(He tries to cover it up, just as a fork runs past. To LUMIERE)
It was you, wasn't it!
BELLE: I, um, figured it out for myself. (COGSWORTH and LUMIERE have been
fighting. They both look at her, then stop. COGSWORTH dusts
himself off, and LUMIERE fixes his wax nose.) I'd like to look
around, if that's all right.
LUMIERE: (excited) Oh! Would you like a tour?
COGSWORTH: Wait a second, wait a second. I'm not sure that's such a good
idea. (Confidentially, to LUMIERE) We can't let her go poking
around in certain places, if you know what I mean.
BELLE: (Poking COGSWORTH in the belly (like the Pillsbury doughboy))
Perhaps you could take me. I'm sure you know everything there
is to know about the castle.
COGSWORTH: (flattered) Well, actually, ah yes, I do!
(Fade to COGSWORTH, LUMIERE, and BELLE walking down a hall with FOOTSTOOL.
COGSWORTH is lecturing.)
COGSWORTH: As you can see, the pseudo facade was stripped away to reveal a
minimalist rococo design. Note the unusual inverted vaulted
ceilings. This is yet another example of the neo-classic baroque
period, and as I always say, if it's not baroque, don't fix it!
Ha ha ha. Now then, where was I? (He turns to find the heads of
the SUITS OF ARMOR have turned to follow BELLE.) As you were!
(They all snap back to face forward.) Now, if I may draw your
attention to the flying buttresses above the--mademoiselle?
(COGSWORTH turns back to the group and is one girl short. He sees her beginning
to climb the grand staircase. He and LUMIERE run up to her and jump in front of
her, blocking her progress upstairs.)
BELLE: What's up there?
COGSWORTH: Where? Up there? Nothing. Absolutely nothing of interest at all
in the West Wing. Dusty, dull, very boring.
(LUMIERE has been shaking his head, but COGSWORTH nudges him and he nods in
agreement.)
BELLE: Oh, so that's the West Wing.
LUMIERE: (To COGSWORTH) Nice going!
BELLE: I wonder what he's hiding up there.
LUMIERE: Hiding? The master is hiding nothing!
BELLE: Then it wouldn't be forbidden.
(She steps over them, but they dash up and block her again.)
COGSWORTH: Perhaps mademoiselle would like to see something else. We have
exquisite tapestries dating all the way back to...
BELLE: (again stepping over them) Maybe later.
LUMIERE: (with COGSWORTH, again dashing and blocking) The gardens, or the
library perhaps?
BELLE: (Now, with incredible interest) You have a library?
COGSWORTH: (Thrilled that he has found something to interest her) Oh yes!
Indeed!
LUMIERE: With books!
COGSWORTH: Gads of books!
LUMIERE: Mountains of books!
COGSWORTH: Forests of books!
LUMIERE: Cascades...
COGSWORTH: ...of books!
LUMIERE: Swamps of books!
COGSWORTH: More books than you'll ever be able to read in a lifetime!
Books on every subject ever studied, by every author who ever
set pen to paper...
(LUMIERE and COGSWORTH begin marching off, and BELLE begins to follow, but her
curiosity overtakes her, and she turns back to the West Wing. Her excitement
begins to dwindle, though, when she enters the hallway leading to BEAST's lair.
As she walks down the hall, she stops to look in a mirror that has been
shattered into several pieces, each one reflecting her concerned look. She
reaches the end of the hall and finds a closed door with gargoyle handles. She
takes a deep breath, then reaches out and opens the door. Cut to int of lair,
where BELLE begins to explore. She is truly shocked by everything she sees.
She wanders around, looking, and knocks over a table, but she catches it before
it crashes to the floor. She then turns her head and sees a shredded picture on
the wall. We can only see part of a portrait. It is the same portrait that was
shredded in the opening. BELLE reaches out and lifts the shreds of the picture
to reveal the prince. We never see this, however, for then she turns her head
and sees the rose under the bell jar. She walks over to it, her eyes
transfixed. She reaches out, then lifts off the jar, leaving the rose
unprotected. She reaches up, brushes back the strand of hair that has been
repeatedly falling on her forehead, then reaches out to touch the rose. As she
nears it, a shadow falls over her. BEAST has been on the balcony, and sees her.
He jumps back into the room,then slams the jar back on the rose. He then turns
his attention to BELLE.)
BEAST: (growing angry) Why did you come here?
BELLE: (Backing away, scared) I'm sorry,
BEAST: I warned you never to come here!
BELLE: I didn't mean any harm.
BEAST: (Angrier) Do you realize what you could have done? (Begins to
thrash at the furniture)
BELLE: (Pleading, but still scared) Please, stop! No!
BEAST: (Screaming) Get out!!!! GET OUT!!!!
(BELLE turns and flees the room. BEAST calms down, then falls into despair,
finally realizing that he may have destroyed his chances with BELLE. She
reaches the stairway and grabs her cloak. She rushes down the stairs, wrapping
the cloak around her and bursting past a confused LUMIERE and COGSWORTH .)
LUMIERE: Wh- Where are you going?
BELLE: Promise or no promise, I can't stay here another minute!
COGSWORTH: Oh no, wait, please wait!
(LUMIERE tries to respond, but BELLE slams the door behind her. He and
COGSWORTH both bow their heads in sadness. Cut to BELLE outside in the forest
on PHILLIPE. She begins to ride through the forest, but PHILLIPE comes to a
stop. She looks up and sees the WOLVES. She gasps, then pulls the reins and
begins to flee. She runs from side to side, making the WOLVES hit the trees (a
la Speederbike chase in Return of the Jedi). PHILLIPE runs out on a frozen
pond, but his and BELLE's weight collapse the ice. The WOLVES chase her into
the water. Some begin to drown, but PHILLIPE is able to get out of the water
before anything serious happens. He runs into a clearing, but becomes
surrounded by WOLVES. He bucks, throwing BELLE off and wrapping the reins
around a tree branch. The WOLVES begin their attack on PHILLIPE, but BELLE
comes to his rescue and beats them away with a stick. One WOLF grabs the stick
in its mouth and breaks half of it off, leaving BELLE defenseless. Another
leaps at her, grabbing the corner of her cloak and dragging her to the ground.
She looks up and sees a WOLF about to jump on top of her. It leaps and is
caught in mid-air by BEAST. He throws the WOLF away, then stands behind them
and BELLE. They lunge at each other. One rips a hole in BEAST's shoulder, and
the others focus their attack on that spot. Finally, BEAST throws a WOLF
against a tree, knocking it out. The others turn and run in fear. BEAST turns
back to BELLE, looks at her despairingly, then collapses. BELLE, grateful to be
alive, turns back to PHILLIPE and begins to get on, but her conscience takes
over, and she walks over to the fallen BEAST. Fade to BELLE and PHILLIPE
walking back to the castle, with BEAST on the horse's back. Fade to int of den,
with BELLE pouring hot water out of MRS. POTTS. She soaks a rag in the water,
then turns to BEAST, who is licking his wounds.)
BELLE: Here now. Oh, don't do that. (BEAST growls at her as she tries to
clean the wound with her rag.) Just...hold still.
(She touches the rag to the wound and BEAST roars in pain. The OBJECTS, who
have been watching, jump back into hiding from the outburst.)
BEAST: That hurts!
BELLE: (In counterpoint) If you'd hold still, it wouldn't hurt as much.
BEAST: Well if you hadn't run away, this wouldn't have happened!
BELLE: Well if you hadn't frightened me, I wouldn't have run away!
BEAST: (Opens his mouth to respond, but has to stop and think of a good
line) Well you shouldn't have been in the West Wing!
BELLE: Well you should learn to control your temper! (BEAST raises his
hand to bring out another point, but finds he has none, so he
bows his head down again. The OBJECTS emerge from their hiding
as BELLE has conquered the ferocious temper of BEAST. BELLE
moves the rag closer to the wound) Now, hold still. This may
sting a little. (BEAST gives a surprised grunt, then grits his
teeth as the rag is applied. BELLE speaks tenderly.) By the way,
thank you, for saving my life.
(BEAST opens his eyes, looking surprised.)
BEAST: (Also very tenderly) You're welcome.
(Camera zooms out and we see the OBJECTS looking on with interest. Fade to
GASTON's tavern, which is empty except for GASTON, LEFOU and MONSIEUR D'ARQUE,
who are all sitting at a table.)
D'ARQUE: I don't usually leave the asylum in the middle of the night, but
they said you'd make it worth my while. (GASTON pulls out a
sack of gold and tosses it in front of him. He takes out a piece,
scrapes it on his chin and continues.) Aah, I'm listening.
GASTON: It's like this. I've got my heart set on marrying Belle, but she
needs a little persuasion.
LEFOU: (butting in) Turned him down flat!
(GASTON slams a beer mug on his head.)
GASTON: Everyone knows her father's a lunatic. He was in here tonight
raving about a beast in a castle...
D'ARQUE: Maurice is harmless.
GASTON: The point is, Belle would do anything to keep him from being
locked up.
LEFOU: Yeah, even marry him!
(GASTON gives him another threatening look, and he ducks back under the mug.)
D'ARQUE: So you want me to throw her father in the asylum unless she agrees
to marry you? (They both nod in agreement.) Oh, that is
despicable. I love it!
(Cut to int of BELLE's cottage. MAURICE is packing to leave.)
MAURICE: If no one will help me, then I'll go back alone. I don't care
what it takes. I'll find that castle and somehow I'll get her
out of there.
(MAURICE leaves on his journey. Seconds later, GASTON and LEFOU arrive with
D'ARQUE. They enter the house looking for one of the residents.)
GASTON: Belle! Maurice!
LEFOU: Oh, well, I guess it's not gonna work after all.
(GASTON grabs him by the neck and walks outside.)
GASTON: They have to come back sometime, and when they do, we'll be ready
for them. (Drops LEFOU into a snowbank by the porch) Lefou,
don't move from that spot until Belle and her father come home.
LEFOU: But, but... aww, nuts! (He pounds the side of the house and a pile
of snow falls on his head.)
(Fade to ext of castle. BELLE is playing in the snow with PHILLIPE and
FOOTSTOOL. BEAST, COGSWORTH and LUMIERE watch from the balcony.)
BEAST: I've never felt this way about anyone. (Looks excited) I want
to do something for her. (Looks discouraged.) But what?
COGSWORTH: Well, there's the usual things--flowers, chocolates, promises
you don't intend to keep...
LUMIERE: Ahh, no no. It has to be something very special. Something that
sparks her inter--wait a minute.
(Cut to int hallway leading to library. BEAST and BELLE are alone.)
BEAST: Belle, there's something I want to show you. (Begins to open the
door, then stops.) But first, you have to close your eyes. (She
looks at him questioningly.) It's a surprise.
(BELLE closes her eyes, and BEAST waves his hand in front of her. Then he opens
the door. He leads her in.)
BELLE: (Just as she enters the room) Can I open them?
BEAST: No, no. Not yet. Wait here.
(BEAST walks away to draw back the curtains. He does, and brilliant sunlight
spills into the room. BELLE flinches reflexively as the light hits her face.)
BELLE: Now can I open them?
BEAST: All right. Now.
(BELLE opens her eyes and the camera pulls back to reveal the gigantic library
filled with books.)
BELLE: I can't believe it. I've never seen so many books in all my life!
BEAST: You--you like it?
BELLE: It's wonderful.
BEAST: Then it's yours.
BEAST: Oh, thank you so much.
(Cut to BELLE and BEAST in bkgd, with OBJECTS including CHIP in foreground
watching them.)
MRS. POTTS: Oh, would you look at that?
LUMIERE: Ha ha! I knew it would work.
CHIP: What? What works?
COGSWORTH: It's very encouraging.
FEATHERDUSTER:
Isn't this exciting!
CHIP: I didn't see anything.
MRS. POTTS: Come along, Chip. There's chores to be done in the kitchen.
CHIP: But what are they talking about? What's going on?
(OBJECTS walk away. Fade to breakfast table with BELLE at one end and BEAST at
the other, with MRS. POTTS between them. BELLE is served breakfast, and as she
begins to eat, she looks at BEAST, gobbling up his food with no table manners
whatsoever. CHIP laughs, but MRS. POTTS shoots him an admonishing look. BELLE
turns away and tries to ignore it, but CHIP comes to the rescue. He nudges the
spoon with his nose, and BEAST reaches out for it (very 3-D-ishly). BELLE looks
at him in wonder as he tries to eat with the spoon, but he has little success.
Finally, BELLE puts down her spoon and lifts her bowl as if in a toast. BEAST
looks at the compromise and does the same. They both begin to sip their
breakfast out of their bowls. Fade to courtyard where BELLE and BEAST are
feeding the birds.)
BELLE: There's something sweet
And almost kind
But he was mean
And he was coarse and unrefined.
But now he's dear
And so unsure,
I wonder why I didn't see it there before.
(BELLE is trying to attract some birds to BEAST, who shoves a handful of seed at
them. Finally, she takes a handful and gently spreads it out, creating a trail.
One lands in his hands, and he looks up thrilled.)
BEAST: She glanced this way
I thought I saw
And when we touched
She didn't shudder at my paw
No it can't be
I'll just ignore
But then she's never looked at me that way before.
(BELLE has ducked around a tree, leaving BEAST with the birds. She begins to
look doubtful again, but turns her head around the tree and laughs. BEAST is
covered with birds.)
BELLE: New, and a bit alarming
Who'd have ever thought that this could be?
True, that he's no Prince Charming
But there's something in him that I simply didn't see.
(BELLE throws a snowball at BEAST, who had looked at her proudly after the birds
flew away. He begins to gather a large pile of snow. We cut to the OBJECTS,
looking out of a window at the two. In the background, BELLE throws another
snowball at BEAST, who drops his huge pile of snow on his head. He chases her
around a tree, but she ducks around the other side and sneaks up on him from
behind.)
LUMIERE: Well who'd have thought?
MRS. POTTS: Well bless my soul.
COGSWORTH: And who'd have known?
MRS. POTTS: Well who indeed?
LUMIERE: And who'd have guessed they'd come together on their own?
MRS. POTTS: It's so peculiar
ALL: We'll wait and see
A few days more
There may be something there that wasn't there before
(Fade to den where BELLE sits in front of a roaring fire and reads to BEAST.
OBJECTS inc. CHIP watch from doorway)
COGSWORTH: Yes, perhaps there's something there that wasn't there before.
CHIP: What?
MRS. POTTS: There may be something there that wasn't there before.
CHIP: What's there, mama?
MRS. POTTS: I'll tell you when you're older.
(Cut to int. of BEAST's lair. He is in the tub getting washed up for the big
night with BELLE. LUMIERE is there with him.)
LUMIERE: Tonight is the night!
BEAST: (hesitantly) I'm not sure I can do this.
LUMIERE: You don't have time to be timid. You must be bold, daring.
BEAST: Bold. Daring. (BEAST has emerged from the tub and shakes himself
dry.)
LUMIERE: There will be music. Romantic candlelight, provided myself, and
when the time is right, you confess your love.
BEAST: (Inspired) Yes, I -- I con--No, I can't.
LUMIERE: You care for the girl, don't you?
BEAST: More than anything.
LUMIERE: Well then you must tell her. (COATRACK has been cutting BEAST's
hair. It finishes and steps back.) Voila. You look so...so...
(Cut to shot of BEAST in pig-tails and bows.)
BEAST: Stupid.
LUMIERE: Not quite the word I was looking for. Perhaps a little more off
the top.
(COATRACK begins to cut and chop again. COGSWORTH enters.)
COGSWORTH: Ahem ahem ahem. Your lady awaits.
(Cut to grand staircase, where BELLE descends from the West Wing side in a
glittering gold ball gown. She reaches the landing and looks up at BEAST, who
is standing at the top of the stairs in his dress clothes. He is nudged on by
LUMIERE from behind the curtain, and he descends and meets BELLE at the landing.
Arm in arm, they descend the last section of stairs and continue on their way to
dinner, stopped momentarily by FOOTSTOOL. MRS. POTTS sings from her cart with
CHIP on board.)
MRS. POTTS: Tale as old as time
True as it can be
Barely even friends
Then somebody bends unexpectedly.
Just a little change
Small to say the least
Both a little scared
Neither one prepared, beauty and the beast.
(BELLE and BEAST have moved into the ballroom, where they move through a
computer perfect dance sequence. BEAST occasionally looks over at LUMIERE and
COGSWORTH for their approval. MRS. POTTS and CHIP are in the ballroom on their
cart.)
MRS. POTTS: Ever just the same
Ever a surprise
Ever as before, ever just as sure
As the sun will rise
Tale as old as time
Tune as old as song
Bittersweet and strange,
Finding you can change, learning you were wrong
Certain as the sun
Rising in the east
Tale as old as time,
Song as old as rhyme, beauty and the beast.
Tale as old as time,
Song as old as rhyme, beauty and the beast.
(To CHIP) Off to the cupboard with you now, Chip. It's past
your bedtime. Good night, love.
(CHIP slides off the end of the cart, and hops out of the room, but comes back
for one last look. BELLE and BEAST have adjourned to the balcony under a starry
night.)
BEAST: Belle? Are you happy here with me?
BELLE: (Hesitantly) Yes. (She looks off into the distance)
BEAST: What is it?
BELLE: (Looks at him desperately) If only I could see my father again,
just for a moment. I miss him so much.
BEAST: (Looks disappointed for a moment, then excited.) There is a way.
(The pair adjourn to BEAST's lair, where BEAST hands BELLE the MAGIC MIRROR.)
BEAST: This mirror will show you anything, anything you wish to see.
BELLE: (Hesitantly) I'd like to see my father, please.
(The MAGIC MIRROR shines into life, and BELLE turns her head away as it flashes.
Then it reveals MAURICE fallen in the woods, coughing and lost. BELLE is
shocked. BEAST looks at her with concern.)
BELLE: Papa. Oh, no. He's sick, he may be dying. And he's all alone.
(BEAST turns, then looks at the rose, deep in thought.)
BEAST: Then...then you must go to him.
BELLE: What did you say?
BEAST: I release you. You are no longer my prisoner.
BELLE: (In amazement) You mean...I'm free?
BEAST: Yes.
BELLE: Oh, thank you. (To MAGIC MIRROR) Hold on, Papa. I'm on my way.
(BELLE turns to leave, then turns back and pushes the MAGIC MIRROR back to
BEAST.)
BEAST: Take it with you, so you'll always have a way to look back, and
remember me.
BELLE: Thank you for understanding how much he needs me.
(BELLE turns to leave and BEAST looks down in depression. She touches her hand
to his cheek and rushes out. We see BELLE's skirt fly past COGSWORTH, who has
entered the room.)
COGSWORTH: Well, your highness. I must say everything is going just
peachy. I knew you had it in you.
BEAST: (Very sad) I let her go.
COGSWORTH: Ha ha ha, yes. Splend-- (COGSWORTH stops in the middle of his
sentence.) You what? How could you do that?
BEAST: I had to.
COGSWORTH: (Still amazed) Yes, but why?
BEAST: Because, I love her.
(Cut to COGSWORTH telling the rest of the OBJECTS about BEAST's decision.)
ALL (ex. COGSWORTH):
He did what?!?!
COGSWORTH: Yes, I'm afraid it's true.
CHIP: She's going away?
LUMIERE: But he was so close.
MRS. POTTS: After all this time, he's finally learned to love.
LUMIERE: That's it, then. That should break the spell.
MRS. POTTS: But it's not enough. She has to love him in return.
COGSWORTH: And now it's too late.
(Cut to BEAST watching BELLE leave from above. He roars in sorrow and anger.
His roar turns into the sound of the wind. BELLE is out in the snow, calling
out "Papa?" Finally, she finds him face down in a snowbank. They return home,
where LEFOU is still waiting, disguised as a snowman.)
LEFOU: Oh, they're back.
(Cut to black. POV of MAURICE as his eyes open. He sees BELLE.)
MAURICE: Belle?
BELLE: It's all right, Papa. I'm home.
MAURICE: I thought I'd never see you again.
BELLE: I missed you so much.
MAURICE: But the beast. How did you escape?
BELLE: I didn't escape, Papa. He let me go.
MAURICE: That horrible beast?
BELLE: But he's different, now. He's changed somehow.
(There is sound coming from BELLE's pack. The flap opens and the MAGIC MIRROR
falls out with CHIP rolling to a stop on it.)
CHIP: Hi!
BELLE: Oh, a stowaway.
MAURICE: Why, hello there, little fella. Didn't think I'd ever see you
again.
(CHIP turns to BELLE with a look of question on his face.)
CHIP: Belle, why'd you go away? Don't you like us anymore?
BELLE: Oh, Chip. Of course I do. It's just that--
(There is a knocking at the door. BELLE opens it and MONSIEUR D'ARQUE stands on
the porch.)
BELLE: May I help you?
D'ARQUE: I've come to collect your father. (He steps aside to show the
Asylum D'Loons wagon behind him.)
BELLE: My father?
D'ARQUE: Don't worry, mademoiselle. We'll take good care of him.
BELLE: My father's not crazy.
LEFOU: (Emerging from the crowd) He was raving like a lunatic. We all
heard him, didn't we!
BYSTANDERS: Yeah!
BELLE: No, I won't let you.
(MAURICE has emerged from the home.)
MAURICE: Belle?
LEFOU: Ah, Maurice. Tell us again, old man, just how big was the beast?
MAURICE: (Struggling) Well, he was...that is...enormous. I'd say at least
eight, no more like ten feet. (CROWD laughs at him.)
LEFOU: Well, you don't get much crazier than that.
MAURICE: It's true, I tell you!
(D'ARQUE waves his arms and ORDERLIES move in and pick up MAURICE.)
LEFOU: Take him away!
MAURICE: Let go of me!
(GASTON has been watching from the sides, standing near D'ARQUE.)
BELLE: (To D'ARQUE.) No, you can't do this! (D'ARQUE shakes her off and
walks away.)
GASTON: Tsk, tsk, tsk. Poor Belle. It's a shame about your father.
BELLE: You know he's not crazy, Gaston.
GASTON: I might be able to clear up this little misunderstanding, if...
BELLE: If what?
GASTON: If you marry me.
BELLE: What?
GASTON: One little word, Belle. That's all it takes.
BELLE: Never!
GASTON: Have it your way. (Turns and walks away slowly, playing hard to
get.)
MAURICE: (Being thrown into the wagon.) Belle? (She runs back into the
house.) Let go of me!
BELLE: (Comes back out with MAGIC MIRROR. She yells to the crowd.) My
father's not crazy and I can prove it! (To MIRROR) Show me the
beast! (MAGIC MIRROR again shines, then produces the image of
the still depressed BEAST. The crowd oohs and aahs at it.)
WOMAN 1: Is it dangerous?
BELLE: (Trying to reassure her) Oh, no. He'd never hurt anyone. Please,
I know he looks vicious, but he's really kind and gentle. He's my
friend.
GASTON: If I didn't know better, I'd think you had feelings for this
monster.
BELLE: He's no monster, Gaston. You are!
GASTON: She's as crazy as the old man. (He grabs the MIRROR from her
hand.)
The beast will make off with your children!
He'll come after them in the night.
BELLE: No!
GASTON: We're not safe 'til his head is mounted on my wall!
I say we kill the beast!
(MOB cheers him and repeats the words 'kill him'.)
MAN 1: We're not safe until he's dead,
MAN 2: He'll come stalking us at night!
WOMAN 1: Set to sacrifice our children to his monstrous appetite!
MAN 3: He'll wreak havoc on our village
If we let him wander free
GASTON: So it's time to take some action, boys
It's time to follow me!
(GASTON throws a torch into a haystack, creating an instant bonfire. He begins
to prance around it, warning of the dangers of the horrible BEAST.)
Through the mist, through the woods
Through the darkness and the shadows
It's a nightmare but it's one exciting ride.
Say a prayer, then we're there
At the drawbridge of a castle,
And there's something truly terrible inside.
(GASTON chases LEFOU around, mimicking a monster.)
It's a beast,
He's got fangs, razor sharp ones
Massive paws,
Killer claws for the feast
(MAGIC MIRROR shows the face of BEAST to LEFOU, which GASTON exaggerates about.)
Hear him roar, see him foam,
But we're not coming home,
'Til he's dead, good and dead, kill the beast!
BELLE: (Interjecting) No, I won't let you do this.
GASTON: If you're not with us, you're against us. Bring the old man.
MAURICE: Get your hands off me!
(GASTON throws them into the basement and bolts the door.)
GASTON: We can't have them running off to warn the creature!
BELLE: Let us out!
GASTON: (To the CROWD) We'll rid the village of this beast. Who's with me?
(A chorus of "I am"s comes from the CROWD)
MOB: Light your torch, mount your horse!
GASTON: Screw your courage to the sticking place
MOB: We're counting on Gaston to lead the way!
Through a mist, to a wood,
Where within a haunted castle,
Something's lurking that you don't see every day!
(GASTON leads the MOB through the town and out into the forest, where they start
chopping trees in preparation for their assault on the castle.)
It's a beast,
One as tall as a mountain!
We won't rest
'Til he's good and deceased!
Sally forth, tally ho,
Grab your sword, grab your bow
Praise the Lord and here we go!
GASTON: We'll lay siege to his castle and bring back his head!
(Cut to int of basement, where BELLE is prying at the window with a stick.)
BELLE: I have to warn the beast. This is all my fault. Oh, Papa. What
are we going to do?
MAURICE: (Comforting her) Now, now. We'll think of something.
(We see CHIP looking in through the window. He turns around, thinking, and then
he sees MAURICE's contraption with the axe on the end of it.)
MOB: We don't like, what we don't
Understand, it frankly scares us
And this monster is mysterious at least!
Bring your guns, bring your knives,
Save your children and your wives,
We'll save our village and our lives,
We'll kill the beast!
COGSWORTH: I knew it, I knew it was foolish to get our hopes up.
LUMIERE: Maybe it would have been better if she had never come at all.
(FOOTSTOOL comes in barking. They rush over to the window expecting the return
of BELLE.)
LUMIERE: Could it be?
MRS. POTTS: Is it she?
LUMIERE: (Realizing the MOB is not BELLE) Sacre bleu, invaders!
COGSWORTH: Encroachers!
MRS. POTTS: (Seeing GASTON) And they have the mirror!
COGSWORTH: (Issuing orders) Warn the master. If it's a fight they want,
we'll be ready for them. (Turns around from window) Who's with
me? Aahh! (The door is slammed as the rest of the OBJECTS leave
COGSWORTH behind.)
GASTON: Take whatever booty you can find, but remember, the beast is mine!
(Cut to stairway, where OBJECTS are marching down to do battle with the MOB.)
OBJECTS: Hearts ablaze, banners high!
We go marching into battle,
Unafraid, although the danger just increased!
MOB: Raise the flag, sing the song
Here we come, we're fifty strong
And fifty Frenchmen can't be wrong,
Let's kill the beast!
(Cut to int of BEAST's lair, where MRS. POTTS is briefing him.)
MRS. POTTS: Pardon me, master.
BEAST: Leave me in peace.
MRS. POTTS: But sir, the castle is under attack!
MOB: Kill the beast, kill the beast!
(The OBJECTS have tried to block off the door, but it is being bashed in by the
MOB.)
LUMIERE: This isn't working!
FEATHERDUSTER:
Oh, Lumiere! We must do something!
LUMIERE: Wait! I know!
MOB: Kill the beast, kill the beast!
(Cut to BEAST's lair)
MRS. POTTS: What shall we do, master?
BEAST: (Still very sad) It doesn't matter now. Just let them come.
MOB: Kill the beast, kill the beast, kill the beast!!
(The MOB succeeds in breaking in, and finds a grand entrance filled with
assorted pieces of furniture, teacups, candlesticks, featherdusters and clocks.
They tiptoe in, and LEFOU unknowingly picks up LUMIERE. )
LUMIERE: Now!!!
(All the objects spring into life, attacking their human enemies. Cut back to
BELLE's home, where CHIP has readied the invention.)
CHIP: Yes! Here we go!
(MAURICE looks out from the window and sees the advancing axe.)
MAURICE: What the devil? Belle, look out!
(The invention crashes into the door, and a red cloud of smoke poofs out of the
basement. BELLE and MAURICE emerge from the wreckage to find CHIP swinging on a
loose spring.)
CHIP: You guys gotta try this thing.
(Cut back to the castle where the attack continues. Meanwhile, GASTON has
broken off from the mob, and is searching out BEAST. BELLE, MAURICE, PHILLIPE
and CHIP are making their way to the castle. Finally, the invaders are chased
out and the objects celebrate their victory.)
COGSWORTH: And stay out!
(LUMIERE pulls over COGSWORTH and kisses him once on each cheek. COGSWORTH
shakes it off. Cut to GASTON, who finds BEAST's lair. He raises his crossbow
and takes aim. BEAST looks up at him, then looks back down in sadness again.
GASTON releases the arrow and it strikes BEAST in the shoulder. He screams in
pain and stands. GASTON rushes him and they fly out the window onto the
balcony, where it has begun to rain.)
GASTON: Ha ha ha ha ha!
(GASTON corners BEAST on the edge of the roof. BEAST simply sits there in
despair.)
GASTON: Get up! Get up! What's the matter, Beast? Too kind and gentle to
fight back?
(BEAST looks down ignoring him. GASTON walks into the foreground and breaks off
a piece of the roof. He is about to smash it on BEAST's head when BELLE's voice
drifts up. She is on the bridge and is yelling to GASTON, telling him to stop.)
BELLE: No!
BEAST: (Hearing her voice and giving him new life) Belle.
BELLE: Gaston, don't!
(GASTON swings down at BEAST, but he catches the weapon in his hand. BEAST
rises up and roars in GASTON's face. They proceed through a fight on the
rooftop. Finally, BEAST takes a hiding place among the gargoyles in the
darkness. Meanwhile, BELLE enters the castle on the ground.)
BELLE: Let's go, Phillipe!
GASTON: Come on out and fight! Were you in love with her, beast? Did you
honestly think she'd want you when she had someone like me?
(BEAST has been provoked enough. He emerges and they fight again.)
GASTON: It's over, beast! Belle is mine!
(This time, however, BEAST picks up GASTON by the neck and holds him out over
the edge of the roof. GASTON pleads with BEAST.)
GASTON: Put me down. Put me down. Please, don't hurt me! I'll do
anything! Anything!
(BEAST's anger slowly melts off his face, and the look of compassion returns.
He pulls GASTON back onto the roof.)
BEAST: Get out!
(He shoves GASTON to the ground. Above, BELLE comes out on a balcony.)
BELLE: Beast!
BEAST: Belle!
(BEAST begins to climb the tower (very much like King Kong) until he reaches the
balcony. He hangs over the side.)
BEAST: Belle? You came back!
(BEAST and BELLE stare passionately at each other, but the moment is interrupted
when GASTON sneaks up and stabs BEAST in the back. BEAST roars in pain, and
BELLE is helpless. GASTON pulls the knife out and swings back for another shot.
BEAST starts to fall, knocking GASTON off his balance. BELLE reaches forward
and pulls BEAST back, while GASTON falls off never to be seen again. BELLE helps
the injured BEAST up onto the balcony, where he lies down on the floor. The
OBJECTS come rushing out, but stay out of sight.)
BEAST: You came back.
BELLE: Of course I came back. I couldn't let them...Oh this is all my
fault. If only I'd gotten here sooner.
BEAST: Maybe it's better this way.
BELLE: Don't talk like that. You'll be all right. We're together now.
Everything's going to be fine. You'll see.
BEAST: At least I got to see you one... last...time.
(BELLE pulls BEAST's paw up to her cheek. He holds it there for a second, then
drops it. His head falls back, and his eyes close. BELLE drops the paw and puts
her hands to her mouth. She can't believe this has happened.)
BELLE: (Crying) No, no! Please! Please! Please don't leave me! I love
you!
(Cut to OBJECTS, who watch the last petal fall off the rose. They all look down
at the floor, and COGSWORTH puts his arm around MRS. POTTS. Cut back to BELLE
and BEAST. The rain continues to fall. But one beam of light falls, like a
shooting star. Then another comes. And another, and another. BELLE finally
notices what is happening. She stops crying for a second, then starts to back
away. We cut A fog begins to enshroud BEAST. We see the OBJECTS looking on in
extreme anticipation. BEAST rises up into the air magically and begins to turn.
He is enveloped in a cloud of light, and becomes wrapped in his cloak.
Underneath, we can see BEAST's body shifting and forming. A fore paw comes out
and the claws turn into fingers. A hind paw emerges and develops into a foot.
Finally, a wind blows across his face and the fur melts away to reveal a young
prince. He gradually descends and is laid on the floor again. The fog
disappears and BELLE reaches out to touch him. She jerks her hand back,
however, when the figure begins to move. It stands, then looks at it's hands,
then turns to face BELLE. It is a human, with the same blue eyes as BEAST. It
is obviously BEAST, transformed. BELLE gives him a mysterious look.)
PRINCE: Belle! It's me!
(She continues to look at him skeptically,but then she sees the blue eyes, and
instantly knows it is him.)
BELLE: It is you!
(They kiss. A fireworks display explodes around them. The gloom surrounding
the castle disappears, revealing a blue sky. The castle is transformed, with
the gargoyles changing into cherubs. Finally, we return to the balcony, where
the OBJECTS hop out to meet the PRINCE and BELLE. One by one, they are
transformed back to their original human conditions.)
PRINCE: Lumiere! Cogsworth! Oh, Mrs. Potts! Look at us!
(CHIP comes riding in on FOOTSTOOL.)
CHIP: Mama! Mama! (The pair transforms back into a boy and dog.)
MRS. POTTS: (Picking up her boy) Oh my goodness!
LUMIERE: It is a miracle!
(The PRINCE picks up BELLE and swings her around. The ruffles of her skirt wipe
to the ballroom, where all are gathered to celebrate. The PRINCE and BELLE
dance around the room as the rest of the characters get in their last lines.)
LUMIERE: Ah, l'amour. (He says this, and a maid, obviously the former
FEATHERDUSTER walks by, brushing him on the chin.) Heh heh! (He
starts to chase after her, but COGSWORTH stops him.)
COGSWORTH: Well, Lumiere, old friend. Shall we let bygones be bygones?
LUMIERE: Of course, mon ami. I told you she would break the spell.
COGSWORTH: I beg your pardon, old friend, but I believe I told you.
LUMIERE: No you didn't. I told you.
COGSWORTH: You most certainly did not, you pompous parrafin-headed
pea-brain!
LUMIERE: En garde, you overgrown pocket watch! (He takes off his glove and
slaps COGSWORTH across the face with it. They begin to fight.
Cut to BELLE and the PRINCE who continue to dance around the
floor. The camera stops on MRS. POTTS, CHIP and MAURICE, who
is beginning to cry.)
CHIP: Are they gonna live happily ever after, mama?
MRS. POTTS: Of course, my dear. Of course.
CHIP: (Looks happy for a moment, then puzzled.) Do I still have to
sleep in the cupboard?
(MAURICE laughs and MRS. POTTS hugs her child and laughs. Cut to a camera
looking over the entire ballroom with all in the shot. It slowly zooms out with
BELLE and the PRINCE dancing around the room, and fades into the final stained
glass window, this one with BELLE and the PRINCE in the center, surrounded by
the rest of the characters.)
CHORUS: Certain as the sun
Rising in the east
Tale as old as time, song as old as rhyme
Beauty and the beast!
Tale as old as time, song as old as rhyme
Beauty and the beast!
(Fade out into credits. The end.)
글
(영화대본) 붉은 돼지 - T H E C R I M S O N P I G
이 중에서 몇 개만 확실히 외우면 성공입니다. 욕심을 버려야 합니다. 다 얻으려면 다 잃습니다. 자신에게 와닿는 표현들 몇 개만을 집중적으로 물고 늘어지시기 바랍니다. 선택과 집중! 자신에게 와닿는 표현이란? 자신과 궁합이 맞는 표현입니다. 결국 모든 영어를 다 할 수도 없고, 그럴 필요도 없는 겁니다. 자신과 잘 맞는 것만 선택해서 집중적으로 외우시기 바랍니다.
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
T H E C R I M S O N P I G
[Porco's hideout. Phone rings]
Porco Rosso
Yeah?!
Phone voice
Porco Rosso, get flying! "Mamma Aiuto" is on the move.
[NB: "Mamma Aiuto" means "Mama, help" in Italian]
Porco Rosso
"Mamma Aiuto"? I don't bother with cheap jobs.
Phone voice
They're attacking a charter ship from Venice. The ship's carrying a
mining company's payroll.
Porco Rosso
Is that all?
Phone Voice
Well... Some students on vacation from a girls' school were also on
board.
Porco Rosso
Well, that's going to cost you a lot.
Phone Voice
I'll invoke article 14, clause 3 of the contract.
Porco Rosso
Don't forget clause 4.
[at the attacked ship]
Pirate Boss
Stop, or we'll sink you! Stop!
Kid
We're gonna be kidnapped, yeah!
Kid
They're pirates, sea pirates!
Kid
Not "sea pirates". They're called "air pirates".
Porco Rosso
About time for an overhaul...
Kid
Are you bad guys?
Pirate
Yeah.
Kid
Are we hostages?
Pirate
Yeah.
Kid
You guys are called air pirates, aren't you?
Pirate
You know everything.
Kid
It's a skull!
Kid
Well done, too!
Pirate Boss
Hurry up kids! We're in a hurry.
Pirate
Do you want all 15 of them?
Pirate Boss
Of course I do! It wouldn't be nice to separate them from their
friends.
Kid
Hey...
Porco Rosso
I'm too late.
Ship's Captain
The girls and the gold were stolen! Bring them back! They went
that way!
Passengers
No!! Not that way!!
Porco Rosso
I'm not going the wrong way.
I can see what they're up to. They'll fly until they're out of sight
then change course. They're so poor and stingy that they'll fly to a
nearby island to save on gasoline...
Porco Rosso
Damn it!
Porco Rosso
Son of a bitch!
Porco Rosso
Not much time...
Porco Rosso
They did just what I said.
Porco Rosso
What the hell is this? Just a sightseeing plane touring the islands.
Passenger Girls
Look at that! A pig! Mr. Pig. Mr. Piiiig. He's cute... Look over
here.
Porco Rosso
Your whole tour group could be kidnapped flying around here.
Passenger Girls
Cool!!
[Mamma Aiuto plane]
Pirate Boss
What a nuisance!
Kid
We're flying!
Kid
I wanna see, I wanna see!
Pirate Boss
Cut that out. Be quiet, quiet please.
[to underling] Hey, do something, will you?
Pirate
That's why I asked you if we wanted to take all of them!
Pirate Gunner
Just for a little bit. I'm not really supposed to.
Kid B
Neat! Look, a red plane.
Pirate Gunner
Where, where!
Kid B
He was over there.
Kid C
Yeah!
Porco Rosso
You won't get away now.
Kids
Here he comes.
Pirate Gunner
It's Porco Rosso!
Kids
Hey, I can't see.
Pirate Gunner
Damn!
Kid
It stopped.
Kid
We're gonna crash.
Pirate Gunner
We won't crash. We have one more engine!
Pirate Boss
Shit! What the hell are you doing! Shoot! Shoot him, shoot
him down!
Kid
Wow! That red plane is really good!
Kid
You keep missing him.
Pirate Gunner
You're in my way!
Pirate
Signal from the pig! "You lose. Listen to me."
Pirate Boss
Shut up!
Pirate Gunner
There, he's coming! Here! Get your heads down!
Pirate Gunner
Where, where'd he go?
Kid
He must be hiding.
Pirate Gunner
Uwaaa!
Kids
Wow. We crashed. We're gonna sink. Let's go, let's go! Come on!
Pirate Gunner
We aren't gonna sink. This is a flying boat! Oh no!
Kids
We're sinking!
Pirate Boss
Don't! It's dangerous!
Gunner
I told you, we're not gonna sink!
Boss
Stop them. They're valuable hostages!
Kid
Don't worry. We're on the swim team.
Pirate Boss
Oh no.
Kid
Me too!
Pirate
Contact from the pig again: "I'm going to allow you to take half of
the gold. But leave the rest of the gold and the hostages
behind!"
Porco Rosso
"If you don't, I'm going to kill you all!"
Pirate
Says the pig. But...
Pirate
Half of the gold!?
Pirate Boss
Keep your mouth shut! Come on, you rotten Pig. Let's fight it out!
Pirate Boss
Here we go! What?!
Pirates
It jammed! We're finished
Kids
Bye bye, play with us again, will you?
Pirates
Bye bye.
Pirate
Things turned out ok. At least we have enough money for
repairs...
Pirate Boss
Stupid! Set your sights higher!
Porco Rosso
Calm down, calm down, will you? Don't pull on that.
Keep away from the propeller. What? Pee-pee? Do it over there.
[at the Hotel Adriano]
Newspaper headline
"New song of triumph for the Crimson Pig"
Pirate
The Mamma Aiuto gang said they couldn't make it today.
Pirate
Shit! That dirty bounty hunter acting the hero... The young punk's
American, isn't he?
Pirate
It's gonna look bad if the pilots of the Adriatic have to be saved by
an American.
Man from the employment agency
Oh, not at all. His grandmother is one quarter Italian. Anyway, we
should do something about Porco. We have a great deal of trouble.
Pirate
But 10%! That's not fair.
Curtis
Shhh...
[Gina sings]
Curtis
Beautiful...
Pirate
Here he comes.
Pirates
That jerk.
What an ugly puss.
The show-off.
Curtis
Shhh...
Reporter
Mr. Porco Rosso! I'm a reporter for the Neptune. You did
another great job, again. I don't think "Mamma Aiuto" will appear
again for a while. Anyway, about your estimated bounty this year,
people say that the amount must be over that of the last year...
[Curtis grabs him]
Ouch! ... Wait! Let go of me!
Curtis
Listen to the song quietly.
Curtis
She's wonderful. All the flying boat pilots back home have heard of
Madame Gina of the Hotel Adriano. Around her place, even air pirates
and bounty hunters are well behaved.
Porco Rosso
Does that Curtis out front belong to you?
Curtis
Yeah, it brings me fame and fortune. It's my lucky rattlesnake.
Porco Rosso
That's the plane that beat an Italian boat at the Schneider cup, two
years running.
Curtis
It's not only fast, it's good in aerial combat. I hear that a pig
named Porco Rosso has quite a reputation around here.
Porco Rosso
If you make a deal with the air pirates, watch your tail, young'un.
They're a bunch of penniless cheapskates. They stink 'cause they
don't bathe.
Curtis
Yea... that's for sure.
Pirate
What's that! You rotten pig! Let's have it out!
Gina
What's this? So many important people here. Are you up to no good
again?
Pirate
Hee, hee, hee, hee, yes ma'am.
Gina
I'm glad you came, but no war games.
Pirate
We know, Gina. We don't work within 50km of this establishment.
Pirate
But we're getting along fine with the pig.
Pirate
Yeah.
Gina
Such good boys.
Curtis
See you later.
Pirates
Whaa, whaa, what are you doing!
Lady In The Restaurant
Hi, Porco... tell me all about your adventure.
Porco Rosso
Next time the two of us are alone.
Gina
That American is funny. As soon as he saw me he asked, "Will you
marry me?" So I told him: "I married three pilots... the first died
in the war, the second died in the Atlantic Ocean, and the last one
died in Asia."
Porco Rosso
So you've heard something?
Gina
Yes, today. His remains were found in a remote part of Bengal.
I've been waiting for three years. My tears dried up long ago.
Porco Rosso
Good guys always die. To my friend...
Gina
Marco, thank you for staying with me all these years. You're the
only one of my old friends still around .
Porco Rosso
The only thing I don't like about this place is that you don't take
down that photograph.
Gina
Don't break it, you promised me. That's the only picture left of
you as a human. How can we free you from your curse?
Porco Rosso
That American is pretty good...
[at the bank in Dubrovnik]
Bank Clerk
I envy you. I wish I could make money the way you do.
Porco Rosso
Here's the payment for this month.
Bank Clerk
You've payed off the entire loan for the airplane. Let's see, how
about buying some patriotic bonds to contribute to our nation?
Porco Rosso
I'll let the "humans" do that.
[at the weapons shop]
Gunsmith's Apprentice
Welcome, Mr. Porco Rosso. This is ready.
Porco Rosso
Give me 60 rounds of ammo as well.
Gunsmith's apprentice
O.K.
Porco Rosso
Things are getting wild out in the streets.
Gunsmith
Oh, yeah? Looks like we're in for a change of government. If so,
people like you will be outlaws.
Porco Rosso
"Country" and "law" don't mean anything to a pig.
Gunsmith
You're right, Mister. Same goes for us moles.
Gunsmith's Apprentice
Just the usual? We have a new supply of high capacity incendiary and
armor piercing ammunition...
Porco Rosso
Hey kid. I'm not going to war. See ya.
Gunsmith's Apprentice
Excuse me, boss. Can you tell me the difference between a soldier
and a bounty hunter?
Gunsmith
Uhm... A guy who makes money from war is evil. A guy who can't make
money from bounty hunting is incompetent.
Pirate Boss
An air pirate in debt, ridiculous!
Underling A
We couldn't help it. (OFF) We spent all our money on repairs.
Underling B
Alliance ships!
Pirate Boss
Why do I stay with these losers?
Underling A
It's the pig's fault, the pig's.
Pirate A
Take a look at that. Those Mamma Aiuto guys can't even afford paint.
Pirate A
Pretty shabby. Are we finally all together? Hey, how are things in
back? Any sign of the American?
Underling A
Yea, he's in the sun, straight out of the book.
Pirate C
Target sighted! It's the Queen of the Mediterranean!
Underling A
We're gonna take on such a big ship?
Boss
That's why we're doing this as a group. Don't be so nervous!
Pirate F
"We're having engine trouble. We'll back you up. You go first."
Pirate D
"Don't try to chicken out! Do as we agreed!"
Pirate G
"We share the cost of repairs when we lose, don't we?"
Pirate C
"What a baby. Everyone is responsible for his own expenses!"
Pirate E
Even for the bombs?
Pirate C
Of course.
Pirate F
We're having engine trouble, engine trouble.
Pirate A
We're having engine failure, engine failure.
Pirate Boss
Shut up! Calm down!
Shipboard Announcer
"Attention please, attention please. Air pirates are attacking this
ship, but there is nothing to worry about. This ship carrys excellent
fighters. Let me introduce them: No. 1 is the Black Stallion,
Signore Bulkar, and No.2 is the Wolf of Tibere, Captain Visconti."
Boss
They brought along bodyguards.
Pirate F
I didn't hear anything about this!
Curtis
Oh oh! They're scattering.
Pirate G
Keep away from me. Curtis!!!
Curtis
Hold on. I'm coming.
[Porco's hideout]
Porco Rosso
This engine has finally had it. Well, looks like I'll have to take
it to Milan...
Radio Voice
"...the two pilots were shot down, but succeeded in escaping by
parachute.
The air pirates, who took all the money and gold from the ship, left
the following message:
Pirate Boss
'You're next!
All pirates
Come on out, pig!'
Radio
I repeat, 'You're next! Come on out, pig!' This attack...
Porco Rosso
What's stopping you, you trash. Ha, ha, ha.
Porco Rosso
Too bad I'm going on vacation.
White sheets, beautiful women...
Porco
Hold out until Milan, little engine.
[up in the air]
Porco Rosso
I don't like this weather. Guess I'll have to go under the
clouds.
Porco Rosso
That's a good boy, keep going. That's right, good boy little engine
Curtis
Hey Pig!!!
Curtis
Let's fight, one-on-one!
Porco Rosso
I don't have time for that now.
Curtis
Don't run away, or I'll tell everyone about it!
Porco Rosso
See you later, American, ha ha ha...
Porco Rosso
Damn it, I'm out of the clouds!
Porco Rosso
Damn.
Curtis
Gotcha!
Porco Rosso
No, you didn't. It's broken.
Curtis
I did it! Now, I'm a celebrity!
Curtis
They're not going to believe me if I don't bring back some proof.
Let's see...
Curtis
There!
Curtis
This crimson-colored piece. No doubt about it. This'll be a nice
gift for mom back in Alabama.
[Hotel Adriano]
Gina
Please hurry up.
Bellboy
Madam, madam! Telephone! He's alive after all!
Gina
What?
Bellboy
Please take the phone at the front desk.
Gina
Marco, is that you? Are you hurt? I was about to leave to search for
you by boat. Is that so. That was fortunate.
Porco Rosso
I lost some weight, because I was stranded on a desert island for two
days. I'm going to Milan to repair my plane. If that American stops
by your hotel, please tell him this : "We'll meet again."
Gina
What? You think I'm your bulletin board or something?! No matter
how much we worry about you, you flying boat pilots only regard women
as nails in a landing pier. Marco, you're going to end up as roast
pork someday. I couldn't bear to be at your funeral.
Porco Rosso
A pig who doesn't fly is just an ordinary pig.
Gina
Idiot!
[On the train to Milan ]
Newpaper Headline
"The Red Wings are Broken. Is the Crimson Pig Dead or Alive ?"
[Piccolo's factory]
Piccolo
I thought you'd get here tonight so I waited.
Porco Rosso
I need your help again.
Piccolo
It really took a beating this time. Wouldn't it be faster to just
build a new one?
Porco Rosso
I want to keep this one.
Piccolo
I know how you feel.
Fio
Out of the way. I'm backing in.
Porco Rosso
Who's the cute girl?
Piccolo
My granddaughter who was living in America.
Piccolo
Keep coming, keep coming.
Fio
Pretty boat. Pretty, isn't it grandpa. Nice lines.
Piccolo
There are almost no workers to do a job like this these days.
Porco Rosso
She doesn't resemble you.
Piccolo
Hmm?
Porco
Is she really your granddaughter?
Piccolo
Keep your hands off her!
Porco Rosso
Huh?
Piccolo
Fio, I'll leave it to you.
Fio
Ok. I'll do it.
Porco Rosso
My opponent is Curtis. I need 15 knots more.
Piccolo
Curtis? I've heard of him.
Piccolo
What do you say?
Porco Rosso
This is a Folgore, isn't it.
Piccolo
Don't ask how I got it.
An Italian boat that had this engine lost the Schneider Cup to Curtis
in 1927. But it lost because of a bad mechanic, not this engine. It
makes my blood rush.
Porco Rosso
Don't tune it up too delicately. This isn't a race.
Piccolo
You're "Preaching to Buddha," as they say in Asia.
Porco Rosso
Are you going to take all of my money?
Piccolo
These days, bundles of bills are just scrap paper. Give me the money
in your pocket for the propeller, paint and...
Porco Rosso
But that's for my living expenses, such as hotel and meals...
Piccolo
You can stay here. I won't charge you much. Meals included.
Porco Rosso
I don't see your sons. Are they alright?
Piccolo
All three left looking for work.
Porco Rosso
Then... who is going to design my plane?
Piccolo
Fio is.
Porco Rosso
Fio! The girl who was just here?
Piccolo
She's young, but she's got something my sons lack.
Porco Rosso
Hey old man. We've known each other for a long time, but I want
someone else to do this job.
Fio
(Off screen) Wait! You're nervous because I'm a woman, aren't you?
Or am I too young to do it?
Porco Rosso
Both, Miss.
Fio
Ok. I agree with you. (Considers) Well, can you tell me the first
requirement for a good pilot?
Porco Rosso
Hmmm?
Fio
Experience?
Porco Rosso
No, inspiration.
Fio
Oh, I'm glad you didn't say "experience". Anyway, grandpa says that
you soloed at a very early age... (offscreen) and have been an
excellent pilot since then.
Porco Rosso
That was 1910, when I was 17.
Fio
17? That's the same age I am now! I can't quit being a woman, but
let me do the job, will you? Also, I have the original design.
Fio
If I can't do it well, don't pay me.
Ok, grandpa?
Piccolo
She's my granddaughter, she'll do well. Me, I was able to fix
engines at age 12.
Fio
Sleep here tonight. I'll fix you a bed tomorrow.
Breakfast is at 7:00am. You can take a hot shower. I've you left
a towel already. Good night.
Piccolo
You don't have enough money. We know each other well, so we'll make
the rest a loan.
[ ]
Fio
Good morning. Did you sleep well?
Porco Rosso
Did you stay up all night?
Fio
This is the draft. What do you think? I want to redesign this wing
section, leaving the lower surface as it is. This will make your
plane fly faster. Five knots faster, I think. I'm amazed at the
original design. The wing was wooden monocoque. These calculations
are superb. The designer who built this wing must have known the
qualities of the wood very well. I'm really impressed.
Porco Rosso
This is the only plane of its kind. They said it
was too dangerous to fly. It was gathering dust in a warehouse.
Fio
No wonder! I'm surprised that this radical angle of incidence allows
you to take off from the water.
Porco Rosso
Only take offs and landings give me some difficulty. Once it gets up
speed the wings have enough lift. [pointing to the drawing] Give me
0.5 degrees more incidence.
Porco Rosso
The rest should be fine.
Fio
Does that mean you'll let me continue? Thank you!
I'll give it everything I've got!
Porco Rosso
But on one condition, young lady. Don't stay up all night.
Insufficient sleep will keep you from doing a good job. And it
doesn't help your looks.
Fio
Thanks for the advice. To be honest, I couldn't sleep well last night
because I was nervous. I was worried that you wouldn't let me do
this job. That's why I'm so happy now. I'll make you some coffee.
Porco Rosso
She can't be building the whole plane by herself.
Piccolo
Next is my niece, Monica. She'll be in charge of drawing.
Monica
Nice to meet you.
Piccolo
This is the wife of my nephew, Silvana. She is going to do the
finishing work. These are daughters of my relatives. Sophia, Laura,
Constance, Valentina. This is Fio's elder sister, Giliora. Oh,
you're looking for me? This is Sandra, my cousin. You look so
pretty Marietta.
Piccolo
Wives of my sons... Maria, Tina, Anna, and her younger sister
Birreta.
'Grandma'
Porcellino (Piggy)!
Porco Rosso
Grandma! Are you still alive?
'Grandma'
You've grown up to be a fine man!
Porco Rosso
Are you ladies going to work?
'Grandma'
Yes, I'd like to give some spending money to my great-grandchildren.
Porco Rosso
There really are no men.
Piccolo
Yea...
Porco Rosso
Are they all your relatives?
Piccolo
Yes, they don't have any jobs these days. All the men went off to
other places to work.
Porco Rosso
Because of the 'Great Depression'?
Piccolo
Don't worry. Women are good. They work well and have guts.
Porco Rosso
Making an airplane isn't the same as cooking pancakes...
[at the dinner table]
Piccolo
Our God who art in Heaven, we were on the edge of bankruptcy, yet
thou didst give our company, bread and work. Please forgive us who
are deep in sin for using women's hands to make a fighter plane.
All
Amen.
Piccolo
Well, let's eat heartily and work hard!
[]
Piccolo
Sounds good! This engine is right on! What do you say?
It spins well, doesn't it?
Porco Rosso
Don't over-do it, or this shed's gonna fly away.
Piccolo
Curtis is gonna do a lot more than fart!
[]
Piccolo
Uh-hm, sure, this is a good idea.
Fio
So, let me do it.
Piccolo
But this is going to cost a fortune. We're already over budget with
bills piling up like this.
What's our sponsor think.
Fio
Porco...
Porco Rosso
Ok, ok. Don't look at me like that. Do it your way.
Fio
Yes! I've already talked to the manufacturers. I'll order
these immediately. Porco, I love you!
Piccolo
Wait at least three months, will you?
Porco Rosso
Mebbe I should change my job and become an air pirate.
Piccolo
She's a nice girl, isn't she.
Porco Rosso
Uh-hm?
Piccolo
Don't lay a hand on her.
Porco Rosso
I'm in enough trouble already.
[Lit. My tail feathers are plucked clean and I'd have a nosebleed?]
[at the theatre]
Porco Rosso
You're a major, eh? You've come up in the world, Fierrali.
Fierrali
You fool. Why did you come back?
Porco Rosso
I make it a rule to go wherever I want to.
Fierrali
The authorities aren't going to let you go this time.
Did somebody tail you?
Porco Rosso
I gave them the slip.
Fierrali
A warrant for your arrest is being issued for refusal to cooperate
with the state, illegal coming and going, decadent thoughts, being a
lazy pig, and display of indecent materials...
Porco Rosso
Ha ha ha ha
Fierrali
You idiot, this is no time to laugh. They're threatening to
confiscate your fighter.
Porco Rosso
This is a terrible film.
Fierrali
Marco, come back to the Air Force. We'll use our influence to work
something out for you.
Porco Rosso
I'd rather be a pig than a fascist.
Fierrali
The age of dare-devil aviators is over. Now we can only fly in the
service of worthless causes like "country" or "nation".
Porco Rosso
I only fly for myself.
Fierrali
When it comes down to it, a pig is just a pig.
Porco Rosso
Thanks for your advice, Fierrali. Give my regards to the others.
Fierrali
I think it's a good film. Be careful, they're not going to bother
with trying a pig.
Porco Rosso
Yeah.
Fierrali
Goodbye, comrade.
[on the street]
Fio
Porco, need a ride?
Porco Rosso
Hey, you're a life saver.
Fio
I borrowed this because I need to take your plane to the lake
tomorrow. It's for a test flight.
Porco Rosso
No test flight. I need to fly as soon as possible.
Fio
Don't be such a fool. I'm not going to give you the plane without
testing it. Besides, it'll take almost a day to take it apart and
transport it to the lake.
Porco Rosso
We don't have much time. Take a look back, will you? Slowly.
That's the fascists' secret police. They were following you, Fio.
Fio
Me? Why?
Porco Rosso
Because I gave them the slip. And, because you are working on my
plane.
Fio
Porco, are you really a spy?
Porco Rosso
Ha, ha, ha, ha! Me? A spy? Ha, ha, ha, ha. You have to work
harder than me to be a secret agent.
Fio
But you were a hero during the war. This is strange if you didn't do
anything...
Porco Rosso
I think so, too.
Porco Rosso
This isn't the right way!
Fio
Looks like you're not completely innocent.
Porco Rosso
Well, we'll be very busy.
[At Piccolo's shop]
Piccolo
You can fly anytime you want.
'Grandma'
Two guys are hiding in the backyard, and three in the front.
This is exciting!
Piccolo
Calm down, granny.
Fio
See you later.
Fio's Mother
Take care of yourself.
Fio
Thank you.
Porco Rosso
Fio! What are you doing?
Fio
I'm going, too. Wait for five minutes, please! I want to prepare my
seat.
Porco Rosso
This is no joke! Do you understand what you're saying!
Fio
Shh... Don't talk so loud.
Porco Rosso
Fio. Look. You're a respectable young lady. Besides, you're not
married yet. Then...
Fio
Would you hold this for a moment? Thanks. I made this in a hurry,
look! This really fits! Would you hold that?
Porco Rosso
Young lady. I'm a bounty hunter with a death warrant on my head.
This isn't a flying tour.
Fio
I'm sorry, but this is my first job and I want to do it right.
There'll be adjustments to make once it's flown.
Porco Rosso
But, I'm going to take off from the canal in the back.
And I'm not even sure if I can fly without any problems.
Fio
Even more reason for me to go. And if you fight Curtis, you'll need
a good mechanic.
Porco Rosso
Hey, I'm a man, you know. We're going to be camping alone on a
deserted island.
Fio
I don't care, I love camping!
Porco Rosso
I'm not talking about THAT.
Piccolo
Take her with you. I want you to win and pay the debt. You've got
to beat Curtis. My company may go bankrupt if you don't pay it.
Porco Rosso
Are you really this girl's grandfather?
Piccolo
You don't have to pay her any money. Plus, I'm going to install this
speaker tube for you two.
Porco Rosso
You really want her to be wanted by the police.
Fio
No. I'm going to be Porco's hostage. That way the factory workers
can tell the authorities that they had no choice but to help you. So
please, take me with you. I can help.
Porco Rosso
Take out the machine gun on the right side.
Fio
What?
Porco Rosso
There's almost no space between the guns even if you have a small
butt. We're taking out one machine gun!
Fio
Thanks! My butt is bigger then it looks. I'll have it out in just a
minute.
Porco Rosso
We're taking off right away. If we hang around any longer even the
old ladies are gonna want to come.
Piccolo
Oh, that's a good idea.
Fio's Mother
Grandma, hurry, hurry.
'Grandma'
Fio. You don't have to bring back a souvenir.
Piccolo
Contact.
Open the door!
[whistle]
Porco Rosso
Let it go!
[gun fire, Porco answers with a machine gun]
Piccolo and women
Kidnapper!! Pay us!!
Fio
How's the steering, Porco?
Porco Rosso
It's a wild horse, just like you. It's getting hard to handle.
Fio
Stop the plane at once! I'll change some settings!
Porco Rosso
No time for that. I'll hold it on course somehow!
Porco
Can't get out of the water!!
Fio
Ship up ahead!
Porco Rosso
Let's fly!
Easy, you wild bronco!
Fio
Water's hitting the aileron. Use the tab!
Porco Rosso
The tab?
Fio
The new one I put in!
"Hurry!"
Porco Rosso
Good. It's suddenly tame.
[in the air]
Fio
Beautiful. The world is really beautiful!
Fio
Is he following us?
Porco Rosso
Doesn't look like he's going to attack. He's from the Italian Air
Force. Looks like it's Fierrali...
Fio
Do you know him?
Porco Rosso
He's saying that the Air Force lies in wait up ahead and that he'll
show us a way to escape.
Porco
He also says that we should fly low to the Adriatic Sea. Thanks,
comrade!
Fio
Thank you!
Porco Rosso
That jerk! He saw you with me and said, "Pearls before swine".
[In Gina's garden]
Curtis
You're so beautiful. "A rose blooming in a secret garden."
Gina
You're impossible! This is a private garden.
Curtis
I really want you to look at this.
Gina
Oh, it's from Hollywood.
"About the production of the scenario and casting you sent..."
Curtis
"...would you please contact us as soon as possible, because we are
in the middle of preliminary trials." The title is "Bouquet of the
Adriatic."
Gina
That's nice.
Curtis
Really? That means O.K., doesn't it? Gina, come to Hollywood with
me. Being bodyguard for the air pirates is only one step on the way
to fame and fortune. Next, I want to be a Hollywood star.
Gina
And then?
Curtis
The President!
Gina
Ha, ha, ha, ha.
Curtis
I'm serious! I promise to make you the first lady.
Gina.
Gina
It's your stupidity that I like.
Curtis
Really?
Gina
But the answer's no, because I already have a bet going here.
Gina
I bet myself that if a certain man ever comes to visit when I'm in my
garden, we'll fall in love. But the fool only comes to the restaurant
at night. He never emerges in the daylight.
Curtis
That guy's back.
Gina
Stupid...
He left without landing.
I lost the bet again.
Curtis
You're kidding! Your bet is about that jerk?
Gina
Is that a problem?
Life is more complicated here than in your country.
If you're only looking for a fling, that's easy...
Go to Hollywood by yourself, little boy.
Curtis
Little boy...
[In the air]
Fio
I hit my head because of your sudden maneuver.
Porco Rosso
I just said hello to a friend.
Fio
To Gina of the Hotel Adriano?
She was the one on the terrace wearing a white dress, wasn't she?
Grandpa told me that all the flying boat pilots of the Adriatic fall
in love with Gina.
Porco Rosso
That old busy body...
Fio
What's she like?
You fell in love with her too, didn't you?
Porco Rosso
We're going down to re-fuel. Close your mouth, or you'll bite
your tongue.
Fio
Wa! Wait! Uwaa...
[]
Gasoline Supplier
A girl on a fighter?
Fio
Where's Porco?
Gasoline Supplier
He is talking about something serious with my dad.
[at the tavern]
Boy's Dad
Not only the provisional government, but even the Royalists
are trying to get along with the air pirates. You won't make a penny
hunting air pirates these days.
A Woman
Here you are.
Porco Rosso
Thanks.
A Woman
No thanks for such bad news...
A Man
Why don't you sell yourself to one side. They'll pay good money for
your skills.
Another Man
You got a cigarette?
A Man
Curtis will go back to America sooner or later.
Boy's Dad
It's us who should go to America.
Porco Rosso
"Farewell to freedom in the Adriatic and to the days of wild
abandon."
A Man
Byron?
Porco Rosso
No, it's mine.
See you later.
Boy's Dad
Later.
[back at the plane]
Fio
Porco, this is outrageous. The gas price is three times as much as
in Italy. It's crazy!
[To the boy] Don't be such a businessman. Make it cheaper.
Gasoline supplier
It's because we don't mix our gas with anything.
That's why I can't stand women.
Hey Mister, would you tell her...
Porco Rosso
Pay him, Fio. After that, put your butt that's bigger than it looks
in the space between the machine guns. We're going to fly to my
hideout.
Fio
I'll be sure to add the gas bill onto the other bills.
[Porco's hideout]
Porco Rosso
He wasn't trying to rip us off. We rely on each other.
The sea and islands here are beautiful, but there's not a soul around.
I can see it. It's that island.
Fio
Beautiful!
What a wonderful hideout.
Ohh... my butt is stiff from the long flight.
Pirates
Pig! Don't move!
Porco Rosso
Surrounded by a pile of filth again...
Pirate
Boss, we caught him! Boss!
Pirate Boss
Shit! Don't step on me... Step aside!
I was waiting for you, pig!
Boss A
I knew you'd come here.
Pirate Boss
We've got a big score to settle.
Boss C
It's a girl. The pig has a girl on board!
Pirate
She's cute...
Pirate Boss
Shut up! What about a girl?
Half the world's population are women!
Porco Rosso
Hey, she's no ordinary girl.
She's chief engineer at the Piccolo company.
Boss C
But she's so young and pretty.
Boss F
She's a girl. Are you sure?
Porco Rosso
She made my plane much better than before. She may be young, but she
knows what she's doing.
Fio
Do you mean it?
Porco Rosso
I never lie about flying boats.
Treat her with respect.
She came along to make sure I pay my bill.
Pirate Boss
Ha, ha, ha, ha. So you're in debt too.
It serves you right!
Hey! Break the infamous red plane into pieces, but leave him his debt!
Fio
Break it? You'd dare to break the plane I made?
You're going to break such a beautiful airplane with axes?
Boss F
But Miss, there is a complicated reason behind this...
Fio
You're actually going to break it.
Boss F
But, what I want to say is...
Fio
Are you guys really flying boat pilots?
Back off!
My shoes!
Fio
I've grown up with stories about flying boat pilots since I was a
small child. Grandpa always told me the flying boat pilots are the
greatest bunch of guys there are. He said it's because the sea and
the sky purify their hearts. So flying boat pilots are much braver
than sailors and prouder than ordinary pilots
Boss
Don't tell me. I know that. I'm a flying boat pilot myself.
Fio
What they want the most, he said, is neither money nor women, but
honor.
Pirates
Yes, you're right!
Long live flying boat pilots!
Porco Rosso
She's really something.
Pirate Boss
Okay. We won't smash up the plane you made. But we'll lose face if
we leave without doing something. Turn the pig into ground pork!
Pirate
Yea! Beat up the pig!
Fio
What the hell are you talking about?! You guys didn't understand a
word I said. I asked whether you feel ashamed or not. Aren't you
ashamed of being helped by Curtis, an American? If your mothers
heard about that, they would cry. What the hell are you saying, you
don't even bathe.
Fio
Porco came back to fight against Curtis, for the pride and honor of
the pilots of the Adriatic. You guys have no guts or honor. You're
the lowest of the low! Fight with dignity!
Boss F
That's why I was opposed to hiring Curtis in the first place!
Boss C
Coward. Trying to worm your way out of this.
Pirate B
Boss, what should we do?
Pirate C
She's got a convincing argument.
Boss A
We have to preserve both sides' honor. Should we ask Curtis?
Pirate
You mean ask him to fight the PIG again?
Pirate
The contract is already over.
Pirate Boss
I'm so ashamed of myself...
[Curtis appears]
Curtis
Ha, ha, ha, ha...
Pirate
It's Curtis!
Curtis
I heard you talking. I'm not going to run away!
Porco Rosso
You morons. You came down through there?
Porco Rosso
Hey, hold this.
Curtis
You want a return match, don't you. But I won once already.
I'm no longer a bodyguard for these guys.
Fio
You mean you won't fight for free? What's your proposition?
Curtis
She's beautiful!
Will you marry me if I win?
I'm serious.
Fio
O.K. But if Porco wins, you pay these bills.
Porco Rosso
Wait, Fio!
Pirate Boss
Back off, you!
Pirate Boss
Miss Fio, you still have time to think about this.
Fio
Ask him, not me.
Curtis
These bills are a little expensive.
Fio
They're extremely reasonable.
Pirate Boss
Are you going to fight or not?
Curtis
I'll gladly fight for the one I love.
Pirate Boss
O.K. Listen up everybody! I'm really impressed with Miss Fio's
determination. "Mamma Aiuto" is going to back this fight up!
Boss A
The air pirates alliance will too!
Pirates
Miss Fio! See you soon!
Porco Rosso
They're full of crap!
Pirates
Hey pig, don't run away!
Porco Rosso
Shut up and get lost!
Pirate Boss
Later!
Porco Rosso
This is a strange situation. Well, you are...
Fio
Don't get mad. I know, I'm foolish.
Porco Rosso
Fio, I think I have to say thank you. You gave me a chance to fight
Curtis. Thanks. We're in this together.
Fio
You mean we're partners?
Porco Rosso
Curtis and I are evenly matched.
Fio
I trust in you.
Porco Rosso
Trust? I hate that word, but coming from you it sounds different.
What's wrong? You feel sick? Fio?
Fio
I'm fine. It's just that my heart is pounding. To be honest, I
was really scared. My knees are shaking.
Porco Rosso
Hey?
Fio
I want to swim.
[Off screen] Porco! I made a mistake!
Porco Rosso
What's wrong?
Fio
I should have padded the bills. We made a bad bargain.
Porco Rosso
HA, HA, HA, HA. You're right. HA, HA, HA, HA.
[at night]
Fio
Porco....
Porco Rosso
Hmmm? You can't sleep?
Fio
Just now, I just saw... It must have been a dream...
Porco Rosso
Nothing's wrong. Go back to sleep. We have to get up early tomorrow.
Fio
Porco...
Porco
Yea?
Fio
Why did you become a pig?
Porco Rosso
I dunno...
Fio
I know a lot about Captain Marco Paggot. My father used to be in the
same unit. I like the story about the time when Captain Paggot landed
in a raging sea to save the life of an enemy pilot. I've heard it
often.
Porco! What if I try kissing you?
Porco Rosso
Huh?
Fio
You know, like the fairy tale where a prince is turned into a frog
and a princess turns him back into a human by kissing him.
Porco Rosso
Silly. Save it for something important!
Fio
Don't you like me?
Porco Rosso
Of course, you're a nice girl. Seeing you makes me wish I were human
again.
Be a good kid and go to sleep.
Fio
Tell me a story and I will.
Porco Rosso
A story? Well... It was the last summer of the war. We were flying
over the Adriatic on our usual patrol, aiming at Istria. Belneldi
[Beruliini] was flying beside me. He was an old friend of mine. That
guy. He got married just two days before. I was best man. He didn't
have enough leave, so he returned to battle right after the ceremony.
Porco Rosso
All around me, friend and foe were falling like flies. I had three
planes after me. I had no time to worry about my friend. In the end,
I was the only one left from my unit. But the enemy never gave up
chasing me. I made desperate efforts to fly away. My hands
and feet went numb, and I grew dizzy. I thought I was going to die.
Suddenly everything before my eyes turned white.
Fio
White?
Porco Rosso
Maybe it was more like being in the center of light. Because of the
strange light, it took me a while to realize that I was in a cloud.
I was exhausted, and didn't have any strength left to fly. My plane
just flew by itself.
Fio
A field of clouds...
Porco Rosso
Yeah. It was amazingly quiet, and the sky was really beautiful. Far
above me there was a line of strange clouds.
Captain Paggot
Berneldi, you're alive, aren't you! Berneldi, wait! Where're you
going?! Berneldi, don't go! Are you going to leave Gina all alone?!
I'll go in your place!
Porco Rosso
When I recovered my senses, I was flying over the sea, almost
touching it, alone.
Fio
God said it wasn't your time yet, didn't he?
Porco Rosso
I thought he was telling me to fly on alone, forever.
Fio
That wouldn't have been right, because you're a good guy!
Porco Rosso
The good guys were the ones who died. Besides, what I saw might have
been Hell. Well, my story is over. Go to sleep.
That damn junk man, sold me rusted cartridges.
Fio
I'm glad you came back to live because I like you. Good-night!
[at the race]
Boss F
Curtis is backed by the Air Pirate Alliance.
Others
8 to 7, 8 to 7, ice cream, opera glasses...
Pirate
Hey, hey, which one's gonna win, the pig or...
Porco Rosso
Morons. They're turning this into a party.
Fio
Are they all air pirates?
Porco Rosso
The Trash of the Mediterranean...
Gangsters, pirates, smugglers, spies and undercover police. There
might even be a few respectable people.
Curtis
Heh, this makes my reputation rise more and more...
Pirate
Ten minutes till start, ten minutes till start!
Pirate Boss
This fight is between Porco Rosso and Donald Curtis! There ain't no
special rules, but any guy who fights dirty will be blackballed
forever.
Audience
Enough with the introductions, let's get on with it.
Off the stage. We didn't come to hear a speech!
Pirate Boss
Shut up. Any one who whines will be killed!
Porco Rosso
He should try throwing a 10 ton bomb...
Pirate Boss
This is the fight that will determine the fate of Miss Fio
Piccolo, whom we all love and respect.
Shut up, I said!
Do you understand?
If you do, clap your hands.
CLAP!
Porco Rosso
Let's get started.
Pirate Boss
Shut up. There are rules to be followed here. Rules.
Now, both of you place your bets.
Pirate Boss
Have a seat.
Fio
Thank you.
Pirate Boss
Put it on the chair already!
No objections, right?
Now, shake hands before you start!
Porco Rosso
No way. I like to stay clean.
Pirate Boss
What a rude guy.
Curtis
Fio, as soon as this fight is over, we'll go to the church.
Don't worry. My mom told me that growing used to each other is
better than love at first sight.
Boss
You guys!
Pirate
May I take a picture with you?
Pirate
I took a bath already.
Photographer
Everybody, smile!
Pirate Boss
SMILE!
Boss E
There's no time left.
Boss F
If the flight is over in 3 minutes, the black plane has the
advantage...
Pirate
This is great.
We should get them to do this every month.
Announcer
"15 seconds to go."
Pirate
They're so cool...
Announcer
"5 seconds to go."
"4"
"3"
"2"
"1"
"0!"
Pirate Boss
Curtis is up first!
This is going to be a one-sided fight.
Fio
Let me borrow those.
Porco, what are you doing! Angle higher!
Pirate Boss
He'll be eating bullets if he lifts his head now.
He's harder to hit if he stays close to the water.
Curtis
I know you want me to waste bullets. I won't fall for that trick.
Pirate Boss
He's looping! The pig got behind Curtis!
Fio
Looping?
Pirate Boss
That technique made the pig the ace of the Adriatic.
Curtis
Shit!
Pirate
He's gonna shoot!
Man A
He doesn't open fire.
Man B and Man C
Is his machine-gun jammed!?
Woman
What's wrong?
Pirate Boss
I see what he's doing! The pig won't shoot until the end.
Fio
What?
Pirate Boss
The pig doesn't actually kill anybody.
The American must be scared out of his mind.
You got him! Shoot!
He still didn't shoot yet....
See, I told you he won't fire...
If the pig opened fire now, he would hit the American, so, he's going
to wait and hit Curtis' engine with a few bullets after Curtis gets
tired.
He said this is not war, but...
That guy is just too smug.
Fio
Porco...
Curtis
Are you teasing me or what? Come on and shoot! Is your gun broken?
Serves you right.
Boss C
They're coming this way!
Curtis
You're teasing me.
Keep on coming, pig!
Announcer
Don't come this way!
Boss
He pulled away from the pig.
Announcer
Jump!
Pirate
Do it over there.
Pirate Boss
Fantastic! The pig is leaving a contrail.
A
You only see a fight like this once in a lifetime.
B
I'm impressed.
[at the hotel Adriano]
Gina's Pilot
I'm all ready to go, but if she doesn't hurry, the fight will be
over.
Dock Attendant
She's in her room, and isn't coming out.
Gina's Pilot
Does she want to go or not?
I want to see that fight...
F.
"To G of Hearts, for the pig."
"Air Force found out."
"Stop stupid fight."
Gina
F. Oh, this must be from Fierrali. I'd better hurry.
[back at the race]
Pirate
Both of them are tough.
Pirate Boss
The show isn't over!
The show isn't over yet!
Fio
Porco, hang in there!
Porco
Whew, whew
Curtis
The pig...
Porco Rosso
I'm not going to give Fio to a man like you.
Pirate Boss
O.K. The pig's on Curtis' tail.
It's over!
Porco Rosso
Whoops.... Jammed....
Curtis
This is the finish.
Whoops... Jammed, too.
Porco Rosso
You, idiot!
You're out of ammo!
Damn it, it broke. Thanks to Fio's butt...
Curtis
I'm not going to finish this fight with a draw!
Porco Rosso
Ha, ha, ha, ha. This isn't a Western.
You can't hit me.
You...
Curtis
Ha, ha, ha, ha.
You really think it will reach here?
Heigh ho Silver!
Porco Rosso
Ha, ha, ha, ha.
Curtis
You, stinking pig!
Porco
Ha, ha. Can't reach me. You
Curtis
Waa. Ha, ha, ha
Porco
That chicken!
Curtis
He did it.
Porco
What's for love?
Curtis
Shut up, stupid pig.
Pirate Boss
Looks like something is wrong.
Fio
They're coming down.
Fio
They're back!
Pirate Boss
Wait! The bets can't walk away.
This is hopeless. Wait, you guys!
Curtis
You fat pig!
Porco Rosso
You cowboy!
Curtis
Come on with your bare hands!
Porco Rosso
Go back to your cows!
Fio
Porco, hang in there!
Curtis
Get up, pig!
Curtis
You fight dirty, pig!
Porco
Shut up.
Curtis
You jerk
Porco
You hick potato!
Curtis
Hamhock!
Boss
Upper cut, upper cut, block. Block, block.
Boss A
Taking bets. Bets still are open! The alliance is banker.
Boss F
Do we have a gong. A gong?
[in the air]
Gina
Can't you fly faster?
Gina's Pilot
It's impossible. The engine would burn up.
Gina
Flying boat pilots are all stupid...
[back at the race]
Porco Rosso
Hey, Fio.
Did you see my punch?
Curtis
I'm gonna take him down next round.
Porco Rosso
This time, I'll put him to sleep.
Fio
Porco, hang in there!
Curtis
I'll make prosciutto [pressed ham] out of you!
Crowd
Go! Beat him up. Upper cut, upper cut. Aim for the body. They're
both losing.
Curtis
Sex maniac!
Porco Rosso
You're the sex maniac!
You seduce all the women around you.
Curtis
You are!
Choose Gina or Fio, one or the other.
Porco Rosso
What?
Curtis
Don't monopolize both. Gina is...
Porco Rosso
Don't say "Gina, Gina..."
Curtis
Gina loves you, pig.
She's...
waiting for you...
in the garden!
Fio
Porco!
Pirate Boss
It's the gong!
Curtis
Take the count!
Look at that!
[in the air]
Gina
I can see them.
The Italian Air Force hasn't arrived yet.
[back at the contest]
Porco Rosso
You're a dirty liar.
Curtis
Don't you understand, you idiot!
I'm not telling a lie...
Porco Rosso
I won't give Fio to you.
Pirate Boss
That's Gina's plane.
Fio
It's an emergency signal.
Pirate Referee
"1"
"2"
Pirate Boss
The winner is the one who stands up first.
Referee
Three, four
Gina
Everybody, please let me through.
Referee
Five, six
Pirate Referee
Seven.
Gina, don't.
"8!"
Gina
Marco, Marco, can you hear me?
Do you want to make yet another girl unhappy?
Pirate Referee
"9!"
"Ten"
Boss
He did it!
Fio
Porco!
Pirate Referee
Porco!
Fio
Porco, thank you!
Porco Rosso
Well, it was nothing.
Gina
The party's over.
The Italian Air Force will be here soon.
Everybody get away quickly, please.
Come to my restaurant. It's on the house.
Pirate Boss
Hey everybody, let's go!
Gina
It's over.
Pirate
Hey boss, hurry up!
Pirate Boss
Shut up! There are rules to follow, rules.
I don't like the pig, but I like you.
Become a good flying boat engineer.
Goodbye!
Fio
Thank you.
Take a bath sometimes, will you?
Thank you, too, Mr. Curtis.
Curtis
Next time I'll propose to you formally, not as a bet.
Fio
O.K. But I've made up my mind already.
Porco Rosso
You, get in Gina's plane.
Fio
No! No!
I'm going on your plane.
You said I'm your partner, didn't you?!
Porco Rosso
Gina.
Take her back to the respectable world, please.
Gina
You trickster. You always do this.
Porco Rosso
I'm sorry.
Please leave.
Gina
Let's go.
Curtis
The Italian Air Force is on its way.
Porco Rosso
Do you want to help me?
I'm going to draw them off.
Curtis
What?
Wait, your face!
Wait!
Let me see your face!
Porco Rosso
Your plane is over there!
Curtis
Just let me see it a second!
[Fio's Narration]
"The Italian air force arrived to find nothing. I returned to Milan,
but never saw Porco again. Instead, I became good friends with Gina.
There have been wars and chaos since then, but our friendship has
continued.
After I took over the 'Piccolo' company, I made it a rule to spend
summer vacations at the Hotel Adriano. Gina has become more beautiful
over the years. The old gang still visits regularly.
Oh, and Mr. Curtis, he writes to me sometimes, though he is not the
president of the U.S. yet. He says he longs for that summer in the
Adriatic.
And as for how Gina's bet turned out, that's our secret."
::::: THE END :::::
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(영화대본) 헤라클레스 - Hercules
이 중에서 몇 개만 확실히 외우면 성공입니다. 욕심을 버려야 합니다. 다 얻으려면 다 잃습니다. 자신에게 와닿는 표현들 몇 개만을 집중적으로 물고 늘어지시기 바랍니다. 선택과 집중! 자신에게 와닿는 표현이란? 자신과 궁합이 맞는 표현입니다. 결국 모든 영어를 다 할 수도 없고, 그럴 필요도 없는 겁니다. 자신과 잘 맞는 것만 선택해서 집중적으로 외우시기 바랍니다.
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
Disney's classic
HERCULES
THE CAST
(in order of appearance of the voices)
Narrator: Charlton Heston
Muse 1:
Muse 5:
Muse 3:
Hera: Samantha Eggar
Zeus: Rip Torn
Hermes: Paul Shaffer
Baby Hercules:
Hades: James Woods
Pain: Bob Goldthwait
Panic: Matt Frewer
Atropos, Lachesis, Clotho: Amanda Plummer,Carole Shelley,Paddy Edwards
Amphitryon: Hal Holbrook
Alcmene: Barbara Barrie
Muse 2:
Young Hercules: Josh Keaton (speaking)
Roger Bart (singing)
Worker:
Worker 2:
Man with pots:
Boy 1, Boy 2, Boy 3:
Pegasus:
Phil: Danny DeVito
Nymph:
Adult Hercules: Tate Donovan
Nessus: Jim Cummings
Megara: Susan Egan
Driver in Thebes:
Pita bread seller:
Smuggler:
Prophet:
Woman:
Man:
Strong man:
Thin woman: Mary Kay Bergman
Heavy woman: Kathleen Freeman
Old man:
Panic as boy, Pain as boy: Bug Hall, Kellen Hathaway
Guide:
Artist:
Fan girls:
Lythos:
Hydros:
Pyros:
Stratos:
Cyclops: Patrick Pinney
Areus:
Sailor:
End Title song vocals: Michael Bolton
from movie credits, unassigned as of yet:
Calliope Lillias White
Clio Vaneese Thomas
Melpomene Cheryl Freeman
Terpsichore La Chanze
Thalia Roz Ryan
also unassigned yet:
Burnt Man Corey Burton
Apollo (where did he appear??) Keith David
Demetrius (who is it?) Wayne Knight
Ithicles (who is that?) Aaron Michael Metchik
also: Tawatha Agee, Jack Angel, Shelton Becton, Bob Bergen, Rodger Bumpass,
Jennifer Darling, Debi Derryberry, Bill Farmer, Milt Grayson, Sherry
Lynn, Mickie McGowan, Denise Pickering, Philip Proctor, Jan Rabson,
Riley Steiner, Fronzi Thornton, Erik von Detten, Ken Williams.
THE SCRIPT
{Greek statues and vases fade in}
Narrator: Long ago, in the faraway land of ancient Greece, there was a golden
age of powerful gods and extraordinary heroes. And the greatest
and strongest of all these heroes was the mighty Hercules.
[a greek vase is shown with a picture of Hercules fighting some monster. Vase
zooms in slowly]
But what is the measure of a true hero? Ah, that is what our story is-
Muse 1: Will you listen to him? He's makin' the story sound like some greek
tragedy.
Muse 5: Lighten up, dude.
Muse 3: We'll take it from here, darling.
Narrator: You go, girls
Muse 3: We are the Muses. Goddeses of the arts and proclaimers of the heroes.
Muse 5: Heroes like Hercules
Muse 1: Honey, you mean "hunk-ules". Ooh, I'd like to make some sweet music
with him-
[Muses start humming]
Muse 3: Our story actually begins long before Hercules, many eons ago..
[scene changes colors and the Muses start walking and singing]
Muses: (singing)
Back when the world was new
The planet Earth was down on its luck
And everywhere gigantic brutes called Titans ran amok
[schematic pictures of whatever gets mentioned in the song start moving]
It was a nasty place
There was a mess wherever you stepped
Where chaos reigned and the earthquakes and volcanos never slept
(Whoo! Say it, girlfriend!)
And then along came Zeus
He hurled his thunderbolt -- He zapped
Locked those suckers in a vault -- They're trapped
And on his own, stopped chaos on its tracks
And that's the gospel truth
The guy was too "type A" to just relax
And that's the world's first dish
(yeah, baby!)
Zeus tamed the globe while still in his youth
Tough, honey, it may seem impossible
That's the gospel truth
On Mount Olympus life was neat
And smooth as sweet vermouth
Although honey, it may seem impossible
That's the gospel truth
{schematic picture of Olympus zooms in and turns into a real one. While the
Muses still repeat their 'ah's and 'yeah's, camera moves up the mountain slope,while it does, the movie title, HERCULES, is shown. Then camera goes inside,
passes various chattering gods and finds baby Hercules}
Hera: Hercules! Behave yourself
[Zeus come in to play with baby too]
Zeus: Oh, look at this, look how cute he is..
[Zeus babbles at baby Hercules and he catches Zeus by index finger and lifts
above his cradle]
Hah! Oh, he's strong! Like his Dad, hmm?
Hermes (moving through a crowd of gods): Whoa! Excuse me! Hot stuff coming
through! Excuse me one side, Ares.
[Hermes hand Hera a bundle of glowing flowers]
Hera: Why, Hermes, they're lovely
Hermes: Yeah, you know, I had Orpheus do the arrangement. Isn't that too nutty?
(flying closer to Zeus now)
Fabulous party, you know, I haven't seen this much love in a room since
Narcissus discovered himself
[Narcissus is shown, staring into his mirror and making kissing sounds. Also
Baby Hercules gets one of Zeus' lightnings and plays with it]
Hera: Dear, keep those away from the baby.
Zeus: Oh, he won't hurt himself. Let the kid have a little fun
[Baby Hercules tryes to eat the lightning, gets zapped, and throws it away in
frustration. Three gods jump away from its path, untill Ares hits it with his
sword so it hits a pillar, which immidiately reappears]
Zeus: Oh, on behalf of my son, I want to thank you all for your wonderful
gifts
Hera: What about our gift, dear?
Zeus: Well, let's see here.. we'll take, hmm, yes, a little cirrus, and, hmm,
a touch of nimbostratus, and a dash of cumulus.
[Zeus moves his hand with a little pegasus-shaped cloud on it closer to baby
Hercules and the cloud turns out to be a baby pegasus]
His name is Pegasus, and he's all yours, son.
[Baby Hercules bonks his forehead against Baby Pegasus', he whinnies and licks
Hercules, they hug, all gods sigh]
Hera: Mind his head
Zeus: He's so tiny
[Baby Hercules tries to bite the medallion that hangs from his neck and then
yawns]
Zeus: My boy. My little Hercules.
Hades: How centimental.
[camera moves to Hades fast after his voice is heard]
You know, I haven't been this choked up since I got a hunk of moussaka
caught in my throat! huh?
[All gods look sternly at him]
So is this an audience of a mosaic? Hey, how you doin'? Lookin' good.
Nice dress.
[as he is saying that, he moves from one god to another untill Zeus squeezes
him in a hug]
Zeus: So Hades, you finally made it. How are things in the underworld?
Hades (taking Zeus' hand off his shoulder): well, they're just fine, you know,
a little dark, a little gloomy, and as always, hey, full of dead
people. What are you gonna do? Ah! There's the little sunspot, little
smootchie. And here is a sucker for the little sucker, eh?
(he weaves a sucker with skeleton head out of thin mist)
Here you go. Ya just--
[Hercules squeezes Hades' finger, and after some fight he gets away from the
baby]
sheesh! uh, powerful little tyke.
Zeus (hugging Hades once again): Come on, Hades, don't be such a stiff,
join the celebration!
Hades (getting free from the hug again): Hey, love to, babe, but unlike
you gods lounging about up here, I regrettably have a full-time gig
You know, by the way, so charitably bestowed on me, Zeus,
So.. can't. Love to, but can't.
Zeus: You ought to slow down, you'll work yourself to death... Hah! work
yourself to death!
[crowd laughing]
Oh, I kill myself
Hades: If only, if only..
{Scene changes back to the Muses}
Muse 3: If there's one god who don't want to get steamed up, it's Hades,
'cause he had an evil plan
{scene changes to a boat on the river Styx, in which a skeleton is carrying
Hades}
Muses sing in background:
He ran the underworld
But thought the dead were dull and uncouth
He was as mean as he was ruthless
And that's the gospel truth
He had a plan to shake things up
[Hades feeds the three-deaded dog Cerberus]
And that's the gospel truth
[Hades gets on the shore]
Hades: Pain!
Pain: Coming, your most lugubriousness.
[He trips, roll on the stair and gets seated on a sharp trident]
Hades: Panic!
Panic: Oh, I'm sorry, I can handle it!
[He rans, but trips over Pain, who just got free from the trident, falls over,
and his horns get stuck in Pain the same place trident just was]
Pain: Pain!
Panic: And Panic!
Both: Reporting for duty!
Hades: Fine, fine, fine, just let me know the instant the Fates arrive.
Panic (who just got his horns free from Pain): Oh! They're here!
Hades bursts into flames:
What? The Fates are here and you didn't tell me?
Pain and Panic: We are worms! Worthless worms!
[they really shapechange into worms]
Hades: Memo to me, memo to me, main you after my meeting
{scene change to a cavern with the Fates}
Atropos: Darling, hold that mortal's thread of life good and tight
[She cuts a thread with scissors and a woman scream is heard]
Lachesis: Incoming!
[Fates laugh as a soul enters the cave and flies into a tunnel. Counter above
the tunnel now says "Over 5000000001 served"]
Hades: Ladies! hah! I am so sorry that I'm--
Atropos: Late
Clotho: We knew you would be
Lachesis: We know everything
[they pass their only eye from one another as they speak the next three lines]
Clotho: Past
Lachesis: Present
Atropos: And future (to Panic): Indoor plumbing - it's gonna be big.
Hades: Great. Great. Anyway, see, Ladies, I was at this party, and I lost
track of--
Fates: We know!
Hades: Yeah. I know.. you know. So, here's the deal. Zeus, Mr High and Mighty,
Mr. "Hey, you, get off my cloud," now he has--
Fates: A bouncing baby brat.
Clotho: We know!
Hades: I know.. you know. I know. I got it. I got the concept, so let me just
ask: Is this kid gonna mess up my hostile takeover big, or what?
What do you think?
Lachesis: Um--
Clotho silences her: Oh no, you don't. We are not supposed to reveal the
future.
Hades: Oh wait, I'm sorry. Time out. Can I? Can I ask you a question, by
the way? Are you, (to Lachesis), did you cut your hair of something?
You look fabulous.
Lachesis giggles
Hade: I mean, you look like a fate worse then death
Lachesis giggles more, Clotho hits her on the head, the eye fells out into the
hands of Panic
Panic: Oh, gross!
Pain: Yech! It's blinkin'!
[he kicks it into Hades' hand]
Hades: Ladies, please, my fate... (he puts the eye to Lachesis' hand) is in
your lovely hands
Lachesis: Oh, yeah
Clotho: All right.
[the eye raises in the air, showing pictures of the future]
Atropos:
In 18 years precisely
The planets will align
Ever so nicely
Hades: Ay, verse!. Oy.
Atropos:
The time to act will be at hand
Unleash the Titans, your monstrous band
Hades: Mm-hmm, good, good.
Atropos:
Then the once-proud Zeus will finally fall,
And you, Hades, will rule all!
Hades: Yes! Hades rules!!!
Atropos:
A word of caution to this tale
Hades: Excuse me?
Atropos:
Should Hercules fight, you will fail
[Fates disappear, cackling]
Hades (burning into flame): What???
(cooling down): Okay, fine, fine, I'm cool, I'm fine
[bell dings]
Pain? Panic? Got a little riddle for ya. How do you kill a god?
Pain: I do not... know!
Panic: You can't. They're immortal?
Hades: Bingo! They're immortal
(he takes a vial with red liquid and camera zooms at it, filling the screen)
So, first you got to turn the little sunspot mortal.
{Mount Olympus, dusk. Baby Hercules and Baby Pegasus are sleeping together}
[Shadows of Pain and Panic crawl over Baby Hercules, sound of glass breaking,
and Pain and Panic tittering makes Zeus and Hera wake]
Zeus: Huh?
Hera: What? what is it?
Both: The Baby!
[They run to the cradle but find only the Baby Pegasus]
Hera: Hercules! Oh!
[she starts sobbing.]
Zeus: No!!!
[as he screams that, lightnings flash and giant thunderstorm rages over Olympus.
Pain and Panic are flying down, carrying Baby Hercules]
Panic: Now we did it! Zeus is gonna use us for target practice!
Pain: Just hang onto the kid, Panic.
[They fall and Baby Hercules starts crying]
Panic: Hurry! Let's just kill the kid and het it over with, okay?
Pain (opening the vial): Here you go, kid, a little grecian formula.
Panic: Look at that! He's.. changing
[Baby Hercules stops glowing as he drinks the potion]
Can we do it now?
Pain: No, no, no, he has to drink the whole potion! Every last drop.
Amphitryon: Who's there?
[Pain and Panic run away, dropping the empty vial. It breaks and one
last drop falls into the ground]
Alcmene, over here.
Alcmene: Oh, you poor thing! Oh, don't cry
Amphitryon: Is anybody there?
[Pain and Panic look from bushes]
Panic: Now?
Pain: Now.
[Their shadows are shown as they walk and transform into snakes]
Amphitryon: Oh well, he must have been abandoned.
Alcmene: Amphitryon, for so many years we've prayed to the gods to bless us
with a child.
[Amphitryon reads Hercules' name from a medallion on his neck]
Perhaps they've answered our prayers
Amphitryion: Perhaps they have... Hercules?
[Pain and Panic, as snakes, attack, but Baby Hercules catches them, and
giggling happily, hits them several times against the ground, ties into a knot
and throws far away. Amphitryon and Alcmene stare with they jaws dropped]
Pain and Panic: Help, help, help!
[they turn to their normal forms]
Panic: Hades is gonna kill us when he finds out what happened.
Pain: You mean, *if* he finds out
Pani: Of course he's gonna f-- If.. if is good.
{pan to Mount Olympus in dark clouds and then resolve to the Muses}
Muse 2: It was tragic. Zeus led all the gods on a frantic search
Muse 5: But by the time they found the baby, it was too late.
Muse 2 starts singing:
Young Herc was mortal now
But since he did not drink the last drop -- mm
He still retained his godlike strength -- oh
So thank his lucky stars -- tell it, girl
But Zeus and Hera wept -- ooh, ooh, ooh
Because their son could never come home -- ooh
They'd have to watch their precious baby
Grow up from afar
Though Hades' horrid plan
Was hatched before Herc cut his first tooth -- ahh
The boy grew stronger every day
And that's the gospel truth
The gospel truth
{resolve to country with sheeps baaing}
[A carriage with a lot of hay moves along the road unnaturally fast, then we
see Amphitryon and his horse sitting before it]
Amphitryon: Hercules, slow down!
[We now see its young Hercules who is moving the carriage. They enter a country
fair, hitting some workers on the top of the gate]
Amphitryong: Look out!
[workers fall]
Young Hercules: Oops! S-s-sorry guys!
Worker (falling down): Hey, watch where you're goin'!
Worker 2: Sunday driver!
[Hercules enters the middle of the square and stops, buring himself into the
ground shoulders-deep]
Amphitryon: Thanks, son. When old Penelope twisted her ankle back there,
I thought we were done for.
Hercules: No problem, Pop.
Amphitryon: Uh, don't-don't-don't unload just yet. First I have to finagle
with Phideas.
Hercules: Okay.
[he drops the hay on the cart which makes their horse, Penelope, fly up into
the sky]
Oops, sorry, Penelope.
Amphitryon: Now, Hercules, this time, please just--
Hercules: I know, I know
[he catches falling Penelope]
Stay by the cart
Amphitryon: That's my boy.
[Hercules stays untill he sees a man loosing balance with a big clay pot]
Man: Oh, my goodness. Whoa!
[Hercules catches him just in time]
Herules: Careful!
Man: Why thank you
Hercules: No problem
Man (sees Hercules and looks frightened): Why, Hercules! It's you!
Hercules: Let me, let me help you with that
Man: No, no, no, no, no, I got it.
[He almost falls under the giant pot]
I'm fine, you just run along.
Hercules: Are you sure?
Man: Oh, yes. Absolutely.
[He leaves Hercules outside in the street. A freesbee falls to his feet.
He picks it up and sees three boys about his age]
Boy 1: Yo! Give it here!
Hercules: Hey, you need an extra guy?
Boy 1: Uh.. sorry, Herc. We already got.. five. And we want to keep it an
even number.
Hercules: Hey, wait a second. Five isn't an even--
Boy 1: (snatching the freesbee): see ya, Herc.
Boy 2: What a geek!
Boy 3: Destructo boy.
Boy 1: Maybe we should call him "Jerkules"
[Hercules sits alone in the center of a square untill the freesbee appears above
his head]
Boy 1: Heads up!
Hercules: I-I got it!
Boy 1: No! Stop!
[Hercules hits a pillar, which starts falling]
Hercules: Uh-oh.. Oh no!.. It's okay..
[He holds the pillar he has hit, but others start falling one by one, like
domino. He sees that and throws the pillar he was holding away, but it hits
another standing pillar and another domino wave starts going around the square]
Hey! Whoa!
Amphitryon: Son!
Hercules: Hang on, Pop! Be right back!
[The two domino waves seem to be aiming at the shop with clay pots]
Man: Oh my! Oh no! Don't! Oh, no, no, no, no, no, no, no, no, no, no!
[The last two pillars stop above the man's head. He sighs, relaxed, but
Hercules, who was running to save him, slips and slides to him fast]
Hercules: Watch out!
[Now everything is destroyed]
Boy 1: Nice catch, Jerkules.
Amphitryon: Son
Man: This is the last straw, Amphitryon!
Voice: That boy is a menace!
Voice 2: He's too dangerous to be around normal people!
Amphitryon: He didn't mean any harm, he's just a kid. He-he just can't control
his strength
Man: I am warning you. You keep that-that-that.. freak away from here!
Boy: Freak! Yeah, go away!
{on a grassy hillside, Hercules and Amphitryon sit alone}
Amphitryon: Son, you shouldn't let those things they said back there get to
you.
Hercules: But Pop, they're right. I-I am a freak. I try to fit in, I really do.
I just can't. Sometimes.. I feel like, like I really don't belong here.
Like I'm supposed to be.. someplace else.
Amphitryon: Hercules, son--
Hercules: I know it doesn't make any sense.
[Hercules walk away and sings]
I have often dreamed of a far off place
Where a great, warm welcome will be waiting for me
Where the crowds will cheer when they see my face
And a voice keeps sayin' this is where I'm meant to be
I will find my way
I can go the distance
I'll be there someday
If I can be strong
I know every mile
Will be worth my while
I would go most anywhere to feel like I belong.
[he returns home]
Amphitryon: Hercules, there's something your mother and I have been meaning
to tell ya.
{inside the house}
Hercules: But if you found me, then where did I come from? Why was I left here?
Alcmene: This was around your neck when we found you. It's the symbol of the
gods.
Hercules: This is it! Don't you see? Maybe they have the answers! I'll go to
the temple of Zeus and--
Ma, Pop, you're the greatest parents anyone could have, but..
I-I gotta know
{Next morning, Hercules walks to the Temple and sings}
I am on my way
I can go the distance
I don't care how far
Somehow I'll be strong
I know every mile
Will be worth my while
I would go most everywhere to find where I belong.
[Hercules enters the Temple of Zeus]
Hercules: Oh mighty Zeus, please, hear me and answer my prayer. I need to know:
Who am I? Wh-where do I belong?
[wind blows, lightning hits the statue of Zeus, flame ignites in braziers..]
Huh?
[..and the statue of Zeus comes to life]
Zeus: My boy. My little Hercules.
[He reaches for Hercules, who runs away, screaming]
Hey, hey, hey, hold on kiddo! What's your hurry? After all these years
is this a kind of hello to give your father?
Hercules: Father?
Zeus: Didn't know you had a famous father, did you? Surprise!!
Look how you've grown. Why you've got your mother's beautiful eyes...
and my strong chin. Hah!
Hercules: I-I don't understand. If you are my father, that would make me a--
Zeus: A god.
Hercules: A god. A god!
Zeus: Hey, you wanted answers, and by thunder, you're old enough to know the
truth
Hercules: But why did you leave me on earth? Didn't you want me?
Zeus: Of course we did. Your mother and I loved you with all our hearts but
someone stole you from us and turned you mortal, and only gods can live
on Mount Olympus.
Hercules: And you can't do a thing?
Zeus: I can't, Hercules, but you can.
Hercules: R-really? W-what? I-I'll do anything.
Zeus: Hercules, if you can prove yourself a true hero on Earth, your godhood
will be restored!
Hercules: A true hero. Great! Uh, exactly how do you become a true hero?
Zeus: First, you must seek out Philoctetes, the trainer of heroes.
Hercules: Seek out Philoctetes. Right. I'll--
[he falls off Zeus' palm]
Whoa!
Zeus: Whoa! Hold your horses! Which reminds me..
[Zeus whistles and the Pegasus flies through an opening in the roof]
Ha-ha! You probably don't remember Pegasus but you two go way back, son
[Pegasus sniffs Hercules, then bonks foreheads with him and licks him]
Hercules: Oh, Pegasus !
Zeus: He is a magnificient horse. With the brain of a bird.
Hercules: I'll find Philoctetes and become a true hero!
Zeus: That's the spirit!
Hercules: I won't let you down, father! Yee-haw!
Zeus: Good luck, son.
[Hercules flies away, singing:]
Hercules:
I will beat the odds
I can go the distance
I will face the world
Fearless, proud and strong
I will please the gods
I can go the distance
Till I find my hero's welcome right where I belong
{Isle of Philoctetes}
Hercules: You sure this is the right place?
[Hercules sees three nymphs laughing in the trees, then sees a goat's behind
sticking from the bushes]
What's the matter, little guy? You stuck?
Phil: Whoa! Hey, butt out, buddy!
Hercules: Ugh
Phil: Girls! Stop! Stop! Come back, come back, come back. Whoa, whoa--
[the nymph he gets hold on turns into flowers]
oh, geez!
Whait! Whoa, whoa, whoa!
[another nymph turns into a tree]
Oh, nymphs! They can't keep their hands off me.
Nymph: Hey!
Phil (to Hercules):
What's the matter? You never seen a satyr before?
Hercules: Uh.. no. Can you help us? We're looking for someone called
Philoctetes.
Phil: Call me Phil.
Hercules sqeezes his hand: Phil!
Phil: Ow!
Hercules: Boy, am I glad to meet you! I'm Hercules. This is Pegasus.
[Pegasus licks Phil]
Phil: Animals!. Disgusting!
Hercules: I need your help. I want to become a hero. A true hero.
Phil: Sorry, kid, can't help ya.
Hercules: Wait!
[he pulls the door, Phil closed before him and raises it in the air with one
hand]
Phil: Whoo!
Hercules: Uh, sorry. Why not?
Phil: Two worlds: I am retired.
[Hercules counts on fingers]
Hercules: Look, I gotta do this. Haven't you ever had a dream, something you
wanted so bad you'd do anything?
Phil sighes: Kid, come inside, I want to show you something.
[Inside, Hercules hits his head against some wooden mast]
Phil: Watch it! That was part of the mast of the Argo.
Hercules: The Argo?
Phil: Yeah. Who do you think taught Jason how to sail? Cleopatra? I trained
all those would-be heroes. Odysseus, Perseus, Theseus. A lot of
"yeuseus." And every single one of those bums let me down. Flatter then
a discus.
None of them could go the distance.
And then there was Achilles.
Now there was a guy who had it all - the build, the foot speed.
He could jab, he could take a hit, he could keep on comin'.
But that furshlugginer heel of his! He barely gets nicked there once
and - kaboom! He's history. Yeah, I had a dream once. I dreamed I was
gonna train the greatest hero there ever was. So great the gods would
hang a picture of him in the stars... All across the sky, and people
would say, "That's Phil's boy." That's right. Eh, but dreams are for
rookies. A guy can only take so much disappointment.
Hercules: But I am different than those other guys, Phil! I can go the distance
Come on, I'll show you.
Phil grunts: Geez, you don't give up, do ya?
Hercules: Watch this.
[He raises something big which looked like an UFO and sends it flying away]
Phil: Holy Hera.. You know maybe if I-- No! Snap out of it! I am too old to get
mixed up in this stuff again.
Hercules: But if I don't become a true hero, I'll never be able to rejoin my
father, Zeus.
Phil: Hold it! Zeus is your father, right?
Hercules: Uh-huh.
Phil laughs: Zeus! The big guy. He's your daddy! Mr. Lightning Bolts, read me
a book, will ya.. da-da? Zeus!
(mimics Zeus): Once upon a time--
Hercules: It's the truth!
Phil: Please!
(sings:)
So you wanna be a hero, kid, well, whoop-de-do
I have been around the block before with blockheads just like you
Each and every one was disappointment
Pain for which there ain't no ointment
So much for excuses
Though a kid of Zeus is
Asking me to jump into the fray
My answer is two words:
[lightning hits Phil]
Okay.
Hercules: You mean you'll do it?
Phil: You win.
Hercules: You won't be sorry, Phil.
Phil: Oh, gods.
Hercules: So when do we start? Can we start now?
Phil: Oy, vay.
Phil sing:
I'd given up hope that someone would come along
A fella who'd ring the bell for once not the gong
The kind who wins trophies
Won't settle for low fees
At least semipro fees
But no, I get the greenhorn
I've been out to pasture, pal, my ambition gone
Content to spend lazy days and to graze my lawn
But you need an advisor
A satyr, but wiser
A good merchandiser and-- whoa!
There goes my ulcer
I'm down to one last hope and I hope it's you
Though, kid, you're not exactly a dream come true
I trained enough turkeys
Who never came through
You're my only last hope
So you'll have to do
Phil: Rule #6: When rescuing a damsel, always handle with care
[Hercules falls into water]
No!
Phil: Rule #95, kid: Concentrate!
Rule #96: Aim!
(singing:)
Demigods have faced the odds and ended up a mockery
Don't believe in the stories that you read on all the crockery
To be a true hero, kid, is a dying art
Like painting a masterpiece it's a work of heart
It takes more then sinew
Comes down to what's in you
You have to continue
To grow!
[Hercules became adult now]
Phil: Now that's more like it!
(singing:)
I'm down to one last shot and my last high note
Before that blasted underworld gets my goat
My dreams are on you, kid
Go make 'em come true
Climb that uphill slope
Keep pushing that envelope
You're my one last hope
And, kids, it's up to you
Yeah!
Hercules: Did you see that? Next stop, Olympus.
Phil: All right, just take it easy, champ.
Hercules: I am ready, I want to get off this island. I want to see battles and
monsters! Rescue some damsels.. You know, heroic stuff.
Phil: Well--
Hercules: Aw, come on, Phil!
Phil: Well, okay, okay. You want a road test? Saddle up, kid. We're going
to Thebes!
Hercules: Yahoo!
[now flying on Pegasus]
So, what's in Thebes?
Phil: A lot of problems. It's a big tough town, good place to start building
a rep.
[they hear a woman screaming]
Sounds like your basic D.I.D. - Damsel In Distress.
Hercules: Hyah!
[They land and see Megara chased by a monster centaur]
Nessus: Not so fast, sweetheart
Megara: I swear, Nessus. Put me down or I'll--
Nessus: Whoo! I like 'em fiery!
[in the bushes Hercules gets angry, while Phil instructs..]
Phil: Now remember, kid. First, analyze the situation. Don't just barrel in
there without thinking. Eh?
[Hercules already walks to Nessus and Megara]
He's losin' points for this!
Megara: You don't know what you're--
Hercules: Halt!
Nessus: Step aside, two legs.
Hercules: Pardon me, my good, uh, uh..... sir. I'll have to ask you to release
that young...
Megara: Keep movin', junior
Hercules: ...lady. But you-- are-aren't you a damsel in distress?
Megara: I am a damsel, I am in distress. I can handle this. Have a nice day.
Hercules: Uh-- *ahem* Ma'am, I'm afraid you may be too close to the situation
to realize--
[he takes his sword out and Nessus immidiately hits him so he flies away]
Phil: Ohhh! What are you doin'? Get your sword!
Hercules (searching in water): Sword. Right, right.. Rule #15: A hero is only
as good as his weapon!
[he picks up a fish and directs it at Nessus. Nessus laugh and Megara looks
bored. Nessus then hits Hercules with a fist and Hercules flies away again]
Phil groans and tells to Pegassus who rushes to help:
Whoa! Hold it! Hold on! He's gotta do it on his own.
Come on, kid! Concentrate! Use your head!
Hercules: Oh...
[He runs and hits Nessus with his head. Nessus flies away]
Phil: All right! Not bad, kid. Not exactly what I had in mind, but not bad.
[Megara gets from water and coughs]
Hercules: Oh, gee, Miss, I'm I'm really sorry.
Megara: Oh.
Hercules: That was dumb
Megara: Yeah.
[Nessus runs in again]
Hercules: Excuse me.
[He attacks Nessus, hits his head several times and throws him]
Phil: Nice work! Excellente!
Megara: Is wonderboy here for real?
Phil: What are you talking about? Of course he's real..
(notices Megara)
Whoa! And by the way, sweet cheeks, I am real too.
[Phil gets on Megara's lap, but she pushes him into water]
Megara: Ugh
[meanwhile, Hercules ride on Nessus]
Hercules: Yee-hah! Yahoo!
[He finishes Nessus in a spectacular fight]
How was that, Phil?
Phil: Rein it in, rookie. You can get away with mistakes like those in the
minor decathlons, but this is the big leagues!
Hercules sighes: At least I beat him. Didn't I?
Phil: Next time don't let your guard down because of a pair of big goo-goo
eyes! D-oh! It's like I keep tellin' ya. You gotta stay focused, and
you--
[Hercules walks up to Megara]
Hercules: Are you, uh, all right, Miss, uh--
Megara: Megara. My friends call me Meg. At least they would if I had any
friends. So, did they give you a name along with all those rippling
pectorials?
Hercules: Uh, I'm, um, uh--
Megara: Are you always that articulate?
[she turns to leave]
Hercules: Hercules. my-- *ahem* My name is Hercules.
Megara: Hercules, huh? I think I prefer wonderboy.
Hercules: So, uh, how-how-how'd you get mixed up with the, uh--
Megara: Pinhead with hooves? Well, you know how men are. They think that "no"
means "yes" and "get lost" means "take me, I'm yours". Don't worry,
Shorty here can explain it to ya later.
[Phil growls]
Well, thanks for everything, Herc. It's been a real slice.
Hercules: Wait! Um.. can we give you a ride?
[Pegasus snorts, whinnies, and jumps to a high branch]
Megara: Uh, I don't think your Pinto likes me very much
Hercules: Pegasus? Oh, no, don't be silly. He'd be more than happy to-- ow!
[Pegasus drops an apple on Hercules' head]
Megara: I'll be all right. I'm a big, tough girl. I tie my own sandals and
everything. Bye-bye Wonderboy.
Hercules: Bye... She's something, isn't she, Phil?
Phil: Yeah, oh yeah, she's really something. A real pain in the patella!
Earth to Herc! Come in Herc! Come in Herc! We got a job to do,
remember? Thebes is still waitin'.
Hercules: Yeah. Yeah. I know.
[Megara walks into the forest and comes upon a rabbit and a small gopher]
Megara: Aw.. how cute. A couple of rodents looking for a theme park.
Pain (as a bunny): Who you callin' a rodent, sister? I'm a bunny!
Panic (as a gopher): A-and I'm his gopher.
Together: Ta-dah!
[they turn into themselves]
Megara sighes: I thought I smelled a rat.
Hades: Meg.
Megara: Speak of the devil.
Hades: Meg, my little flower, my little bird, my little nut, Meg. What exactly
happened here? I thought you were gonna persuade the river guardian
to join my team for the uprising, and here I am, kind of river
guardian-less.
Megara: I gave it my best shot, but he made me an offer I had to refuse.
Hades: Fine. So, instead of subtracting two years from your sentence, hey,
I'm gonna add two on, okay? Give that your best shot.
Megara: It wasn't my fault. It was that wonderboy, Hercules.
Panic: Hercules? Why does that name ring a bell?
Pain: I don't know. Um, maybe we owe him money?
Hades: What was that name again?
Megara: Hercules. He comes on with this big, innocent farm boy routine but I
could see through that in a peloponnesian minute.
Pain: Wait a minute. Wasn't Hercules the name of that kid we were supposed
to--
Pain and Panic: Oh my gods!
Panic: Run for it!
Hades: So you took care of him, huh? Dead as a door nail. Weren't those your
exact words?
Pain: This might be a different Hercules.
Panic: Yeah! I mean, Hercules is a very popular name nowadays!
Pain: Remember, like, a few years ago every other boy was named Jason and
the girls were all named Brittany?
Hades: I'm about to rearrange the Cosmos and the one schlemiel who can louse
it up is waltzing around in the woods!
[Hades explodes]
Pain: Wait. Wait, big guy. We can still cut in on his waltzing.
Panic: That's right! And-and-and at least we made him mortal, that's a good
thing. Didn't we?
Hades: Hmm.. Fortunately for the three of you we still have time to correct
this rather egregious oversight. And this time, no foul-ups.
{Meanwhile, Hercules and Phil are flying on Pegasus}
Hercules: Wow! Is that all one town?
Phil: One town. A million troubles. The one and only Thebes. The big olive
itself. If you can make it there, you can make it anywhere.
[they enter the crowd]
Stick with me, kid. This city is a dangerous place.
[they almost get hit by a passing carriage]
Driver: Look where you're goin' numbskull!
Phil: Het, I'm walkin' here! You see what I mean? I'm tellin' you - wackos.
Man: Pita bread, pita bread, get your pita bread here!
Smuggler: Hey, Mack.
[he opens his coat at Phil and Hercules]
Phil: Whoa, whoa, whoa!
Smuggler: You wanna buy a sundial?
Phil: He's not interested, all right? Come on, kid.
Man: The end is coming! Can't you feel it?
Phil: Yes, yes. Thank you for the info. Yes. We'll ponder that for a while.
(to Hercules) Just stare at the sidewalk. Come on. Don't make eye
contact. People here are nuts. That's because they live in a city of
turmoil. Trust me, kid, you're gonna be just what the doctor ordered.
Woman: It was tragic! We lost everything in the fire
Man: Everything except old Snowball here.
[Snowball the cat meows]
Strong man: Now, were the fires before or after the earthquake?
Thin woman: They were after the earthquake, I remember
Heavy woman: But before the flood.
Old man: Don't even get me started on the crime rate
Heavy woman: Thebes has certainly gone downfall in a hurry.
Old man: Tell me about it. It seems like every time I turn around there's
some new monster wreaking havoc and I--
Man: All we need now is a plague or locusts.
[Frog jumps in and scared everybody]
Old man: That's it! I'm movin' to Sparta!
Hercules: Excuse me. It uh *ahem* seems to me that what you folks need is
a hero.
Strong man: Yeah, and who are you?
Hercules: I'm Hercules, and, uh, I happen to be... a hero.
[crowd laughs]
Old man: Is that so?
Woman: A hero!
Old man: Have you ever saved a town before?
Hercules: Uh, no, uh, not exactly, but I--
Strong man: Have you ever reversed a natural disaster?
Hercules: Well, uh... no.
Strong man: Oh, listen to this. He's just another chariot chaser. This we need.
Woman: That's a laugh.
Phil: Don't you pea brains get it?
Woman: Hmm?
Phil: This kid is a genuine article.
Man: Het, isn't that the goat-man who trained Achilles?
Phil (getting angry) watch it pal
Strong man: Yeah, you're right. Hey, nice job on those heels! Ya missed a spot!
Phil: I got your heel right here!
(hits the man and starts beating him)
I'll wipe that stupid grin off your face! You--
Hercules: Hey Phil! Phil! Phil! Take it easy, Phil.
Strong man: What are you, crazy? Sheesh
Heavy woman: Young man, we need a professional hero. Not an amateur.
Hercules: Well, wait. Stop!
(sighs)
How am I supposed to prove myself a hero if nobody will give me
a chance?
Phil: You'll get your chance, you just need some kind of catastrophe or
disaster.
[Megara appears in the crowd]
Megara: Please! Help! Please! There's been a terrible accident!
Hercules: Meg?
Phil: Speaking of disasters.
Megara: Wonderboy! Hercules! Thank goodness!
Hercules: Wha-what's wrong?
Megara: Outside of town, two little boys, they were playing in the gorge.
There was that rock slide, a terrible rock slide. They're trapped!
Hercules: Kids? Trapped? Phil, this is great!
Megara: You are really choked up about this, aren't ya?
Hercules (dragging Meg): Come on!
Megara: No, I-- You don't under-- I have this terrible fear of heights!
Phil (running): I'm right behind ya, kid! Whoo!
(panting): I am way behind ya, kid.
(sputtering): I got a fur wedgie
[Hercules and Megara land and Hercules dismounts from Pegasus]
Hercules: Are you okay?
Megara: I'll be fine. Just get me down before I ruin the upholstery
Pain as boy: Help! I can't breathe!
Panic as boy: Hurry!
Pain as boy: Get us out!
Panic as boy: We're suffocating! Somebody call IX-I-I
Hercules: Easy fellas, you'll be all right
Pain as boy: We can't last much longer!
Panic as boy: Get us out before we get crushed!
[Hercules raises a huge boulder. Kids run out from under it and the crowd
applauses lightly]
Hercules: How you boys doin'?
Panic as boy: We're okay now
Pain as boy: Jeepers, mister, you are really strong!
Hercules (still holding the stone): Well, try to be a little more careful
next time, okay, kids?
Pain as boy: We sure will!
[they run away, up the slope and face Hades]
Hades: A stirring performance, boys. I was really moved.
Panic: "Jeepers, Mister" ?
Pain: I was going for innocence.
Hades: And, hey, two thumbs way, way up for our leading lady.
(looking at Megara): what a dish. what a doll.
Megara (quietly): Get outta there, you big lug, while you still can.
Hercules: Phil, I did great. They even applauded.. sort of.
[growling sound appears]
Phil: Huh! I hate to burst your bubble, kid, but that ain't applause.
[Hydra appears]
Hercules: Ph-ph-ph-phil? What do you call that thing?
Phil: Two words! Am-scray!!
Hades: Let's get ready to rumble!
[Hydra and Hercules start fighting]
Phil: That's it. Dance around! Dance around! Watch the teeth. Watch the teeth
Keep going. Come on. Come on. Lead with your left. Lead with your left!
You other left!!
[Finally Hercules cuts the head of Hydra off. Crowd cheers]
Phil: All right! All right! You are bad! Okay!
Hercules: See, Phil? That-- That wasn't so hard
[he drops sword and falls flat on the ground]
Phil: Kid, kid, kid, how many horns do ya see?
Hercules: Six?
Phil: Eh, close enough. Let's get you cleaned up.
[above on the Hades' watching place Panic shivers and gulps]
Hades: Guys, guys, relax. It's only halftime.
[below, Hercules and Phil hear rumbling from Hydra's body]
Phil: That doesn't sound good
[Hydra gets three new heads]
Phil: Definitely not good!
[Hercules on Pegasus fights with Hydra and keeps slicing her heads off, getting
more and more new ones]
Phil: Will you forget that head-slicing thing?
[Hercules gets knocked off Pegasus and falls among heads and necks of Hydra]
Hercules: Phil, I don't think we covered this one in basic training!
[Hercules escapes, but falls back from the cliff and is now pressed against
the wall by Hydra's paw]
Hades: My favorite part of the game: sudden death.
[Hercules crushes the rock on Hydra and gets buried under rocks himself too]
Phil: Oh! There goes another one. Just like Achilles.
Hades: Game. Set. Match.
[Hercules appears from Hydra's dead paw. Crowd chears real loud now]
Hercules: Phil, you gotta admit, that was pretty heroic.
Phil: Ya did it, kid! Ya did it! You won by a landslide!
[above]
Panic: Hades mad.
Megara: Well. What do ya know?
{cut to Muses}
Muse 5 sings:
From that day forward, out boy Hercules could do no wrong
(spoken): He was so hot, steam looked cool
Oh, yeah!
Muse 1: Bless my soul, Herc was on a roll
Person of the week in every greek opinion poll
Muse 2: What a pro!
Muse 5: Herc could stop a show
Point him at a monster and you're talkin' S.R.O.
He was a no one
A zero, a zero
Now he's a honcho
He's a hero!
He was a kid with his act down pat
Zero to hero in no time flat
Zero to hero
Just like that
When he smiled the girls went wild
With oohs and aahs
Muse 1: And they slapped his face on every vase
Muse 3: On every "Vahse"!
All: From appearance fees and royalties
Our Herc had cash to burn
Now nouveau riche and famous
He could tell you what's a grecian urn
Say amen
There he goes again
Sweet and underrated
And an awesome ten for ten
Folks lined up just to watch him flex
And this perfect package packed a pair of pretty pecs
Hercie, he comes, he sees, he conquers
Honey, the crowds were goin' bonkers
He showed the moxie brains and spunk -- yeah!
From zero to hero
A major hunk
Zero to hero
And who'd have thunk...
Who put the glad in gladiator?
Hercules!
Who's darin' deeds are great theater?
Hercules!
Isn't he bold?
No one braver!
Is he sweet?
Our favorite flavor!
Hercules
My man
Hercules
Hercules
Hercules
Look at my Hercules
Hercules
Hercules
Bless my soul, Herc was on a roll
Underrated, riding high
And the nicest guy
Not conceited
He was a nothing, zero, zero
Now he's a honcho, he's our hero!
He hit the heights at breakneck speed
From zero to hero
Herc is a hero
Now he's a hero
Muse 3: Yes, indeed.
[Hades practices shooting at targets]
Hades: Pull!
Megara: Nice shooting, Rex.
Hades: I can't believe this guy. I throw everything I've got at him. And it
doesn't even--
(sees Pain wearing Hercules(tm) sandals)
What are those?
Pain: Um.. I don't know. I thought they looked kinda dashing.
Hades: I've got 24 hours to get rid of this bozo, or the entire scheme
I've been setting up for 18 years goes up in smoke and you are wearing
his merchandise!!!
[Panis interrupts them by slurping some cola from a Hercules(tm) plasic cup]
Panic: Thirsty?
[Hades yells, causing a small earthquake]
Megara: Looks like your game's over. Wonderboy is hitting every curve you
throw at him.
Hades: Oh yeah.. I wonder if maybe I haven't been throwing the right curves
at him. Meg, my sweet.
Megara: Don't even go there.
Hades: See, he's gotta have a weakness, because everybody's got a weakness
I mean for what? Pandora, it was the box thing, for the Trojans, hey,
they bet on the wrong horse, okay? We simply need to find out
Wonderboy's.
Megara: I've done my part. Get your little imps--
Hades: They couldn't handle him as a baby. I need someone who can... handle
him as a man.
Megara: Hey, I've sworn off manhandling.
Hades: Well, you know, that's good because that's what got you into the jam
in the first place, isn't it? You sold your soul to me to save your
boyfriend's life. And how does this creep thank you? By running off
with some babe. He hurt you real bad, didn't he, Meg? Huh?
Megara: Look, I learned my lesson, okay?
Hades: Which is exactly why I got a feelin' you're gonna leap at my new
offer. You give me the key to bringing down wonder breath and I
give you the thing that you crave most in the entire Cosmos:
(he whispers at her ear):
your freedom.
{Temple of Zeus}
Hercules: You should have been there, father! I mangled the minotaur, grappled
with the Gorgon, Just like Phil told me, I analyzed the situation,
controlled my strength and kicked! The crowds went wild! Thank you,
thank you.
Zeus: Hah! You're doin' great, son. You're doin' your old man proud.
Hercules: I am glad to hear you say that, father. I've been waiting for this
day a long time.
Zeus: Hmm.. What day is that, son?
Hercules: The day I rejoin the gods.
Zeus: You've done wonderfully, you really have, my boy. You're just not there
yet. You haven't proved yourself a true hero.
Hercules: But father, I've beaten every single monster I've come up against.
I'm-I'm the most famous person in all of Greece. I'm-I'm an action
figure!
Zeus: I'm afraid being famous is not the same as being a true hero.
Hercules: What more can I do?
Zeus: It's something you have to discover for yourself.
Hercules: But how can I--
Zeus: Look inside your heart
[Lightning strikes and statue of Zeus becomes inanimate]
Hercules: Father, wait!
{In the city, a carriage passes past rich gates}
Guide: On your left is Hercules' villa. My next stop is the Pecs and Flex
gift shop where you can pick up the Great Hero's 30-minute workout
scroll "Buns of Bronze"
{inside the villa, Hercules is posing for a picture on a vase, dressed in the
skin of the lion Skar from Disney's The Lion King}
Phil: At 1:00 you got a meeting with king Augeas. He's got a problem with
his stables. I'd advise you not to wear your new sandals.
Hercules: Phil?
Artist: I told you, don't move!
Phil: D.G.R., the Drughters of the Greek Revolution
Hercules: Phil?
Phil: At 3:00 you gotta get a girdle from some amazons
Hercules (dropping club and shield) Phil, what's the point?
Artist screams: That's it!
Phil: Keep your toga on, pal
[Artist throws the paints on Phil, making him look like a clown and leaves]
Phil: What do you mean, "what's the point ?" You wanna go to Olympus, don't
ya?
Hercules: Yeah, but this stuff doesn't seem to be getting me anywhere.
[He throws the skin of Skar to Phil]
Phil (wiping the paint off his face with it): You can't give up now, I'm
counting on ya
Hercules: I gave this everything I had.
Phil: Listen to me, kid. I seen 'em all. And I am tellin' you - and this is
the honest-to-Zeus truth - you got somethin' I never seen before
Hercules: Really?
Phil: I can feel it right down to these stubby bowlegs of mine. There is
nothin' you can't do, kid.
[door opens and fan girls scream]
Fan girls: It's him!
Phil: Hey, watch it! Watch it! watch--
Fan gils: I touched his elbow! I got his sweatband!
Hercules: Phil, help!
Phil: Okay, escape plan beta
Hercules: Gotcha.
[Phil blows whistle, fan girls look at him for a moment and Hercules disappears]
Fan girls: Hey! Where is he?
Phil: There he goes! On the verranda!
[Girls run away, Phil too, but when door closes, Megara appears from behind it,
she walks and sees Hercules' toes under a curtain]
Megara: Let's see, what could be behind curtain number one?
Hercules: Meg!
Megara: It's all right. The sea of raging hormones has ebbed.
Hercules: Gee, i-i-it's great to see you. I-I-I missed you.
Megara (dropping on a couch): So, this is what hgeroes do on their days off
Hercules: I am no hero...
Megara: Sure you are. Everybody in Greece thinks you're the greatest thing
since they put the pocket in pita
Hercules (chuckles): I know. It's-it's crazy you know, I can't go anywhere
without being mobbed, I mean--
Megara: Ah. You sound like you could use a break. Think your nanny goat would
go berserk if you played hooky this afternoon?
Hercules: Oh gee. I-I don't know, uh, Phil's got the rest of the day pretty
much booked.
Megara: Ah, Phil, Shmill.. Just follow me. Out the window, round the dumbbells,
you lift up the back wall and we're gone.
{evening, outdoors}
Hercules: Wow. What a day. First that restaurant by the bay,
Megara: Mmm..
Hercules: and then that, that play, that, that Oedipus thing. Man! I thought
I had problems.
[both chuckle and such, two little birds sitting near turn into Pain and Panic
to speak to Meg]
Panic: Psst! Stop foolin' around!
Pain: Yeah. Get the goods, sister.
[Hercules turns back and they turn into birst and tweet innocently]
Hercules: I didn't know that playing hooky could be so much fun.
Megara: Yeah. Niether did I.
Hercules: Thanks, Meg.
Megara: Oh.. Don't that me just yet. Oh!
[she falls into Hercules' arms]
Hercules: Oop, careful.
Megara: Sorry. Weak ankles.
Hercules: Oh yeah? Well, maybe you better sit down for a while.
[He carries her on a bench and they sit down]
Megara: So, uh, do you have any problems with things like.. this?
[she stretched her leg and holds her foot right before Hercules' face]
Hercules: Uh.....
Megara: Weak ankles, I mean.
Hercules: Oh. Uh, no. Not really.
Megara (moving closer to him): No weaknesses whatsoever? No trick knee?
Hercules: Uh--
Megara (moving even more close): Ruptured... disks?
Hercules: No. I'm I'm afraid I'm, uh.. fit as a fiddle.
[he finally stands up from the bench]
Megara: Wonderboy, you are perfect.
Hercules: Thanks.
[he sends a coin jumping on a water in a fountain and it breaks the arms off
the statue of Venus]
Whoops.
Megara: It looks better that way. No, it really does.
Hercules: You know, when I was a kid I, I would have given anything to be
exactly like everybody else.
Megara: You wanted to be petty and dishonest?
Hercules: Everybody's not like that.
Megara: Yes they are.
Hercules: You're not like that
Megara: How do you know what I'm like?
Hercules: All I know is.. You're the most amazing person with... weak ankles
I've ever met.
[Megara steps back and gets pricked on an arrow of a tiny statue of Amur]
Meg, when I'm with you I-I don't feel so... alone.
Megara: Sometimes it's better to be alone.
Hercules: What do you mean?
Megara: Nobody can hurt you.
Hercules: Meg? I would never ever hurt you.
Megara: And I don't wanna hurt you, so... let's both do ourselves a favor and..
stop this... um.. before... we--
[Their lips met for the kiss, but the moment before it happens bright light
flashes into their eyes. It is Phil, on Pegasus, impersonating police
helicopter]
Phil: All right! Break it up! Break it up! Party's over! I been lookin' all
over this town!
Megara: Calm down, mutton man! It was all my fault.
Phil: You're already on my list, sister, so don't make it worse
[Pegasus snorts at Megara, she snorts back, turning the light off]
Phil: And as for you, ya bum, you're gonna go to the stadium and you're gonna
be put through the workout of your life! Now get on the horse.
Hercules: Okay, okay
Megara: I'm sorry
Hercules: Ah, he'll get over it.
[he bends a huge tree casually and picks a flower off it, gives it to Meg and
kisses her in the cheek]
Phil: Move! Move, move, move, move, move! Move!
(on Pegasus): Whoo! Ya-eee!
Hey, watch it, watch it! Whoo! Watch it! Keep your goo-goo eyes on the
[a branch finally hits Phil and he falls on the ground]
That's it. Next time, I drive.
[Megara sits alone and smells the flower]
Megara: Oh. what's the matter with me? You'd think a girl would learn.
(sings)
If there's a prize for rotten judgement
I guess I've already won that
No man is worth the aggravation
That's ancient history been there, done that.
Muses: Who d'ya think you're kidding? He's the Earth and Heaven to you
Try to keep it hidden, honey, we can see right through you
Megara: Oh, No
Muses: Girl, you can't conceal it
We know how you feel and
Who you're thinkin' of
Megara: Oh-no, no chance, no way, I won't say it, no, no
Muses: You swoon, you sigh, why deny it, uh-oh?
Megara: It's too cliche, I won't say I'm in love
Muses: Shoo-doo, shoo-doo, oo-oo-oo
Megara: I thought my heart had learned its lesson
It feels so good when you start out
Muses: Ahhh..
Megara: My head is screaming get a grip, girl
Unless you're dyin' to cry your heart, oh
Muses: You keep on denying
Who you are and how you're feelin'
Baby we're not buyin' hon,
We saw you hit the ceilin'
Face it like a grownup, when you gonna own up that you
Got
Got
Got it bad
Megara: Oh, no chance, no way, I won't say it, no, no
Muses: Give up, but give in,
Check the grin, you're in love
Megara: This scene won't play, I won't say I'm in love
Muses: You're doing flips, read our lips, you're in love
shoo-doo, shoo-doo
Megara: You're way off base, I won't say I'm it
Muses: She won't say in love
Megara: Get off my case, I won't say it
Muses: Girl, don't be proud, it's okay, you're in love
Megara: Oh.. At least at loud I won't say I'm in love...
Muses: Shoo-doo, shoo-doo, shoo-doo, shoo-doo
Sha-la-la-la-la-la-la
Haaa
[Hades appears]
Hades: Hey, what's the buzz, huh, Meg? What is the weak link in the
Wonderboy's chain?
Megara: Get yourself another girl, I'm through.
Hades: I'm sorry. Do you mind runnin' that by me again? I must have had a
chunk of brimstone wedged in my ear or something.
Megara: Then read my lips! Forget it!
Hades: Meg, Meg, Meg, my sweet deluded little minion. Aren't we forgetting one
teensy-weensy, but ever so crucial little, tiny detail?
[he bursts into flame]
I own you!
[Phil come in on the ground]
Phil: Oh. I got another horn here..
Hades (to Meg): You work for me!
Phil: That kid's gonna be doin' laps for a month
Hades: If I say, "sing", you say, "hey, name that tune"
If I say, "I want Wonderboy's head on a platter" you say--
Megara: Medium or well done
Phil: Oh! I knew that dame was trouble. This is gonna break the kid's heart.
Megara: I'll work on that.
[Phil runs away]
Hades: I'm sorry.. You hear that sound? That's the sound of your freedom
fluttering out the window forever
Megara: I don't care. I'm not gonna help you hurt him.
Hades: I can't believe you're getting so worked up about some guy.
Megara: This one is different. He's honest, and-and he's sweet--
Hades: Please!
Megara: He would never do anything to hurt me.
Hades: He's a guy!
Megara: Besides, oh, oneness, you can't beat him. He has no weaknesses, he's
gonna--
Hades: I think... he does, Meg. I truly think... he does.
{Stadium, Hercules is doing exercises}
Hercules: Ha-ha! Whoo-hoo!
[Phil walks sad]
Hey, Phil! What happened to you?
Phil: Kid, we gotta talk.
Hercules: Oh, Phil, I just had the greatest day of my life! I-I can't stop
thinking about Meg. She's something else.
Phil: Kid! I'm tryin' to talk to ya! Will you come down here and listen?
Hercules: Aw, how can I come down there when I'm feeling so up?
[He jumps up into clouds. Meanwhile a pegasus mare appears and makes the
Pegasus follow her. In a pen, the mare splits in two parts which turn into
Pain and Panic]
Pain: Gotcha!
[back on stadium]
Phil: Ah, very nice! What I'm trying to say is--
Hercules: That if it wasn't for you, I never would have met her. Oh, I owe ya
big time. Little guy, I do.
Phil: Will you just knock it off for a couple of seconds?
Hercules: Rule #38, Come on, Phil, keep them up there, huh? Phil, I got two
words for ya: Duck!
Phil: Listen to me! She's--
Hercules: A dream come true?
Phil: Not exactly
Hercules: More beautiful then Aphrodite?
Phil: Aside from that!
Hercules: The most wonderful--
Phil: She's a fraud!!! She's been playin' ya for a sap!
Hercules: Aw, come on. Stop kiddin' around
Phil: I'm not kiddin' around.
Hercules: I know you're upset about today, but that's no reason to--
Phil: Kid, you're missin' the point
Hercules: The point is - I love her.
Phil: She don't love you
Hercules: You're crazy
Phil: She's nothin' but a two-timin',
Hercules: Stop it!
Phil: no-good, lyin', schemin'--
Hercules (hits Phil): Shut up!
[Phil flies off and hits himself a little]
Phil, I-- Oh, I'm, I'm sorry
Phil: Okay, okay, that's it. You won't face the truth? Fine.
Hercules: Phil, wait. Where you going?
Phil: I'm hoppin' the first barge out of here. I'm goin' home.
Hercules: Fine! G-- Go! I don't-- I don't need you.
Phil: I thought you were gonna be the all-time champ. Not the all-time chump.
[Phil leaves. Hades comes]
Hades: Geez Louise! What got his goat, huh? Baboom. Name is Hades, Lord of
the Dead. Hi. How ya doin'?
Hercules: Not now, okay?
Hades: Hey, hey, I only need a few seconds and I'm a fast talker, all right?
See, I've got the major deal in the works. A real estate venture, if
you will. And Herc, you little devil you, may I call you Herc? You seem
to be constantly getting in the way of it.
Hercules: You've got the wrong guy.
Hades: Hear me out, ya little-- heh-heh. Just-- hear me out, okay? So I would
be eternally grateful if you would just... take a day off from this
hero business of yours. Geez, I mean, monsters, natural disasters. Phew
You wait a day, okay?
Hercules: You're out of your mind.
Hades: Not so fast, because, ya see, I do have a little leverage... You might
wanna know about.
[Hades snaps fingers and Megara appears]
Hercules: Meg!
Megara: Don't listen, Herc--
[she disappears]
Hercules: Let her go!
Hades: Here's the trade-off. You give up your strength for about 24 hours,
okay? Say, the next 24 hours and Meg here is free as a bird and safe
from harm. We dance, we kiss, we schmooze, we carry on, we go home
happy. What d'ya say? Come on.
Hercules: People are, are gonna get hurt, aren't they?
Hades: Nah! I mean, it's, you know, it's a possibility. It happens 'cause,
you know, it's war, but what can I tell ya? Anyway, what do you owe
these people, huh? Isn't Meg -- little smoochy face -- isn't she more
important than they are?
Hercules: Stop it!
Hades: Isn't she?
Hercules: You gonna swear she'll be safe from any harm
Hades: Fine, okay, I'll give you that one. Meg is safe, otherwise you get
your strength right back, yadda-yadda, fine print, boilerplate, baboom.
Okay? We're done, what d'ya say we shake on it? Hey, I really don't
have, like, time to bat this around. I'm kind of on a schedule here,
I got plans for august. Okay? I need an answer, like, now.
Going once, going twice
Hercules: All right!
Hades: Yes, we're there! Bam!
[they shake hands and Hades takes strength of Hercules]
Hades: You may feel just a little queasy, it's kinda natural. Maybe you should
sit down.
Now you know how it feels to be just like everybody else. isn't it just
peachy? Oh! You'll love this. One more thing. Meg, babe. A deal's a
deal. You're off the hook. By the way, Herc. Is she not, like, a
fabulous little actress?
Megara: Stop it.
Hercules: What do you mean?
Hades: I mean your little chickie-poo here was working for me all the time.
Duh.
Hercules: You're-- you're lying!
Panic as boy: Help! (coughs)
Pain as bot: Jeepers, mister, you're really strong. (in normal voice) Ha-ha!
Hades: Couldn't have done it without you, sugar, sweetheart, babe.
Megara: No! It's not like that! I didn't mean to-- I-I couldn't-- I--
I'm so sorry.
Pain and Panic: Our hero's a zero! Our hero's a zero!
Hades: Well, gotta blaze. There's a while cosmos up there waiting for me with,
hey, my name on it. So much for the preliminaries, and now on to the
main event!
{The stars are aligned and the gate to the Titans opens}
Hades: Brothers! Titans! Look at you in your squalid prison! Who put you
down there?
Titans: Zeus!
Hades: And now that I set you free, what is the first thing you are going to
do?
Titans: Destroy him!
[Hades frees the Titans]
Hades: Good answer
Lythos: Crush Zeus!
Hydros: Freeze him!
Pyros: Melt Zeus!
Stratos: Blow him away!
Titans: Zeus!
Hades: Uh, Guys? Olympus would be that way.
Lythos: Zeus!
Hydros: Freeze him!
Hades: Hold it, bright eye
Cyclops: Huh?
Hades: I have a special job for you, my optic friend
[Olympus. Hermes sees the titans first]
Hermes: Ah. Huh?
Lythos: Destroy Zeus!
Hermes: Oh, we're in trouble! Oh, big trouble! I gotta--
[he zooms to Olympus]
My Lord and Lady, the Titans have escaped. And they're practically
at our gates!
Zeus: Sound the alarm! Launch an immediate counterattack! Go! Go!
Hermes: Gone, babe.
[Gods prepare to war]
Areus: Charge! On to battle!
Zeus (throwing lightnings at Lythos in vain): Yee-hah!
Mars (getting sucked in by Stratos): You windbag!
Hades (watching this): Boom, badda-boom, boom, boom! Hah!
[meanwhile, Tital 5 looks for Hercules, causing destruction in Thebes]
Cyclops: Hercules! Where are you?
Tall woman: What can we do?
Fat man: Where's Hercules?
Old man: Yeah, Hercules'll save us.
Cyclops: Hercules! Come out! Face me!
Megara (to Hercules who starts going): What are you doing? WIthout your
strength, you'll be killed.
Hercules: There are worse things.
Cyclops: Run!
Megara: Wait! stop!
Strong Man: Hey, look! It's Hercules.
Heavy Woman: Thank the gods, we're saved!
Cyclops: So, you mighty Hercules
[He hits Hercules who flies away and hits a mosaic of himself. Meanwhile
Megara finds Pegasus tied up in the stables]
Megara: Easy, horsefeathers. Whoa! Stop twitching, listen. Ah! Hercules is in
trouble. We gotta find Phil, he's the only one who can talk some
sense into him.
[Meanwhile on Olympus, battle between Zeus and the Titans goes on]
Zeus: Get back, blast you!
[Lythos smashes the gates of Olympus open]
Hades: Ooh, chihuahua.
Lythos: Zeus!
[Phil is going to leave Thebes and is walking to a boat]
Sailor: Come on! Hurry up! We're shovin' off here!
Megara: Phil! Phil, Hercules needs your help!
Phil: What does he need me for when he's got friends like you?
Megara: He won't listen to me
Phil: Good! He's finally learned something.
Megara: Look, I know what I did was wrong, but this isn't about me, it's
about him. If you don't help him now, Phil, he'll die
{Olympus}
Zeus: I need more thunderbolts!
Hermes: Uh, Hephaestus has been captured, my Lord. Everyone's been captured,
yah!
[Pain and Panic get him]
I've been captured! Hey, hey! Watch the glasses.
[Pyros and Hydros make a mountain of ice and fire with Zeus on top.]
Hades: Zeusy, I'm home!
Zeus: Hades, you're behind this!
Hades: You are correct, sir!
{Thebes}
[Cyclops tosses Hercules and plays with him]
Cyclops: Flea!
Phil: Hercules!
Hercules: Phil..
Phil: Come on, kid, come on. Fight back. Come on, you can take this bum,
This guy's a pushover, look at him
Hercules: You were right all along, Phil. Dreams are for rookies.
Phil: No, no, no, no, kid, givin' up is for rookies. I came back 'cause
I'm not quittin' on ya. I'm willing to go the distance, how 'bout you?
[Cyclops grabs Hercules]
Cyclops: Me bite off head!
[Hercules burns the Cyclops' face with a burning stick]
Phil: Whoa, baby!
[while Cyclops is yelling, Hercules ties up his legs and Cyclops falls off
a cliff. His fall make a quake, from which a pillar starts falling on Hercules]
Megara: Hercules! Look out!
[she pushes him out from the pillar's way and is struck by the pillar]
Hercules: Meg! No!
[Hercules raises the pillar, getting the strength back]
Hercules: What's happening?
Megara: H-Hades' deal is broken. He promised I wouldn't get hurt.
Hercules: Meg. Why, why did you-- you didn't have to--
Megara: Oh. People always do crazy things... when they're in love.
Hercules: Oh, Meg. Meg, I-- I--
Megara: Are you... always this articulate? You, you haven't got much time.
You can still stop Hades.
Phil: I'll watch over her, kid.
Hercules: You're gonna be all right. I promise.
Let's go Pegasus!
{Olympus. gods in chains}
Pain: Hup, two, three, four, come on, everybody! I can't hear you!
Hermes: Oh, oh!
Zeus (being frozen from one side and burnt from another): I swear to you,
Hades, when I get out of this--
[he is finally buried under molten rock]
Hades: I'm the one giving orders now, bolt boy. And I think I'm gonna like
it here.
Hercules: Don't get too comfortable, Hades!
Areus: Hercules!
Hercules: This oughta even the odds!
[he breaks the chain by which the gods were chained]
Hermes (hitting Pain and Panic): Yeah, Hercules! Thank you, man!
Hades: Get them!
[Pyros misses Hercules and covers Hades in molten lava]
Hades: Whoa! Hey! No! Get him, not me! Him!
Follow the fingers! Him!
[Ice storm from Hydros who was trying to hit Hercules freezes Hades]
The yutz with the horse!
[Hercules opens the stone block and releases Zeus]
Zeus: Thank you, my boy.
[meanwhile Pegasus chases Pain and Panic]
Pain: Nice horsey! My intentions were pure! I really was attracted to you.
Zeus (to Hepheastus): throw!
[he catches two leads of lightnings]
Hah! Now watch your old man work!
Lythos: Uh-oh
[lightnings explode heads of Lythos, other Titans leave]
Hades: Guys, get your titanic rears in gears and kick some olympian butt!
[Pegasus blows at Hades' head and blue fire which was his head is out]
Whoa, is my hair out?
[Hercules meanwhile catches Stratos and sucks into him Lythos, Hydros, and
Pyros. He launches them into the sky where they all explode]
Zeus (high-fiving Hercules): Hah!
Hercules: Whoo-hoo!
Hades leaves: Thanks a ton, Wonderboy. But at least I've got one swell
consolation prize -- a friend of yours who's dying to see me.
Hercules: Meg!
[Atropos cuts the thread of life and Megara is dead]
Hercules arrives to her: Meg. Meg, no.
Phil: Oh, I'm sorry, kid. There's some things you just can't change.
Hercules: Yes I can.
{in Hades}
Hades: We were so close! So close. We tripped the finish line. Why?
because our little nut, Meg, has to go all noble.
[Cerberus the three-headed dog breaks the wall, Hercules on top of his middle
head]
Hercules: Where's Meg?
Hades: Oh, look who's here. Wonderboy, you are too much.
Hercules grips Hades: Let her go.
Hades: Get a grip! Come here, come here. Let me show you around.
[they walk around the Hades]
Hmph. Well, well. It's a small underworld after all, huh?
[They come to the shore of a river. Hercules sees Meg in it]
Hercules: Meg! Ahhh!
[his hands which he put into water turned old]
Hades: No, no, no. Mustn't touch.
You see, Meg's running with a new crowd these days. And not a very
lively one, at that.
Hercules: You like making deals. Take me in Meg's place.
Hades: Oh, well. The son of my hated rival trapped forever in a river of
death.
Hercules: Going once!
Hades: Hmm. Is there a downside to this?
Hercules: Going twice!
Hades: Okay, okay, okay, okay. You get her out - she goes, you stay.
[Hercules dives]
Oh, you know what slipped my mind? You'll be dead before you can get
to her. That's not a problem, is it?
[Hercules swims, turning older and older. Atropos goes to cut the thread
of life, but it suddenly shines and the scissors don't cut it.]
Atropos: Oh?
Lachesis: What's the matter with these scissors?
Clotho: The thread won't cut.
[shining and your again Hercules floats out from the river with soul of Meg]
Hades: This is-- this is impossible! You, you, you can't be alive!
You'd have to be a, a--
Pain and Panic: A god?
Hades: Hercules, stop! You can't do this to me. You can't--
[Hercules hits him in the face]
Fine. okay. listen. Hah! Okay, well, I deserved that, Herc, Herc, Herc.
Can we talk? Y-Your dad, he's a fun guy, right? So maybe you could
put in a word with him and he'd kinda blow this whole thing off, you
know? Meg, Meg, talk to him, a little schmooze--
[Hercules hits Hades stronger and he flies away into the river of death. Souls
try to drown him]
Eew! Get away from me! Don't touch me! Get your slimy souls off me!
Ooh, ah--
Panic: He's not gonna be happy when he gets outta there.
Pain: You mean, if he gets outta there.
Panic: If. If is good.
Hades: Taxi! I don't feel so good, I feel a little--
[he disappears]
{outside, Hercules brings the soul of Megara and puts it inside her body}
Megara: Wonderboy, what-- why did you--
Hercules: Huh. People always do crazy things... when they are in love.
[they go for a kiss, but suddenly a cloud appears under their feet, sent by
Zeus, and they fly to Olympus]
Phil: Whoa! Hey, hey, hey! Whoo!
[Pegasus picks Phil up and brings along]
{Olympus (restored already). Crowd of gods welcome Hercules}
Areus: Three cheers for the mighty Hercules!
Hermes: Oh, Yeah! Flowers for everybody! Oh!
Hera: Hercules, we're so proud of you.
Hercules: Mother.
Zeus: Hah! Fine work, my boy! You've done it! You're a true hero.
Hera: You were willing to give your life to rescue this young woman.
Zeus: For a true hero isn't measured by the size of his strength, but
by the strength of his heart. Now, at last, my son, you can come home.
[Gates open, gods cheer for Hercules. Megara is left behind.]
Megara: Congratulations, Wonderboy. You'll make one heck of a god.
[Hercules turns around and sees her leaving]
Hercules: Father, this is the moment I've always dreamed of. But...
[he comes to Megara and takes her hand]
A life without Meg, even an immortal life, would be... empty.
I-- I wish to stay on Earth with her. I finally know where I belong.
[Zeus nods, they finally kiss and Hercules stops shining]
Hermes: Hit it, ladies!
Muses sing:
Oh, gonna shout it from the mountaintops
A star is born!
It's the time for pulling out the stops
A star is born!
Honey, hit us with a hallelu
That kid came shining through
Girl, sing the song
Come blow your horn
A star is born!
He's a hero who can please the crowd
A star is born!
Come on, everybody shout out loud
A star is born!
Just remember in the darkest hour,
Within your hear's the power
For makin' you
A hero too
[Here the Constellation of Hercules appears]
So don't lose hope
When you're forlorn
[Phil sees the Strong Man pointing at it and saying: "That's Phil's boy!"]
Just keep your eyes
Upon the skies
Every night,
A star is right in sight,
A star is burning bright,
A star is born
A star is born
{Closing Titles start, song continues}
Like a beacon in the cold dark night
A star is born!
Told ya everything would turn out right
A star is born!
Just when everything was all at sea
The boy made history
The bottom line
Bottom line!
He sure can shine
He can shine!
His rising sign is Capricorn
He knew how to
He had a clue
Telling you
A star is born!
Here's a hero who can please the crowd
A star is born!
Come on, everybody shout out loud
A star is born!
Just remember in your darkest hour
Within your heart's the power
For making you
A hero too
A hero too
So don't lose hope
When you're forlorn
No, no!
Just keep your eyes
Upon the skies
Every night,
A star is right in sight,
A star is burning bright,
A star is born!
=========
I have often dreamed
Of a far off place
Where a hero's welcome
Would be waiting for me
Where the crowds will cheer
When they see my face
And a voice keeps sayin'
This is where I meant to be
I'll be there someday
I can go the distance
I will find my way
If I can be strong
I know every mile
Will be worth my while
When I go the distance I'll be right
Where I
Belong
Down an unknown road
You embrace my fears
Though that road may wander
It will lead me to you
And a thousand years
Would be worth the wait
It might take a lifetime
But somehow I'll see it through
And I won't look back
I can go the distance
And I'll stay on track
No, I won't accept defeat
It's an uphill slope
But I won't lose hope
Till I go the distance and my journey
Is complete
Oh, yeah.
But to look beyond the glory
Is the hardest part
For a hero's strength is measured
By his heart
Hooo
Like a shooting star
I will go the distance
I will search the world
I will face its harms
I don't care how far
I can go the distance
Till I find my hero's welcome
Waiting in
Your arms
I will search the world
I will face its harms
Till I find my hero's welcome
Waiting in
Your arms
Hades:
What do you say? It's happy ending time! Everybody's got a little
taste of somethin' but me. I got nothin'. I am here with nothin'.
Anybody listenin'? It's like I'm-- what am I, an echo or something?
Hello? Hello? Am I talking to, what? Hyperspace? Hello, it's me.
Nobody listens.
CLOSING TITLES
Directed by
John Musker and Ron Clements
Produced by
Alice Dewey
John Musker and Rob Clements
Animation screenplay by
Rob Clements & John Musker
Donald McEnery & Rob Shaw and Irene Mecchi
Songs:
Music by
Alan Menken
Lyrics by
David Zippel
Original score by
Alan Menken
Associate Producer
Kendra Haaland
Art Direction
Andy Gaskill
Production Designer
Gerald Scarfe
Editor
Tom Finan
Sound Designer
Gary Rydstrom
Artistic supervisors:
Story
Barry Johnson
Production Stylist
Sue C. Nichols
Layout
Rasoul Azadani
Background
Thomas Cardone
Visual Effects
Mauro Maressa
Computer Graphics Imagery
Roger L. Gould
Clean-up
Nancy Kniep
Artistic Coordinator
Dan Hansen
Production Manager
Peter Del Vecho
Technical Coordinator
Ann Tucker
========
SCRIPT CREDITS
Typed by:
Sergei Zubkov, FDC Tummi/FDCmuck Cubbi
cubbi@comp.chem.msu.su, cubbi@org.chem.msu.su, 2:5020/315.17@Fidonet
===============================================================================
글
(영화대본) 아더왕 이야기 - The Sword In The Stone
이 중에서 몇 개만 확실히 외우면 성공입니다. 욕심을 버려야 합니다. 다 얻으려면 다 잃습니다. 자신에게 와닿는 표현들 몇 개만을 집중적으로 물고 늘어지시기 바랍니다. 선택과 집중! 자신에게 와닿는 표현이란? 자신과 궁합이 맞는 표현입니다. 결국 모든 영어를 다 할 수도 없고, 그럴 필요도 없는 겁니다. 자신과 잘 맞는 것만 선택해서 집중적으로 외우시기 바랍니다.
자신과 궁합이 맞지 않는 표현들은 외워봐야 결국 못 써먹습니다. 입에서 나오지 않습니다. 결국 누구나 자신만의 영어를 할 수 밖에 없는 겁니다. 포기할 것은 빨리 포기하고 얻을 수 있는 것만 얻는 것! 이게 겸손한 방법이요, 산전수전 다 겪은 고수들의 방법입니다. 고수들은 자신의 한계를 분명히 아는 사람입니다. 자신의 한계를 벗어나지 않습니다. 그래서 고수들은 분명한 색깔을 가지고 있습니다. 색깔이 없는 사람은 아직 고수가 아닙니다. 아무 영어나 다 외우려고 하는 사람은 아직 아마추어 입니다.
The Sword In The Stone
A legend is sung
Of when England was young
And knights were brave and bold
The good king had died
And no one could decide
Who was rightful heir to the throne
It seemed that the land
Would be torn by war
Or saved by a miracle alone
And that miracle appeared
In London town
The sword
In the stone
And below the hilt in letters of gold...
were written these words:
"Whoso pulleth out this sword of this stone and anvil...
is rightwise king born of England."
Though many tried for the sword with all their strength...
none could move the sword nor stir it.
So the miracle had not worked.
And England was still without a king.
And in time, the marvellous sword was forgotten.
This was a dark age...
without law and without order.
Men lived in fear of one another...
for the strong preyed upon the weak.
A dark age indeed!
Age of inconvenience.
No plumbing...
no electricity...
no nothing!
Oh, hang it all!
Hang it all!
Oh, now what? Now what?
Leave, leave off! Leave off!
Oh, you, you, you fiendish chain you!
Everything complicated.
One big medieval mess.
Now, uh, let me see.
He should be here in, I'd say half an hour.
Who? Who? I'd like to know who.
I told you, Archimedes. I am not sure.
All I know is that someone will be coming. Someone very important.
Oh, pig feathers!
Fate will direct him to me so that I, in turn...
may guide him to his rightful place in the world.
Huh! And-And you say he will arrive in half an hour?
Ha! Well, we'll just see.
And you will, Archimedes. You will.
Ow!
He'll be, uh, a boy.
Small boy.
Eleven, 12 years old.
And a scrawny little fellow.
Oh, no, no. That can't be the one.
Surely not. Why, that big lad must be close onto 20.
Ah. There he is.
The scrawny little fellow about 12.
He's a regular little grasshopper.
Look at him go.
And where-- where would you guess he is at this very moment?
I am not guessing, Archimedes!
I know where he is!
Less than a mile from here just beyond the forest.
And right on schedule, if-if all goes well.
- Quiet, Wart. - I'm tryin' to be.
And nobody asked you to come along in the first place.
- I'm not even movin'. - Shut up.
Aha! Here we go.
Oh, what a set-up.
Right smack through the old gizzard.
Whoa. What? Oh!
Why, you clumsy, little fool!
Oh, Kay, please, I'm sorry. I couldn't help it. Please.
If I ever--
If I ever get my hands on, on you, I'll, I'll ring...
your scrawny little neck, so help me, I will.
I'll get the arrow, Kay. I'm sure I can find it.
Don't tell me you're going in there.
Why, it's swarming with wolves.
I'm not afraid.
Well, go ahead. It's your skin, not mine.
Go on, go on.
There it is. Oh, there it is.
Whoa! What-- Oh!
Well.
So, you, you did drop in for tea after all.
Oh, you are a bit late, you know.
- Oh, l, I am? - Yes.
Now, my name is Merlin.
Come, come, who are you, my lad?
Oh, my name's Arthur, but everyone calls me Wart.
Oh.
Oh, what a perfect stuffed owl.
Stuff-- I, l, I beg your pardon!
He's alive and he talks.
And certainly a great deal better than you do.
Oh, come, Archimedes. Come, come now.
I, I want you to meet the Wart.
Now, you must forgive him. He's only a boy.
Boy? Boy? Well, I see no boy.
- Oh, I'm sorry that I-- - That's all right.
He's much too sensitive.
Sensitive? Huh? Who? What? What?
- Oh, well. - How did you know that I was--
Oh, th-that you would be dropping in?
Well, I happen to be a wizard. A soothsayer.
A prognosticator. I have the power to see into the future.
Centuries into the future!
I, I've even been there, lad. And I've seen all these things.
They're, they're only plans and small models, of course, you know.
Now, this for instance is a steam locomotive.
There she goes. Pretty good, eh?
Now, that won't be invented for hundreds of years!
Oh. You mean you can see everything before it happens?
Yes, everything.
Uh-uh, uh-uh. Everything, Merlin?
Uh-- No, no, not everything.
I, uh, I admit I didn't know whom to expect for tea.
But as you can see...
I've figured the exact place.
You're very clever, sir.
Yes. Well, never mind the, the, the sir.
Just, uh, plain Merlin will do.
Now, would, would you care for sugar?
Oh, yes I would, please.
All right. Sugar. Sugar?
No, no, manners, manners, manners! Guests first, you know that!
All right. Say when, lad.
When!
- Have you had any schooling? - Oh, yes!
I'm training to be a squire. I'm learning the rules of combat and swordsmanship and...
and jousting and horsemanship.
Oh, yes, yes, very good. That's, that's--
No, no, no, I-- I mean a, a, a real education.
Mathematics. History. Biology. Natural science.
English. Latin. French.
No. When! When! Blast it all! When!
Impudent piece of crockery.
Boy, now, you can't--
You can't grow up without a decent education, you know.
Oh, I suppose not, sir-- Merlin.
So, I am going to be your tutor.
But I've got to get back to the castle. They'll want me in the kitchen.
Oh, well. Then very well.
We'll pack and be on our way.
You-- You watch now. You'll like this.
Higitus figitus zumba ka zing.
I want your attention, everything.
We're packing to leave. Come on. Let's go.
No, no, not you. Books are always first, you know.
Hockety pockety wockety whack Abra abra dabra nack
Shrink in size very small We've got to save enough room for all
Higitus figitus migitus mum Prestidigitonium
Alika fez, balika zez Malaca mez meripedes
Hockety pockety wockety-- Whoa!
Now, stop, stop, stop, stop!
See here, sugar bowl. You're getting rough. That poor old tea set is cracked enough.
Now. Now, all right. Let's start again.
Ah, let's start-- Eh-- Oh. Where was l, boy?
- Uh, hock-hockety pockety? - Oh, yes, yes, that's right.
Hockety pockety wockety wack Odds and ends and bric-a-brac
Be with you in just a minute, son. Packing's almost done.
You, you, you bungling blockhead!
Hey, easy there. No, no, go ahead.
Dum doodly doodly doodly dum This is the best part now.
Higitus figitus migitus mum Prestidigitonium
Higitus figitus migitus mum Prestidigitoni--
- Ha, ha! - What a way to pack.
Well-- Well, now, just a minute, boy.
How else would you get all this stuff into one suitcase, I'd like to know?
- Oh, but I think it's wonderful! - Oh.
Yes, it is rather. Now, well...
don't, don't you get any foolish ideas that magic will solve all your problems.
- Because it won't! - But, sir, I don't have any problems.
Oh, bah, everybody's got problems. The world is full of problems.
Oh, blast it all! There, now. You see what I mean?
See, that's the trouble with the world today.
Everybody butting their heads against a brick wall. All muscle and no mentality.
Do you want to be all muscle and no brain?
- I don't have any muscle. - You don't? Well, how do you move about?
Oh, I suppose l, I do have a little.
Aha. There, you see. Well, that's enough. Now, develop your brain.
Knowledge, wisdom. There's the real power. Higher learning.
That's the thing.
So, first thing tomorrow morning, we'll start a full schedule.
Eight hours a day. We'll have six hours for schoolroom and two for study period.
But I-- I don't have the time. I have page duties.
Uh, page duties? Ha!
Ah, well, we'll change all that. There's got to be a shake-up.
Well, yes, sir. I, I suppose so.
How do you ever expect to amount to anything without an education, I'd like to know?
Even in these bungling, backward, medieval times...
you have got to know where you're going, don't you?
Ye-- Yes, sir.
Yes, of course. So, you must plan for the future, boy.
You've got to find a direction. And you've--
Now, by the by, what direction is this castle of yours?
I think it's north. The other way.
Oh, oh.
All right, then we better get a move on. Come on, come on, lad. Pick up the pace. Pick it up.
Pick it up. Pick it up.
Yo-ho, the devil take it! No, the devil take it.
Anyone's got better sense than to go barging off in that infernal forest alone.
You had no business letting him go.
Look, Dad, I'm not the Wart's keeper.
Well, blast it all, I am.
After all, l, I took him in, adopted the lad, you might say.
Being his foster father, well, I'm responsible.
Whoop.
Tiger! Talbot! Off with you. Now, look here, Wart.
What's the big idea of gallivanting off in the woods...
and worrying the living daylights out of everybody?
- I'm sorry, sir. - Well, sorry's not enough.
That's four demerits. Four hours extra kitchen duty.
Eh, report to the cook!
- But, sir, I'd like you to meet-- - Go on, hop it, boy, hop, hop, hop it!
Well, yes, you've got to keep a tight schedule to run a big place like this.
Need strict rules. Especially for small boys.
And I most certainly agree.
Who are you and-- Oh. I mean, uh, you?
Uh, my name is Merlin. Uh, this is Archimedes.
A highly educated owl.
Educated owl? Say, that's a good one.
Say. Hey, I know.
You've got him under a spell, Marvin. You're a magician.
The name is Merlin.
And I happen to be the world's most powerful wizard.
Come off it, man. Gadzooks!
All right. I shall demonstrate.
Higitus figitus migitus moe...
wind and snow swirl and blow!
What the devil are you up to?
And that is what I call a "wizard blizzard."
Hey, Kay, would you look at this?
An indoor blizzard. And in the month of July.
So what?
All right, Marvin. Turn her off. I'm convinced.
Alakazam!
I, uh-- I hope you don't go in for any of that black magic.
Oh, no, no, no, no.
Never touch the stuff. No.
My magic is used mainly for educational purposes.
In fact, that is why I am here.
I have come to educate the Wart.
Oh, no you don't.
I'm running this place. And if you think you're gonna fiddle with my schedule...
you'd better pack up your bag of tricks and be gone.
Wha-- Well, by Jove.
Hey, he's gone.
Hm-mmm. Good riddance.
I'm gone, but then, I'm not gone.
So, if I do leave...
you could never be sure that I am gone, can you?
Well, uh--
Well, I must say, you-- you got me there, Marvin.
Yes. Well, you win. You're welcome to stay if you like.
Thank you. You're very kind.
Very generous, I must say.
Well, uh, all we can offer is room and board.
Hard times, you know, Marvin.
We'll put you up in the northwest tower.
That's the guest room. It's a bit drafty in the winter...
but in this blazing hot weather, it's the best room in the house.
Oh, yes. Very lovely indeed.
So just make yourself at home, Marvin.
Marvin, Marvin, Marvin, Marvin.
Best room in the house!
Guest room! Unwelcome-guest room!
But if he thinks that he can get rid of me, I've got news for that old walrus.
- I'm sticking it out. - And I say we go back to the woods.
No, not on your life.
That boy's got to have an education. He has a future.
Well, you may be right.
A skinny kid like that would make a cracking good chimney sweep.
Something tells me that you're all wet, Archimedes.
- Who goes there? - Pelinore!
It's Pelinore, dash it all!
I've got big news from London. Big news!
Come on, man. Drop the bridge.
Oh, big news, eh?
They can't wait for the London Times. First edition won't be out for at least, uh...
1200 years.
Archimedes, would you mind sailing down there and, and--
Not interested!
Oh, come, come, come, come now. You're as wet as you can get.
No! No, no, no!
Archimedes! I'll turn you into a human.
- Hmph! You wouldn't dare! - I will. So help me, I will.
Well, all right, all right. All right!
All right. It works every time.
Just like magic.
Pelinore!
Pelinore.
Greetings, old boy. And what's all the noise about London, hmm?
Big news. Really big news.
Sit down, man, and let's hear all about it.
They're having a big tournament New Year's Day.
Oh, that's not news, dash it all. They always do.
Yeah, but, Ector-- Ector, here's where all the excitement comes in.
To the winner of this tournament goes the crown.
You mean-- You mean he'll be King of all England?
King of all England.
- Kay, lad, did you hear that? - Pretty fair prize, I'd say.
Yes, and you can win it, boy, if you knuckle down to your training.
And we'll have you knighted by Christmas and off to London. What do you say?
Sure. Why not? Why not?
Wart, lad, how'd you like to go to London?
- Oh, Sir Ector, you mean it? - If you stick to your duties, you can be Kay's squire.
Oh, I will, sir. I will.
I don't want the Wart for my squire.
Here's to London! And to here's to Kay.
And here's to the banner of the Castle of the Forest Suavage.
- Cheers! - Cheers, cheers. - Cheers.
Charge!
Weight forward! Lean into him!
Steady, boy. Steady!
Steady with the lance! Grip her tight!
Hit him clean!
No, no, no!
Heads up!
Ar-Ar-Archimedes. Archimedes, wh-where, where, where are we?
In a tumble-down old tower...
in the most miserable old castle in all Christendom, that's where.
C-Castle? Castle?
Don't you even remember the boy?
Uh, the boy?
Can't you remember one blasted thing?
- Oh, now, just a moment. I-- - Tight grip on the lance.
- Oh. - Loosen the saddle, knees in tight.
Weight forward and stay on target.
You keep losing your grip.
It's not a mere matter of muscle, sir.
Jousting is, uh, uh, a fine skill.
It-- It's a highly developed science.
Science, indeed.
One dummy trying to knock off another dummy with a bit of a stick.
And the Wart's just as hot for it as the rest of them.
He certainly is. That boy's got real spark. Lots of spirit.
Throws himself heart and soul into everything he does.
That's really worth something if it can only be turned in the right direction.
Ha-ha. Fat chance of that.
Oh, I plan to cheat, of course.
Use magic. Every last trick in the trade if I have to.
I'd give anything to go riding about on a great white charger...
slaying dragons and griffins and man-eating giants.
Well, won't you?
Oh. No. You see.
I'm an orphan, and a knight must be of proper birth.
I only hope I'm worthy to be Kay's squire.
That's a big job too, you know.
Oh, indeed, yes, yes. I would say almost impossible. Yes.
Well, now then. When I said that I could swim like a fish...
I really meant as a fish.
You mean you can turn yourself into a fish?
After all, I happen to be a wizard.
- Could you turn me into a fish? - Well, do you have any imagination?
Can you imagine yourself as a fish?
Oh, that's easy. I've done that lots of times.
Oh. Well, good. Then I think that my magic can do the rest.
Archimedes, what, what is that fish formula?
- Who? Who? What? What? What? - You know, that, that, that Latin business.
Hmm? Fish? Latin?
Oh, uh.
Aquarius aquaticus aqualitus.
And-And now if you don't mind...
I say good day to the both of you if you please.
When he stays out all night...
he's always grumpy the next morning.
- Then he must stay out every night. - Yes.
Oh. Oh, yes. Oh, I say, that's very good, boy. Very.
Who? What? What?
All right, boy. All set. Here we go.
Aquarius aquaticus aqualitus quum.
Aqua digi tarium.
Merlin, am I a fish? Am I a fish?
Yes. Yes, yes, yes, yes, you are a fish...
but if you don't stop that flippity-flopping around...
and get in the water, you won't last long.
Now, now, stay right here in the tules and I'll-- I'll be with you in a minute.
Oh.
So you thought you could take right off like a shot, did you?
Well, I am a fish, aren't l?
You merely look like a fish.
That doesn't mean that you can swim like one. You, you don't have the instinct.
So, you'll have to use your, your brain for a change.
You are living between two planes now.
Somewhere between the ceiling and the floor.
Now, there, there's lots of ups and downs...
Like-like, uh, like a helicopter.
- Helicopter? - Yes--
Oh. No, never mind.
Every flick of a fin creates movement.
So, first we'll start with a caudal fin.
No, no, boy. Your tail. Tail.
Now, now, that gives you the forward thrust now.
Come on, let's get a rhythm. Right, left.
Right, left. One, two.
Left and right Like day and night
That's what makes the world go 'round
In and out Thin and stout
That's what makes the world go 'round
For every up there is a down
- For every square - There is a round?
Yes. For every high
- There is a low? - Uh-huh.
- And for every to-- - There is a-- - Fro. - Fro.
Yes, fro. To and fro, Stop and go
That's what makes the world go 'round
In and out Thin and stout
- Merlin! Merlin! - Oh!
- I swallowed a bug! - Oh. What's wrong with that?
After all, ah, boy, you are a fish. I-instinct, you know.
- But you said I had no instinct. - Yes, of--
Oh. Oh, I did. Well, th-that's neither here nor there.
But the main thing is you must--
Set your sights upon the heights
Don't be a mediocrity
- Mediocrity? - That's right.
Don't just wait and trust to fate
And say that's how it's meant to be
It's up to you how far you go
If you don't try you'll never know
And so, my lad as I've explained
Nothing ventured nothing gained
Let's, let's swim through that tall grass again. It tickles.
Oh. Oh, I beg your pardon.
Me too. For every to there is a fro
For every stop there is a go
And that's what makes the world go 'round
Oh, let go, let go, let go!
Oh, you big, bug-eyed bully, you!
Who, me?
Oh, here, here, here, here, here, now, boy.
There's no sense in going around insulting bullfrogs.
A fish has plenty of other problems without that.
The water world has its forests and its jungles too.
So it has its tigers and its wolves. And that, eh, ah--
That's what makes the world go 'round
You see, my boy it's nature's way
Upon the weak the strong ones prey
The human life it's also true
The strong will try to conquer you
And that is what you must expect
Unless you use your intellect
Brains and brawn Weak and strong
- Help, Merlin! Help! Help! - That's what makes the wor--
Jehoshaphat!
Oh!
- Quick, Merlin, the magic! - No, no.
You're on your own, lad. Now's your chance to prove my point.
Wha-What point?
He's the brawn and you're the brain. Oh, now, don't, don't, don't panic!
You use your head. Outsmart the big brute.
Smart move, lad! That's using the old intellect.
- Bravo, boy! Great strategy! - Is the lesson about over?
D-D-Did you get the point?
Yes, yes, brain over brawn.
Okay, lad, I'll fix the big brute. Higgeldy piggeldy--
No, no. Hocus pocus-- Now, what in blaze-- Eh--
Merlin!
Now what? Oh, it's, it's that, that boy!
- Wh-Wh-What in b-blazes! - Help! Help! Help!
Ouch!
Help!
Archimedes!
Help!
What in thunder is a monster like that doing in the moat?
By George, I-l-l-- I'll, I'll-- I'll turn him into a minnow.
- Merlin! - Oh! Oh, there you are, boy.
Snick snack snorum!
How in the world did you ever get out of that mess?
That, that big fish almost swallowed me and, and Archimedes, he, he saved me.
Well, by George. Oh, what do you know about that?
I did nothing of the sort!
I intended to eat him.
Young perch is my favourite dish. You know that!
Oh.
- Do you believe that, Wart? - Well, I--
Wart. Wart!
I've gotta go. Thank you, Merlin. It was so much fun.
- And, Archimedes, l, I-- - Pinfeathers, boy!
Wart! Where are you, Wart?
Coming! I'm coming.
Now, Archimedes.
Why would you half-drown yourself for a tidbit of fish?
And after such a big breakfast?
Pinfeathers and gully fluff!
We were doing fine until we got in deep water.
Then along comes this huge pike with big jaws and sharp, jagged teeth.
Oh, turn him off, Dad.
He was a monster! The biggest fish I ever saw.
- And, boy, that's the biggest fish story I ever heard. - But it's true, sir.
That's three demerits for being late and three more for the fish story.
Now, hop into the kitchen!
I told you the Wart was loony.
Yes, well, he's either out of his head or, uh....
there's something mighty fishy going on around here.
For every high there is a low
For every to there is a fro
To and fro Stop and go
That's what makes the world go round
- Oh, it's you, Merlin, sir. - Uh, yes, my lad.
Now, have you ever considered being a squirrel?
Well, no, I don't suppose.
Well, now, there is a tiny creature...
with enormous problems.
How he has survived throughout the ages...
is one of nature's big mysteries.
His life is hazardous.
Downright dangerous.
Uh, would you like to try it?
- Oh, no, I'd better not. - Oh-ho.
It's, uh, too dangerous for you, eh?
Oh, no, it's not that.
It's just that I've got six demerits. All this work to do.
What a mess!
What a medieval muddle. We'll have to modernize it.
Start an assembly-line system.
All right now. One and a-two and a-three and a-four!
Higitus figitus migitus mum Skitun de bitun de batun de dum
- But I'm supposed to do it. - No one will know the difference, son.
Who cares as long as the work gets done?
Rubbedy scrubbedy
Sweepety flow
Come on, son. Let's go, let's go.
Wart. Wart!
Wart. Now, take it easy. Take it easy, boy.
What? Oh, no, boy! No, no!
- Wart! - Whoa. Oh!
Now, what did I tell you? Always look before you leap.
Well, I made it, didn't I?
Yes, yes, you made it. You made it, but you, you can't always trust to luck, boy.
Now, first thing...
you start with the short jumps.
Gauge the distance carefully.
And-- Oh!
Now, there, you see? Even, even, even then you can miss.
So, don't take gravity too lightly or it'll catch up with you.
- What's gravity? - Gravity is what causes you to fall.
Oh, like a stumble or, or a trip?
Yes, it's like a stumble or a-- No, no, no, no, no. It's the force that pulls you downward.
The, the phenomenon that any two material particles or bodies...
if free to move, will be accelerated toward each other.
- Merlin, how will we get by? - Hmm?
Oh. Oh, well, l, I suppose we better go back to a side track.
Go on, go on. You got lots of room.
Well, I-- I, l, I guess she can't be sidetracked.
That's a girl squirrel, that, and a redhead at that.
- She sure acts funny. - Well, she likes you.
Why?
Yes, well, well, well, that's nature again.
But I'm afraid there's no time to explain.
Here, here, now. You better leave me out of it.
Yeah, me too.
Merlin! Merlin!
You're on your own, lad. I'm afraid magic can't solve this problem.
Look, I'm, I'm not a boy. I mean--
I'm not a squirrel. I'm a boy.
A human boy. Not a real sq--
Oh, leave me alone!
Merlin, what'll I do? She won't leave me--
Well, I'm, I'm afraid you're stuck, lad.
Well, when a girl squirrel chooses a mate, it's for life.
- But I won't be a squirrel tomorrow. - But she doesn't know that.
She only knows one simple fact. That you're a him and she's a her.
- That's a natural phenomenon. - Phenomenon-menum?
Well, it's the, the, uh--
It's a state of being A frame of mind
It's a most befuddling thing
And to every being of every kind it is discombooberating
You're wasting time resisting
You'll find the more you do
The more she'll keep insisting
Her him has got to be you
Now leave me alone! I mean it!
It's a rough game Anyone knows
Go away!
There are no rules Anything goes
There's no logical explanation
For this discombooberation
It's a most bemuddling Most befuddling thing
Oh! Who? Who? What-- What--
Now, go on. Shoo! Get a tree of your own.
Skedaddle!
You-- You-- You-- You-- Oh, you squirrelly squirrels!
She's gaining on you, Wart.
There's no sensible explanation
For this discombooberation
It's a most hodge-podgical Most illogical
Most confusiling Most bamboozling
Most bemuddling Most be-befu-fuddling
Thing
Really, now, Miss, uh-- Madam. I, uh--
You, you, you've made a mistake. Now, now, now, please.
Please, you-- Oh! Madam! Madam!
Now, look here. I am not a boy.
I, I mean, I'm-- I'm not a squirrel. I'm a b--
No, that's not what-- No!
No. I'm, I'm, I'm a stupid old--
No!
I'm an old man.
An old human.
Understand?
Oh, hang it all. Now, go away.
Shoo, shoo.
Impossible. Impossible!
Ooh, confound it!
Confound it all!
Merlin, I'm tired of being a squirrel. It's nothing but trouble.
Oh, you've got trouble? Look at my-- Look back there!
One side, lad.
Whoa, what-- Help, Merlin!
Help!
Oh, no!
By George!
I've had enough of this nonsense!
Alakazam!
There. You see? I'm an ugly, horrible, grouchy old man!
- Merlin! - Oh.
- So, here we are. - Quick, Merlin, the magic.
Snick snack snorum.
There. Now you see? I'm not a squirrel. I'm a boy.
I tried to tell you. I'm a boy.
A human boy.
Oh, if you could only understand.
Ah, you know, lad...
that love business is a powerful thing.
Greater than gravity?
Well, yes, boy, in its way, I'd, uh--
Yes, I'd say it's the greatest force on Earth.
Oh, Ector!
Ector! Sir Ector! The kitchen!
- Hold it, son! Hold it. - Black magic all over the place!
Kay! Hold on, I say!
Stop!
Oh. Now, what's all the commotion, hmm?
Oh, the kitchen, it's under an evil spell!
- Huh? - It's bewitched.
Oh, I bet it's that old goat Marvin.
Come on, son. I-I knew he'd give us trouble.
Gadzooks!
Black magic of the worst kind!
Come on, Kay! To the attack!
Wha-- Oh!
Hold it!
Heaven preserve us!
Kay!
- Now, what have we here? - Jumpin' hoptoads!
Alakazam!
So there you are, you old goat.
Well, what's the idea of flinging your evil spells all over the place?
Oh, oh, lend me a hand, boy.
Well, what have you got to say for yourself, hmm?
You call washing dishes and sweeping floors a work of evil?
I'll decide what's right and wrong around here.
Besides, that's the Wart's job. One of his duties.
Uh, and look here, boy.
If you want to make that trip to London, you'd better tow the mark.
You old goat! lf I ever catch you in my kitchen again, I'll--
Madam, you won't.
Oh, dear. He's gone.
Well, by Jove.
We ought to run the old geezer right out of the castle.
Oh, no, no, no, no, Kay. No.
He might cast an evil spell on the lot of us.
Turn us all to stone.
No. There's no telling what the old devil might do.
He's not an old devil! He-- He's good!
And, and his magic is good too.
If, if you'd just leave him alone!
Now, look here, Wart. That's three more demerits.
- Box his ears, Dad. - Just because you can't understand something...
- it, it doesn't mean it's wrong. - Ten more demerits!
You make all the rules and, and nobody else can say anything.
You said a plenty, boy! All that popping off just cooked your goose.
Kay, from now on, young Hobbs is your squire.
Did you hear that, Wart? Hobbs is going to be Kay's squire.
- Ye-- Ye-- Yes, sir. - Now that'll teach you to pop off, you little pipsqueak.
Oh, I'm sorry, lad.
I'm sorry. I spoiled everything.
I know that trip to London means a great deal to you.
Oh, it's, it's not your fault.
I shouldn't have popped off. Now I'm really done for.
No, no, you're in a great spot, boy.
You can't go down now. It can only be up from here.
- I'd like to know how. - Use your head.
An education, lad.
What good will that do?
Get it first. Then who knows? Are you willing to try?
Well, what have I got to lose?
That's the spirit! We'll start tomorrow!
We'll show 'em. Won't we, boy?
We sure will.
Now, first of all, lad...
we've got to get all these medieval ideas out of your head.
Clear the way for new ideas.
Knowledge of man's fabulous discoveries...
in the centuries ahead.
- Now that'll be a great advantage, boy. - Advantage, indeed!
If the boy goes about saying the world is round, they'll take him for a lunatic.
- The world is round? - Yes, yes, that's right.
And it also goes around.
- You mean it'll be round someday? - No, no, no.
It's round now. Man will discover this in centuries to come.
And he will also find that the world is merely...
a tiny speck in the universe.
- Universe? - Oh, you're only confusing the boy.
Before you're through, he'll be so mixed up, he'll, he'll be wearing his shoes on his head.
Man has always learned from the past. After all, you can't learn history in reverse.
It's, it's, it's confusing enough, for heaven sakes.
All right! All right. Have it your way, Archimedes.
You're in charge. You're the headmaster now.
So from now on, he's your pupil.
So, from now on, boy...
you do as I say.
- Yes, sir. - All right.
Now to start off, I want you to read these books.
- All of them? - That, my boy, is a mountain of knowledge.
- But l, but I can't read. - What, what? What? Then I don't suppose you know how to write?
- No, sir. - What do you know?
- Well, I-- - Well, never mind. Never mind.
We'll start at the bottom. The ABC's.
First the A, and now the B.
Loop and around and there's the C.
Merlin. Look. I can write.
Oh. Yes, yes. That's very good, boy. Very--
Henscratch, that's all. Henscratch. Now, come on.
D, E, F, and now the G.
You see, it's as simple as-- No, no, no! No, boy!
Now, use your head. Use your head, will you? How do you ever expect to learn anything?
Archimedes! Have you seen that, uh...
flying machine model?
I have nothing to do with your futuristic fiddle-faddle, you know that.
- What's that thing up there? - Hmm? Oh, yes, of course.
- Here we are. - You mean man will fly in one of those someday?
If man were meant to fly, he'd have been born with wings.
I am about to prove otherwise, Archimedes...
if you care to watch.
Here she goes.
No, no, no, no, no--
Man'll fly all right. Just like a rock.
It would have worked if, if, if, if it weren't for...
this infernal beard!
I never, never in my whole--
Man will fly someday, I tell you.
I have been there. I have seen it.
Oh, I do hope so. I've always dreamed about flying--
that I was a bird and that I could go sailing all over the sky high above everything.
Prestadigitonium.
It's my favourite dream.
Oh, but then I suppose everybody dreams about flying.
I'm a bird! I'm a bird! I'm a bird!
Hold it, boy. Not so fast. Not so fast.
First, I-- I'd better explain the mechanics of a bird's wing.
Now, these large feathers...
are called the primaries.
- And, uh-- - And, uh, since when...
do you know all about bird's wings?
I have made an extensive study of birds in flight. And I--
And if you don't mind, I happen to be a bird.
All right, Mr Know-lt-All, he's your pupil.
- Ouch! - Now, boy...
flying is not merely some crude mechanical process.
It is a delicate art. Purely aesthetic.
Poetry of motion.
And the best way to learn it is to do it.
Now, since we're pretty far up, we'll start with a glide.
Spread your wings way out, way out. That's it. That's it.
Now, fan your tail.
Tippity-toe, tippity-toe, and off we go.
Now, tuck your feet under, like me. That's it. That's the idea!
- Whoa! What? Oh! - And don't fight the air currents.
Use them.
Well, say, boy!
That's pretty good.
Well, boy, you're a natural!
Are you sure this is the first time that you've--
Wart! Wart! Hawk! Hawk!
Look out, boy! Heads up! Wart!
Archimedes! Help!
Wart! Wart!
Whoa! What? Oh!
Sounds like someone's sick. How lov--
Oh, bat gizzards. It's nothing but...
a scrawny little sparrow with a beak full of soot.
Oh, I-I'm not really a sparrow. I'm a boy.
- A boy? - Merlin changed me with his magic.
He's the world's most powerful wizard.
Merlin. Ho-ho!
Merlin, the world's most powerful bungler.
Why, boy, I've got more magic in one little finger.
Now, don't tell me you've never heard of the marvellous Madam Mim?
Well, no, I don't guess so.
Madam Mim? Oh! Good heavens, good heavens, good heavens!
My boy, I'm the greatest. I'm truly marvellous!
With only a touch I have the power
Zim zab rim bim To whither a flower
I find delight in the gruesome and grim
- Oh, that's terrible. - Thank you, my boy.
But that's nothing, nothing for me.
No! 'Cause I'm the magnificent...
marvellous, mad Madam Mim.
You know what? I can even change size.
I can be huge! Ooh! Fill the whole house.
I can be teeny Small as a mouse
Black sorcery is my dish of tea
Uh, it comes easy to me. 'Cause I'm the magnificent...
marvellous, mad Madam Mim.
Marvellous, boy! Marvellous, I'm marvellous!
Say, lad, did you know that I can make myself uglier yet?
Well, that would be some trick. Er, um, ah, I mean, uh--
Want to bet? Boo!
You see? I win, I win!
Aren't I hideous, boy? Perfectly revolting?
- Well, uh, yes, ma'am. - But you ain't seen nothin' yet.
Watch this.
I can be beautiful lovely and fair
Silvery voice long purple hair
But it's only skin deep for zim zaberim zim
I'm an ugly, old creep! The magnificent, marvellous...
mad, mad, mad, mad Madam Mim.
Now what do you think, boy? Who's the greatest?
Well, uh, Merlin's magic is always, um, well, useful...
uh, for something good.
- And he must see something good in you. - Oh, I suppose so.
Yes, and in my book, that's bad!
So, my boy, I'm afraid I'll have to destroy you.
De-Destroy me?
Yeah, I-I'll give you a sporting chance.
I'm mad about games, you know.
Yeah, well come on, get going, boy.
You gotta keep on your toes in this game.
I win, I win!
Oh, the game's over.
Why, you little devil, you! I'll wring your scrawny little neck!
Mim! Mim! Wha-Wha-What-- Eh, what was you up to?
Uh! Me-Me-- Oh, Merlin! Well, you're just in time.
- We were playing a little game. - She was gonna destroy me.
And just what are you gonna do about it?
Want to fight? Want to have a wizard's duel?
- As you wish, madam. - Well, come on, step outside.
After you, madam.
They're havin' a wizard's duel. What's that mean?
Oh, it's a battle of wits. The players change themselves...
to different things and, and attempt to, uh, to destroy one another.
De-Des-De-Destroy?
But just watch, boy, just watch. You'll get the idea.
Now, first of all, if you don't mind, I'll make the rules.
Rules indeed!
Why, she only wants rules so she can break 'em!
I'll take care of you later, featherbrain.
Now, rule one, no mineral or vegetable.
Only animal. Rule two, no make-believe things...
Like, uh, oh, pink dragons and stuff.
Now, rule three, no disappearing.
- Rule four, no cheating. - All right, all right.
Now, pace off ten.
One, two, three, four--
- Merlin! She disappeared! - Huh? Ah-- Duh-- Bah-- Mim!
Now, you made the rules!
Ouch!
- Change to somethin' else, Merlin. - Ah-- Buh-- Y-Yes...
yes, yes, yes, give me time to think.
- Ah, higgety-piggety. Ah, duh-- No, no, no, no, no. - Quick, Merlin, hurry!
Ah-- Duh-- Hoppity-hip-hip.
Ha-ha!
Got me tail, now! Madam, just a minute.
Ah-- D-D-- This is not the-the-the-the--
- Come on! Something bigger! - Something smaller!
Mi-Mi-Mim, Mi-Mim, Mi-Mim Mi-Mi--
Ooh!
Merlin! No disappearing.
Whoo!
Ouch!
Mim? Mim? Are-Are-Are you--
Now-- Gah-- What-What-- W-W-What's going on here?
You, you-- You big blimp!
Squash me, will ya?
Ah, ah, ah, ah, Merlin!
- Ouch! Ooh! - Bravo!
Oh, just you wait! Just you wait! You're gonna pay!
So you want to play rough, do ya?
All right, Merlin. I'll smash you good, you old crab!
Jehoshaphat!
Here I come, Mim, ready or not.
Merlin, you wouldn't dare!
Now, now, Mim, Mim! No-No dragons, remember?
Did I say no purple dragons? Did l?
I win, I win!
Oh, that horrible old witch! I'll, I'll peck her eyes out!
Huh, no, no. No, no, no.
- He's gone! - Disappeared.
Madam, I have not disappeared. I am very tiny.
I'm a germ. A rare disease.
I'm called "malagolintomontorosis"...
and you caught me, Mim!
What?
First, you break out into spots.
Followed by hot and cold flashes.
Then violent sneezing.
Huh! Watch it, boy!
Oh! Er-- You-You-You-You sneaky old scoundrel!
Oh, it's not too serious, madam. Ah, you should recover...
in a few weeks and be as good, uh-- Ah, heh-heh-- I-I mean as bad as ever.
But, ah, I would suggest plenty of rest...
and lots and lots of sunshine!
I hate sunshine!
I hate horrible, wholesome sunshine!
I hate it, I hate it! I hate, hate, hate, hate--
You were really great, Merlin, but-but you could've been killed.
It was worth it, lad, if you learned something from it.
Knowledge and wisdom is the real power.
Right you are, Wart, so stick to your schooling, boy.
Oh-Oh, don't worry, I will, sir. I will, oh, I really will.
We will sing all night and all day we will fight
For the blue oak tree on the field of white
For the blue oak tree on the fie-ie-ie-ie-ield
Of white
Here's to victory in London for my son, Kay!
Sir Kay. I've been knighted, don't forget.
No-o, of course, son, of course.
Ah, here's to Sir Kay. And who knows?
The future king of all England!
- Watch it, will ya? - Kay the king?
What a dreadful thought.
Sir Ector! Sir Ector!
Hobbs has come down with the mumps!
Face all-all-all puffed up like a toad!
Then Kay'll need another squire, hang it all.
- Hmm. Wart, you're it. - I'm what, sir?
Kay's squire. You're going to London, boy.
Oh, Sir Ector! Whoa! What? Whoa!
Merlin! Archimedes! Merlin!
Merlin, look! I'm a squire!
Hah!
Oh. Uh, very nice, boy.
Yes, indeed. A fine monkey suit for polishing boots.
It's-it's what all the squires wear.
And I thought you were going to amount to something!
I thought you had a few brains!
Great future. Hah!
A stooge for that big lunk, Kay.
Congratulations, boy!
What do y-- What do you want me to be? I'm nobody.
You-- You don't know a thing about what's goin' on today.
I-I-I-I'm lucky to be Kay's squire.
D-- Oh! D-- Of all the idiotic--
Y-Y-Y-- I-- Blow me to Bermuda!
Where-- Uh, where did he go?
- To Bermuda, I suppose. - Where's that?
Oh, an island way off somewhere that hasn't been discovered yet.
Will he ever come back?
Who knows? Who knows anything?
For the crown of all England...
let the tournament begin.
Oh, Kay, now it's up to the swords.
Swords? Swords? Ah-- Oh, no! Kay?
What? What?
I, eh-- I-l-I forgot your sword.
Forgot my sword?
I-- I-I left it back at the inn.
Why, you bungling little fool! I'll-- Oof!
You better get it! Or don't you dare come back!
Let me in! Let me in!
Somebody please! Please let me in!
It's no use, boy. They've all gone to the tournament.
Oh, what'll I do? Kay's got to have a sword.
Look, boy! Look! There in the churchyard.
A sword! Oh, Archimedes, a sword!
You're gonna have a time pullin' it out.
Huh! Watch it, boy!
Better leave it alone!
But Kay's got to have a sword.
Now, come on, quick. Let's get out of here!
Y-You're up next, son. Uh, better get ready.
Kay, Kay, here's a sword.
This is not my sword!
Hold on, Kay! Wait a minute.
"Whoso pulleth out this sword--"
Ooh, eh-- It's the sword in the stone!
- The sword in the stone? It can't be. - But look. It is!
- It's the marvellous sword. - Hold everything.
Someone's pulled the sword from the stone.
Where did you get it, Wart?
I, I-I pulled it out of an anvil that was on a stone...
i-in, in a churchyard.
- That's funny! - The lad's a young Samson!
You're making a fool of us, boy. Now tell the truth.
- But I did, sir. Ow! Ooh! - Then come on, prove it.
- Ouch! - Back to the stone with you.
- Yes, prove it. - Come on, prove it.
All right, boy, let's have the miracle.
Now, wait a minute!
Anyone can pull it once it's been pulled.
Go to it, Kay. Give it all you got.
Put your back into it!
- Here now! - Here, here, here!
- Push him and see. - It's my turn. One side!
- Pull this thing. - Hold on, that's not fair.
I say we let the boy try it.
That's what I say. Give the boy a chance.
Go ahead, son.
It's a miracle ordained by heaven.
This boy is our king.
Well, by Jove.
- What's the lad's name? - Eh, Wart.
Oh, uh, I mean Arthur.
- Hail King Arthur! - Hail King Arthur! Long live the king!
- Long live King Arthur! Long live the king. - I can't believe it!
- Ooh, forgive me, son. - Hail King Arthur.
- Long live the king. Long live... - Forgive me.
- King Arthur. Long live the king. - Oh, please don't, sir.
- Kay, bow down to your king. - Hail King Arthur.
Long live the king.
- Hail King Arthur. - So at last, the miracle...
had come to pass in that far off time upon New Year's Day...
and the glorious rein of King Arthur was begun.
I can't be a king, Archimedes. I don't know anything about ruling a country.
I told you to leave the thing in the stone, boy.
I'll, I'll run away, that's what I'll do.
They'll just have to get somebody else.
Better take the side door, Wart. Out the side door.
Hail King Arthur! Long live the King!
There's another door. Over there, over there! Come on, come on!
Long live King Arthur! Long li--
Looks-Looks like we're surrounded, boy.
Oh, Archimedes, I wish Merlin was here.
Merlin! Merlin!
Oh, Merlin, you're back from Ber-Ber-Ber--
Bermuda? Yes, back from Bermuda...
and the 20th century.
And believe me, you can have it.
One big modern mess! Alakazam!
I'm in an awful pickle. I'm king.
Ooh, he pulled the sword from the stone.
Ha-ha! Of course, of course!
King Arthur and his Knights of the Round Table.
- Round table? - Oh, uh, w-would you rather have a square one?
Oh, no. Round'll be fine.
Boy, boy, boy.
You'll become a great legend.
They'll be writing books about you for centuries to come.
Why, they might even make a motion picture about you.
- Motion picture? - Oh.
Uh, well, um-- Uh, that's something like television...
without commercials.
Hail King Arthur Long live the King