세계에서 제일 간단한 언어

사실 영어는 쉽지 않다. 어떤 언어든 쉽게 습득할 수 있는 것은 존재하지 않는다. 단, 수만은 언어 중에서 영어가 가장 간단한 언어인 것은 분명하다.
 생각해 보라. 그렇게 어려운 언어라면 이렇듯 세계 공통어라 불릴 정도로 확대되지는 못했을 것이다. 다른 언어에 비해 간단하기 때문에 이렇게까지 보급된 것이다.
 반면에 한국어는 세계적으로 어려운 언어 중 하나로 손꼽힌다고 알고 있다.

사고하는 순서
반복하지만 영어는 세계에서 가장 쉬운 언어의 하나이다.
또 가장 실용적이면서 사용하기에 편한 언어이기도 하다.
초보자도 영어로 문장을 쓰는 건 어느 정도 가능하지만, 한국어로 훌륭한 문장을 쓰기 위해서는 상당한 연습이 필요하다.
한국어는 술어가 마지막에 온다는 규칙이 있는 데다가 다른 낱말도 얼마든지 순서를 섞을 수 있기 때문에 잘 생각하고 나서 문장을 써야 한다. 하지만 영어는 다르다. 영어는 단순히 중요한 순서대로 나열해 나가면 되는 것이다. '누가','어떻게 했다','무었을'을 나열하고, 그 뒤에 장소라든가 시간이라든가 세밀한 설정을 생각나는대로 덧붙여 나가면 되는 것이다.
그야말로 인간의 사고 순서와 똑같기 때문에 생각나는 대로 말해도 말이 막히거나 순서가 이상해지지는 않는다.
그렇다면 그렇게 간단한 영어! 세계의 공통어로까지 된 영얼를 가지고, 왜 우리는 이렇게도 고통을 겪고 있는 걸까?
그것은 공부 방법에 문제가 있기 때문이다.

인풋과 아웃풋
 우리는 '영어'라는 하나의 언어를 '영문법', '영어회화', '히어링', '장문독해', '영문번역' 등, 다수의 분야로 나뉘서 말하는 경향이 있다. 이것은 아마 세계적으로 보기 드문 현상일 것이다.

 영어는 영어일 뿐이다. '영어회화'라는 장르도 '히어링'이라는 장르도 결코 존재하지 않는다. 감히 표현한다면 영어를 배운다는것은 곧 영어를 '읽는 것'이다. 내 주변에 영어를 '잘 하는' 사람은 예외 없이 영어 문장을 많이 읽는다. 그리고 어느 정도 문법도 알고 있는 사람이다.

 나도 어린 시절에 일본에서 영어교육을 받고 미국으로 건너갔지만 당시에 영어는 거의 못했다. 하지만 매일처럼 주어지는 숙제 때문에 어쩔 수 없이 사전을 한 손에 들고 울다시피 하면서 몇 권씩 책을 읽다 보니 자연스럽게 영어 실력이 늘어났다.

 '읽는다'라는 것은 곧 축적되는 일이다. 컴퓨터 용어로 말한다면 인풋을 해 나가는 일이다. 좋아하는 곡의 멜로디를 계속 듣다 보면 자연스럽게 외워지는 것처럼, 영어도 억지로 외우려고 하지 않아도 계속해서 읽다 보면 구문과 표현방식과 무수한 단어를 자연스럽게 기억하게 된다. 그것은 대부분의 경우, 기억되었다는 자각도 없이 머릿속에 새겨지는 '무의식의 기억'이다.

 이러한 '무의식의 기억'이 아니면 언어는 몸에 배일 수가 없다. 의식해서 떠올리지 않으면 안 되는 기억은 인간의 사고 속도와 말 하는 속도에 따라갈 수 없기 때문이다. 어떻게든 계속해서 읽고, 흡수해서'무의식의 기억'을 계속 늘리는 일 - 그것만이 최고의 영어 공부법인 것이다.

 계속해서 '읽기'만 잘 한다면 '듣는다', '쓴다', '말한다'라는 것은 자연스럽게 가능해진다. 마치 매일 들었던 곡의 멜로디가 어느 날 자연스럽게 입에서 흘러나오듯이 말이다.

 제 2언어를 마스터한 경험이 있는 사람들 대부분이 언어는 어느날, 어느 순간, 갑자기 안개가 걷히듯이 '아,알았다!'라는 느낌으로 온다고 한다. 서서히 알게 되는 것이 아니라, 어느 순간 갑자기 지금까지 봐왔던 것, 들어 왔던 것이 전부 조합되어 전체가 보이는 것이라고 한다. 마치 조각 퍼즐 맞추기와 비슷해서 알 수 없는 상태에서 이쪽 저쪽 조각을 끼워 나가다 보면 어느 땐가 '아, 이런 그림이구나!'라고 알게 되고, 그 다음부터는 순조롭게 퍼즐이 완성되어 가는 것이다.

언어를 말하는 방법
 영어를 사용할 수 있다는 것은, 먼저 머리 속으로 우리말로 말하고 싶은 문장을 만든 다음, 문법규칙에 맞추어 한 단어씩 영어로 바꿔 나가는 일은 결코 아니다. 영어로 말하는 사람이 그렇게 하는 경우는 한 사람도 없을 것이다.

 영어를 사용한다는 것은, 뭔가 생각이 떠오르면 거기에 어울리는 표현방식과 문장을, 자신의 머릿속에 보관하고 있는 광대한 양의 영어 문장의 예에서 가장 가까운 것을 골라 필요에 따라 약간 변경도 하면서 읽는 것이다. 그 밖의 모든 언어도 마찬가지다.

 자신이 말하고 있는 제1언어라는 것은 숨을 쉬는 것과 마찬가지로 자연스러운 것이기 때문에 의식하기는 어렵지만, 잘 생각해 보면 자신이 말하고 있을 때와 쓰고 있을 때, 결코 제로에서 문장을 만들어 내는 게 아니라, 어딘 가에서 보고 들었던 문장에서, 자신이 마음에 들었던 표현을 골라 사용한다는 사실을 깨닫게 될 것이다.

 영어도 같은 언어이기 때문에 기억 방식이 틀릴 리가 없다. 따라서 기본은 어쨌든 '넘칠 때까지 저장하는 일'이다.
 
유일한 학습법
영어는 무엇보다 먼저 '읽기'가 중요하다.
 이렇게 말하는 데도 역시 읽는 것만으로 히어링까지 된다는 건 무리가 아닐까 걱정스러울 것이다. 하지만 들을 수 없다는 것은 발음을 모르기 때문도 아니고, 상대방의 말하는 속도가 너무 빠르기 때문도 아니다.

상대방이 말하고 있는 문장을 본 적이 없기 때문이다.
자신이 알고 있는 문장 중에는 없기 때문이다.

알아듣기 어려운 록 가수의 노래도, 가사를 보면서 들으면 의외로 쉽게 들려오는 법이다. 그리고 일단 들을 수 있으면, 이미 그 밖의 소리는 들려오지 않게 된다. 영어를 읽을 수 있다는 것은 그와 같은 만능의 가사집을 손에 쥐게 된 것과 같다.

 그렇게 생각하면 우리의 영어교육은 참으로 이해할 수가 없다. 중학교, 고등학교 6년간에 걸쳐서 영어를 공부하는 동안, 대부분의 학생을 한 권의 영어 책도 다 읽지 못한다. 극단적인 경우에는 대학 4년간을 포함해서 한 권의 영문 책도 독파하지 못할 가능성도 있다.

 참으로 이상한 일이다. 영어를 문법책만 가지고 배우려고 하는것은 야구를 규칙서만 읽고 잘 되겠지 하는 것과 같다. 아이에게 처음 야구를 가르치는 경우를 생각해 보자. 처음에 볼과 배트와 글러브를 건네주고, '자, 야구 해봐'라고 말하는것은 터무니 없는 일이다. 그렇다고 볼을 던진 적도 없는 아이에게 '인필드 플라이의 처리'라든가 '엔타이틀 투 베이스의 판단기준'등을 말하는 것도 무의미하다.

 제대로된 지도자라면 아이에게 배트를 잡는 방법과, 볼을 던지고, 잡는 방법- 그것과 '쳤으면 1루로 달린다'라는 등, 정말로 기초적인 규칙만을 먼저 가르칠 것이다. 나머지는 야구를 실제 해보면서 중간 중간에 적절한 어드바이스를 해줄 것이다.

 야구만이 아니라 대부분의 스포츠- 아니 세상의 모든 일을 이렇게 해서 배워 나가는 것이라고 생각한다. 물론 영어도 예외는 아니다. 그런데도 '읽는다'라는 '실천'을 경험시키지 않고 영어를 잘하는 인간으로 만들려고 하다보니 문제가 되는 것이다.

 실제로 영어를 사용하는 데는 세밀한 문법이 반드시 필요한 것은 아니다. 하지만 처음으로 책을 읽을 때, 아무것도 모르는 것은 문제다. 그것은 야구 도구만 주고 '자, 해봐!"라고 하는 것과 같다. 야구에서의 '배트 잡는 법'과 '볼 던지는 법'정도의 기본중의 기본 지식이 영어에서도 필요한 것이다.

 문장 어디에 주목하고, 어디가 중요하며, 어디가 부록인가, 그것을 구분할 정도의 지식이 있다면 당연히 더 빨리 실력이 늘 것이다.
그것은 문법이나 규칙이라고 하는 것보다 '포인트'라고 하는쪽이 좋겠다.

본래 영어를 배우는 데 필요한 '문법'은 읽기 시작할 때까지의 '기본의 기본'뿐이다.
사전과 같은 두께의 책이나 끝없이 이어지는 단어장은 필요 없다.
그 다음에는 그저 계속해서 읽기만 하면 된다.
그 밖의 것은 반드시 자연스럽게 따라오게 되어 있다.

 영어를 모국어로 가진 사람들은 모두 이렇게 영어를 습득하게 된다. 다른 언어를 사용하는 사람도 그런 방법으로 모국어를 배운다. 이것이 유일한 것이자 최고의 언어 습득법이며, 다른 선택은 있을 수 없다고 나는 믿고 있다.

☞ 영어 공부의 요령 15가지 방법

요령1.
영어만은 당일치기가 안 됩니다.
짧은 시간이라도 매일 조금씩 공부하세요.

요령2.
자신이 좋아하는 방법이나 교재를 사용하여 공부하세요.

요령3.
부분을 이해하려고 애쓰지 말고 전체를 파악하려고 애쓰세요.

요령4.
100％ 이해하려고 애쓰지 말고 전체를 파악하려고 애쓰세요.

요령5.
절대 번역하려 들지 마세요.
우리말을 거치지 말고 곧바로 영어로 생각해 반응하세요.

요령6.
감명 깊었던 영어의 명문들을 통째로 외우세요.
이런 무기를 하나 가지고 있으면 문법, 회화, 영작 어디에나
응용할 수 있습니다.

요령7.
눈, 입, 귀 등 신체기관을 총 동원하여 온 몸으로 영어를 배워보세요.

요령8.
모든 생활의 무대를 학습의 장으로 활용하세요.

요령9.
엄청난 보물이 숨겨져 있는 사이버 영어교육 사이트를 활용하세요.


요령10.
공부한 것을 실생활에 자주 활용해 보세요.


요령11.
실력이 모자란다면 이전 단계로 되돌아가서 기초부터 쌓아보세요.

요령12.
뻔뻔스러워지세요. 영어는 모국어가 아니므로, 잘못하는 것이
당연합니다.

요령13.
언어는 한꺼번에 배울 수 있는 것이 아니므로, 인내심을 갖고
꾸준히 계속하세요.

요령14.
친구들끼리 영어스터디 그룹을 만들어보세요.

요령15.
중간중간 중지하고 공부한 부분을 되돌아 보는 시간을 가지세요.
공부한 것을 효과적으로 저장하기 위해서는 정리할 시간이
필요합니다.



by 성공하는 자기관리

공부는 가급적 편하게 해야합니다.
복잡하면 오래하기 힘듭니다.
듣기공부가 좋은 것은 바로 이런 점입니다.
그냥 가만히 듣고만 있으면 되니 얼마나 편합니까.
최고로 편하게 해야 가장 오래 공부할 수 있고
안전하게 고수의 자리까지 갈 수 있습니다.

한 번에 이해가 안되면 반복해 들으시기 바랍니다.
얼마나 좋습니까. 듣기 공부되죠. 발음 좋아지죠.
이해하려고 반복하다보면 어떤 것은 저절로 암기가 되니
영작문이나 회화에까지 도움이 되죠.
1 석 4 조 인가요?? 
 

Photo: AP

출처: http://www.voanews.com/learningenglish/home/science-technology/New-Study-Suggests-that-Aspirin-Sharply-Reduces-Bowel-Cancer-Risk-134621268.html

`You can't think how glad I am to see you again, you dear old thing!' said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together.

Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.

`When I'M a Duchess,' she said to herself, (not in a very hopeful tone though), `I won't have any pepper in my kitchen AT ALL. Soup does very well without--Maybe it's always pepper that makes people hot-tempered,' she went on, very much pleased at having found out a new kind of rule, `and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew that: then they wouldn't be so stingy about it, you know--'

She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. `You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit.'

`Perhaps it hasn't one,' Alice ventured to remark.

`Tut, tut, child!' said the Duchess. `Everything's got a moral, if only you can find it.' And she squeezed herself up closer to Alice's side as she spoke.

Alice did not much like keeping so close to her: first, because the Duchess was VERY ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.

`The game's going on rather better now,' she said, by way of keeping up the conversation a little.

`'Tis so,' said the Duchess: `and the moral of that is--"Oh, 'tis love, 'tis love, that makes the world go round!"'

`Somebody said,' Alice whispered, `that it's done by everybody minding their own business!'

`Ah, well! It means much the same thing,' said the Duchess, digging her sharp little chin into Alice's shoulder as she added, `and the moral of THAT is--"Take care of the sense, and the sounds will take care of themselves."'

`How fond she is of finding morals in things!' Alice thought to herself.

`I dare say you're wondering why I don't put my arm round your waist,' the Duchess said after a pause: `the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?'

`HE might bite,' Alice cautiously replied, not feeling at all anxious to have the experiment tried.

`Very true,' said the Duchess: `flamingoes and mustard both bite. And the moral of that is--"Birds of a feather flock together."'

`Only mustard isn't a bird,' Alice remarked.

`Right, as usual,' said the Duchess: `what a clear way you have of putting things!'

`It's a mineral, I THINK,' said Alice.

`Of course it is,' said the Duchess, who seemed ready to agree to everything that Alice said; `there's a large mustard-mine near here. And the moral of that is--"The more there is of mine, the less there is of yours."'

`Oh, I know!' exclaimed Alice, who had not attended to this last remark, `it's a vegetable. It doesn't look like one, but it is.'

`I quite agree with you,' said the Duchess; `and the moral of that is--"Be what you would seem to be"--or if you'd like it put more simply--"Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise."'

`I think I should understand that better,' Alice said very politely, `if I had it written down: but I can't quite follow it as you say it.'

`That's nothing to what I could say if I chose,' the Duchess replied, in a pleased tone.

`Pray don't trouble yourself to say it any longer than that,' said Alice.

`Oh, don't talk about trouble!' said the Duchess. `I make you a present of everything I've said as yet.'

`A cheap sort of present!' thought Alice. `I'm glad they don't give birthday presents like that!' But she did not venture to say it out loud.

`Thinking again?' the Duchess asked, with another dig of her sharp little chin.

`I've a right to think,' said Alice sharply, for she was beginning to feel a little worried.

`Just about as much right,' said the Duchess, `as pigs have to fly; and the m--'

But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word `moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm.

`A fine day, your Majesty!' the Duchess began in a low, weak voice.

`Now, I give you fair warning,' shouted the Queen, stamping on the ground as she spoke; `either you or your head must be off, and that in about half no time! Take your choice!'

The Duchess took her choice, and was gone in a moment.

`Let's go on with the game,' the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground.

The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives.

All the time they were playing the Queen never left off quarrelling with the other players, and shouting `Off with his head!' or `Off with her head!' Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution.

Then the Queen left off, quite out of breath, and said to Alice, `Have you seen the Mock Turtle yet?'

`No,' said Alice. `I don't even know what a Mock Turtle is.'

`It's the thing Mock Turtle Soup is made from,' said the Queen.

`I never saw one, or heard of one,' said Alice.

`Come on, then,' said the Queen, `and he shall tell you his history,'

As they walked off together, Alice heard the King say in a low voice, to the company generally, `You are all pardoned.' `Come, THAT'S a good thing!' she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered.

They very soon came upon a Gryphon, lying fast asleep in the sun. (IF you don't know what a Gryphon is, look at the picture.) `Up, lazy thing!' said the Queen, `and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered'; and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited.

The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. `What fun!' said the Gryphon, half to itself, half to Alice.

`What IS the fun?' said Alice.

`Why, SHE,' said the Gryphon. `It's all her fancy, that: they never executes nobody, you know. Come on!'

`Everybody says "come on!" here,' thought Alice, as she went slowly after it: `I never was so ordered about in all my life, never!'

They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. `What is his sorrow?' she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, `It's all his fancy, that: he hasn't got no sorrow, you know. Come on!'

So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing.

`This here young lady,' said the Gryphon, `she wants for to know your history, she do.'

`I'll tell it her,' said the Mock Turtle in a deep, hollow tone: `sit down, both of you, and don't speak a word till I've finished.'

So they sat down, and nobody spoke for some minutes. Alice thought to herself, `I don't see how he can EVEN finish, if he doesn't begin.' But she waited patiently.

`Once,' said the Mock Turtle at last, with a deep sigh, `I was a real Turtle.'

These words were followed by a very long silence, broken only by an occasional exclamation of `Hjckrrh!' from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, `Thank you, sir, for your interesting story,' but she could not help thinking there MUST be more to come, so she sat still and said nothing.

`When we were little,' the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, `we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--'

`Why did you call him Tortoise, if he wasn't one?' Alice asked.

`We called him Tortoise because he taught us,' said the Mock Turtle angrily: `really you are very dull!'

`You ought to be ashamed of yourself for asking such a simple question,' added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, `Drive on, old fellow! Don't be all day about it!' and he went on in these words:

`Yes, we went to school in the sea, though you mayn't believe it--'

`I never said I didn't!' interrupted Alice.

`You did,' said the Mock Turtle.

`Hold your tongue!' added the Gryphon, before Alice could speak again. The Mock Turtle went on.

`We had the best of educations--in fact, we went to school every day--'

`I'VE been to a day-school, too,' said Alice; `you needn't be so proud as all that.'

`With extras?' asked the Mock Turtle a little anxiously.

`Yes,' said Alice, `we learned French and music.'

`And washing?' said the Mock Turtle.

`Certainly not!' said Alice indignantly.

`Ah! then yours wasn't a really good school,' said the Mock Turtle in a tone of great relief. `Now at OURS they had at the end of the bill, "French, music, AND WASHING--extra."'

`You couldn't have wanted it much,' said Alice; `living at the bottom of the sea.'

`I couldn't afford to learn it.' said the Mock Turtle with a sigh. `I only took the regular course.'

`What was that?' inquired Alice.

`Reeling and Writhing, of course, to begin with,' the Mock Turtle replied; `and then the different branches of Arithmetic-- Ambition, Distraction, Uglification, and Derision.'

`I never heard of "Uglification,"' Alice ventured to say. `What is it?'

The Gryphon lifted up both its paws in surprise. `What! Never heard of uglifying!' it exclaimed. `You know what to beautify is, I suppose?'

`Yes,' said Alice doubtfully: `it means--to--make--anything-- prettier.'

`Well, then,' the Gryphon went on, `if you don't know what to uglify is, you ARE a simpleton.'

Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said `What else had you to learn?'

`Well, there was Mystery,' the Mock Turtle replied, counting off the subjects on his flappers, `--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: HE taught us Drawling, Stretching, and Fainting in Coils.'

`What was THAT like?' said Alice.

`Well, I can't show it you myself,' the Mock Turtle said: `I'm too stiff. And the Gryphon never learnt it.'

`Hadn't time,' said the Gryphon: `I went to the Classics master, though. He was an old crab, HE was.'

`I never went to him,' the Mock Turtle said with a sigh: `he taught Laughing and Grief, they used to say.'

`So he did, so he did,' said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws.

`And how many hours a day did you do lessons?' said Alice, in a hurry to change the subject.

`Ten hours the first day,' said the Mock Turtle: `nine the next, and so on.'

`What a curious plan!' exclaimed Alice.

`That's the reason they're called lessons,' the Gryphon remarked: `because they lessen from day to day.'

This was quite a new idea to Alice, and she thought it over a little before she made her next remark. `Then the eleventh day must have been a holiday?'

`Of course it was,' said the Mock Turtle.

`And how did you manage on the twelfth?' Alice went on eagerly.

`That's enough about lessons,' the Gryphon interrupted in a very decided tone: `tell her something about the games now.'

The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. `Same as if he had a bone in his throat,' said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:--

`You may not have lived much under the sea--' (`I haven't,' said Alice)--`and perhaps you were never even introduced to a lobster--' (Alice began to say `I once tasted--' but checked herself hastily, and said `No, never') `--so you can have no idea what a delightful thing a Lobster Quadrille is!'

`No, indeed,' said Alice. `What sort of a dance is it?'

`Why,' said the Gryphon, `you first form into a line along the sea-shore--'

`Two lines!' cried the Mock Turtle. `Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--'

`THAT generally takes some time,' interrupted the Gryphon.

`--you advance twice--'

`Each with a lobster as a partner!' cried the Gryphon.

`Of course,' the Mock Turtle said: `advance twice, set to partners--'

`--change lobsters, and retire in same order,' continued the Gryphon.

`Then, you know,' the Mock Turtle went on, `you throw the--'

`The lobsters!' shouted the Gryphon, with a bound into the air.

`--as far out to sea as you can--'

`Swim after them!' screamed the Gryphon.

`Turn a somersault in the sea!' cried the Mock Turtle, capering wildly about.

`Back to land again, and that's all the first figure,' said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice.

`It must be a very pretty dance,' said Alice timidly.

`Would you like to see a little of it?' said the Mock Turtle.

`Very much indeed,' said Alice.

`Come, let's try the first figure!' said the Mock Turtle to the Gryphon. `We can do without lobsters, you know. Which shall sing?'

`Oh, YOU sing,' said the Gryphon. `I've forgotten the words.'

So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:--

`"Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance?

Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?

"You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance.

`"What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance.

Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"'

`Thank you, it's a very interesting dance to watch,' said Alice, feeling very glad that it was over at last: `and I do so like that curious song about the whiting!'

`Oh, as to the whiting,' said the Mock Turtle, `they--you've seen them, of course?'

`Yes,' said Alice, `I've often seen them at dinn--' she checked herself hastily.

`I don't know where Dinn may be,' said the Mock Turtle, `but if you've seen them so often, of course you know what they're like.'

`I believe so,' Alice replied thoughtfully. `They have their tails in their mouths--and they're all over crumbs.'

`You're wrong about the crumbs,' said the Mock Turtle: `crumbs would all wash off in the sea. But they HAVE their tails in their mouths; and the reason is--' here the Mock Turtle yawned and shut his eyes.--`Tell her about the reason and all that,' he said to the Gryphon.

`The reason is,' said the Gryphon, `that they WOULD go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all.'

`Thank you,' said Alice, `it's very interesting. I never knew so much about a whiting before.'

`I can tell you more than that, if you like,' said the Gryphon. `Do you know why it's called a whiting?'

`I never thought about it,' said Alice. `Why?'

`IT DOES THE BOOTS AND SHOES.' the Gryphon replied very solemnly.

Alice was thoroughly puzzled. `Does the boots and shoes!' she repeated in a wondering tone.

`Why, what are YOUR shoes done with?' said the Gryphon. `I mean, what makes them so shiny?'

Alice looked down at them, and considered a little before she gave her answer. `They're done with blacking, I believe.'

`Boots and shoes under the sea,' the Gryphon went on in a deep voice, `are done with a whiting. Now you know.'

`And what are they made of?' Alice asked in a tone of great curiosity.

`Soles and eels, of course,' the Gryphon replied rather impatiently: `any shrimp could have told you that.'

`If I'd been the whiting,' said Alice, whose thoughts were still running on the song, `I'd have said to the porpoise, "Keep back, please: we don't want YOU with us!"'

`They were obliged to have him with them,' the Mock Turtle said: `no wise fish would go anywhere without a porpoise.'

`Wouldn't it really?' said Alice in a tone of great surprise.

`Of course not,' said the Mock Turtle: `why, if a fish came to ME, and told me he was going a journey, I should say "With what porpoise?"'

`Don't you mean "purpose"?' said Alice.

`I mean what I say,' the Mock Turtle replied in an offended tone. And the Gryphon added `Come, let's hear some of YOUR adventures.'

`I could tell you my adventures--beginning from this morning,' said Alice a little timidly: `but it's no use going back to yesterday, because I was a different person then.'

`Explain all that,' said the Mock Turtle.

`No, no! The adventures first,' said the Gryphon in an impatient tone: `explanations take such a dreadful time.'

So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so VERY wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating `YOU ARE OLD, FATHER WILLIAM,' to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said `That's very curious.'

`It's all about as curious as it can be,' said the Gryphon.

`It all came different!' the Mock Turtle repeated thoughtfully. `I should like to hear her try and repeat something now. Tell her to begin.' He looked at the Gryphon as if he thought it had some kind of authority over Alice.

`Stand up and repeat "'TIS THE VOICE OF THE SLUGGARD,"' said the Gryphon.

`How the creatures order one about, and make one repeat lessons!' thought Alice; `I might as well be at school at once.' However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:--

`'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes.'

[later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.]

`That's different from what I used to say when I was a child,' said the Gryphon.

`Well, I never heard it before,' said the Mock Turtle; `but it sounds uncommon nonsense.'

Alice said nothing; she had sat down with her face in her hands, wondering if anything would EVER happen in a natural way again.

`I should like to have it explained,' said the Mock Turtle.

`She can't explain it,' said the Gryphon hastily. `Go on with the next verse.'

`But about his toes?' the Mock Turtle persisted. `How COULD he turn them out with his nose, you know?'

`It's the first position in dancing.' Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject.

`Go on with the next verse,' the Gryphon repeated impatiently: `it begins "I passed by his garden."'

Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:--

`I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--'

[later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--]

`What IS the use of repeating all that stuff,' the Mock Turtle interrupted, `if you don't explain it as you go on? It's by far the most confusing thing I ever heard!'

`Yes, I think you'd better leave off,' said the Gryphon: and Alice was only too glad to do so.

`Shall we try another figure of the Lobster Quadrille?' the Gryphon went on. `Or would you like the Mock Turtle to sing you a song?'

`Oh, a song, please, if the Mock Turtle would be so kind,' Alice replied, so eagerly that the Gryphon said, in a rather offended tone, `Hm! No accounting for tastes! Sing her "Turtle Soup," will you, old fellow?'

The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:--

`Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!

`Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUP!'

`Chorus again!' cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of `The trial's beginning!' was heard in the distance.

`Come on!' cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song.

`What trial is it?' Alice panted as she ran; but the Gryphon only answered `Come on!' and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:--

`Soo--oop of the e--e--evening, Beautiful, beautiful Soup!'

The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--`I wish they'd get the trial done,' she thought, `and hand round the refreshments!' But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time.

Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. `That's the judge,' she said to herself, `because of his great wig.'

The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming.

`And that's the jury-box,' thought Alice, `and those twelve creatures,' (she was obliged to say `creatures,' you see, because some of them were animals, and some were birds,) `I suppose they are the jurors.' She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, `jury-men' would have done just as well.

The twelve jurors were all writing very busily on slates. `What are they doing?' Alice whispered to the Gryphon. `They can't have anything to put down yet, before the trial's begun.'

`They're putting down their names,' the Gryphon whispered in reply, `for fear they should forget them before the end of the trial.'

`Stupid things!' Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, `Silence in the court!' and the King put on his spectacles and looked anxiously round, to make out who was talking.

Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down `stupid things!' on their slates, and she could even make out that one of them didn't know how to spell `stupid,' and that he had to ask his neighbour to tell him. `A nice muddle their slates'll be in before the trial's over!' thought Alice.

One of the jurors had a pencil that squeaked. This of course, Alice could not stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate.

`Herald, read the accusation!' said the King.

On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:--

`The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!'

`Consider your verdict,' the King said to the jury.

`Not yet, not yet!' the Rabbit hastily interrupted. `There's a great deal to come before that!'

`Call the first witness,' said the King; and the White Rabbit blew three blasts on the trumpet, and called out, `First witness!'

The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. `I beg pardon, your Majesty,' he began, `for bringing these in: but I hadn't quite finished my tea when I was sent for.'

`You ought to have finished,' said the King. `When did you begin?'

The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. `Fourteenth of March, I think it was,' he said.

`Fifteenth,' said the March Hare.

`Sixteenth,' added the Dormouse.

`Write that down,' the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence.

`Take off your hat,' the King said to the Hatter.

`It isn't mine,' said the Hatter.

`Stolen!' the King exclaimed, turning to the jury, who instantly made a memorandum of the fact.

`I keep them to sell,' the Hatter added as an explanation; `I've none of my own. I'm a hatter.'

Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted.

`Give your evidence,' said the King; `and don't be nervous, or I'll have you executed on the spot.'

This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter.

Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her.

`I wish you wouldn't squeeze so.' said the Dormouse, who was sitting next to her. `I can hardly breathe.'

`I can't help it,' said Alice very meekly: `I'm growing.'

`You've no right to grow here,' said the Dormouse.

`Don't talk nonsense,' said Alice more boldly: `you know you're growing too.'

`Yes, but I grow at a reasonable pace,' said the Dormouse: `not in that ridiculous fashion.' And he got up very sulkily and crossed over to the other side of the court.

All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, `Bring me the list of the singers in the last concert!' on which the wretched Hatter trembled so, that he shook both his shoes off.

`Give your evidence,' the King repeated angrily, `or I'll have you executed, whether you're nervous or not.'

`I'm a poor man, your Majesty,' the Hatter began, in a trembling voice, `--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--'

`The twinkling of the what?' said the King.

`It began with the tea,' the Hatter replied.

`Of course twinkling begins with a T!' said the King sharply. `Do you take me for a dunce? Go on!'

`I'm a poor man,' the Hatter went on, `and most things twinkled after that--only the March Hare said--'

`I didn't!' the March Hare interrupted in a great hurry.

`You did!' said the Hatter.

`I deny it!' said the March Hare.

`He denies it,' said the King: `leave out that part.'

`Well, at any rate, the Dormouse said--' the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.

`After that,' continued the Hatter, `I cut some more bread- and-butter--'

`But what did the Dormouse say?' one of the jury asked.

`That I can't remember,' said the Hatter.

`You MUST remember,' remarked the King, `or I'll have you executed.'

The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. `I'm a poor man, your Majesty,' he began.

`You're a very poor speaker,' said the King.

Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.)

`I'm glad I've seen that done,' thought Alice. `I've so often read in the newspapers, at the end of trials, "There was some attempts at applause, which was immediately suppressed by the officers of the court," and I never understood what it meant till now.'

`If that's all you know about it, you may stand down,' continued the King.

`I can't go no lower,' said the Hatter: `I'm on the floor, as it is.'

`Then you may SIT down,' the King replied.

Here the other guinea-pig cheered, and was suppressed.

`Come, that finished the guinea-pigs!' thought Alice. `Now we shall get on better.'

`I'd rather finish my tea,' said the Hatter, with an anxious look at the Queen, who was reading the list of singers.

`You may go,' said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on.

`--and just take his head off outside,' the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door.

`Call the next witness!' said the King.

The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once.

`Give your evidence,' said the King.

`Shan't,' said the cook.

The King looked anxiously at the White Rabbit, who said in a low voice, `Your Majesty must cross-examine THIS witness.'

`Well, if I must, I must,' the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, `What are tarts made of?'

`Pepper, mostly,' said the cook.

`Treacle,' said a sleepy voice behind her.

`Collar that Dormouse,' the Queen shrieked out. `Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!'

For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared.

`Never mind!' said the King, with an air of great relief. `Call the next witness.' And he added in an undertone to the Queen, `Really, my dear, YOU must cross-examine the next witness. It quite makes my forehead ache!'

Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, `--for they haven't got much evidence YET,' she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name `Alice!'

`Here!' cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before.

`Oh, I BEG your pardon!' she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die.

`The trial cannot proceed,' said the King in a very grave voice, `until all the jurymen are back in their proper places-- ALL,' he repeated with great emphasis, looking hard at Alice as he said do.

Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; `not that it signifies much,' she said to herself; `I should think it would be QUITE as much use in the trial one way up as the other.'

As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court.

`What do you know about this business?' the King said to Alice.

`Nothing,' said Alice.

`Nothing WHATEVER?' persisted the King.

`Nothing whatever,' said Alice.

`That's very important,' the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: `UNimportant, your Majesty means, of course,' he said in a very respectful tone, but frowning and making faces at him as he spoke.

`UNimportant, of course, I meant,' the King hastily said, and went on to himself in an undertone, `important--unimportant-- unimportant--important--' as if he were trying which word sounded best.

Some of the jury wrote it down `important,' and some `unimportant.' Alice could see this, as she was near enough to look over their slates; `but it doesn't matter a bit,' she thought to herself.

At this moment the King, who had been for some time busily writing in his note-book, cackled out `Silence!' and read out from his book, `Rule Forty-two. ALL PERSONS MORE THAN A MILE HIGH TO LEAVE THE COURT.'

Everybody looked at Alice.

`I'M not a mile high,' said Alice.

`You are,' said the King.

`Nearly two miles high,' added the Queen.

`Well, I shan't go, at any rate,' said Alice: `besides, that's not a regular rule: you invented it just now.'

`It's the oldest rule in the book,' said the King.

`Then it ought to be Number One,' said Alice.

The King turned pale, and shut his note-book hastily. `Consider your verdict,' he said to the jury, in a low, trembling voice.

`There's more evidence to come yet, please your Majesty,' said the White Rabbit, jumping up in a great hurry; `this paper has just been picked up.'

`What's in it?' said the Queen.

`I haven't opened it yet,' said the White Rabbit, `but it seems to be a letter, written by the prisoner to--to somebody.'

`It must have been that,' said the King, `unless it was written to nobody, which isn't usual, you know.'

`Who is it directed to?' said one of the jurymen.

`It isn't directed at all,' said the White Rabbit; `in fact, there's nothing written on the OUTSIDE.' He unfolded the paper as he spoke, and added `It isn't a letter, after all: it's a set of verses.'

`Are they in the prisoner's handwriting?' asked another of they jurymen.

`No, they're not,' said the White Rabbit, `and that's the queerest thing about it.' (The jury all looked puzzled.)

`He must have imitated somebody else's hand,' said the King. (The jury all brightened up again.)

`Please your Majesty,' said the Knave, `I didn't write it, and they can't prove I did: there's no name signed at the end.'

`If you didn't sign it,' said the King, `that only makes the matter worse. You MUST have meant some mischief, or else you'd have signed your name like an honest man.'

There was a general clapping of hands at this: it was the first really clever thing the King had said that day.

`That PROVES his guilt,' said the Queen.

`It proves nothing of the sort!' said Alice. `Why, you don't even know what they're about!'

`Read them,' said the King.

The White Rabbit put on his spectacles. `Where shall I begin, please your Majesty?' he asked.

`Begin at the beginning,' the King said gravely, `and go on till you come to the end: then stop.'

These were the verses the White Rabbit read:--

`That's the most important piece of evidence we've heard yet,' said the King, rubbing his hands; `so now let the jury--'

`If any one of them can explain it,' said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) `I'll give him sixpence. _I_ don't believe there's an atom of meaning in it.'

The jury all wrote down on their slates, `She doesn't believe there's an atom of meaning in it,' but none of them attempted to explain the paper.

`If there's no meaning in it,' said the King, `that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know,' he went on, spreading out the verses on his knee, and looking at them with one eye; `I seem to see some meaning in them, after all. "--said i could not swim--" you can't swim, can you?' he added, turning to the Knave.

The Knave shook his head sadly. `Do I look like it?' he said. (Which he certainly did not, being made entirely of cardboard.)

`All right, so far,' said the King, and he went on muttering over the verses to himself: `"We know it to be true--" that's the jury, of course-- "I gave her one, they gave him two--" why, that must be what he did with the tarts, you know--'

`But, it goes on "They all returned from him to you,"' said Alice.

`Why, there they are!' said the King triumphantly, pointing to the tarts on the table. `Nothing can be clearer than that. Then again--"Before she had this fit--" you never had fits, my dear, I think?' he said to the Queen.

`Never!' said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.)

`Then the words don't fit you,' said the King, looking round the court with a smile. There was a dead silence.

`It's a pun!' the King added in an offended tone, and everybody laughed, `Let the jury consider their verdict,' the King said, for about the twentieth time that day.

`No, no!' said the Queen. `Sentence first--verdict afterwards.'

`Stuff and nonsense!' said Alice loudly. `The idea of having the sentence first!'

`Hold your tongue!' said the Queen, turning purple.

`I won't!' said Alice.

`Off with her head!' the Queen shouted at the top of her voice. Nobody moved.

`Who cares for you?' said Alice, (she had grown to her full size by this time.) `You're nothing but a pack of cards!'

At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.

`Wake up, Alice dear!' said her sister; `Why, what a long sleep you've had!'

`Oh, I've had such a curious dream!' said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, `It WAS a curious dream, dear, certainly: but now run in to your tea; it's getting late.' So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been.

But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:--

First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers--she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that WOULD always get into her eyes--and still as she listened, or seemed to listen, the whole place around her became alive the strange creatures of her little sister's dream.

The long grass rustled at her feet as the White Rabbit hurried by--the frightened Mouse splashed his way through the neighbouring pool--she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution--once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it--once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle.

So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality--the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds--the rattling teacups would change to tinkling sheep- bells, and the Queen's shrill cries to the voice of the shepherd boy--and the sneeze of the baby, the shriek of the Gryphon, and all thy other queer noises, would change (she knew) to the confused clamour of the busy farm-yard--while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs.

Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.

The End

그냥 죽죽 읽어 나가세요. 모르는 문장이나 단어가 나와도 그냥 추측하고 지나가시기 바랍니다. 작은 것을 버리고 큰 것을 얻으면 됩니다. 모르는 문장은 그런 상황을 뒤에서 여러번 만나면 저절로 알게 됩니다. 그리고 단어는 미리 혹은 나중에 따로 공부하면 됩니다. 그런 것에 자꾸 걸리면 진도가 안나가고 진도가 안나가면 금방 그만 둡니다. 읽을 때는 오직 줄거리에만 집중하셔야 합니다.

Contents

The Crystal Egg 1
The Star 35
A Story of the Stone Age 59
A Story of the Days to Come 165
The Man who could Work Miracles 325

[1]
THE CRYSTAL EGG
There was, until a year ago, a little and very grimy-looking shop near Seven Dials, over which, in weather-worn yellow lettering, the name of "C. Cave, Naturalist and Dealer in Antiquities," was inscribed. The contents of its window were curiously variegated. They comprised some elephant tusks and an imperfect set of chessmen, beads and weapons, a box of eyes, two skulls of tigers and one human, several moth-eaten stuffed monkeys (one holding a lamp), an old-fashioned cabinet, a flyblown ostrich egg or so, some fishing-tackle, and an extraordinarily dirty, empty glass fish-tank. There was also, at the moment the story begins, a mass of crystal, worked into the shape of an egg and brilliantly polished. And at that two people, who stood outside the window, were looking, one of them a tall, thin clergyman, the other a black-bearded young man of dusky complexion and unobtrusive costume. [2]The dusky young man spoke with eager gesticulation, and seemed anxious for his companion to purchase the article.

While they were there, Mr. Cave came into his shop, his beard still wagging with the bread and butter of his tea. When he saw these men and the object of their regard, his countenance fell. He glanced guiltily over his shoulder, and softly shut the door. He was a little old man, with pale face and peculiar watery blue eyes; his hair was a dirty grey, and he wore a shabby blue frock coat, an ancient silk hat, and carpet slippers very much down at heel. He remained watching the two men as they talked. The clergyman went deep into his trouser pocket, examined a handful of money, and showed his teeth in an agreeable smile. Mr. Cave seemed still more depressed when they came into the shop.

The clergyman, without any ceremony, asked the price of the crystal egg. Mr. Cave glanced nervously towards the door leading into the parlour, and said five pounds. The clergyman protested that the price was high, to his companion as well as to Mr. Cave—it was, indeed, very much more than Mr. Cave had intended to ask, when he had stocked the article—and an attempt at bargaining ensued. Mr. Cave stepped to the shop-door, and held it[3] open. "Five pounds is my price," he said, as though he wished to save himself the trouble of unprofitable discussion. As he did so, the upper portion of a woman's face appeared above the blind in the glass upper panel of the door leading into the parlour, and stared curiously at the two customers. "Five pounds is my price," said Mr. Cave, with a quiver in his voice.

The swarthy young man had so far remained a spectator, watching Cave keenly. Now he spoke. "Give him five pounds," he said. The clergyman glanced at him to see if he were in earnest, and, when he looked at Mr. Cave again, he saw that the latter's face was white. "It's a lot of money," said the clergyman, and, diving into his pocket, began counting his resources. He had little more than thirty shillings, and he appealed to his companion, with whom he seemed to be on terms of considerable intimacy. This gave Mr. Cave an opportunity of collecting his thoughts, and he began to explain in an agitated manner that the crystal was not, as a matter of fact, entirely free for sale. His two customers were naturally surprised at this, and inquired why he had not thought of that before he began to bargain. Mr. Cave became confused, but he stuck to his story, that the crystal was not in the market that afternoon,[4] that a probable purchaser of it had already appeared. The two, treating this as an attempt to raise the price still further, made as if they would leave the shop. But at this point the parlour door opened, and the owner of the dark fringe and the little eyes appeared.

She was a coarse-featured, corpulent woman, younger and very much larger than Mr. Cave; she walked heavily, and her face was flushed. "That crystal is for sale," she said. "And five pounds is a good enough price for it. I can't think what you're about, Cave, not to take the gentleman's offer!"

Mr. Cave, greatly perturbed by the irruption, looked angrily at her over the rims of his spectacles, and, without excessive assurance, asserted his right to manage his business in his own way. An altercation began. The two customers watched the scene with interest and some amusement, occasionally assisting Mrs. Cave with suggestions. Mr. Cave, hard driven, persisted in a confused and impossible story of an enquiry for the crystal that morning, and his agitation became painful. But he stuck to his point with extraordinary persistence. It was the young Oriental who ended this curious controversy. He proposed that they should call[5] again in the course of two days—so as to give the alleged enquirer a fair chance. "And then we must insist," said the clergyman, "Five pounds." Mrs. Cave took it on herself to apologise for her husband, explaining that he was sometimes "a little odd," and as the two customers left, the couple prepared for a free discussion of the incident in all its bearings.

Mrs. Cave talked to her husband with singular directness. The poor little man, quivering with emotion, muddled himself between his stories, maintaining on the one hand that he had another customer in view, and on the other asserting that the crystal was honestly worth ten guineas. "Why did you ask five pounds?" said his wife. "Do let me manage my business my own way!" said Mr. Cave.

Mr. Cave had living with him a step-daughter and a step-son, and at supper that night the transaction was re-discussed. None of them had a high opinion of Mr. Cave's business methods, and this action seemed a culminating folly.

"It's my opinion he's refused that crystal before," said the step-son, a loose-limbed lout of eighteen.

"But Five Pounds!" said the step-daughter,[6] an argumentative young woman of six-and-twenty.

Mr. Cave's answers were wretched; he could only mumble weak assertions that he knew his own business best. They drove him from his half-eaten supper into the shop, to close it for the night, his ears aflame and tears of vexation behind his spectacles. "Why had he left the crystal in the window so long? The folly of it!" That was the trouble closest in his mind. For a time he could see no way of evading sale.

After supper his step-daughter and step-son smartened themselves up and went out and his wife retired upstairs to reflect upon the business aspects of the crystal, over a little sugar and lemon and so forth in hot water. Mr. Cave went into the shop, and stayed there until late, ostensibly to make ornamental rockeries for goldfish cases but really for a private purpose that will be better explained later. The next day Mrs. Cave found that the crystal had been removed from the window, and was lying behind some second-hand books on angling. She replaced it in a conspicuous position. But she did not argue further about it, as a nervous headache disinclined her from debate. Mr. Cave was always disinclined. The day passed disagreeably.[7] Mr. Cave was, if anything, more absent-minded than usual, and uncommonly irritable withal. In the afternoon, when his wife was taking her customary sleep, he removed the crystal from the window again.

The next day Mr. Cave had to deliver a consignment of dog-fish at one of the hospital schools, where they were needed for dissection. In his absence Mrs. Cave's mind reverted to the topic of the crystal, and the methods of expenditure suitable to a windfall of five pounds. She had already devised some very agreeable expedients, among others a dress of green silk for herself and a trip to Richmond, when a jangling of the front door bell summoned her into the shop. The customer was an examination coach who came to complain of the non-delivery of certain frogs asked for the previous day. Mrs. Cave did not approve of this particular branch of Mr. Cave's business, and the gentleman, who had called in a somewhat aggressive mood, retired after a brief exchange of words—entirely civil so far as he was concerned. Mrs. Cave's eye then naturally turned to the window; for the sight of the crystal was an assurance of the five pounds and of her dreams. What was her surprise to find it gone![8]
She went to the place behind the locker on the counter, where she had discovered it the day before. It was not there; and she immediately began an eager search about the shop.

When Mr. Cave returned from his business with the dog-fish, about a quarter to two in the afternoon, he found the shop in some confusion, and his wife, extremely exasperated and on her knees behind the counter, routing among his taxidermic material. Her face came up hot and angry over the counter, as the jangling bell announced his return, and she forthwith accused him of "hiding it."

"Hid what?" asked Mr. Cave.

"The crystal!"

At that Mr. Cave, apparently much surprised, rushed to the window. "Isn't it here?" he said. "Great Heavens! what has become of it?"

Just then, Mr. Cave's step-son re-entered the shop from the inner room—he had come home a minute or so before Mr. Cave—and he was blaspheming freely. He was apprenticed to a second-hand furniture dealer down the road, but he had his meals at home, and he was naturally annoyed to find no dinner ready.

But, when he heard of the loss of the crystal, he forgot his meal, and his anger was diverted[9] from his mother to his step-father. Their first idea, of course, was that he had hidden it. But Mr. Cave stoutly denied all knowledge of its fate—freely offering his bedabbled affidavit in the matter—and at last was worked up to the point of accusing, first, his wife and then his step-son of having taken it with a view to a private sale. So began an exceedingly acrimonious and emotional discussion, which ended for Mrs. Cave in a peculiar nervous condition midway between hysterics and amuck, and caused the step-son to be half-an-hour late at the furniture establishment in the afternoon. Mr. Cave took refuge from his wife's emotions in the shop.

In the evening the matter was resumed, with less passion and in a judicial spirit, under the presidency of the step-daughter. The supper passed unhappily and culminated in a painful scene. Mr. Cave gave way at last to extreme exasperation, and went out banging the front door violently. The rest of the family, having discussed him with the freedom his absence warranted, hunted the house from garret to cellar, hoping to light upon the crystal.

The next day the two customers called again. They were received by Mrs. Cave almost in tears. It transpired that no one could[10] imagine all that she had stood from Cave at various times in her married pilgrimage.... She also gave a garbled account of the disappearance. The clergyman and the Oriental laughed silently at one another, and said it was very extraordinary. As Mrs. Cave seemed disposed to give them the complete history of her life they made to leave the shop. Thereupon Mrs. Cave, still clinging to hope, asked for the clergyman's address, so that, if she could get anything out of Cave, she might communicate it. The address was duly given, but apparently was afterwards mislaid. Mrs. Cave can remember nothing about it.

In the evening of that day, the Caves seem to have exhausted their emotions, and Mr. Cave, who had been out in the afternoon, supped in a gloomy isolation that contrasted pleasantly with the impassioned controversy of the previous days. For some time matters were very badly strained in the Cave household, but neither crystal nor customer reappeared.

Now, without mincing the matter, we must admit that Mr. Cave was a liar. He knew perfectly well where the crystal was. It was in the rooms of Mr. Jacoby Wace, Assistant Demonstrator at St. Catherine's Hospital,[11] Westbourne Street. It stood on the sideboard partially covered by a black velvet cloth, and beside a decanter of American whisky. It is from Mr. Wace, indeed, that the particulars upon which this narrative is based were derived. Cave had taken off the thing to the hospital hidden in the dog-fish sack, and there had pressed the young investigator to keep it for him. Mr. Wace was a little dubious at first. His relationship to Cave was peculiar. He had a taste for singular characters, and he had more than once invited the old man to smoke and drink in his rooms, and to unfold his rather amusing views of life in general and of his wife in particular. Mr. Wace had encountered Mrs. Cave, too, on occasions when Mr. Cave was not at home to attend to him. He knew the constant interference to which Cave was subjected, and having weighed the story judicially, he decided to give the crystal a refuge. Mr. Cave promised to explain the reasons for his remarkable affection for the crystal more fully on a later occasion, but he spoke distinctly of seeing visions therein. He called on Mr. Wace the same evening.

He told a complicated story. The crystal he said had come into his possession with other oddments at the forced sale of another curiosity[12] dealer's effects, and not knowing what its value might be, he had ticketed it at ten shillings. It had hung upon his hands at that price for some months, and he was thinking of "reducing the figure," when he made a singular discovery.

At that time his health was very bad—and it must be borne in mind that, throughout all this experience, his physical condition was one of ebb—and he was in considerable distress by reason of the negligence, the positive ill-treatment even, he received from his wife and step-children. His wife was vain, extravagant, unfeeling, and had a growing taste for private drinking; his step-daughter was mean and over-reaching; and his step-son had conceived a violent dislike for him, and lost no chance of showing it. The requirements of his business pressed heavily upon him, and Mr. Wace does not think that he was altogether free from occasional intemperance. He had begun life in a comfortable position, he was a man of fair education, and he suffered, for weeks at a stretch, from melancholia and insomnia. Afraid to disturb his family, he would slip quietly from his wife's side, when his thoughts became intolerable, and wander about the house. And about[13] three o'clock one morning, late in August, chance directed him into the shop.

The dirty little place was impenetrably black except in one spot, where he perceived an unusual glow of light. Approaching this, he discovered it to be the crystal egg, which was standing on the corner of the counter towards the window. A thin ray smote through a crack in the shutters, impinged upon the object, and seemed as it were to fill its entire interior.

It occurred to Mr. Cave that this was not in accordance with the laws of optics as he had known them in his younger days. He could understand the rays being refracted by the crystal and coming to a focus in its interior, but this diffusion jarred with his physical conceptions. He approached the crystal nearly, peering into it and round it, with a transient revival of the scientific curiosity that in his youth had determined his choice of a calling. He was surprised to find the light not steady, but writhing within the substance of the egg, as though that object was a hollow sphere of some luminous vapour. In moving about to get different points of view, he suddenly found that he had come between it and the ray, and that the crystal none the less remained luminous.[14] Greatly astonished, he lifted it out of the light ray and carried it to the darkest part of the shop. It remained bright for some four or five minutes, when it slowly faded and went out. He placed it in the thin streak of daylight, and its luminousness was almost immediately restored.

So far, at least, Mr. Wace was able to verify the remarkable story of Mr. Cave. He has himself repeatedly held this crystal in a ray of light (which had to be of a less diameter than one millimetre). And in a perfect darkness, such as could be produced by velvet wrapping, the crystal did undoubtedly appear very faintly phosphorescent. It would seem, however, that the luminousness was of some exceptional sort, and not equally visible to all eyes; for Mr. Harbinger—whose name will be familiar to the scientific reader in connection with the Pasteur Institute—was quite unable to see any light whatever. And Mr. Wace's own capacity for its appreciation was out of comparison inferior to that of Mr. Cave's. Even with Mr. Cave the power varied very considerably: his vision was most vivid during states of extreme weakness and fatigue.

Now, from the outset this light in the crystal exercised a curious fascination upon Mr. Cave.[15] And it says more for his loneliness of soul than a volume of pathetic writing could do, that he told no human being of his curious observations. He seems to have been living in such an atmosphere of petty spite that to admit the existence of a pleasure would have been to risk the loss of it. He found that as the dawn advanced, and the amount of diffused light increased, the crystal became to all appearance non-luminous. And for some time he was unable to see anything in it, except at night-time, in dark corners of the shop.

But the use of an old velvet cloth, which he used as a background for a collection of minerals, occurred to him, and by doubling this, and putting it over his head and hands, he was able to get a sight of the luminous movement within the crystal even in the daytime. He was very cautious lest he should be thus discovered by his wife, and he practised this occupation only in the afternoons, while she was asleep upstairs, and then circumspectly in a hollow under the counter. And one day, turning the crystal about in his hands, he saw something. It came and went like a flash, but it gave him the impression that the object had for a moment opened to him the view of a wide and spacious and strange country; and, turning[16] it about, he did, just as the light faded, see the same vision again.

Now, it would be tedious and unnecessary to state all the phases of Mr. Cave's discovery from this point. Suffice that the effect was this: the crystal, being peered into at an angle of about 137 degrees from the direction of the illuminating ray, gave a clear and consistent picture of a wide and peculiar countryside. It was not dream-like at all: it produced a definite impression of reality, and the better the light the more real and solid it seemed. It was a moving picture: that is to say, certain objects moved in it, but slowly in an orderly manner like real things, and, according as the direction of the lighting and vision changed, the picture changed also. It must, indeed, have been like looking through an oval glass at a view, and turning the glass about to get at different aspects.

Mr. Cave's statements, Mr. Wace assures me, were extremely circumstantial, and entirely free from any of that emotional quality that taints hallucinatory impressions. But it must be remembered that all the efforts of Mr. Wace to see any similar clarity in the faint opalescence of the crystal were wholly unsuccessful, try as he would. The difference in[17] intensity of the impressions received by the two men was very great, and it is quite conceivable that what was a view to Mr. Cave was a mere blurred nebulosity to Mr. Wace.

The view, as Mr. Cave described it, was invariably of an extensive plain, and he seemed always to be looking at it from a considerable height, as if from a tower or a mast. To the east and to the west the plain was bounded at a remote distance by vast reddish cliffs, which reminded him of those he had seen in some picture; but what the picture was Mr. Wace was unable to ascertain. These cliffs passed north and south—he could tell the points of the compass by the stars that were visible of a night—receding in an almost illimitable perspective and fading into the mists of the distance before they met. He was nearer the eastern set of cliffs, on the occasion of his first vision the sun was rising over them, and black against the sunlight and pale against their shadow appeared a multitude of soaring forms that Mr. Cave regarded as birds. A vast range of buildings spread below him; he seemed to be looking down upon them; and, as they approached the blurred and refracted edge of the picture, they became indistinct. There were also trees curious in shape, and in colouring, a deep[18] mossy green and an exquisite grey, beside a wide and shining canal. And something great and brilliantly coloured flew across the picture. But the first time Mr. Cave saw these pictures he saw only in flashes, his hands shook, his head moved, the vision came and went, and grew foggy and indistinct. And at first he had the greatest difficulty in finding the picture again once the direction of it was lost.

His next clear vision, which came about a week after the first, the interval having yielded nothing but tantalising glimpses and some useful experience, showed him the view down the length of the valley. The view was different, but he had a curious persuasion, which his subsequent observations abundantly confirmed, that he was regarding this strange world from exactly the same spot, although he was looking in a different direction. The long façade of the great building, whose roof he had looked down upon before, was now receding in perspective. He recognised the roof. In the front of the façade was a terrace of massive proportions and extraordinary length, and down the middle of the terrace, at certain intervals, stood huge but very graceful masts, bearing small shiny objects which reflected the setting sun. The import of these small objects did not[19] occur to Mr. Cave until some time after, as he was describing the scene to Mr. Wace. The terrace overhung a thicket of the most luxuriant and graceful vegetation, and beyond this was a wide grassy lawn on which certain broad creatures, in form like beetles but enormously larger, reposed. Beyond this again was a richly decorated causeway of pinkish stone; and beyond that, and lined with dense red weeds, and passing up the valley exactly parallel with the distant cliffs, was a broad and mirror-like expanse of water. The air seemed full of squadrons of great birds, manœuvring in stately curves; and across the river was a multitude of splendid buildings, richly coloured and glittering with metallic tracery and facets, among a forest of moss-like and lichenous trees. And suddenly something flapped repeatedly across the vision, like the fluttering of a jewelled fan or the beating of a wing, and a face, or rather the upper part of a face with very large eyes, came as it were close to his own and as if on the other side of the crystal. Mr. Cave was so startled and so impressed by the absolute reality of these eyes, that he drew his head back from the crystal to look behind it. He had become so absorbed in watching that he was quite surprised to find himself in the cool darkness of[20] his little shop, with its familiar odour of methyl, mustiness, and decay. And, as he blinked about him, the glowing crystal faded, and went out.

Such were the first general impressions of Mr. Cave. The story is curiously direct and circumstantial. From the outset, when the valley first flashed momentarily on his senses, his imagination was strangely affected, and, as he began to appreciate the details of the scene he saw, his wonder rose to the point of a passion. He went about his business listless and distraught, thinking only of the time when he should be able to return to his watching. And then a few weeks after his first sight of the valley came the two customers, the stress and excitement of their offer, and the narrow escape of the crystal from sale, as I have already told.

Now, while the thing was Mr. Cave's secret, it remained a mere wonder, a thing to creep to covertly and peep at, as a child might peep upon a forbidden garden. But Mr. Wace has, for a young scientific investigator, a particularly lucid and consecutive habit of mind. Directly the crystal and its story came to him, and he had satisfied himself, by seeing the phosphorescence with his own eyes, that there really[21] was a certain evidence for Mr. Cave's statements, he proceeded to develop the matter systematically. Mr. Cave was only too eager to come and feast his eyes on this wonderland he saw, and he came every night from half-past eight until half-past ten, and sometimes, in Mr. Wace's absence, during the day. On Sunday afternoons, also, he came. From the outset Mr. Wace made copious notes, and it was due to his scientific method that the relation between the direction from which the initiating ray entered the crystal and the orientation of the picture were proved. And, by covering the crystal in a box perforated only with a small aperture to admit the exciting ray, and by substituting black holland for his buff blinds, he greatly improved the conditions of the observations; so that in a little while they were able to survey the valley in any direction they desired.

So having cleared the way, we may give a brief account of this visionary world within the crystal. The things were in all cases seen by Mr. Cave, and the method of working was invariably for him to watch the crystal and report what he saw, while Mr. Wace (who as a science student had learnt the trick of writing in the dark) wrote a brief note of his report. When the crystal faded, it was put into its box[22] in the proper position and the electric light turned on. Mr. Wace asked questions, and suggested observations to clear up difficult points. Nothing, indeed, could have been less visionary and more matter-of-fact.

The attention of Mr. Cave had been speedily directed to the bird-like creatures he had seen so abundantly present in each of his earlier visions. His first impression was soon corrected, and he considered for a time that they might represent a diurnal species of bat. Then he thought, grotesquely enough, that they might be cherubs. Their heads were round, and curiously human, and it was the eyes of one of them that had so startled him on his second observation. They had broad, silvery wings, not feathered, but glistening almost as brilliantly as new-killed fish and with the same subtle play of colour, and these wings were not built on the plan of bird-wing or bat, Mr. Wace learned, but supported by curved ribs radiating from the body. (A sort of butterfly wing with curved ribs seems best to express their appearance.) The body was small, but fitted with two bunches of prehensile organs, like long tentacles, immediately under the mouth. Incredible as it appeared to Mr. Wace, the persuasion at last became irresistible, that it was[23] these creatures which owned the great quasi-human buildings and the magnificent garden that made the broad valley so splendid. And Mr. Cave perceived that the buildings, with other peculiarities, had no doors, but that the great circular windows, which opened freely, gave the creatures egress and entrance. They would alight upon their tentacles, fold their wings to a smallness almost rod-like, and hop into the interior. But among them was a multitude of smaller-winged creatures, like great dragon-flies and moths and flying beetles, and across the greensward brilliantly-coloured gigantic ground-beetles crawled lazily to and fro. Moreover, on the causeways and terraces, large-headed creatures similar to the greater winged flies, but wingless, were visible, hopping busily upon their hand-like tangle of tentacles.

Allusion has already been made to the glittering objects upon masts that stood upon the terrace of the nearer building. It dawned upon Mr. Cave, after regarding one of these masts very fixedly on one particularly vivid day, that the glittering object there was a crystal exactly like that into which he peered. And a still more careful scrutiny convinced him that each[24] one in a vista of nearly twenty carried a similar object.

Occasionally one of the large flying creatures would flutter up to one, and, folding its wings and coiling a number of its tentacles about the mast, would regard the crystal fixedly for a space,—sometimes for as long as fifteen minutes. And a series of observations, made at the suggestion of Mr. Wace, convinced both watchers that, so far as this visionary world was concerned, the crystal into which they peered actually stood at the summit of the endmost mast on the terrace, and that on one occasion at least one of these inhabitants of this other world had looked into Mr. Cave's face while he was making these observations.

So much for the essential facts of this very singular story. Unless we dismiss it all as the ingenious fabrication of Mr. Wace, we have to believe one of two things: either that Mr. Cave's crystal was in two worlds at once, and that, while it was carried about in one, it remained stationary in the other, which seems altogether absurd; or else that it had some peculiar relation of sympathy with another and exactly similar crystal in this other world, so that what was seen in the interior of the one in this world was, under suitable conditions,[25] visible to an observer in the corresponding crystal in the other world; and vice versa. At present, indeed, we do not know of any way in which two crystals could so come en rapport, but nowadays we know enough to understand that the thing is not altogether impossible. This view of the crystals as en rapport was the supposition that occurred to Mr. Wace, and to me at least it seems extremely plausible....

And where was this other world? On this, also, the alert intelligence of Mr. Wace speedily threw light. After sunset, the sky darkened rapidly—there was a very brief twilight interval indeed—and the stars shone out. They were recognisably the same as those we see, arranged in the same constellations. Mr. Cave recognised the Bear, the Pleiades, Aldebaran, and Sirius: so that the other world must be somewhere in the solar system, and, at the utmost, only a few hundreds of millions of miles from our own. Following up this clue, Mr. Wace learned that the midnight sky was a darker blue even than our midwinter sky, and that the sun seemed a little smaller. And there were two small moons! "like our moon but smaller, and quite differently marked" one of which moved so rapidly that its motion was[26] clearly visible as one regarded it. These moons were never high in the sky, but vanished as they rose: that is, every time they revolved they were eclipsed because they were so near their primary planet. And all this answers quite completely, although Mr. Cave did not know it, to what must be the condition of things on Mars.

Indeed, it seems an exceedingly plausible conclusion that peering into this crystal Mr. Cave did actually see the planet Mars and its inhabitants. And, if that be the case, then the evening star that shone so brilliantly in the sky of that distant vision, was neither more nor less than our own familiar earth.

For a time the Martians—if they were Martians—do not seem to have known of Mr. Cave's inspection. Once or twice one would come to peer, and go away very shortly to some other mast, as though the vision was unsatisfactory. During this time Mr. Cave was able to watch the proceedings of these winged people without being disturbed by their attentions, and, although his report is necessarily vague and fragmentary, it is nevertheless very suggestive. Imagine the impression of humanity a Martian observer would get who, after a difficult process of preparation and with considerable[27] fatigue to the eyes, was able to peer at London from the steeple of St. Martin's Church for stretches, at longest, of four minutes at a time. Mr. Cave was unable to ascertain if the winged Martians were the same as the Martians who hopped about the causeways and terraces, and if the latter could put on wings at will. He several times saw certain clumsy bipeds, dimly suggestive of apes, white and partially translucent, feeding among certain of the lichenous trees, and once some of these fled before one of the hopping, round-headed Martians. The latter caught one in its tentacles, and then the picture faded suddenly and left Mr. Cave most tantalisingly in the dark. On another occasion a vast thing, that Mr. Cave thought at first was some gigantic insect, appeared advancing along the causeway beside the canal with extraordinary rapidity. As this drew nearer Mr. Cave perceived that it was a mechanism of shining metals and of extraordinary complexity. And then, when he looked again, it had passed out of sight.

After a time Mr. Wace aspired to attract the attention of the Martians, and the next time that the strange eyes of one of them appeared close to the crystal Mr. Cave cried out and sprang away, and they immediately turned on[28] the light and began to gesticulate in a manner suggestive of signalling. But when at last Mr. Cave examined the crystal again the Martian had departed.

Thus far these observations had progressed in early November, and then Mr. Cave, feeling that the suspicions of his family about the crystal were allayed, began to take it to and fro with him in order that, as occasion arose in the daytime or night, he might comfort himself with what was fast becoming the most real thing in his existence.

In December Mr. Wace's work in connection with a forthcoming examination became heavy, the sittings were reluctantly suspended for a week, and for ten or eleven days—he is not quite sure which—he saw nothing of Cave. He then grew anxious to resume these investigations, and, the stress of his seasonal labours being abated, he went down to Seven Dials. At the corner he noticed a shutter before a bird fancier's window, and then another at a cobbler's. Mr. Cave's shop was closed.

He rapped and the door was opened by the step-son in black. He at once called Mrs. Cave, who was, Mr. Wace could not but observe, in cheap but ample widow's weeds of the most imposing pattern. Without any very[29] great surprise Mr. Wace learnt that Cave was dead and already buried. She was in tears, and her voice was a little thick. She had just returned from Highgate. Her mind seemed occupied with her own prospects and the honourable details of the obsequies, but Mr. Wace was at last able to learn the particulars of Cave's death. He had been found dead in his shop in the early morning, the day after his last visit to Mr. Wace, and the crystal had been clasped in his stone-cold hands. His face was smiling, said Mrs. Cave, and the velvet cloth from the minerals lay on the floor at his feet. He must have been dead five or six hours when he was found.

This came as a great shock to Wace, and he began to reproach himself bitterly for having neglected the plain symptoms of the old man's ill-health. But his chief thought was of the crystal. He approached that topic in a gingerly manner, because he knew Mrs. Cave's peculiarities. He was dumbfoundered to learn that it was sold.

Mrs. Cave's first impulse, directly Cave's body had been taken upstairs, had been to write to the mad clergyman who had offered five pounds for the crystal, informing him of its recovery; but after a violent hunt in which her[30] daughter joined her, they were convinced of the loss of his address. As they were without the means required to mourn and bury Cave in the elaborate style the dignity of an old Seven Dials inhabitant demands, they had appealed to a friendly fellow-tradesman in Great Portland Street. He had very kindly taken over a portion of the stock at a valuation. The valuation was his own and the crystal egg was included in one of the lots. Mr. Wace, after a few suitable consolatory observations, a little off-handedly proffered perhaps, hurried at once to Great Portland Street. But there he learned that the crystal egg had already been sold to a tall, dark man in grey. And there the material facts in this curious, and to me at least very suggestive, story come abruptly to an end. The Great Portland Street dealer did not know who the tall dark man in grey was, nor had he observed him with sufficient attention to describe him minutely. He did not even know which way this person had gone after leaving the shop. For a time Mr. Wace remained in the shop, trying the dealer's patience with hopeless questions, venting his own exasperation. And at last, realising abruptly that the whole thing had passed out of his hands, had vanished like a vision of the night, he returned[31] to his own rooms, a little astonished to find the notes he had made still tangible and visible upon his untidy table.

His annoyance and disappointment were naturally very great. He made a second call (equally ineffectual) upon the Great Portland Street dealer, and he resorted to advertisements in such periodicals as were likely to come into the hands of a bric-a-brac collector. He also wrote letters to The Daily Chronicle and Nature, but both those periodicals, suspecting a hoax, asked him to reconsider his action before they printed, and he was advised that such a strange story, unfortunately so bare of supporting evidence, might imperil his reputation as an investigator. Moreover, the calls of his proper work were urgent. So that after a month or so, save for an occasional reminder to certain dealers, he had reluctantly to abandon the quest for the crystal egg, and from that day to this it remains undiscovered. Occasionally, however, he tells me, and I can quite believe him, he has bursts of zeal, in which he abandons his more urgent occupation and resumes the search.

Whether or not it will remain lost for ever, with the material and origin of it, are things equally speculative at the present time. If the[32] present purchaser is a collector, one would have expected the enquiries of Mr. Wace to have reached him through the dealers. He has been able to discover Mr. Cave's clergyman and "Oriental"—no other than the Rev. James Parker and the young Prince of Bosso-Kuni in Java. I am obliged to them for certain particulars. The object of the Prince was simply curiosity—and extravagance. He was so eager to buy, because Cave was so oddly reluctant to sell. It is just as possible that the buyer in the second instance was simply a casual purchaser and not a collector at all, and the crystal egg, for all I know, may at the present moment be within a mile of me, decorating a drawing-room or serving as a paper-weight—its remarkable functions all unknown. Indeed, it is partly with the idea of such a possibility that I have thrown this narrative into a form that will give it a chance of being read by the ordinary consumer of fiction.

My own ideas in the matter are practically identical with those of Mr. Wace. I believe the crystal on the mast in Mars and the crystal egg of Mr. Cave's to be in some physical, but at present quite inexplicable, way en rapport, and we both believe further that the terrestrial crystal must have been—possibly at some remote[33] date—sent hither from that planet, in order to give the Martians a near view of our affairs. Possibly the fellows to the crystals in the other masts are also on our globe. No theory of hallucination suffices for the facts.

그냥 죽죽 읽어 나가세요. 모르는 문장이나 단어가 나와도 그냥 추측하고 지나가시기 바랍니다. 작은 것을 버리고 큰 것을 얻으면 됩니다. 모르는 문장은 그런 상황을 뒤에서 여러번 만나면 저절로 알게 됩니다. 그리고 단어는 미리 혹은 나중에 따로 공부하면 됩니다. 그런 것에 자꾸 걸리면 진도가 안나가고 진도가 안나가면 금방 그만 둡니다. 읽을 때는 오직 줄거리에만 집중하셔야 합니다.

독해는 종합적인 공부로서 단어, 숙어, 문법, 회화, 듣기, 작문 실력을 한꺼번에 늘려 줍니다. 모든 영어공부 중에서 가장 종합적인 것이 읽기 입니다. 독해를 많이 하면 소위 영어의 내공이 쌓여 갑니다. 책을 많이 읽는 사람은 도저히 당할 수가 없습니다. 진짜 영어고수들은 모두 독서를 많이 한 사람들입니다.

중고등학교에서 영어성적 상위 1%에 드는 학생이라면 대체로 초등학교 때 영어동화책을 많이 읽은 학생입니다. 읽기는 모든 공부의 기초이면서 또한 완성입니다. 이런 동화들을 죽죽 읽어 나가다 보면 영문독해력은 그야말로 가랑비에 옷 젖듯이 자기도 모르게 쑥쑥 향상됩니다. 일단은 공부한다는 생각을 버리고 재미있게 읽는데 촛점을 맞추시기 바랍니다. 욕심을 버리고 재미있게 읽다보면 독해실력은 저절로 따라오죠. 욕심을 버리는 것! 이게 어렵습니다.

말이 나온 김에, 단어 이야기도 좀 하겠습니다. 모르는 단어도 여러번 실제 상황 속에서 만나게 되면 대충의 뜻을 저절로 알게 됩니다. 심지어 그 단어의 분위기나 색깔은 사전에서 보다 더 정확히 알 수 있습니다. 또 이렇게 체득된 단어는 아주 오래 갑니다. 단어실력을 유지하는 데도 독해가 최고죠. 최소한의 독서량을 유지만 해도 단어실력은 줄지 않습니다.

독서량이 늘면 어휘력이 증가되는 것은 물론, 기존의 어휘력이 유지 되며, 더 나아가 대충 알고 있던 의미가 더 정확해지고 뚜렷해 집니다. 저처럼 평소에 무식하게 단어만 따로 외웠더라도 나중에 독해를 많이 하게 되면, 여러 상황 속에서 그런 단어들을 접하게 되므로 독해를 하면서 외운 단어들처럼 깊이 체화됩니다. 한 마디로, 독해야말로 어휘력을 늘리고 유지하고 정확히 하는 데도 최선의 방법입니다. 그래서 독해는 종합공부인 것이죠.

참고로, 상급자라 해도 다 같은 실력은 아닙니다. 하늘과 땅 차이일 수도 있습니다. 그러면 초기 상급자란 무엇인가? 일단 독해에 자신감이 있고 어떤 문장에 대해서도 거부감이 없는 상태이며 모르는 문장들이  나오더라도 실망하기 보다는 의욕과 투지가 불타는 수준을 말합니다. 어떤 상황에서도 포기하지 않고 오히려 모르는 문장들을 발전의 기회로 바라보는 수준이죠. 이 수준까지 가면 일단 그 사람은 영어가 강점이 되었으며 더 이상의 단계로 가는 것은 그냥 시간문제입니다.

미안하지만 이런 사람은 결코 다시 중급자나 하급자가 될 수 없습니다. 한 동안 영어를 놓았더라도 약간만 하면 금방 이전 수준으로 회복 됩니다. 영어실력 자체는 변동이 있을 수 있지만 마음 속에 한 번 자리잡은 자신감은 결코 사라지지 않습니다. 마치 자전거를 한 번 배운 사람은 언제라도 다시 자전거를 탈 수 있듯이요.^^
 

THE KING OF THE POLAR BEARS


The King of the Polar Bears lived among the icebergs in the far north country. He was old and monstrous big; he was wise and friendly to all who knew him. His body was thickly covered with long, white hair that glistened like silver under the rays of the midnight sun. His claws were strong and sharp, that he might walk safely over the smooth ice or grasp and tear the fishes and seals upon which he fed.

The seals were afraid when he drew near, and tried to avoid him; but the gulls, both white and gray, loved him because he left the remnants of his feasts for them to devour.

Often his subjects, the polar bears, came to him for advice when ill or in trouble; but they wisely kept away from his hunting grounds, lest they might interfere with his sport and arouse his anger.

The wolves, who sometimes came as far north as the icebergs, whispered among themselves that the King of the Polar Bears was either a magician or under the protection of a powerful fairy. For no earthly thing seemed able to harm him; he never failed to secure plenty of food, and he grew bigger and stronger day by day and year by year.

Yet the time came when this monarch of the north met man, and his wisdom failed him.

He came out of his cave among the icebergs one day and saw a boat moving through the strip of water which had been uncovered by the shifting of the summer ice. In the boat were men.

The great bear had never seen such creatures before, and therefore advanced toward the boat, sniffing the strange scent with aroused curiosity and wondering whether he might take them for friends or foes, food or carrion.

When the king came near the water's edge a man stood up in the boat and with a queer instrument made a loud "bang!" The polar bear felt a shock; his brain became numb; his thoughts deserted him; his great limbs shook and gave way beneath him and his body fell heavily upon the hard ice.

That was all he remembered for a time.

When he awoke he was smarting with pain on every inch of his huge bulk, for the men had cut away his hide with its glorious white hair and carried it with them to a distant ship.

Above him circled thousands of his friends the gulls, wondering if their benefactor were really dead and it was proper to eat him. But when they saw him raise his head and groan and tremble they knew he still lived, and one of them said to his comrades:

"The wolves were right. The king is a great magician, for even men cannot kill him. But he suffers for lack of covering. Let us repay his kindness to us by each giving him as many feathers as we can spare."

This idea pleased the gulls. One after another they plucked with their beaks the softest feathers from under their wings, and, flying down, dropped then gently upon the body of the King of the Polar Bears.

Then they called to him in a chorus:

"Courage, friend! Our feathers are as soft and beautiful as your own shaggy hair. They will guard you from the cold winds and warm you while you sleep. Have courage, then, and live!"

And the King of the Polar Bears had courage to bear his pain and lived and was strong again.

The feathers grew as they had grown upon the bodies of the birds and covered him as his own hair had done. Mostly they were pure white in color, but some from the gray gulls gave his majesty a slight mottled appearance.

The rest of that summer and all through the six months of night the king left his icy cavern only to fish or catch seals for food. He felt no shame at his feathery covering, but it was still strange to him, and he avoided meeting any of his brother bears.

During this period of retirement he thought much of the men who had harmed him, and remembered the way they had made the great "bang!" And he decided it was best to keep away from such fierce creatures. Thus he added to his store of wisdom.

When the moon fell away from the sky and the sun came to make the icebergs glitter with the gorgeous tintings of the rainbow, two of the polar bears arrived at the king's cavern to ask his advice about the hunting season. But when they saw his great body covered with feathers instead of hair they began to laugh, and one said:

"Our mighty king has become a bird! Who ever before heard of a feathered polar bear?"

Then the king gave way to wrath. He advanced upon them with deep growls and stately tread and with one blow of his monstrous paw stretched the mocker lifeless at his feet.

The other ran away to his fellows and carried the news of the king's strange appearance. The result was a meeting of all the polar bears upon a broad field of ice, where they talked gravely of the remarkable change that had come upon their monarch.

"He is, in reality, no longer a bear," said one; "nor can he justly be called a bird. But he is half bird and half bear, and so unfitted to remain our king."

"Then who shall take his place?" asked another.

"He who can fight the bird-bear and overcome him," answered an aged member of the group. "Only the strongest is fit to rule our race."

There was silence for a time, but at length a great bear moved to the front and said:

"I will fight him; I—Woof—the strongest of our race! And I will be King of the Polar Bears."

The others nodded assent, and dispatched a messenger to the king to say he must fight the great Woof and master him or resign his sovereignty.

"For a bear with feathers," added the messenger, "is no bear at all, and the king we obey must resemble the rest of us."

"I wear feathers because it pleases me," growled the king. "Am I not a great magician? But I will fight, nevertheless, and if Woof masters me he shall be king in my stead."

Then he visited his friends, the gulls, who were even then feasting upon the dead bear, and told them of the coming battle.

"I shall conquer," he said, proudly. "Yet my people are in the right, for only a hairy one like themselves can hope to command their obedience."

The queen gull said:

"I met an eagle yesterday, which had made its escape from a big city of men. And the eagle told me he had seen a monstrous polar bear skin thrown over the back of a carriage that rolled along the street. That skin must have been yours, oh king, and if you wish I will sent an hundred of my gulls to the city to bring it back to you."

"Let them go!" said the king, gruffly. And the hundred gulls were soon flying rapidly southward.

For three days they flew straight as an arrow, until they came to scattered houses, to villages, and to cities. Then their search began.

The gulls were brave, and cunning, and wise. Upon the fourth day they reached the great metropolis, and hovered over the streets until a carriage rolled along with a great white bear robe thrown over the back seat. Then the birds swooped down—the whole hundred of them—and seizing the skin in their beaks flew quickly away.

They were late. The king's great battle was upon the seventh day, and they must fly swiftly to reach the Polar regions by that time.

Meanwhile the bird-bear was preparing for his fight. He sharpened his claws in the small crevasses of the ice. He caught a seal and tested his big yellow teeth by crunching its bones between them. And the queen gull set her band to pluming the king bear's feathers until they lay smoothly upon his body.

But every day they cast anxious glances into the southern sky, watching for the hundred gulls to bring back the king's own skin.

The seventh day came, and all the Polar bears in that region gathered around the king's cavern. Among them was Woof, strong and confident of his success.

"The bird-bear's feathers will fly fast enough when I get my claws upon him!" he boasted; and the others laughed and encouraged him.

The king was disappointed at not having recovered his skin, but he resolved to fight bravely without it. He advanced from the opening of his cavern with a proud and kingly bearing, and when he faced his enemy he gave so terrible a growl that Woof's heart stopped beating for a moment, and he began to realize that a fight with the wise and mighty king of his race was no laughing matter.

After exchanging one or two heavy blows with his foe Woof's courage returned, and he determined to dishearten his adversary by bluster.

"Come nearer, bird-bear!" he cried. "Come nearer, that I may pluck your plumage!"

The defiance filled the king with rage. He ruffled his feathers as a bird does, till he appeared to be twice his actual size, and then he strode forward and struck Woof so powerful a blow that his skull crackled like an egg-shell and he fell prone upon the ground.

While the assembled bears stood looking with fear and wonder at their fallen champion the sky became darkened.

An hundred gulls flew down from above and dripped upon the king's body a skin covered with pure white hair that glittered in the sun like silver.

And behold! the bears saw before them the well-known form of their wise and respected master, and with one accord they bowed their shaggy heads in homage to the mighty King of the Polar Bears.

This story teaches us that true dignity and courage depend not upon outward appearance, but come rather from within; also that brag and bluster are poor weapons to carry into battle.

그냥 죽죽 읽어 나가세요. 모르는 문장이나 단어가 나와도 그냥 추측하고 지나가시기 바랍니다. 작은 것을 버리고 큰 것을 얻으면 됩니다. 모르는 문장은 그런 상황을 뒤에서 여러번 만나면 저절로 알게 됩니다. 그리고 단어는 미리 혹은 나중에 따로 공부하면 됩니다. 그런 것에 자꾸 걸리면 진도가 안나가고 진도가 안나가면 금방 그만 둡니다. 읽을 때는 오직 줄거리에만 집중하셔야 합니다.

A king once died, as kings are apt to do, being as liable to shortness of breath as other mortals.

It was high time this king abandoned his earth life, for he had lived in a sadly extravagant manner, and his subjects could spare him without the slightest inconvenience.

His father had left him a full treasury, both money and jewels being in abundance. But the foolish king just deceased had squandered every penny in riotous living. He had then taxed his subjects until most of them became paupers, and this money vanished in more riotous living. Next he sold all the grand old furniture in the palace; all the silver and gold plate and bric-a-brac; all the rich carpets and furnishings and even his own kingly wardrobe, reserving only a soiled and moth-eaten ermine robe to fold over his threadbare raiment. And he spent the money in further riotous living.

Don't ask me to explain what riotous living is. I only know, from hearsay, that it is an excellent way to get rid of money. And so this spendthrift king found it.

He now picked all the magnificent jewels from this kingly crown and from the round ball on the top of his scepter, and sold them and spent the money. Riotous living, of course. But at last he was at the end of his resources. He couldn't sell the crown itself, because no one but the king had the right to wear it. Neither could he sell the royal palace, because only the king had the right to live there.

So, finally, he found himself reduced to a bare palace, containing only a big mahogany bedstead that he slept in, a small stool on which he sat to pull off his shoes and the moth-eaten ermine robe.

In this straight he was reduced to the necessity of borrowing an occasional dime from his chief counselor, with which to buy a ham sandwich. And the chief counselor hadn't many dimes. One who counseled his king so foolishly was likely to ruin his own prospects as well.

So the king, having nothing more to live for, died suddenly and left a ten-year-old son to inherit the dismantled kingdom, the moth-eaten robe and the jewel-stripped crown.

No one envied the child, who had scarcely been thought of until he became king himself. Then he was recognized as a personage of some importance, and the politicians and hangers-on, headed by the chief counselor of the kingdom, held a meeting to determine what could be done for him.

These folk had helped the old king to live riotously while his money lasted, and now they were poor and too proud to work. So they tried to think of a plan that would bring more money into the little king's treasury, where it would be handy for them to help themselves.

After the meeting was over the chief counselor came to the young king, who was playing peg-top in the courtyard, and said:

"Your majesty, we have thought of a way to restore your kingdom to its former power and magnificence."

"All right," replied his majesty, carelessly. "How will you do it?"

"By marrying you to a lady of great wealth," replied the counselor.

"Marrying me!" cried the king. "Why, I am only ten years old!"

"I know; it is to be regretted. But your majesty will grow older, and the affairs of the kingdom demand that you marry a wife."

"Can't I marry a mother, instead?" asked the poor little king, who had lost his mother when a baby.

"Certainly not," declared the counselor. "To marry a mother would be illegal; to marry a wife is right and proper."

"Can't you marry her yourself?" inquired his majesty, aiming his peg-top at the chief counselor's toe, and laughing to see how he jumped to escape it.

"Let me explain," said the other. "You haven't a penny in the world, but you have a kingdom. There are many rich women who would be glad to give their wealth in exchange for a queen's coronet—even if the king is but a child. So we have decided to advertise that the one who bids the highest shall become the queen of Quok."

"If I must marry at all," said the king, after a moment's thought, "I prefer to marry Nyana, the armorer's daughter."

"She is too poor," replied the counselor.

"Her teeth are pearls, her eyes are amethysts, and her hair is gold," declared the little king.

"True, your majesty. But consider that your wife's wealth must be used. How would Nyana look after you have pulled her teeth of pearls, plucked out her amethyst eyes and shaved her golden head?"

The boy shuddered.

"Have your own way," he said, despairingly. "Only let the lady be as dainty as possible and a good playfellow."

"We shall do our best," returned the chief counselor, and went away to advertise throughout the neighboring kingdoms for a wife for the boy king of Quok.

There were so many applicants for the privilege of marrying the little king that it was decided to put him up at auction, in order that the largest possible sum of money should be brought into the kingdom. So, on the day appointed, the ladies gathered at the palace from all the surrounding kingdoms—from Bilkon, Mulgravia, Junkum and even as far away as the republic of Macvelt.

The chief counselor came to the palace early in the morning and had the king's face washed and his hair combed; and then he padded the inside of the crown with old newspapers to make it small enough to fit his majesty's head. It was a sorry looking crown, having many big and little holes in it where the jewels had once been; and it had been neglected and knocked around until it was quite battered and tarnished. Yet, as the counselor said, it was the king's crown, and it was quite proper he should wear it on the solemn occasion of his auction.

Like all boys, be they kings or paupers, his majesty had torn and soiled his one suit of clothes, so that they were hardly presentable; and there was no money to buy new ones. Therefore the counselor wound the old ermine robe around the king and sat him upon the stool in the middle of the otherwise empty audience chamber.

And around him stood all the courtiers and politicians and hangers-on of the kingdom, consisting of such people as were too proud or lazy to work for a living. There was a great number of them, you may be sure, and they made an imposing appearance.

Then the doors of the audience chamber were thrown open, and the wealthy ladies who aspired to being queen of Quok came trooping in. The king looked them over with much anxiety, and decided they were each and all old enough to be his grandmother, and ugly enough to scare away the crows from the royal cornfields. After which he lost interest in them.

But the rich ladies never looked at the poor little king squatting upon his stool. They gathered at once about the chief counselor, who acted as auctioneer.

"How much am I offered for the coronet of the queen of Quok?" asked the counselor, in a loud voice.

"Where is the coronet?" inquired a fussy old lady who had just buried her ninth husband and was worth several millions.

"There isn't any coronet at present," explained the chief counselor, "but whoever bids highest will have the right to wear one, and she can then buy it."

"Oh," said the fussy old lady, "I see." Then she added: "I'll bid fourteen dollars."

"Fourteen thousand dollars!" cried a sour-looking woman who was thin and tall and had wrinkles all over her skin—"like a frosted apple," the king thought.

The bidding now became fast and furious, and the poverty-stricken courtiers brightened up as the sum began to mount into the millions.

"He'll bring us a very pretty fortune, after all," whispered one to his comrade, "and then we shall have the pleasure of helping him spend it."

The king began to be anxious. All the women who looked at all kind-hearted or pleasant had stopped bidding for lack of money, and the slender old dame with the wrinkles seemed determined to get the coronet at any price, and with it the boy husband. This ancient creature finally became so excited that her wig got crosswise of her head and her false teeth kept slipping out, which horrified the little king greatly; but she would not give up.

At last the chief counselor ended the auction by crying out:

"Sold to Mary Ann Brodjinsky de la Porkus for three million, nine hundred thousand, six hundred and twenty-four dollars and sixteen cents!" And the sour-looking old woman paid the money in cash and on the spot, which proves this is a fairy story.

The king was so disturbed at the thought that he must marry this hideous creature that he began to wail and weep; whereupon the woman boxed his ears soundly. But the counselor reproved her for punishing her future husband in public, saying:

"You are not married yet. Wait until to-morrow, after the wedding takes place. Then you can abuse him as much as you wish. But at present we prefer to have people think this is a love match."

The poor king slept but little that night, so filled was he with terror of his future wife. Nor could he get the idea out of his head that he preferred to marry the armorer's daughter, who was about his own age. He tossed and tumbled around upon his hard bed until the moonlight came in at the window and lay like a great white sheet upon the bare floor. Finally, in turning over for the hundredth time, his hand struck against a secret spring in the headboard of the big mahogany bedstead, and at once, with a sharp click, a panel flew open.

The noise caused the king to look up, and, seeing the open panel, he stood upon tiptoe, and, reaching within, drew out a folded paper. It had several leaves fastened together like a book, and upon the first page was written:

"When the king is in trouble
This leaf he must double
And set it on fire
To obtain his desire."

This was not very good poetry, but when the king had spelled it out in the moonlight he was filled with joy.

"There's no doubt about my being in trouble," he exclaimed; "so I'll burn it at once, and see what happens."

He tore off the leaf and put the rest of the book in its secret hiding place. Then, folding the paper double, he placed it on the top of his stool, lighted a match and set fire to it.

It made a horrid smudge for so small a paper, and the king sat on the edge of the bed and watched it eagerly.

When the smoke cleared away he was surprised to see, sitting upon the stool, a round little man, who, with folded arms and crossed legs, sat calmly facing the king and smoking a black briarwood pipe.

"Well, here I am," said he.

"So I see," replied the little king. "But how did you get here?"

"Didn't you burn the paper?" demanded the round man, by way of answer.

"Yes, I did," acknowledged the king.

"Then you are in trouble, and I've come to help you out of it. I'm the Slave of the Royal Bedstead."

"Oh!" said the king. "I didn't know there was one."

"Neither did your father, or he would not have been so foolish as to sell everything he had for money. By the way, it's lucky for you he did not sell this bedstead. Now, then, what do you want?"

"I'm not sure what I want," replied the king; "but I know what I don't want, and that is the old woman who is going to marry me."

"That's easy enough," said the Slave of the Royal Bedstead. "All you need do is to return her the money she paid the chief counselor and declare the match off. Don't be afraid. You are the king, and your word is law."

"To be sure," said the majesty. "But I am in great need of money. How am I going to live if the chief counselor returns to Mary Ann Brodjinski her millions?"

"Phoo! that's easy enough," again answered the man, and, putting his hand in his pocket, he drew out and tossed to the king an old-fashioned leather purse. "Keep that with you," said he, "and you will always be rich, for you can take out of the purse as many twenty-five-cent silver pieces as you wish, one at a time. No matter how often you take one out, another will instantly appear in its place within the purse."

"Thank you," said the king, gratefully. "You have rendered me a rare favor; for now I shall have money for all my needs and will not be obliged to marry anyone. Thank you a thousand times!"

"Don't mention it," answered the other, puffing his pipe slowly and watching the smoke curl into the moonlight. "Such things are easy to me. Is that all you want?"

"All I can think of just now," returned the king.

"Then, please close that secret panel in the bedstead," said the man; "the other leaves of the book may be of use to you some time."

The boy stood upon the bed as before and, reaching up, closed the opening so that no one else could discover it. Then he turned to face his visitor, but the Slave of the Royal Bedstead had disappeared.

"I expected that," said his majesty; "yet I am sorry he did not wait to say good-by."

With a lightened heart and a sense of great relief the boy king placed the leathern purse underneath his pillow, and climbing into bed again slept soundly until morning.

When the sun rose his majesty rose also, refreshed and comforted, and the first thing he did was to send for the chief counselor.

That mighty personage arrived looking glum and unhappy, but the boy was too full of his own good fortune to notice it. Said he:

"I have decided not to marry anyone, for I have just come into a fortune of my own. Therefore I command you return to that old woman the money she has paid you for the right to wear the coronet of the queen of Quok. And make public declaration that the wedding will not take place."

Hearing this the counselor began to tremble, for he saw the young king had decided to reign in earnest; and he looked so guilty that his majesty inquired:

"Well! what is the matter now?"

"Sire," replied the wretch, in a shaking voice, "I cannot return the woman her money, for I have lost it!"

"Lost it!" cried the king, in mingled astonishment and anger.

"Even so, your majesty. On my way home from the auction last night I stopped at the drug store to get some potash lozenges for my throat, which was dry and hoarse with so much loud talking; and your majesty will admit it was through my efforts the woman was induced to pay so great a price. Well, going into the drug store I carelessly left the package of money lying on the seat of my carriage, and when I came out again it was gone. Nor was the thief anywhere to be seen."

"Did you call the police?" asked the king.

"Yes, I called; but they were all on the next block, and although they have promised to search for the robber I have little hope they will ever find him."

The king sighed.

"What shall we do now?" he asked.

"I fear you must marry Mary Ann Brodjinski," answered the chief counselor; "unless, indeed, you order the executioner to cut her head off."

"That would be wrong," declared the king. "The woman must not be harmed. And it is just that we return her money, for I will not marry her under any circumstances."

"Is that private fortune you mentioned large enough to repay her?" asked the counselor.

"Why, yes," said the king, thoughtfully, "but it will take some time to do it, and that shall be your task. Call the woman here."

The counselor went in search of Mary Ann, who, when she heard she was not to become a queen, but would receive her money back, flew into a violent passion and boxed the chief counselor's ears so viciously that they stung for nearly an hour. But she followed him into the king's audience chamber, where she demanded her money in a loud voice, claiming as well the interest due upon it over night.

"The counselor has lost your money," said the boy king, "but he shall pay you every penny out of my own private purse. I fear, however, you will be obliged to take it in small change."

"That will not matter," she said, scowling upon the counselor as if she longed to reach his ears again; "I don't care how small the change is so long as I get every penny that belongs to me, and the interest. Where is it?"

"Here," answered the king, handing the counselor the leathern purse. "It is all in silver quarters, and they must be taken from the purse one at a time; but there will be plenty to pay your demands, and to spare."

So, there being no chairs, the counselor sat down upon the floor in one corner and began counting out silver twenty-five-cent pieces from the purse, one by one. And the old woman sat upon the floor opposite him and took each piece of money from his hand.

It was a large sum: three million, nine hundred thousand, six hundred and twenty-four dollars and sixteen cents. And it takes four times as many twenty-five-cent pieces as it would dollars to make up the amount.

The king left them sitting there and went to school, and often thereafter he came to the counselor and interrupted him long enough to get from the purse what money he needed to reign in a proper and dignified manner. This somewhat delayed the counting, but as it was a long job, anyway, that did not matter much.

The king grew to manhood and married the pretty daughter of the armorer, and they now have two lovely children of their own. Once in awhile they go into the big audience chamber of the palace and let the little ones watch the aged, hoary-headed counselor count out silver twenty-five-cent pieces to a withered old woman, who watched his every movement to see that he does not cheat her.

It is a big sum, three million, nine hundred thousand, six hundred and twenty-four dollars and sixteen cents in twenty-five-cent pieces.

But this is how the counselor was punished for being so careless with the woman's money. And this is how Mary Ann Brodjinski de la Porkus was also punished for wishing to marry a ten-year-old king in order that she might wear the coronet of the queen of Quok.

 
그냥 죽죽 읽어 나가세요. 모르는 문장이나 단어가 나와도 그냥 추측하고 지나가시기 바랍니다. 작은 것을 버리고 큰 것을 얻으면 됩니다. 모르는 문장은 그런 상황을 뒤에서 여러번 만나면 저절로 알게 됩니다. 그리고 단어는 미리 혹은 나중에 따로 공부하면 됩니다. 그런 것에 자꾸 걸리면 진도가 안나가고 진도가 안나가면 금방 그만 둡니다. 읽을 때는 오직 줄거리에만 집중하셔야 합니다.

An accomplished wizard once lived on the top floor of a tenement house and passed his time in thoughtful study and studious thought. What he didn't know about wizardry was hardly worth knowing, for he possessed all the books and recipes of all the wizards who had lived before him; and, moreover, he had invented several wizardments himself.

This admirable person would have been completely happy but for the numerous interruptions to his studies caused by folk who came to consult him about their troubles (in which he was not interested), and by the loud knocks of the iceman, the milkman, the baker's boy, the laundryman and the peanut woman. He never dealt with any of these people; but they rapped at his door every day to see him about this or that or to try to sell him their wares. Just when he was most deeply interested in his books or engaged in watching the bubbling of a cauldron there would come a knock at his door. And after sending the intruder away he always found he had lost his train of thought or ruined his compound.

At length these interruptions aroused his anger, and he decided he must have a dog to keep people away from his door. He didn't know where to find a dog, but in the next room lived a poor glass-blower with whom he had a slight acquaintance; so he went into the man's apartment and asked:

"Where can I find a dog?"

"What sort of a dog?" inquired the glass-blower.

"A good dog. One that will bark at people and drive them away. One that will be no trouble to keep and won't expect to be fed. One that has no fleas and is neat in his habits. One that will obey me when I speak to him. In short, a good dog," said the wizard.

"Such a dog is hard to find," returned the glass-blower, who was busy making a blue glass flower pot with a pink glass rosebush in it, having green glass leaves and yellow glass roses.

The wizard watched him thoughtfully.

"Why cannot you blow me a dog out of glass?" he asked, presently.

"I can," declared the glass-blower; "but it would not bark at people, you know."

"Oh, I'll fix that easily enough," replied the other. "If I could not make a glass dog bark I would be a mighty poor wizard."

"Very well; if you can use a glass dog I'll be pleased to blow one for you. Only, you must pay for my work."

"Certainly," agreed the wizard. "But I have none of that horrid stuff you call money. You must take some of my wares in exchange."

The glass-blower considered the matter for a moment.

"Could you give me something to cure my rheumatism?" he asked.

"Oh, yes; easily."

"Then it's a bargain. I'll start the dog at once. What color of glass shall I use?"

"Pink is a pretty color," said the wizard, "and it's unusual for a dog, isn't it?"

"Very," answered the glass-blower; "but it shall be pink."

So the wizard went back to his studies and the glass-blower began to make the dog.

Next morning he entered the wizard's room with the glass dog under his arm and set it carefully upon the table. It was a beautiful pink in color, with a fine coat of spun glass, and about its neck was twisted a blue glass ribbon. Its eyes were specks of black glass and sparkled intelligently, as do many of the glass eyes worn by men.

The wizard expressed himself pleased with the glass-blower's skill and at once handed him a small vial.

"This will cure your rheumatism," he said.

"But the vial is empty!" protested the glass-blower.

"Oh, no; there is one drop of liquid in it," was the wizard's reply.

"Will one drop cure my rheumatism?" inquired the glass-blower, in wonder.

"Most certainly. That is a marvelous remedy. The one drop contained in the vial will cure instantly any kind of disease ever known to humanity. Therefore it is especially good for rheumatism. But guard it well, for it is the only drop of its kind in the world, and I've forgotten the recipe."

"Thank you," said the glass-blower, and went back to his room.

Then the wizard cast a wizzy spell and mumbled several very learned words in the wizardese language over the glass dog. Whereupon the little animal first wagged its tail from side to side, then winked his left eye knowingly, and at last began barking in a most frightful manner—that is, when you stop to consider the noise came from a pink glass dog. There is something almost astonishing in the magic arts of wizards; unless, of course, you know how to do the things yourself, when you are not expected to be surprised at them.

The wizard was as delighted as a school teacher at the success of his spell, although he was not astonished. Immediately he placed the dog outside his door, where it would bark at anyone who dared knock and so disturb the studies of its master.

The glass-blower, on returning to his room, decided not to use the one drop of wizard cure-all just then.

"My rheumatism is better to-day," he reflected, "and I will be wise to save the medicine for a time when I am very ill, when it will be of more service to me."

So he placed the vial in his cupboard and went to work blowing more roses out of glass. Presently he happened to think the medicine might not keep, so he started to ask the wizard about it. But when he reached the door the glass dog barked so fiercely that he dared not knock, and returned in great haste to his own room. Indeed, the poor man was quite upset at so unfriendly a reception from the dog he had himself so carefully and skillfully made.

The next morning, as he read his newspaper, he noticed an article stating that the beautiful Miss Mydas, the richest young lady in town, was very ill, and the doctors had given up hope of her recovery.

The glass-blower, although miserably poor, hard-working and homely of feature, was a man of ideas. He suddenly recollected his precious medicine, and determined to use it to better advantage than relieving his own ills. He dressed himself in his best clothes, brushed his hair and combed his whiskers, washed his hands and tied his necktie, blackened his hoes and sponged his vest, and then put the vial of magic cure-all in his pocket. Next he locked his door, went downstairs and walked through the streets to the grand mansion where the wealthy Miss Mydas resided.

The butler opened the door and said:

"No soap, no chromos, no vegetables, no hair oil, no books, no baking powder. My young lady is dying and we're well supplied for the funeral."

The glass-blower was grieved at being taken for a peddler.

"My friend," he began, proudly; but the butler interrupted him, saying:

"No tombstones, either; there's a family graveyard and the monument's built."

"The graveyard won't be needed if you will permit me to speak," said the glass-blower.

"No doctors, sir; they've given up my young lady, and she's given up the doctors," continued the butler, calmly.

"I'm no doctor," returned the glass-blower.

"Nor are the others. But what is your errand?"

"I called to cure your young lady by means of a magical compound."

"Step in, please, and take a seat in the hall. I'll speak to the housekeeper," said the butler, more politely.

So he spoke to the housekeeper and the housekeeper mentioned the matter to the steward and the steward consulted the chef and the chef kissed the lady's maid and sent her to see the stranger. Thus are the very wealthy hedged around with ceremony, even when dying.

When the lady's maid heard from the glass-blower that he had a medicine which would cure her mistress, she said:

"I'm glad you came."

"But," said he, "if I restore your mistress to health she must marry me."

"I'll make inquiries and see if she's willing," answered the maid, and went at once to consult Miss Mydas.

The young lady did not hesitate an instant.

"I'd marry any old thing rather than die!" she cried. "Bring him here at once!"

So the glass-blower came, poured the magic drop into a little water, gave it to the patient, and the next minute Miss Mydas was as well as she had ever been in her life.

"Dear me!" she exclaimed; "I've an engagement at the Fritters' reception to-night. Bring my pearl-colored silk, Marie, and I will begin my toilet at once. And don't forget to cancel the order for the funeral flowers and your mourning gown."

"But, Miss Mydas," remonstrated the glass-blower, who stood by, "you promised to marry me if I cured you."

"I know," said the young lady, "but we must have time to make proper announcement in the society papers and have the wedding cards engraved. Call to-morrow and we'll talk it over."

The glass-blower had not impressed her favorably as a husband, and she was glad to find an excuse for getting rid of him for a time. And she did not want to miss the Fritters' reception.

Yet the man went home filled with joy; for he thought his stratagem had succeeded and he was about to marry a rich wife who would keep him in luxury forever afterward.

The first thing he did on reaching his room was to smash his glass-blowing tools and throw them out of the window.

He then sat down to figure out ways of spending his wife's money.

The following day he called upon Miss Mydas, who was reading a novel and eating chocolate creams as happily as if she had never been ill in her life.

"Where did you get the magic compound that cured me?" she asked.

"From a learned wizard," said he; and then, thinking it would interest her, he told how he had made the glass dog for the wizard, and how it barked and kept everybody from bothering him.

"How delightful!" she said. "I've always wanted a glass dog that could bark."

"But there is only one in the world," he answered, "and it belongs to the wizard."

"You must buy it for me," said the lady.

"The wizard cares nothing for money," replied the glass-blower.

"Then you must steal it for me," she retorted. "I can never live happily another day unless I have a glass dog that can bark."

The glass-blower was much distressed at this, but said he would see what he could do. For a man should always try to please his wife, and Miss Mydas has promised to marry him within a week.

On his way home he purchased a heavy sack, and when he passed the wizard's door and the pink glass dog ran out to bark at him he threw the sack over the dog, tied the opening with a piece of twine, and carried him away to his own room.

The next day he sent the sack by a messenger boy to Miss Mydas, with his compliments, and later in the afternoon he called upon her in person, feeling quite sure he would be received with gratitude for stealing the dog she so greatly desired.

But when he came to the door and the butler opened it, what was his amazement to see the glass dog rush out and begin barking at him furiously.

"Call off your dog," he shouted, in terror.

"I can't, sir," answered the butler. "My young lady has ordered the glass dog to bark whenever you call here. You'd better look out, sir," he added, "for if it bites you, you may have glassophobia!"

This so frightened the poor glass-blower that he went away hurriedly. But he stopped at a drug store and put his last dime in the telephone box so he could talk to Miss Mydas without being bitten by the dog.

"Give me Pelf 6742!" he called.

"Hello! What is it?" said a voice.

"I want to speak with Miss Mydas," said the glass-blower.

Presently a sweet voice said: "This is Miss Mydas. What is it?"

"Why have you treated me so cruelly and set the glass dog on me?" asked the poor fellow.

"Well, to tell the truth," said the lady, "I don't like your looks. Your cheeks are pale and baggy, your hair is coarse and long, your eyes are small and red, your hands are big and rough, and you are bow-legged."

"But I can't help my looks!" pleaded the glass-blower; "and you really promised to marry me."

"If you were better looking I'd keep my promise," she returned. "But under the circumstances you are no fit mate for me, and unless you keep away from my mansion I shall set my glass dog on you!" Then she dropped the 'phone and would have nothing more to say.

The miserable glass-blower went home with a heart bursting with disappointment and began tying a rope to the bedpost by which to hang himself.

Some one knocked at the door, and, upon opening it, he saw the wizard.

"I've lost my dog," he announced.

"Have you, indeed?" replied the glass-blower tying a knot in the rope.

"Yes; some one has stolen him."

"That's too bad," declared the glass-blower, indifferently.

"You must make me another," said the wizard.

"But I cannot; I've thrown away my tools."

"Then what shall I do?" asked the wizard.

"I do not know, unless you offer a reward for the dog."

"But I have no money," said the wizard.

"Offer some of your compounds, then," suggested the glass-blower, who was making a noose in the rope for his head to go through.

"The only thing I can spare," replied the wizard, thoughtfully, "is a Beauty Powder."

"What!" cried the glass-blower, throwing down the rope, "have you really such a thing?"

"Yes, indeed. Whoever takes the powder will become the most beautiful person in the world."

"If you will offer that as a reward," said the glass-blower, eagerly, "I'll try to find the dog for you, for above everything else I long to be beautiful."

"But I warn you the beauty will only be skin deep," said the wizard.

"That's all right," replied the happy glass-blower; "when I lose my skin I shan't care to remain beautiful."

"Then tell me where to find my dog and you shall have the powder," promised the wizard.

So the glass-blower went out and pretended to search, and by-and-by he returned and said:

"I've discovered the dog. You will find him in the mansion of Miss Mydas."

The wizard went at once to see if this were true, and, sure enough, the glass dog ran out and began barking at him. Then the wizard spread out his hands and chanted a magic spell which sent the dog fast asleep, when he picked him up and carried him to his own room on the top floor of the tenement house.

Afterward he carried the Beauty Powder to the glass-blower as a reward, and the fellow immediately swallowed it and became the most beautiful man in the world.

The next time he called upon Miss Mydas there was no dog to bark at him, and when the young lady saw him she fell in love with his beauty at once.

"If only you were a count or a prince," she sighed, "I'd willingly marry you."

"But I am a prince," he answered; "the Prince of Dogblowers."

"Ah!" said she; "then if you are willing to accept an allowance of four dollars a week I'll order the wedding cards engraved."

The man hesitated, but when he thought of the rope hanging from his bedpost he consented to the terms.

So they were married, and the bride was very jealous of her husband's beauty and led him a dog's life. So he managed to get into debt and made her miserable in turn.

As for the glass dog, the wizard set him barking again by means of his wizardness and put him outside his door. I suppose he is there yet, and am rather sorry, for I should like to consult the wizard about the moral to this story.

When the wind sweeps across a field of grass it makes little ripples in it like a lake; in a field of corn it makes great waves like the sea itself: this is the wind's frolic. Then listen to the stories it tells; it sings them aloud, one kind of song among the trees of the forest, and a very different one when it is pent up within walls with all their cracks and crannies. Do you see how the wind chases the white fleecy clouds as if they were a flock of sheep? Do you hear the wind down there, howling in the open doorway like a watchman winding his horn? Then, too, how he whistles in the chimneys, making the fire crackle and sparkle. How cosy it is to sit in the warm glow of the fire listening to the tales it has to tell! Let the wind tell its own story! It can tell you more adventures than all of us put together. Listen now:—

'Whew!—Whew!—Fare away!' That was the refrain of his song.

'Close to the Great Belt stands an old mansion with thick red walls,' says the wind. 'I know every stone of it; I knew them before when they formed part of Marsk Stig's Castle on the Ness. It had to come down. The stones were used again, and made a new wall of a new castle in another place—Borreby Hall as it now stands.

'I have watched the highborn men and women of all the various races who have lived there, and now I am going to tell you about Waldemar Daa and his daughters!

'He held his head very high, for he came of a royal stock! He knew more than the mere chasing of a stag, or the emptying of a flagon; he knew how to manage his affairs, he said himself.

'His lady wife walked proudly across the brightly polished floors, in her gold brocaded kirtle; the tapestries in the rooms were gorgeous, and the furniture of costly carved woods. She had brought much gold and silver plate into the house with her, and the cellars were full of German ale, when there was anything there at all. Fiery black horses neighed in the stables; Borreby Hall was a very rich place when wealth came there.

'Then there were the children, three dainty maidens, Ida, Johanna and Anna Dorothea. I remember their names well.

'They were rich and aristocratic people, and they were born and bred in wealth! Whew!—whew!—fare away!' roared the wind, then he went on with his story.

'I did not see here, as in other old noble castles the highborn lady sitting among her maidens in the great hall turning the spinning-wheel. No, she played upon the ringing lute, and sang to its tones. Her songs were not always the old Danish ditties, however, but songs in foreign tongues. All was life and hospitality; noble guests came from far and wide; there were sounds of music and the clanging of flagons, so loud that I could not drown them!' said the wind. 'Here were arrogance and ostentation enough and to spare; plenty of lords, but the Lord had no place there.

'Then came the evening of May-day!' said the wind. 'I came from the west; I had been watching ships being wrecked and broken up on the west coast of Jutland. I tore over the heaths and the green wooded coasts, across the island of Funen and over the Great Belt puffing and blowing. I settled down to rest on the coast of Zealand close to Borreby Hall, where the splendid forest of oaks still stood. The young bachelors of the neighbourhood came out and collected faggots and branches, the longest and driest they could find. These they took to the town, piled them up in a heap, and set fire to them; then the men and maidens danced and sang round the bonfire. I lay still,' said the wind, 'but I softly moved a branch, the one laid by the handsomest young man, and his billet blazed up highest of all. He was the chosen one, he had the name of honour, he became 'Buck of the Street!' and he chose from among the girls his little May-lamb. All was life and merriment, greater far than within rich Borreby Hall.

'The great lady came driving towards the Hall, in her gilded chariot drawn by six horses. She had her three dainty daughters with her; they were indeed three lovely flowers. A rose, a lily and a pale hyacinth. The mother herself was a gorgeous tulip; she took no notice whatever of the crowd, who all stopped in their game to drop their curtsies and make their bows; one might have thought that, like a tulip, she was rather frail in the stalk and feared to bend her back. The rose, the lily, and the pale hyacinth—yes, I saw them all three. Whose May-lambs were they one day to become, thought I; their mates would be proud knights—perhaps even princes!

'Whew!—whew!—fare away! Yes, the chariot bore them away, and the peasants whirled on in their dance. They played at "Riding the Summer into the village," to Borreby village, Tareby village, and many others.

'But that night when I rose,' said the wind, 'the noble lady laid herself down to rise no more; that came to her which comes to every one—there was nothing new about it. Waldemar Daa stood grave and silent for a time; "The proudest tree may bend, but it does not break," said something within him. The daughters wept, and every one else at the Castle was wiping their eyes; but Madam Daa had fared away, and I fared away too! Whew!—whew!' said the wind.

She played upon the ringing lute, and sang to its tones.

'I came back again; I often came back across the island of Funen and the waters of the Belt, and took up my place on Borreby shore close to the great forest of oaks. The ospreys and the wood pigeons used to build in it, the blue raven and even the black stork! It was early in the year; some of the nests were full of eggs, while in others the young ones were just hatched. What a flying and screaming was there! Then came the sound of the axe, blow upon blow; the forest was to be felled. Waldemar Daa was about to build a costly ship, a three-decked man-of-war, which it was expected the king would buy. So the wood fell, the ancient landmark of the seaman, the home of the birds. The shrike was frightened away; its nest was torn down; the osprey and all the other birds lost their nests too, and they flew about distractedly, shrieking in their terror and anger. The crows and the jackdaws screamed in mockery, Caw! caw! Waldemar Daa and his three daughters stood in the middle of the wood among the workmen. They all laughed at the wild cries of the birds, except Anna Dorothea, who was touched by their distress, and when they were about to fell a tree which was half-dead, and on whose naked branches a black stork had built its nest, out of which the young ones were sticking their heads, she begged them with tears in her eyes to spare it. So the tree with the black stork's nest was allowed to stand. It was only a little thing.

'The chopping and the sawing went on—the three-decker was built. The master builder was a man of humble origin, but of noble loyalty; great power lay in his eyes and on his forehead, and Waldemar Daa liked to listen to him, and little Ida liked to listen too, the eldest fifteen-year-old daughter. But whilst he built the ship for her father, he built a castle in the air for himself, in which he and little Ida sat side by side as man and wife. This might also have happened if his castle had been built of solid stone, with moat and ramparts, wood and gardens. But with all his wisdom the shipbuilder was only a poor bird, and what business has a sparrow in a crane's nest? Whew! whew! I rushed away, and he rushed away, for he dared not stay, and little Ida got over it, as get over it she must.

'The fiery black horses stood neighing in the stables; they were worth looking at, and they were looked at to some purpose too. An admiral was sent from the King to look at the new man-of-war, with a view to purchasing it. The admiral was loud in his admiration of the horses. I heard all he said,' added the wind. 'I went through the open door with the gentlemen and scattered the straw like gold before their feet. Waldemar Daa wanted gold; the admiral wanted the black horses, and so he praised them as he did; but his hints were not taken, therefore the ship remained unsold. There it stood by the shore covered up with boards, like a Noah's Ark which never reached the water. Whew! whew! get along! get along! It was a miserable business. In the winter, when the fields were covered with snow and the Belt was full of ice-floes which I drove up on to the coast,' said the wind, 'the ravens and crows came in flocks, the one blacker than the other, and perched upon the desolate, dead ship by the shore. They screamed themselves hoarse about the forest which had disappeared, and the many precious birds' nests which had been devastated, leaving old and young homeless; and all for the sake of this old piece of lumber, the proud ship which was never to touch the water! I whirled the snow about till it lay in great heaps round the ship. I let it hear my voice, and all that a storm has to say, I know that I did my best to give it an idea of the sea. Whew! whew!'

'The winter passed by; winter and summer passed away! They come and go just as I do. The snow-flakes, the apple blossom, and the leaves fall, each in their turn. Whew! whew! they pass away, as men pass too!

'The daughters were still young. Little Ida, the rose, as lovely to look at as when the shipbuilder turned his gaze upon her. I often took hold of her long brown hair when she stood lost in thought by the apple-tree in the garden. She never noticed that I showered apple-blossom over her loosened hair; she only gazed at the red sunset against the golden background of the sky, and the dark trees and bushes of the garden. Her sister Johanna was like a tall, stately lily; she held herself as stiffly erect as her mother, and seemed to have the same dread of bending her stem. She liked to walk in the long gallery where the family portraits hung. The ladies were painted in velvet and silk, with tiny pearl embroidered caps on their braided tresses. Their husbands were all clad in steel, or in costly cloaks lined with squirrel skins and stiff blue ruffs; their swords hung loosely by their sides. Where would Johanna's portrait one day hang on these walls? What would her noble husband look like? These were her thoughts, and she even spoke them aloud; I heard her as I swept through the long corridor into the gallery, where I veered round again.

'Anna Dorothea, the pale hyacinth, was only a child of fourteen, quiet and thoughtful. Her large blue eyes, as clear as water, were very solemn, but childhood's smile still played upon her lips; I could not blow it away, nor did I wish to do so. I used to meet her in the garden, the ravine, and in the manor fields. She was always picking flowers and herbs, those she knew her father could use for healing drinks and potions. Waldemar Daa was proud and conceited, but he was also learned, and he knew a great deal about many things. One could see that, and many whispers went about as to his learning. The fire blazed in his stove even in summer, and his chamber door was locked. This went on for days and nights, but he did not talk much about it. One must deal silently with the forces of nature. He would soon discover the best of everything, the red, red gold!

'This was why his chimney flamed and smoked and sparkled. Yes, I was there, too,' said the wind.

I used to meet her in the garden, the ravine, and in the manor fields. She was always picking flowers and herbs, those she knew her father could use for healing drinks and potions.

'Away with you, away! I sang in the back of the chimney. Smoke smoke, embers and ashes, that is all it will come to! You will burn yourself up in it. Whew! whew! away with it! But Waldemar Daa could not let it go.

'The fiery steeds in the stable, where were they? The old gold and silver plate in cupboard and chest, where was that? The cattle, the land, the castle itself? Yes, they could all be melted down in the crucible, but yet no gold would come.

'Barn and larder got emptier and emptier. Fewer servants; more mice. One pane of glass got broken and another followed it. There was no need for me to go in by the doors,' said the wind. 'A smoking chimney means a cooking meal, but the only chimney which smoked here swallowed up all the meals, all for the sake of the red gold.

'I blew through the castle gate like a watchman blowing his horn, but there was no watchman,' said the wind. 'I twisted round the weather-cock on the tower and it creaked as if the watchman up there was snoring, only there was no watchman. Rats and mice were the only inhabitants. Poverty laid the table; poverty lurked in wardrobe and larder. The doors fell off their hinges, cracks and crannies appeared everywhere; I went in and out,' said the wind, 'so I know all about it.

'The hair and the beard of Waldemar Daa grew grey, in the sorrow of his sleepless nights, amid smoke and ashes. His skin grew grimy and yellow, and his eyes greedy for gold, the long expected gold.

'I whistled through the broken panes and fissures; I blew into the daughters' chests where their clothes lay faded and threadbare; they had to last for ever. A song like this had never been sung over the cradles of these children. A lordly life became a woeful life! I was the only one to sing in the castle now,' said the wind. 'I snowed them up, for they said it gave warmth. They had no firewood, for the forest was cut down where they should have got it. There was a biting frost. Even I had to keep rushing through the crannies and passages to keep myself lively. They stayed in bed to keep themselves warm, those noble ladies. Their father crept about under a fur rug. Nothing to bite, and nothing to burn! a lordly life indeed! Whew! whew! let it go! But this was what Waldemar Daa could not do.

'"After winter comes the spring," said he; "a good time will come after a time of need; but they make us wait their pleasure, wait! The castle is mortgaged, we are in extremities—and yet the gold will come—at Easter!"

'I heard him murmur to the spider's web.—"You clever little weaver! You teach me to persevere! If your web is broken, you begin at the beginning again and complete it! Broken again—and cheerfully you begin it over again. That is what one must do, and one will be rewarded!"

'It was Easter morning, the bells were ringing, and the sun was at play in the heavens. Waldemar Daa had watched through the night with his blood at fever pitch; boiling and cooling, mixing and distilling. I heard him sigh like a despairing soul; I heard him pray, and I felt that he held his breath. The lamp had gone out, but he never noticed it; I blew up the embers and they shone upon his ashen face, which took a tinge of colour from their light; his eyes started in their sockets, they grew larger and larger, as if they would leap out.

'Look at the alchemist's glass! something twinkles in it; it is glowing, pure and heavy. He lifted it with a trembling hand and shouted with a trembling voice: "Gold! gold!" He reeled, and I could easily have blown him over,' said the wind, 'but I only blew upon the embers, and followed him to the room where his daughters sat shivering. His coat was powdered with ash, as well as his beard and his matted hair. He drew himself up to his full height and held up his precious treasure, in the fragile glass: "Found! won! gold!" he cried, stretching up his hand with the glass which glittered in the sunbeams: his hand shook, and the alchemist's glass fell to the ground shivered into a thousand atoms. The last bubble of his welfare was shattered too. Whew! whew! fare away! and away I rushed from the goldmaker's home.

He lifted it with a trembling hand and shouted with a trembling voice: 'Gold! gold!'

'Late in the year, when the days were short and dark up here, and the fog envelops the red berries and bare branches with its cold moisture, I came along in a lively mood clearing the sky and snapping off the dead boughs. This is no great labour, it is true, yet it has to be done. Borreby Hall, the home of Waldemar Daa, was having a clean sweep of a different sort. The family enemy, Ové Ramel from Basness, appeared, holding the mortgage of the Hall and all its contents. I drummed upon the cracked window panes, beat against the decaying doors, and whistled through all the cracks and crannies, whew! I did my best to prevent Herr Ové taking a fancy to stay there. Ida and Anna Dorothea faced it bravely, although they shed some tears; Johanna stood pale and erect and bit her finger till it bled! Much that would help her! Ové Ramel offered to let them stay on at the Castle for Waldemar Daa's lifetime, but he got no thanks for his offer; I was listening. I saw the ruined gentleman stiffen his neck and hold his head higher than ever. I beat against the walls and the old linden trees with such force that the thickest branch broke, although it was not a bit rotten. It fell across the gate like a broom, as if some one was about to sweep; and a sweeping there was indeed to be. I quite expected it. It was a grievous day and a hard time for them, but their wills were as stubborn as their necks were stiff. They had not a possession in the world but the clothes on their backs; yes, one thing—an alchemist's glass which had been bought and filled with the fragments scraped up from the floor. The treasure which promised much and fulfilled nothing. Waldemar Daa hid it in his bosom, took his staff in his hand, and, with his three daughters, the once wealthy gentleman walked out of Borreby Hall for the last time. I blew a cold blast upon his burning cheeks, I fluttered his grey beard and his long white hair; I sang such a tune as only I could sing. Whew! whew! away with them! away with them! This was the end of all their grandeur.

'Ida and Ana Dorothea walked one on each side of him: Johanna turned round in the gateway, but what was the good of that? nothing could make their luck turn. She looked at the red stones of what had once been Marsk Stig's Castle. Was she thinking of his daughters?

Was she thinking of that song? Here there were three and their father was with them. They walked along the road where once they used to ride in their chariot. They trod it now as vagrants, on their way to a plastered cottage on Smidstrup Heath, which was rented at ten marks yearly. This was their new country seat with its empty walls and its empty vessels. The crows and the magpies wheeled screaming over their heads with their mocking "Caw, caw! Out of the nest, Caw, caw!" just as they screamed in Borreby Forest when the trees were felled.

'Herr Daa and his daughters must have noticed it. I blew into their ears to try and deaden the cries, which after all were not worth listening to.

'So they took up their abode in the plastered cottage on Smidstrup Heath, and I tore off over marshes and meadows, through naked hedges and bare woods, to the open seas and other lands. Whew! whew! away, away! and that for many years.'

What happened to Waldemar Daa? What happened to his daughters? This is what the wind relates.

'The last of them I saw, yes, for the last time, was Anna Dorothea, the pale hyacinth. She was old and bent now; it was half a century later. She lived the longest, she had gone through everything.

'Across the heath, near the town of Viborg, stood the Dean's new, handsome mansion, built of red stone with toothed gables. The smoke curled thickly out of the chimneys. The gentle lady and her fair daughters sat in the bay window looking into the garden at the drooping thorns and out to the brown heath beyond. What were they looking at there? They were looking at a stork's nest on a tumble-down cottage; the roof was covered, as far as there was any roof to cover, with moss and house-leek; but the stork's nest made the best covering. It was the only part to which anything was done, for the stork kept it in repair.

Waldemar Daa hid it in his bosom, took his staff in his hand, and, with his three daughters, the once wealthy gentleman walked out of Borreby Hall for the last time.

'This house was only fit to be looked at, not to be touched. I had to mind what I was about,' said the wind. 'The cottage was allowed to stand for the sake of the stork's nest; in itself it was only a scarecrow on the heath, but the dean did not want to frighten away the stork, so the hovel was allowed to stand. The poor soul inside was allowed to live in it; she had the Egyptian bird to thank for that; or was it payment for once having pleaded for the nest of his wild black brother in the Borreby Forest? Then, poor thing, she was a child, a delicate, pale hyacinth in a noble flower-garden. Poor Anna Dorothea; she remembered it all! Ah, human beings can sigh as well as the wind when it soughs through the rushes and reeds.

'Oh dear! oh dear! No bells rang over the grave of Waldemar Daa. No schoolboys sang when the former lord of Borreby Castle was laid in his grave. Well, everything must have an end, even misery! Sister Ida became the wife of a peasant, and this was her father's sorest trial. His daughter's husband a miserable serf, who might at any moment be ordered the punishment of the wooden horse by his lord. It is well that the sod covers him now, and you too, Ida! Ah yes! ah yes! Poor me! poor me! I still linger on. In Thy mercy release me, O Christ!'

'This was the prayer of Anna Dorothea, as she lay in the miserable hovel which was only left standing for the sake of the stork.

'I took charge of the boldest of the sisters,' said the wind. 'She had clothes made to suit her manly disposition, and took a place as a lad with a skipper. Her words were few and looks stubborn, but she was willing enough at her work. But with all her will she could not climb the rigging; so I blew her overboard before any one discovered that she was a woman, and I fancy that was not a bad deed of mine!' said the wind.

'On such an Easter morning as that on which Waldemar Daa thought he had found the red gold, I heard from beneath the stork's nest a psalm echoing through the miserable walls. It was Anna Dorothea's last song. There was no window; only a hole in the wall. The sun rose in splendour and poured in upon her; her eyes were glazed and her heart broken! This would have been so this morning whether the sun had shone upon her or not. The stork kept a roof over her head till her death! I sang at her grave,' said the wind, 'and I sang at her father's grave. I know where it is, and hers too, which is more than any one else knows.

'The old order changeth, giving place to the new. The old high-road now only leads to cultivated fields, while peaceful graves are covered by busy traffic on the new road. Soon comes Steam with its row of waggons behind it, rushing over the graves, forgotten, like the names upon them. Whew! whew! Let us be gone! This is the story of Waldemar Daa and his daughters. Tell it better yourselves, if you can,' said the wind, as it veered round. Then it was gone.

Once upon a time there was an old Sow with three little Pigs, and as she had not enough to keep them, she sent them out to seek their fortune.

The first that went off met a Man with a bundle of straw, and said to him, "Please, Man, give me that straw to build me a house"; which the Man did, and the little Pig built a house with it. Presently came along a Wolf, and knocked at the door, and said, "Little Pig, little Pig, let me come in."

To which the Pig answered, "No, no, by the hair of my chinny chin chin."

"Then I'll huff and I'll puff, and I'll blow your house in!" said the Wolf. So he huffed, and he puffed, and he blew his house in, and ate up the little Pig.

The second Pig met a Man with a bundle of furze, and said, "Please, Man, give me that furze to build a house"; which the Man did, and the Pig built his house. Then along came the Wolf and said, "Little Pig, little Pig, let me come in."

"No, no, by the hair of my chinny chin chin."

"Then I'll puff and I'll huff, and I'll blow your house in!" So he huffed and he puffed, and he puffed and he huffed, and at last he blew the house down, and ate up the second little Pig.

The third little Pig met a Man with a load of bricks, and said, "Please, Man, give me those bricks to build a house with"; so the Man gave him the bricks, and he built his house with them. So the Wolf came, as he did to the other little Pigs, and said, "Little Pig, little Pig, let me come in."

"No, no, by the hair of my chinny chin chin." "Then I'll huff and I'll puff, and I'll blow your house in." Well, he huffed and he puffed, and he huffed and he puffed, and he puffed and he huffed; but he could not get the house down. When he found that he could not, with all his huffing and puffing, blow the house down, he said, "Little Pig, I know where there is a nice field of turnips."

"Where?" said the little Pig.

"Oh, in Mr. Smith's home-field; and if you will be ready to-morrow morning, I will call for you, and we will go together and get some for dinner."

"Very well," said the little Pig, "I will be ready. What time do you mean to go?"

"Oh, at six o'clock."

Well, the little Pig got up at five, and got the turnips and was home again before six. When the Wolf came he said, "Little Pig, are you ready?"

"Ready!" said the little Pig, "I have been and come back again, and got a nice pot-full for dinner."

The Wolf felt very angry at this, but thought that he would be up to the little Pig somehow or other; so he said, "Little Pig, I know where there is a nice apple-tree." "Where?" said the Pig.

"Down at Merry-garden," replied the Wolf; "and if you will not deceive me I will come for you, at five o'clock to-morrow, and we will go together and get some apples."

Well, the little Pig woke at four the next morning, and bustled up, and went off for the apples, hoping to get back before the Wolf came; but he had farther to go, and had to climb the tree, so that just as he was coming down from it, he saw the Wolf coming, which, as you may suppose, frightened him very much. When the Wolf came up he said, "Little Pig, what! are you here before me? Are they nice apples?"

"Yes, very," said the little Pig; "I will throw you down one." And he threw it so far that, while the Wolf was gone to pick it up, the little Pig jumped down and ran home.

The next day the Wolf came again, and said to the little Pig, "Little Pig, there is a Fair in the Town this afternoon: will you go?"

"Oh, yes," said the Pig, I will go; what time shall you be ready?"

"At three," said the Wolf.

So the little Pig went off before the time, as usual, and got to the Fair, and bought a butter churn, and was on his way home with it when he saw the Wolf coming. Then he could not tell what to do. So he got into the churn to hide, and in doing so turned it round, and it began to roll, and rolled down the hill with the Pig inside it, which frightened the Wolf so much that he ran home without going to the Fair.

He went to the little Pig's house, and told him how frightened he had been by a great round thing which came down the hill past him.

Then the little Pig said, "Hah! I frightened you, did I? I had been to the Fair and bought a butter churn, and when I saw you I got into it, and rolled down the hill."

Then the Wolf was very angry indeed, and declared he would eat up the little Pig, and that he would get down the chimney after him.

When the little Pig saw what he was about, he hung on the pot full of water, and made up a blazing fire, and, just as the Wolf was coming down, took off the cover of the pot, and in fell the Wolf. And the little Pig put on the cover again in an instant, boiled him up, and ate him for supper, and lived happy ever after.

Once upon a time there were Three Bears, who lived together in a house of their own, in a wood. One of them was a Little, Small, Wee Bear; and one was a Middle-sized Bear, and the other was a Great, Huge Bear. They had each a pot for their porridge; a little pot for the Little, Small, Wee Bear; and a middle-sized pot for the Middle Bear, and a great pot for the Great, Huge Bear. And they had each a chair to sit in; a little chair for the Little, Small, Wee Bear; and a middle-sized chair for the Middle Bear, and a great chair for the Great, Huge Bear. And they had each a bed to sleep in; a little bed for the Little, Small, Wee Bear; and a middle-sized bed for the Middle Bear, and a great bed for the Great, Huge Bear.

One day, after they had made the porridge for their breakfast, and poured it into their porridge-pots, they walked out into the wood while the porridge was cooling, that they might not burn their mouths by beginning too soon to eat it. And while they were walking, a little Girl called Goldenlocks came to the house. First she looked in at the window, and then she peeped in at the keyhole; and seeing nobody in the house, she turned the handle of the door. The door was not fastened, because the Bears were good Bears, who did nobody any harm, and never suspected that anybody would harm them. So Goldenlocks opened the door, and went in; and well pleased she was when she saw the porridge on the table. If she had been a thoughtful little Girl, she would have waited till the Bears came home, and then, perhaps, they would have asked her to breakfast; for they were good Bears—a little rough or so, as the manner of Bears is, but for all that very good-natured and hospitable. But the porridge looked tempting, and she set about helping herself.

So first she tasted the porridge of the Great, Huge Bear, and that was too hot for her. And then she tasted the porridge of the Middle Bear, and that was too cold for her. And then she went to the porridge of the Little, Small, Wee Bear, and tasted that; and that was neither too hot nor too cold, but just right, and she liked it so well that she ate it all up.

Then Goldenlocks sat down in the chair of the Great, Huge Bear, and that was too hard for her. And then she sat down in the chair of the Middle Bear, and that was too soft for her. And then she sat down in the chair of the Little, Small, Wee Bear, and that was neither too hard nor too soft, but just right. So she seated herself in it, and there she sat till the bottom of the chair came out, and down she came plump upon the ground.

Then Goldenlocks went upstairs into the bedchamber in which the three Bears slept. And first she lay down upon the bed of the Great, Huge Bear, but that was too high at the head for her. And next she lay down upon the bed of the Middle Bear, and that was too high at the foot for her. And then she lay down upon the bed of the Little, Small, Wee Bear; and that was neither too high at the head nor at the foot, but just right. So she covered herself up comfortably, and lay there till she fell fast asleep.

By this time the Three Bears thought their porridge would be cool enough; so they came home to breakfast. Now Goldenlocks had left the spoon of the Great, Huge Bear standing in his porridge.

"SOMEBODY HAS BEEN AT MY PORRIDGE!" said the Great, Huge Bear, in his great, rough, gruff voice. And when the Middle Bear looked at hers, she saw that the spoon was standing in it too.

"SOMEBODY HAS BEEN AT MY PORRIDGE!" said the Middle Bear, in her middle voice. Then the Little, Small, Wee Bear looked at his, and there was the spoon in the porridge-pot, but the porridge was all gone.

"SOMEBODY HAS BEEN AT MY PORRIDGE, AND HAS EATEN IT ALL UP!" said the Little, Small, Wee Bear, in his little, small, wee voice.

Upon this the Three Bears, seeing that someone had entered their house, and eaten up the Little, Small, Wee Bear's breakfast, began to look about them. Now Goldenlocks had not put the hard cushion straight when she rose from the chair of the Great, Huge Bear.

"SOMEBODY HAS BEEN SITTING IN MY CHAIR!" said the Great, Huge Bear, in his great, rough, gruff voice.

And Goldenlocks had squatted down the soft cushion of the Middle Bear.

"SOMEBODY HAS BEEN SITTING IN MY CHAIR!" said the Middle Bear, in her middle voice.

And you know what Goldenlocks had done to the third chair.

"SOMEBODY HAS BEEN SITTING IN MY CHAIR, AND HAS SAT THE BOTTOM OUT OF IT!" said the Little, Small, Wee Bear, in his little, small, wee voice.

Then the Three Bears thought it necessary that they should make farther search; so they went upstairs into their bedchamber. Now Goldenlocks had pulled the pillow of the Great, Huge Bear out of its place.

"SOMEBODY HAS BEEN LYING IN MY BED!" said the Great, Huge Bear, in his great, rough, gruff voice.

And Goldenlocks had pulled the bolster of the Middle Bear out of its place.

"SOMEBODY HAS BEEN LYING IN MY BED!" said the Middle Bear, in her middle voice.

And when the Little, Small, Wee Bear came to look at his bed, there was the bolster in its place; and the pillow in its place upon the bolster; and upon the pillow was the head of Goldenlocks—which was not in its place, for she had no business there.

"SOMEBODY HAS BEEN LYING IN MY BED—AND HERE SHE IS!" said the Little, Small, Wee Bear, in his little, small, wee voice.

Goldenlocks had heard in her sleep the great, rough, gruff voice of the Great, Huge Bear, and the middle voice of the Middle Bear, but it was only as if she had heard someone speaking in a dream. But when she heard the little, small, wee voice of the Little, Small, Wee Bear, it was so sharp, and so shrill, that it awakened her at once. Up she started; and when she saw the Three Bears on one side of the bed she tumbled herself out at the other, and ran to the window. Now the window was open, because the Bears, like good, tidy Bears, as they were, always opened their bedchamber window when they got up in the morning. Out Goldenlocks jumped, and ran away as fast as she could run—never looking behind her; and what happened to her afterwards I cannot tell. But the Three Bears never saw anything more of her.

Little Red Hen lived in a
barnyard. She spent almost all of
her time walking about the barnyard

in

her

picketty-pecketty

fashion,

scratching

everywhere

for

worms.

he dearly loved fat, delicious worms and felt they were absolutely necessary to the health of her children. As
often as

she

found a

worm

she

would

call

“Chuck-chuck-chuck!” to her chickies.

hen they were gathered about her, she would distribute choice morsels of her tid-bit. A busy little body was she!

A cat usually napped lazily in the barn door, not even bothering herself to scare the rat who ran here and there as

he pleased.

And

as for

the pig

who lived

in the

sty—he

did

not care what

happened so long as he could eat and grow fat.

ne day the Little Red Hen found a Seed. It was a Wheat Seed, but the Little Red Hen was so accustomed to bugs and worms that she supposed this to be some new and perhaps very delicious kind of meat. She bit it gently and found that it resembled a worm in no way whatsoever as to taste although because it was long and slender, a Little Red Hen might easily be fooled by its appearance.

arrying it about, she made many inquiries as to what it might be. She found it was a Wheat Seed and that, if planted, it would grow up and when ripe it could be made into flour and then into bread.

When she discovered

that, she knew it ought

to be planted. She was

so busy hunting food for

herself and her family

that, naturally, she

thought she ought not

to take time to plant it.

o she thought of the Pig—upon whom time must hang heavily and of the Cat who had nothing to do, and of the great fat Rat with his idle hours, and she called loudly:

“Who

will

plant

the

Seed?”

But the Pig said, “Not I,”

and the Cat said, “Not I,”

and the Rat said, “Not I.”

“Well, then,” said the Little Red Hen, “I will.”

And she did.

hen she went on with her daily duties through the long summer days, scratching for worms and feeding her chicks, while

the Pig grew fat,

and the Cat grew fat,

and the Rat grew fat,

and the Wheat

grew tall and

ready for

harvest.

o one day the Little Red Hen chanced to notice how large the Wheat was and that the grain was ripe, so she ran about calling briskly: “Who will cut the Wheat?”

The Pig said, “Not I,”

the Cat said, “Not I,”

and the Rat said, “Not I.”

“Well,

then,”

said the

Little

Red Hen,

“I will.”

And she did.

he got the sickle from among the farmer's tools in the barn and proceeded to cut off all of the big plant of Wheat.

On the ground lay the nicely cut Wheat, ready to be gathered and threshed, but the newest and yellowest and downiest of Mrs.

Hen's chicks set up a “peep-peep-peeping” in their most vigorous fashion, proclaiming to the world at large, but most particularly to their mother, that she was neglecting them.

oor Little Red Hen! She felt quite bewildered and hardly knew where to turn.

Her attention was sorely divided between her duty to her children and her duty to the Wheat, for which she felt responsible.

So, again, in a very hopeful tone, she called out, “Who will thresh the Wheat?”

But the Pig, with a grunt, said, “Not I,” and the Cat, with a meow, said, “Not I,” and the Rat, with a squeak, said, “Not I.”

So the Little Red Hen, looking, it must be admitted, rather discouraged, said, “Well, I will, then.”

And she did.

Of course, she had to feed her babies first, though, and when she had gotten them all to sleep for their afternoon nap, she

went out and threshed the Wheat. Then she called out: “Who will carry the Wheat to the mill to be ground?”

Turning their backs with snippy glee, that Pig said, “Not I,”

and

that

Cat

said,

“Not I,”

and

that

Rat

said,

“Not I.”

o the good Little Red Hen could do nothing but say, “I will then.” And she did.

Carrying the sack of Wheat, she trudged off to the distant mill. There she ordered the Wheat ground into beautiful white flour. When the miller brought her the

flour she

walked

slowly

back all

the way

to her own

barnyard

in her own

picketty-pecketty

fashion.

he even managed, in spite of her load, to catch a nice juicy worm now and then and had one left for the babies when she reached them. Those cunning little fluff-balls were so glad to see their mother. For the first time, they really appreciated her.

After this really strenuous day Mrs. Hen retired to her slumbers earlier than usual—indeed, before the colors came into the sky to herald the setting of the sun, her usual bedtime hour.

She would have liked to sleep late in the morning, but her chicks, joining in the morning chorus of the hen yard, drove away all hopes of such a luxury.

Even as she sleepily half opened one eye, the thought came to her that to-day that Wheat must, somehow, be made into bread.

She was not in the habit of making bread, although, of course, anyone can make it if he or she follows the recipe with care, and she knew perfectly well that she could do it if necessary.

So after her children were fed and made sweet and fresh for the day, she hunted up the Pig, the Cat and the Rat.

Still confident that they would

surely help

her some day

she sang out,

“Who will

make the

bread?”

las for the Little Red Hen! Once

more her hopes were dashed! For

the

Pig

said,

“Not

I,”

the

Cat

said,

“Not

I,”

and

the

Rat

said,

“Not

I.”

o the Little Red Hen said once more, “I will then,” and she did.

Feeling that she might have known all the time that she would have to do it all herself, she went and put on a fresh apron and spotless cook's cap. First of all she set the dough, as was proper. When it was time she brought out the moulding board and the baking tins, moulded the bread, divided it into loaves, and put them into the oven to bake. All the while the Cat sat lazily by, giggling and chuckling.

And close at

hand the

vain Rat

powdered

his nose

and admired

himself

in a mirror.

In the distance

could be

heard the long-drawn

snores of

the dozing Pig.

t last the great moment arrived. A delicious odor was wafted upon the autumn breeze. Everywhere the barnyard citizens sniffed the air with delight.

The Red Hen ambled in her picketty-pecketty way toward the source of all this excitement.

lthough she appeared to be perfectly calm, in reality she could only with difficulty restrain an impulse to dance and sing, for had she not

done

all

the

work

on

this

wonderful

bread?

mall wonder that she was the most excited person in the barnyard!

She did not know whether the bread would be fit to eat, but—joy of joys!—when the lovely brown loaves came out of the oven,

they were done to perfection.

Then, probably because she had acquired the habit, the Red Hen called:

“Who

will

eat

the

Bread?”

All the animals in the barnyard were watching hungrily and smacking their lips in anticipation, and

the Pig said, “I will,”

the Cat said, “I will,”

the Rat said, “I will.”

But the Little Red Hen said,

“No, you won't. I will.”

And

she

did.

Once on a time there was a Little Old Woman who lived in a Shoe. This shoe stood near a great forest, and was so large that it served as a house for the Old Lady and all her children, of which she had so many that she did not know what to do with them.

But the Little Old Woman was very fond of her children, and they only thought of the best way to please her. Strong-arm, the eldest, cut down trees for firewood. Peter made baskets of wicker-work. Mark was chief gardener. Lizzie milked the cow, and Jenny taught the younger children to read.

Now this Little Old Woman had not always lived in a Shoe. She and her family had once dwelt in a nice house covered with ivy, and her husband was a wood-cutter, like Strong-arm. But there lived in a huge castle beyond the forest, a fierce giant, who one day came and laid their house in ruins with his club; after which he carried off the poor wood-cutter to his castle beyond the forest. When the Little Old Woman came home, her house was in ruins and her husband was no where to be seen.

Night came on, and as the father did not return, the Old Lady and her family went to search for him. When they came to that part of the wood where the Giant had met their father, they saw an immense shoe. They spent a long time weeping and calling out for their father, but met with no reply. Then the Old Lady thought that they had better take shelter in the shoe until they could build a new house. So Peter and Strong-arm put a roof to it, and cut a door, and turned it into a dwelling. Here they all lived happily for many years, but the Little Old Lady never forgot her husband and his sad fate. Strong-arm, who saw how wretched his mother often was about it, proposed to the next eleven brothers that they should go with him and set their father free from the Giant. Their mother knew the Giant's strength, and would not hear of the attempt, as she feared they would be killed. But Strong-arm was not afraid. He bought a dozen sharp swords, and Peter made as many strong shields and helmets, as well as cross-bows and iron-headed arrows. They were now quite ready; Strong-arm gave the order to march, and they started for the forest. The next day they came in sight of the Giant's Castle. Strong-arm, leaving his brothers in a wood close by, strode boldly up to the entrance, and seized the knocker. The door was opened by a funny little boy with a large head, who kept grinning and laughing.

Strong-arm then walked boldly across the court-yard, and presently met a page, who took off his hat and asked him what he wanted. Strong-arm said he had come to liberate his father, who was kept a prisoner by the Giant; on this the little man said he was sorry for him, because the part of the castle in which his father was kept was guarded by a large dragon. Strong-arm, nothing daunted, soon found the monster, who was fast asleep, so he made short work of him by sending his sword right through his heart; at which he jumped up, uttering a loud scream, and made as if he would spring forward and seize Strong-arm; but the good sword had done its work, and the monster fell heavily on the ground, dead.

Now the Giant, who had been drinking much wine, was fast asleep in a remote part of the castle. Strong-arm had no sooner finished the Dragon, than up started the funny little boy who had opened the door. He led Strong-arm round to another part of the court-yard, where he saw his poor father, who at once sprung to his feet, and embraced him. Then Strong-arm called up his brothers, and when they had embraced their father, they soon broke his chain and set him free.

We must now return to the Little Old Woman. After her sons had started she gave way to the most bitter grief. While she was in this state, an old witch came up to her, and said she would help her, as she hated the Giant, and wished to kill him. The Old Witch then took the little Old Lady on her broom, and they sailed off through the air, straight to the Giant's castle.

Now this old Witch had great power, and at once afflicted the Giant with corns and tender feet. When he awoke from his sleep he was in such pain that he could bear it no longer, so he thought he would go in search of his missing shoe, which, like the other one he had in his castle, was easy and large for his foot. When he came to the spot where the Old Lady and her children lived, he saw his old shoe, and with a laugh that shook the trees, he thrust his foot into it, breaking through the roof that Strong-arm and Peter had put to it. The children, in great alarm, rushed about inside the shoe, and frightened and trembling, scrambled through the door and the slits which the Giant had formerly made for his corns. By this time the witch and the Little Old Lady, as also Strong-arm, his eleven brother and his father, were come up to the spot. Strong-arm and his brothers shot their arrows at him till at last he fell wounded, when Strong-arm went up to him and cut off his head. Then the father and the Little Old Woman and all their children built a new house, and lived happily ever afterwards.

A gentleman of good account
  In Norfolk dwelt of late,
Whose wealth and riches did surmount
  Most men of his estate.

Sore sick he was, and like to die,
  No help his life could save;
His wife by him as sick did lie,
  And both were near the grave.

No love between these two was lost:
  Each to the other kind;
In love they lived, in love they died,
  And left two babes behind.

Now if the children chanced to die,
  Ere they to age should come,
Their uncle should possess their wealth:
  For so the will did run.

“Now brother,” said the dying man,
  “Look to my children dear;
Be good unto my boy and girl,
  No friend else have they here.”

Their parents being dead and gone,
  The children home he takes,
And brings them both unto his house,
  Where much of them he makes.

He had not kept these pretty babes
  A twelvemonth and a day,
When, for their wealth, he did devise
  To make them both away.

He bargain'd with two ruffians bold,
  Who were of savage mood,
That they should take the children twain,
  And slay them in a wood.

They prate and prattle pleasantly
  While riding on the way,
To those their wicked uncle hired,
  These lovely babes to slay:

So that the pretty speech they had,
  Made the ruffians' heart relent;
And they that took the deed to do,
  Full sorely did repent.

Yet one of them, more hard of heart,
  Did vow to do his charge,
Because the wretch that hired him
  Had paid him very large.

The other would not agree thereto,
  So here they fell at strife;
With one another they did fight,
  About the children's life:

And he that was of milder mood,
  Did slay the other there,
Within an unfrequented wood;
  The babes did quake for fear!

He took the children by the hand,
  While they for bread complain:
“Stay here,” said he, “I'll bring ye bread,
  When I do come again.”

These pretty babes, with hand in hand,
  Went wandering up and down;
But never more they saw the man,
  Approaching from the town: